Movie Review: Concussion (2015)

concussion_poster
CONCUSSION (USA 2015) **
Directed by Peter Landesman
Starring: Will Smith, Luke Wilson, Alec Baldwin, Albert Brooks

Slated for a Christmas release opening on Christmas Day, CONCUSSION has been picked probably because the studios thought it would be a film that would make a difference. Concussion is thought do to professional football what cancer did to the tobacco companies. Michael Mann’s THE INSIDER was a superb film about whistleblower Wigand played by Russell Crowe.

Unfortunately, Peter Landesman film about Dr. Bennet Omalu (Will Smith) is a sad disappointment.

It all starts in the film with huge praise for Dr. Omalu. He is cited as as an expert giving testimony in a murder case in court. He is questioned on his credentials, which he rattles on and on and on and on. For he is a very smart man. But the film is not.

The film for one is too formulaic. No surprises are in store – in any shape or form. Dr. Omalu is introduced in the film as the protagonist hero. As a forensic pathologist, he finds medical evidence of a common thread of suicides among former NHL football players. He discovers or rather names the disorder, chronic traumatic encephalopathy (CTE). Before long, he comes head to head with the high rollers of the NHL who want him silenced. Dr. Omalu is offered a Washington job that he declines. And the script calls for him to romantically fall in love with his tenant, a nurse also from Nigeria and have a daughter. That is too much niceness for a Christmas movie.

The character of Dr. Omalu can do no wrong. He is already, deemed the most intelligent person in America, by the list of degrees the audience is informed at the start of the film. He is shown angry for all the right reasons. He is shy, kind, handsome and hardworking. He will go against the bad people. He talks to the bodies he performs autopsies on. He given choice dialogue like: “If you don’t speak for the dead, who will?” One would like to see a more believable human being – one who has faults and who makes mistakes in real life. The only scene he is shown with a slight fault is when he is accused of being a self-righteous bastard, but even then, he has a reason for being one. As Dr. Omalu comes from Nigeria, Smith plays him with an African accent, which many will assume is the accurate Nigerian accent.

The film is dotted at regular intervals of the deaths of various NFL players beginning with the longtime, Super Bowl-winning center for the Steelers, Mike Webster (David Morse). Dr. Omalu did his first autopsy on Webster. There are several other heroes in the film like Julian Bailes (Alec Baldwin) and Omalu’s boss (Albert Brooks).

But despite the film being formulaic in dishing out a romance, confrontation scenes, feel good and feel bad segments, the film is a narrative mess. An example is the segment in which his girl Prema (Gugu Mbatha-Raw) speeds way in a car believing she is followed only to result in a miscarriage, one that serves no real purpose in the story.
The best thing about the film is the appearance of British actor Eddie Marsan as expert Dr. Steven Dekosky.

Unfortunately, the film does not have more of him. Marsan shows how acting can be done with the minimum of dialogue.
CONCUSSION’s potential as a film could be better tapped with a script doctor doing an autopsy on the original screenplay.

Screenplay Festival/Contest Deadlines posted on Twitter

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Movie Review: Alvin and the Chipmunks: Road Chip (2015)

ALVIN AND THE CHIPMUNKS: ROAD CHIP (USA 2015) **1/2
Directed by Walt Becker

Review by Gilbert Seah

Lots of puns in the Alvin Chipmunks movies – Chipwrecked for shipwrecked, Fast and Furry-ious for Fast and Furious and Road Chip for Road Trip.  But there are no super fast cars or races nor a long road trip in the 4th instalment of the Chipmunks films, but it tries its best to cling on to past Hollywood box-office successes.

For the less demanding viewer, ALVIN AND THE CHIPMUNKS: ROAD CHIP provides satisfactory entertainment much in the same vein as the other 3 films.  The lazy script, credited to no less than 4 writers does not contain much of a story.

Through a series of misunderstandings, Alvin (Justin Long), Simon (Matthew Gray Gubler) and Theodore (Jesse McCartney) come to believe that Dave (Jason Lee) is going to propose to his new girlfriend in Miami…and dump them. They have three days to get to him and stop the proposal, saving themselves not only from losing Dave but possibly from gaining a terrible stepbrother, Miles (Josh Green).

It is the same old cliched result.  Dave is carrying an engagement ring for his friend.  (Why he is doing this, is totally unexplained.)  But Dave ends up not proposing and the misunderstanding is resolved with everything going right including the Chipmunks becoming friends with Miles.  Sweetly sickening isn’t it?

The casting is also lazy.  The villain in the first 3 Chipmunks films was played by David Cross from the TV series – Arrested Development.  He is replaced by no other than another member of the cast from the same TV series – Tony Hale.  Hale is no more than another clone to Cross.  Hale plays a flight marshall, who grounds the chipmunks and wants to put them in chipmunk jail.  His goofy character somehow gets the butt of the jokes.

The female Chipmunks, the Chipettes (voiced by Christina Applegate, Anna Faris and Kaley Cuoco) make a too brief appearance.  But the actresses’ voices are unrecognizably wasted.

One wants the script to at least attempt something different or something more daring.  But it is a thread bare script lacking in ideas or good comedy setups.  What the film does contain, however is a whole lot of musical dances and songs (mainly popular ones) ranging from rap to pop to country.  The animated creatures boogie to the music as do the real-life actors.  The dance moves are cute enough but enough is enough.

Every critic love to complain about Alvin and the Chipmunks  But everyone has forgotten how much they themselves love the little creatures when they were little.  And Dave’s famous scream “Alvin!!!!!!!!!!” can be heard a few times during the film, to the audience’s amusement.

But ALVIN AND THE CHIPMUNKS: ROAD CHIP should still be a box-office success, as it is a good harmless film for the littler ones, who might not understand STAR WARS or for families not able to get tickets for it.

Watch TV PILOT of I HEART MY DEMONS by Rebecca Scott

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Watch the December 2015 winning TV Pilot Screenplay.

I HEART MY DEMONS by Rebecca Scott

CAST LIST: 
NARRATOR – Sean Kaufmann
EVAN – Robert Notman
ROCKY – Antosia Fiedur
RENE/CLAUDIA – Jane Smythe
CLEMANTINE/JUDITH – Jane Hailes
MATTHEW/FRED/BUSTER – Kari-Michael Helava
ANDREWS/JOE/THE KOREAN – Sean Ballantyne

Get to know writer Rebecca Scott:

1. What is your TV PILOT about?

My TV pilot is about the plight of being human, having desires, urges and needs – that contradict society, health, convention, and common sense. Basically a young near-do well wakes up one morning to find his personal demons have come to life and are moving into make his life hell.

2. Why should this screenplay be made into a TV show?

I believe this screenplay should be made into a TV show because it’s audacious, provocative, and funny as hell. Most people can relate to a flawed anti hero protagonist…

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Watch TV Spec of Modern Family by Debi Calabro

WILDsound Festival's avatarWILDsound Festival

The Modern Family SPEC is a December 2015 TV Screenplay Winner.

Watch MODERN FAMILY by Debi Calabro:

CAST LIST:

NARRATOR – Sean Kaufmann
GLORIA – Jane Hailes
CLAIRE – Jane Smythe
PHIL/MITCHELL – Kari-Michael Helava
CAMERON/LUKE/MANNY – Robert Notman
LILY – Antosia Fiedur
JAY – Sean Ballantyne

Get to know writer Debi Calabro:

1. What is your spec for the Modern Family TV show about?

This episode it about the ups and the downs of parenthood but ultimately it’s all good in the end.

2. Why does this spec fit into the context of the show?

The spec shows the same tone and humor as the other episodes. All the characters have a chance to make themselves heard as individuals and also how they contribute to the family unit.

3. This story has a lot going for it. How would you describe this script in two words?

Endearing, funny.

4…

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Read NEW Short Film Story Pitches

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Deadline: FEATURE Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html

Read Today’s Short Screenplay Loglines and Pitches:

Title: Turnt
http://www.wildsoundfestival.com/turnt_by_haldane_hamilton.html
Written by: Haldane Hamilton
Type: Short Script
Genre: Adventure, Drama

Title: LOVE IN THE FIRST SEMESTER
http://www.wildsoundfestival.com/love_in_the_first_semester…
Written by: Ronald Owen
Type: Short Script
Genre: Drama

Title: THE REDEEMER
http://www.wildsoundfestival.com/the_redeemer_by_palmer_emmanuel.html
Written by: Palmer Emmanuel
Type: Short Script
Genre: Fantasy, Adventure

Title: PENCILMAN
http://www.wildsoundfestival.com/pencilman_by_gabrielle_wong.html
Written by: Gabrielle Wong
Type: Short Script
Genre: Drama

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

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Watch the Audience FEEDBACK of the Short Doc “TOY BOY”

documentaryfestival's avatarDocumentary Film Festival. Los Angeles & Toronto

Submit your Documentary Short Film to the Festival: http://documentaryshortfilmfestival.com/

TOY BOY played at the FEEDBACK Film Festival in 2015 to rave reviews from the audience.

Watch the Audience FEEDBACK of TOY BOY:

  MOVIE POSTERTOY BOY, 8min, Canada, Documentary/Family
Directed by March Mercanti

A 30-year-old lives at home with his parents, their two cats … and 5,000 toys.

Follow the Toy Boy (Jeff Tyler Smith) on twitter: @KDavJeff

Director’s Statement:

I started following Jeff on twitter for over a year and I was always so interested in some of his posts. Whether it was pictures of purchases of the enormous splurges on toys or his brash way of stating his point, there was never a dull moment in the social media sphere for Jeff.

The idea for the project came about when I joined a film competition out of Ottawa where the subject category had to be on any type of fan…

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Watch the Audience FEEDBACK of the Short Doc “ALIENATION”

documentaryfestival's avatarDocumentary Film Festival. Los Angeles & Toronto

Submit your Documentary Short Film to the Festival: http://documentaryshortfilmfestival.com/

TOY BOY is an animation/documentary from Germany that could be the most unique and amazing film shown at the FEEDBACK Film Festival in 2015.

Watch the Audience FEEDBACK Video of ALIENATION:

  MOVIE POSTERALIENATION, 6min, Germany, Animation/Documentary
Directed by Laura Lehmus

An docimentation-animation-short about puberty, based on real life interviews with teenagers.

Screenplay by Laura Lehmus, Dirk Boll

Produced by Laura Lehmus

Sound by Cesar Fernandez Borras

Sound Editng by Dirk Boll

Sound-Design by Sebastian Muller

Character Design & Animation: Aike Arndt
Anna Blaszczyk
Jan Goldfub
Vera Lalyko
Matthias von Lonski
Christian Schlierkamp
Stefan Schomerus

Running time 6’14”

Animation techniques 2D drawing, 3D animation, stop-trick animation, cut-out animation. puppet animation

Screening Format DCP, BluRay, DVD, .mov, mp4 (HD)

Aspect Ratio 16:9

Sound Dolby 5.1

Colour, German, English subtitles

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Watch the Audience FEEDBACK of the Short Doc “GERMAN SHEPHERD”

documentaryfestival's avatarDocumentary Film Festival. Los Angeles & Toronto

Submit your Documentary Short Film to the Festival: http://documentaryshortfilmfestival.com/

GERMAN SHEPHERD is a multiple awarding winning animation/documentary that was an Oscar finalist. It won best film at the 2015 FEEDBACK Film Festival.

Watch the Audience FEEDBACK Video of GERMAN SHEPHERD:

  MOVIE POSTERGERMAN SHEPHERD, 10min, Documentary, Sweden
Directed by Nils Bergendal

As a Jew growing up in Baltimore, David’s vision of Germany (and Germans) was shaped by the stories of his Holocaust-survivor mother; later in life, he reflects on whether it is possible to overcome this history. Simple in aesthetics yet potent in philosophical introspection, this animated documentary poses difficult questions about the human capacity to forgive unimaginable evil acts.

FILM INFORMATION

Country: Sweden
Year: 2014
Language: English
Premiere Status: North American Premiere
Runtime: 10 minutes
Rating: 14A

Director Website: http://www.nilsbergendal.com/

CAST & CREDITS

Producer: Nils Bergendal
Principal Cast: David Paul
Screenplay: Nils Bergendal
Animator: Nils Bergendal
Editor: Nils Bergendal
Sound: Hans…

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Movie Review: IN THE HEART OF THE SEA (2015)

IN THE HEART OF THE SEA (USA/Spain 2015) **
Directed by Ron Howard
Starring: Chris Hemsworth, Cillian Murphy, Brendan Gleeson, Ben Whishaw, Michelle Fairley, Tom Holland

Review by Gilbert Seah

Ron Howard, the Hollywood director best known for playing Richie Cunningham in HAPPY DAYS is also known for his blockbuster films like SPLASH, PARENTHOOD, APOLLO 13 and A BEAUTIFUL MIND. The films share one common characteristic. Box-office successes though they may be, they are all very forgettable films. After a year of viewing any of his films, there is not much one can remember from any of the films’ scenes.

Based on the 2000 non-fiction book In the Heart of the Sea by Nathaniel Philbrick and adapted by Charles Leavitt to the script, this is supposed to be the story that inspired Herman Melville to write the classic tale Moby Dick. In 1820, the whaling ship Essex is crewed by the Captain George Pollard, Jr., (Benjamin Walker) first officer Owen Chase (Chris Hemsworth), second officer Matthew Joy (Cillian Murphy) who has nothing much to do but sit around and grow a beard, and cabin boy Thomas Nickerson (Tom Holland). During their voyage, the ship is sunk when it is rammed and split in half by a very large and enraged bull sperm whale, ultimately leaving its crew shipwrecked at sea for 90 days and more than a thousand miles from land. After the attack, the crew sails for South America and is forced to resort to cannibalism. The tale is told by a very reluctant older Matthew Joy (Brendan Gleeson) to budding author Herman Melville (Ben Whishaw) pressured by his good wife (Michelle Fairley) in order to exorcise his demons. Apparently it is the cannibalism that is the problem but the wife seems to accept it after overhearing the story, thus undermining its importance in the story. The audience is neither shocked at her acceptance. The events of the Essex crew are intercut with Matthew telling the story to Herman in his house.

This intercutting is annoying and serves to interrupt whatever suspense or action the film has built up. Director Howard keeps nagging the audience to remind them fact that Herman really does not want to tell the story, as every time the film cuts back to the two men, Herman complains or changes his mind. Yes, the audience has got the point.

The special effects and CGI are lacklustre. The 3D looks like back projection and one can see the various layers and shadows in the scenes. And with CGI use these days on all the Hollywood films, one can hardly get excited when a CGI action scene appears on the big screen.

The film also contains some of the worst acting in a film on this side of the Atlantic, where the whales are. Chris Hemsworth and relative newcomer Benjamin Walker look totally uninterested in the material. They are supposed to portray two shipmates ready to kill each other. The usually excellent Brendan Gleeson is largely wasted in a role in which he just mopes, drinking and complaining.

For an action film, Howard’s film can hardly be called exciting. The whale attack scenes with the monster splashing around the Essex creates less tension than a goldfish in my bath tub.
IN THE HEART OF THE SEA might turn out the most memorable of the Ron Howard films. But for all the wrong reasons.