Interview with Festival Director Alecs Nastoiu (SHORT TO THE POINT (STTP) )

SHORT TO THE POINT (STTP) is an international network of distribution, broadcast and promotion of short films. Since 2009, SHORT TO THE POINT has gone through several steps and right now it has gathered some awesome projects under its umbrella.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Alecs Nastoiu: The most important thing I guess is that we screen films every month. The classic annual festivals usually screen few shorts, one time per year. And the next important thing is that we screen short films in unconventional spaces like pubs, bars, museums, theatres or terraces. We try to bring short films to the audience, not the audience to cinemas. And another good thing is that we screen short films simultaneous in over 30 cities from Romania and Moldova. And very soon we will start doing this all over the world.

2) What would you expect to experience if you attend the festival this year (2018)?

We are a monthly festival, with monthly awards and screenings. But we have an annual event as well. Each year we change the host city. This year we will organize the annual edition of the festival in Bacau, Romania at the end of July. We are screening all winner films of the monthly awards editions from past year. So we offer the opportunity to the filmmakers to discover new cities each year and to meet with filmmakers from all over the world. Every time we have new audience, and new locations. So I think the experience of Short to the Point Film Festival is continuous and you will never get enough of it.

3) What are the qualifications for the selected films?

We accept any kind of short films in our festival. We have a lot of categories. And each category has it’s own selections and winners. So the qualifications are different from category to category. But our jury is looking for good stories and good filmmaking all the way.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

There are a lot of film festivals in the world so I think each film has its opportunity to make it to the big screen. It’s all about filmmakers. They have to know where to submit their films.

5) What motivates you and your team to do this festival?

First of all we are filmmakers. So we like films. And Short to the Point offer us the opportunity to meet people from industry, to find good ideas that maybe will inspire us in the future and of course to understand what is the trend in cinematography at the moment.

6) How has your FilmFreeway submission process been?

In my opinion FilmFreeway is the best thing in film festival industry that has happened in last 3 years. It’s the best film submission platform on the market. It’s easy to use and it has a lot of options that makes our job as a festival much more easier.

7) Where do you see the festival by 2023?

In 2023 Short to the Point will have screenings in unconventional spaces all over the world.

8) What film have you seen the most times in your life?

Because I edit my first feature length movie (Billion Star Hotel) for over 6 months, I can say that I saw it the most times. But If we speak about other directors, I can say that I saw over 30 times ‘The man who wasn’t there’, directed by Coen brothers.

9) In one sentence, what makes a great film?

A great film is a product that combines perfectly all ingredients: script, directing, cinematography, editing, acting etc

10) How is the film scene in your city?

I was born in Bucharest but for 6 years I live in a small city from Transylvania called Targu Mures. Here I started with some friends the first film production company in the history of the city. And I made 2 feature films. First of them Billion Star Hotel has 19 awards at festivals around the world and the second one is in post production. Short to the point is screening short films here every month, so I can say that the film scene is animated for the moment by my team.

 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

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Interview with Festival Director Daniel Wesseik (Pannen op Het Dak)

Pannen op het Dak is Breda’s first and real roof-top festival and it will take place between 22nd of June – 1st of July. Come enjoy the various culinary options, cultural programs and of course a summary view of the entire Breda city. The festival is free and is for both the young and the older.

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  • Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

    Daniel Wesseik: Pannen op het Dak is a festival for culture and culinary and attract various audiences. Thus, the filmmakers’ work is shared with audience that don’t often get exposed to independent animation filmmaking. I think that this is special.

    2) What would you expect to experience if you attend the festival this year (2018)?

    Pannen op het Dak is a rooftop festival, and visitors can expect an ideal experience of good food, beer and animation. Can it get better that that?
    The audience will be able to enjoy our two screening programs –
    1. Afternoon program with films created by young talents from Belgium and NL, that gives a beautiful overview of the films that were created here lately.
    2. An evening main program with films that are made by professionals and that are currently on their festival route, swiping awards.

    3) What are the qualifications for the selected films?

    For the young talent – Must be Belgian or Dutch.

    For the professional films – Outstanding artistic voice.

    4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

    Asian and arabic films. They are so different from European standards, but there is obviously a simmering creative community in many of these countries.

    5) What motivates you and your team to do this festival?

    Love for animation and a will to expose more audience to the medium.

    6) How has your FilmFreeway submission process been?

    Easy and convenient.

    7) Where do you see the festival by 2023?

    By 2023 I hope to have 6 years of successful programs, at some point with a competition as well.

    8) What film have you seen the most times in your life?

    Animated feature film – Nausicaa of the Valley of the Wind
    Animated short film – Choir Tour

    9) In one sentence, what makes a great film?

    Three P’s: Practice, Planning and passion.

    10) How is the film scene in your city?

    The city hosts the great Playgrounds Festival that focuses on various disciplines, but Pannen op het Dak is the only festival that aims to focus on animation exclusively.
     

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    Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Director Alex Gardner (PHILADELPHIA UNNAMED FILM FESTIVAL)

It’s year three of the Philadelphia Unnamed Film Festival! Last year’s PUFF brought an eclectic mix of horror, science fiction, and bizarre films to the genre fans at the beautiful Proscenium Theater at The Drake in Philadelphia.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Alex Gardner: PUFF is not an awards farm like some film festivals. We succeed at promoting great films and connecting them to distributors. Almost every single feature film we have screened has gone on to find distribution.

What would you expect to experience if you attend the festival this year (2018)?

PUFF is four days of film, food and fun! We don’t want the festival to be where you see one film and go home. We want people to come to Philadelphia and have a great time. We try to make PUFF an experience the minute you walk in the door. This year we hope to have more of an interactive experience in the lobby, and there is always plenty of booze floating around. We hope people not only see a bunch of great films, but that they stick around, have a beer and talk to each other about what they just saw. Then they can go out and enjoy the great nightlife our city has to offer.

What are the qualifications for the selected films?

We are an alternative film festival. We are looking for great, unreleased films that are typically ignored by mainstream film festivals. This includes horror, sci-fi, experimental and so on.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Depends on the film festival. While I think some type of films get ignored by more mainstream festivals, there are plenty of genre and alternative film festivals to accommodate most films.

What motivates you and your team to do this festival?

Fun. There’s no point in doing this unless we’re having fun.

Where do you see the festival by 2023?

Hopefully I’m just alive by 2023, but if we make it that far I want PUFF to be a multimedia experience that is a destination for film fanatics. The aim of PUFF is to not only bring great films to Philadelphia, but to incorporate the city nightlife. Philadelphia is an up and coming city that offers our own culture, history, art, great food, beer and more.

What film have you seen the most times in your life?

Unfortunately, Look Who’s Talking. I feel like that film was on television every second on my teenage years, but if you mean on purpose it has to be Congo. Congo is an underappreciated master piece of comedy, action and horror.

In one sentence, what makes a great film?

The ability entertain.

How is the film scene in your city?

To be honest, not so great, and that’s why we created PUFF. Philly is a sports town first, and it always will be, but it has grown so much over the last few years. We hope to be the driving force behind making the film scene better in Philadelphia.

 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every single month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 3 times a month. Go to http://www.wildsoundfestival.com for more information and to submit your work to the festival.

Interview with Festival Directors Lisa Wisely & James Felix McKenney (GREAT WESTERN CATSKILLS INTERNATIONAL FILM FESTIVAL)

The first ever Great Western Catskills International Film Festival will be held in town of Andes, New York for one weekend this fall. Come experience the best in independent film from all over the world, sample local food & drink at our screening venues and mix with the filmmakers at nightly parties.