When a young couple quarrel in a cafe, the window washer decides to get in on the action.
Review by Andie Karvelis:
We’ve all had an experience where we’ve been in our favorite coffee house and witnessed a couple having an argument. Awwwkwaaaard. You want to look at them, but don’t want to look at them and you can’t help but overhear everything. When the window washer also happens to be a mime, it’s an opportunity too good to pass up. For the mime.
Written, directed and Produced by Robert Tartell. The Window Washer is a comedy where our lovely mime, played by Heba Toulan, just can’t help but get involved in the argument on the other side of the glass. As you can imagine, pandemonium ensues..
The cinematography is really gorgeous, thanks to Carlos Felipe Garcia. Especially the work he achieved in not getting reflections in the glass. Clever sound design by Macleod Williams with cafe chatter and the music by #Uppbeat fit this piece so well.
The Window Washer tells a fun and complete story all within 7 minutes.
When a Chinese mother visits her son in Manhattan to celebrate news of his engagement, she’s taken aback to discover that her son is actually planning to marry another man. As she watches the couple prepare to come out to her, she must grapple with her emotions and decide how to react to the news.
Review by Andie Karvelis:
Ahhhhhh, parents. We’ve all got ‘em, amirite? Some of us get along fantastically with our parents, while others don’t. Some of us, including myself, are a little afraid of our parents. Especially the parent who is the main authority figure. Our parents can be judgy and critical because they love us and want what’s best for us but it’s still nerve wracking sometimes. Welcome to Motherland. The story of a Mom traveling overseas to visit her son and meet his new fiancee for the first time. If that isn’t stressful, I don’t know what is. However, that’s just the beginning. Written, Directed and Edited by Lijie Xie with the screenplay by Lijie Xie and Victoria Hirakawa-Castro. They have created a story that is beautiful, relatable and pretty ingenious with the plot twists.
Having a great story is only part of making a great film. You need a great cast and crew. Lijie Xie delivers on this aspect too. The cinematography from Jonathan Zhao is beautiful and the music really elevates the entire film thanks to Oscar Pan. The cast is absolutely amazing. Rika Yu plays Mom and she is sensational, her son Nick is portrayed by Kai Wang. Kai did such a fantastic job getting you to feel everything he was feeling. You can’t help but empathize with his character. Andrew Wong plays William, the fiancee. It’s impossible not to fall in love with William. Andrew is so endearing and he added these brilliant moments of levity during tense scenes. The rapport between Rika, Kai and Andrew just shines on screen and part of that has to do with wonderful directing.
This is one of those films that taps into so many different emotions and leaves you feeling inspired and hopeful.
This short film tells the story of a couple who dislike doing household chores. They purchase a robot to assist them with these tasks, but due to the robot’s self-learning capabilities, it eventually develops the desire to replace the female protagonist.
Review by Andie Karvelis:
Technology is a major part of our everyday lives and with each new day there are more advances in technology. These advances make our lives easier and we don’t even need to touch anything, just call out “Hey Siri” or “Hey Alexa”. It’s not hard to imagine that one day soon we will have the level of A.I. similar to that in Detroit Become Human, X Machina or my personal favorite, a Baymax like in Big Hero 6.
However, as much as I would love to have a personal healthcare companion who fights crime, I can’t help but think about The Terminator, and we all know what happened there. Writer/Director Mingyang Li found a great balance with the story of Hannah. A very useful A.I. to help with the mundane tasks that a busy couple doesn’t have time for. It’s perfectly creepy that the A.I. looks exactly like the girlfriend. Mingyang Li gives a great Black Mirror-esque story that builds as we watch our robot, Anna, become more sentient.
The music fit the mood and futuristic setting of this film brilliantly thanks to Mengchen Sun and the cinematography by Jiayu Li and Mingyang Li was really well done. Fantastic job in casting identical twins Bianca and Dilara Foscht who portray Hannah/Anna. Jacob Wilson did a wonderful job as Mike. This is a sci-fi thriller that will keep you on the edge of your seat.
Natal, in his early fifties belongs to a generation that broke social barriers, worshiped cerebral movies, drugs and rock’n roll. However, he does not accept it well when Milene, his only daughter, takes her boyfriend to sleep at home with her. In the middle of the night, unable to put a stop to the sex in the next-door bedroom, he locks himself in his car parked in his building garage. That’s when Silvana, his wife, comes after him. In the quietness of the late night, only witnessed by the parked cars and the garage surveillance cams, Natal tries to unburden his difficulty to accept costumes for which he fought so much. He ends up telling his wife secrets about his past, he has an epiphany: he was never young. Now, being in his early fifties, he doesn’t need to like what everyone else liked, do what everyone else did, be as everyone else was. He is old, he has always been. However, Silvana’s memory says the opposite and he sees himself back to his past and younger than ever.
Review by Andie Karvelis:
One of the most dreaded moments for a father in parenthood, when you realize your daughter is having sex. The film is centered around the father in crisis, Natal, as he copes with this knowledge and commiserates with his wife, Silvana.
Director, Isabella Secchin, really understands how to tell a story and get great performances from her actors. The voice talents of Joao Brandao act as our guide and narrator. His inflection and emotion was perfect and added a sense of comedy. There is also this beautiful bond between the actors portraying Natal and Silvana. You truly believe they are a married couple who’s been through everything together. They have some wonderfully tender moments and some that are very humorous. You think you know where the story is going and it takes you in a wonderfully unexpected direction.
The cinematography is absolutely stunning, with very clever and creative camera angles so the car scenes never become stagnant. Every flashback sequence is lit a little differently, so there is no doubt you are either seeing a memory or something from Natal’s imagination. The music the filmmakers chose for this was sheer genius. It’s playful but has a sense of urgency to it that matches our protagonist’s struggle.
Growing up is hard. Sometimes it’s even harder for our parents
“Karibu Nyumbani” translates as “Welcome to my Home” in Swahili. Guides in the Maasai Mara have a deep-rooted pride, knowledge, and love for wildlife. This film encapsulates that passion from the perspective of George Osono, a guide in Mara North Conservancy, who completely embodies this spirit of caring for nature.
Directed by Matthew Williams-Ellis
Review by Andie Karvelis:
Welcome to my home. That’s what Karibu Nyumbani means in English, and what a welcome it is! Matthew Williams-Elllis has created a stunning film centered around the Maasai Mara or as the locals call it, The Mara in Kenya.
You’re immediately spellbound by the cinematography, with its endless sky and colorful sunsets. Wildlife so vivid you could reach out and scratch behind a lion’s ear. The film immerses the viewer in this beautiful area where instead of just watching, you feel like you are experiencing it. Filmmaker Matthew Williams- Ellis really found the perfect balance of storytelling and sensational visuals. Even the music was perfectly ethereal.
George Osono provided the voice over, his cadence and inflection let you know his deep love for this amazing land. I always appreciate smart filmmaking and the fact Matthew added in subtitles was an effort worth making. Having the opportunity to also learn about this national reserve made me long to see the wildlife that resides there protected for decades to come.
Variance Propagation is an optically based experimental film shot in realtime without computer generated effects or post processing. The only physical subject is light and water. I have developed open lens systems which operates in complete darkness in a 20’ x 30’ room. The actual lenses have no body and are a combination of glass and melting ice which degrade over time such that no two takes are exactly the same nor are they repeatable. The art of the process has become in creating the conditions which manifest the effect since it is largely uncontrollable, it is a practice of allowing and openness. The audio is created primarily in realtime with as few post tweaks as possible. It is hoped that this sense of the immersive, rooted in physical reality can serve to ground us and help reset media stereotypes.
Review by Victoria Angelique:
VARIANCE PROPAGATION is a tranquil film that one can melt into, being taken away from the world in a moment to reset by being drawn into the art on screen. It would be great in an immersive art experience, where individuals could pay to be lost in a world of color and sound. The film is impossible to look away from for even a second as even blinking could cause a small fragment to be missed.
The techniques used in this film are different, but effective. The fact that only natural elements are used, rather than computer generated images makes this more a work of art than a film. The artist using ice and water to create the shapes that are enhanced by colored lights invokes geometrical images that constantly change as the film flows from frame to frame. It creates a beautifully pleasing artwork to watch.
Sound is another important element to this film. It is amplified, making this art better to watch with headphones in order to fully immerse oneself into the film. The soundscape draws the audience in, allowing the gorgeous images to flow seamlessly with the score.
VARIANCE PROPAGATION feels as if it should be showcased in an art museum. A piece that one can watch multiple times and come away with something different each time. It is an immersive work of art with the feeling that it should be in a room where the audience is completely surrounded by the images and sounds. This is a rare short film as in invites the viewer to continuously watch it only to be surprised when it ends.
If I Were a Pony by Leonard Eckhaus is the story of a boy and his pony told from the Pony’s perspective. The pony and the boy share many adventures. They ride across streams; they ride with friends and sometimes they just enjoy each other’s company.
Review by Parker Jesse Chase:
“If I Were a Pony” by Leonard Eckhaus is a heartwarming and adorable tale for kids exploring the deep and enduring bond between a boy and his pony. What sets this story apart is that it’s told from the young boy’s perspective, looking into the clouds wishing he was a pony himself, adding a unique and endearing twist to the narrative.
The film takes us on a journey filled with adventure, where the boy and his pony ride across streams, enjoy the company of friends, and simply relish each other’s presence. The cute concept is further accentuated by a delightful and catchy song that brings a sense of brightness and fun to the entire experience. The musical performance is beautiful and endearing, making it an enjoyable watch for both kids and adults.
The animation in “If I Were a Pony” is smooth and well-executed, making it a visually pleasing treat for young audiences. The programming for kids is evident, with a story emphasizing the importance of friendship and the value of cherishing the moments shared with loved ones.
The film cleverly explores the concept of wishes and dreams, as the boy wishes he could be a pony, just like the one he loves so much. However, the story beautifully conveys they don’t need to be the same in order to share an incredible bond. Their relationship is built on laughter, shared adventures, favorite snacks, hugs, and moments of reflection. While there are instances of sadness, these moments allow the characters to reflect on the memories they’ve created and find contentment in the life they’ve built together.
“If I Were a Pony” is a touching and heartwarming tale highlighting the enduring love between humans and animals. It reminds us true friendship transcends differences, and the memories created are worth treasuring. This film is a must-watch for kids and anyone who appreciates the beauty of the human-animal bond.
Despite a dark history and only 5% speaking the native language, a local Hawaiian hero fights to save his culture by teaching traditions, sustainability and life skills to disadvantaged indigenous kids.
Review by Parker Jesee Chase:
“I Am Kanaka,” a short documentary film by Genevieve Sulway, takes us on a poignant journey into the heart of Hawaii, a land with dark histories attached in a now diminishing native language being spoken by just 5% of the population in our current time. Through the lens of ex-teacher Kaina Makua’s education program, the film offers a glimpse into a future where Hawaiian, properly presented to be known as Kanaka culture, is preserved and life skills are imparted to underprivileged youth.
The film unearths the social disparities deeply embedded in Hawaiian society, as local voices vulnerably confess being called Hawaiian is considered offensive to them, leading to the creation of the documentary’s title, “I Am Kanaka.” With a focus on the history of Hawaii’s colonization, the documentary delves into the struggles and acts of poverty faced by the indigenous culture. While Hawaii is often perceived as a vacation paradise, those living within this community are confronted with real hardships and challenges.
“I Am Kanaka” provides a multifaceted exploration of Kanaka culture through the stories of its people. It offers a wealth of information on the history and the educational journey from the past to the present. The revelation hula dancing was once banned highlights the disconnect between the tourist image of Hawaii and the true cultural heritage of the islands. This documentary encourages conversations about acknowledging the land’s history and the injustices suffered by the Kanaka people.
One of the most eye-opening aspects of the film is the revelation the Kanaka did not believe in owning land, making the colonization of their land by outsiders, including figures like Mark Zuckerberg, all the more significant. The documentary calls for reparations and recognition of the harm done during the colonization process, raising questions about the ownership of land and the responsibility of those who hold it.
“I Am Kanaka” underscores the importance of bringing Kanaka history to the forefront, emphasizing the need for acknowledgment and understanding. The documentary showcases the vibrant culture, creative traditions, and rich history that were almost taken away by colonial powers. It draws attention to the sobering fact 10% of the population in Hawaii are homeless, offering an on-the-ground experience through the eyes of locals.
The film presents a diverse array of voices, offering compelling stories that serve as a unifying message in regard to Hawaii. It provides a sense of the vastness of the land and offers an excellent starting point for those who may not be well-versed in the region’s history. It delves into lesser-known aspects of the past while also focusing on solutions to current issues.
“I Am Kanaka” captures the beauty of Hawaii and its people beyond the narrow lens of tourism, highlighting the depth of the culture in its brief duration. The inclusion of black and white photos and drawings continues to add depth to the narrative, and the film’s focus on exposing the young generation to their traditions is especially heartwarming.
“I Am Kanaka” is a well-rounded, eye-opening, and emotionally resonant exploration of Kanaka culture and history. It serves as a powerful reminder of the importance of preserving indigenous traditions and acknowledging the past. Genevieve Sulway’s work provides a valuable glimpse into the heart and soul of Hawaii, a place with a rich history that deserves more recognition and understanding on a global scale.
A Documentary film about the life and activism of LGBTQ Scot Kath Duncan The most important Uk Civil rights leader past 100 years but almost forgotten in time until my Highly acclaimed stage play #liberty and my biography of Kath The Last Queen Of Scotland stage play Liberty
Review by Andie Karvalis:
Ray Barron-Woolford is an activist, writer and filmmaker. This documentary is based on his biography of Kath Duncan The Last Queen of Scotland and his LBGTQ stage play Liberty.
The way we discover the beginnings of Kath Duncan’s life is wonderful. Ray Barron-Woolford is so passionate about telling her history and that passion is infectious. The historical footage and photographs really helped bring the story to life, along with Ray Barron-Woolford’s voice over. The lovely Kath Duncan is portrayed by Emily Carding. This film’s cinematography and camera work is very well done. Tom Colvile, Cara Bowen, and Balan Evans did a wonderful job with lighting, creative shots, filming the interviews and live action sequences.
Personally, I found this film fascinating. Each interview with Lady Phyl, Neale Hanvey, Carole Grayson, John White, and Ray Barron-Woolford was inspiring. It was also incredibly educational for younger generations who are not aware of Kath Duncan’s impact on civil rights. Plus the unsung heroes who follow in Kath’s legacy and fight for what they believe in, taking a leadership role in helping all of us create a better world.
Festival Reviews 