November 2018 – Read the best of Screenwriter Interviews

Interviews by Matthew Toffolo

Touch the link and read 22 different interviews with the best of new screenwriters from around the world.

Louric Rankine (SQUAD)
Interview with Screenwriter Louric Rankine (SQUAD)

Nicholas Julius (MYTHATANIA)
Interview with Screenwriter Nicholas Julius (MYTHATANIA)

Stephen Witty (WHITTAKER ALGER AND DICK)
Interview with Screenwriter Stephen Witty (Whittaker, Alger, and Dick)

Marc Gatschner (OF THE SEA)
Interview with Screenwriter Marc Gatschner (OF THE SEA)

Michael Preston (INHERIT-LY GAY)
Interview with Screenwriter Michael Preston (Inherit-ly Gay)

Alexander Stathis (HOMEFRONT)
Interview with Screenwriter Alexander Stathis (HOMEFRONT)

Joel Stern (THE WAITING ROOM)
Interview with Screenwriter Joel Stern (THE WAITING ROOM)

Chima Idigo (MEAT)
Interview with Screenwriter Chima Idigo (MEAT)

Anthony Cicchelli (MILE HIGH ROOM)
Interview with Screenwriter Anthony Cicchelli (MILE HIGH ROOM)

Karen Matthews (PANDORA)
Interview with Screenwriter Karen Matthews (PANDORA)

Suzanne Lutas (THE DEAD RINGER: THE GRAND JURY)
Interview with Screenwriter Suzanne Lutas (The Dead Ringer, The Grand Jury)

Brandon Gillum (CADENCE OF THE BATTLE CRY)
Interview with Screenwriter Brandon Gillum (CADENCE OF THE BATTLE CRY)

James Grayford (THE FRANCHISE)
Interview with Screenwriter James Grayford (THE FRANCHISE)

Joshua Ashburn (A BRIEF WORD ON HYPERSLEEP)
Interview with Screenwriter Joshua Ashburn (A Brief Word on Hypersleep Studies: Chiliagon)

Connie Corcoran Wilson (CONFESSIONS OF AN APOTEMNOPHILE: I THINK I AM)
Interview with Writer Connie (Corcoran) Wilson (CONFESSIONS OF AN APOTEMNOPHILE: I THINK I AM)

Michael De Sapio (INCREDIBLE LIFE OF JOEY COLETTA)
Interview with Screenwriter Michael De Sapio (Incredible Life of Joey Coletta)

Paul Watkins (KENOBI: A STAR WARS STORY)
Interview with Screenwriter Paul Watkins (Kenobi: A Star Wars Story)

Rodgers Wilson (ELLA WITNESSING)
Interview with Screenwriter Rodgers Wilson (ELLA, WITNESSING)

John Renney (THE CULTISTS)
Interview with Screenwriter John Renney (THE CULTISTS)

Isaac Sweeney (SHOOTING)
Interview with Screenwriter Isaac Sweeney (SHOOTING)

Peter Lloyd (STREET LAW)
Interview with Screenwriter Peter Lloyd (STREET LAW)

Michael Head (LIGHTKEEPERS)
Interview with Screenwriter Michael Head (LIGHTKEEPERS)

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November 2018 – Read the best of Filmmaker Interviews

Interviews by Matthew Toffolo

Touch the link and read 8 different interviews with the best of new filmmakers from around the world.

Dominic McCafferty (BOONDOGGLE)
Interview with Filmmaker Dominic McCafferty (BOONDOGGLE)

Bevin Hamilton & Rachel Murphy (INCALL)
Interview with Filmmakers Bevin Hamilton, Rachael Murphy (INCALL)

Marvin Nuecklaus (CROSSROADS)
Interview with Filmmaker Marvin Nuecklaus (CROSSROADS)

Max Mortl (ISLAND)
Interview with Filmmaker Max Mörtl & Robert Löbel (ISLAND)

Nick Dolinski (CLOUD COVER)
Interview with Filmmaker Nick Dolinski (CLOUD COVER)

Erik Bloomquist (SHE CAME FROM THE WOODS)
Interview with Filmmaker Erik Bloomquist (SHE CAME FROM THE WOODS)

Mark Howling (OBE: THE OUT OF BODY EXPERIENCE)
Interview with Filmmaker Mark Howling (O.B.E. THE OUT OF BODY EXPERIENCE)

Andres Passoni (3:32)
Interview with Filmmaker Andres Passoni (3:32)

Interview with Festival Director Nina Fiore (ASTORIA FILM FESTIVAL)

The Second Annual Astoria Film Festival will be held May 17-18 2019, in Astoria NY, at the famed Kaufman Astoria Studios. AFFNY2019 will feature short films (under 25 mins) and web series in Comedy, Drama, Documentary, and Experimental genres.

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Nina Fiore: The Astoria Film Festival (Astoria NY) is bringing emerging filmmakers together, highlighting their work, and helping them to network with one another to collaborate on future projects. We are especially conscious of reaching out for submissions from various groups of filmmakers who are historically under-represented in the film industry such as PoC, women, LGBTQ, and disabled filmmakers. We also wanted to bring film industry insiders to local youth who have an interest in filmmaking, and we are able to do that with our filmmaking workshops.

2) What would you expect to experience if you attend your upcoming festival?

We aim to create an intimate atmosphere with a warm caring vibe. We want everyone to feel welcome and we want the filmmakers to feel appreciated and cared for. We take a lot of care in selecting the films we screen and grow very attached to them and to their creators/actors in the process. I think our genuine respect and awe at the quality of the work comes through in how we present the films and how we treat the filmmakers.

3) What are the qualifications for the selected films?

The quality of production, the quality of the acting, the quality of the plot and screenwriting, the uniqueness of the material — all of these go into the selection qualifications. We also have at least 2 meetings with all the judges after judging ends where we discuss which films will make the selections. Sometimes those meetings get heated, as there are only so many slots and so many very strong projects, and different judges have different favorite projects.

4) What motivates you and your team to do this festival?

We are motivated to bring the filmmaking community here in Astoria NY together. It’s a very diverse community and there are many filmmakers, actors, directors, and other artists living here. I have also spent a lot of time the past few years working with local after school programs. In doing so, I encountered a lot of middle schoolers who were very interested in filmmaking, but did not have any affordable resources for learning more about it. So bringing local filmmakers together to help us bring filmmaking workshops to local students was also a large motivation for creating and continuing to develop this festival.

5) How has your FilmFreeway submission process been?

FilmFreeway is a great platform and handles so many different aspects of the festival, it’s been a lifesaver. There are tiny tweaks here and there I’d love to make to it (especially since I have a background in UI/UX Design and digital platform development), but in general, we are extremely happy with it.

6) Where do you see the festival by 2023?

By 2023, it would be wonderful if the Festival was well-regarded for its unique selections and its intimate setting, well-sponsored and financially able to provide funding for under-represented filmmakers, able to provide filmmakers connections to distribution outlets for their films, hosting film events and indie film premieres throughout the year, and containing a robust Education Department with filmmaker workshops in at least 50 local schools.

7) What film have you seen the most times in your life?

Lol. Well, I am a mom of a 10 year old, so over the past 10 years, I’ve watched his favorite movies (currently Coco – which is wonderful!) more times than I’ve ever watched my own favorite movies.

8) In one sentence, what makes a great film?

I think that when all the elements of a film – from story and script, to acting, to production, to music, to editing, come together to make you feel something emotional and to cause the film to stick in your thoughts over time, growing in meaning and appreciation, then that makes it a great film.

9) How is the film scene in your city?

The American Film Industry had many of its beginnings here in Astoria NY. Kaufman Astoria Studios was the Paramount Pictures Lot before Paramount moved out to Hollywood in the 1920s. So there is such a rich filmmaking history here. As a kid, growing up here, I remember walking by the Kaufman lots when they were filming The Wiz and seeing all the tiny taxis from the “Emerald City” set. I’d come out of grade school and run into Sly Stallone, Tom Hanks, Woody Allen — so it was a great place to grow up. However, the Studios aren’t always accessible to the public and the indie film scene here isn’t very strong (although it is of course strong in Manhattan). I enjoy helping the community here connect personally with Kaufman Astoria Studios, and I’d love to bring a more consistent indie film presence here in Astoria. We’d love to host more film events throughout the year, such as indie film premieres and retrospectives, but we are thrilled to contribute to the film industry here today with our film festival and filmmaking workshops.

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October 2018 – Read Interviews with the best of NEW Poetry and Writers

Interviews by Matthew Toffolo

Touch the link and read 9 different interviews with the best of new writers and poets from around the world.

Interview with Poet Lauren White (First Contact)
Interview with Poet Lauren White (First Contact)

Interview with Poet Susan L. Brown (Response To 8 Philosophers)
Interview with Poet Susan L. Brown (Response To 8 Philosophers)

Interview with Poet Sam Allen (Viola’s Rebellion)
Interview with Poet Sam Allen (Viola’s Rebellion)

Interview with Writer Pat Jourdan (DECEMBER)
Interview with Writer Pat Jourdan (DECEMBER)

Interview with Writer Peter Inson (HATS OFF TO THE TEACHERS, SMASHED)
Interview with Writer Peter Inson (HATS OFF TO THE TEACHERS, SMASHED)

Interview with Writer Diane Elliott (Remembering Momma)
Interview with Writer Diane Elliott (Remembering Momma)

Interview with Nia Markos (ELEMENTS: BOOK ONE)
Interview with Nia Markos (ELEMENTS: BOOK ONE)

Interview with Novelist James Charles (Spirit Of The Amaroq)
Interview with Novelist James Charles (Spirit Of The Amaroq)

Interview with Novelist Bogdan Dzakovic (FORTRESS OF DECEIT)
Interview with Novelist Bogdan Dzakovic (FORTRESS OF DECEIT)

October 2018 – Read the best of Screenwriter Interviews

Interviews by Matthew Toffolo

Touch the link and read 35 different interviews with the best of new screenwriters from around the world.

Interview with Screenwriter Sara Landucci (STRONG ENOUGH)
Interview with Screenwriter Sara Landucci (STRONG ENOUGH)

Interview with Screenwriter 42 Tribes (Nyobaywa)
Interview with Screenwriter 42 Tribes (Nyobaywa)

Interview with Screenwriter Rita Martinos (ON THE VERGE)
Interview with Screenwriter Rita Martinos (ON THE VERGE)

Interview with Screenwriter M.V. Montgomery (DON-JOHN’S DISAPPOINTED MAM)
Interview with Screenwriter M.V. Montgomery (DON-JOHN’S DISAPPOINTED MAM)

Interview with Screenwriter Colleen Asbury (The Dance of the Desert Mermaids)
Interview with Screenwriter Colleen Asbury (The Dance of the Desert Mermaids)

Interview with Screenwriter Chloë J. Hightower (Monochrome)
Interview with Screenwriter Chloë J. Hightower (Monochrome)

Interview with Screenwriter Travis Darkow (HOW DID WE GET HERE?)
Interview with Screenwriter Travis Darkow (HOW DID WE GET HERE?)

Interview with Debasree Banerjee (GERALDINE HALL)
Interview with Debasree Banerjee (GERALDINE HALL)

Interview with Screenwriters Jeff & Julia Heinen (COFFEE IN SOUTHTOWN)
Interview with Screenwriters Jeff & Julia Heinen (COFFEE IN SOUTHTOWN)
Very good. Helps us track submission and awards very easily.

Interview with Screenwriter Daniel Cook (HELL ON EARTH)
Interview with Screenwriter Daniel Cook (HELL ON EARTH)

Interview with Screenwriter Sheila Warren (MOVING ON)
Interview with Screenwriter Sheila Warren (MOVING ON)

Interview with Screenwriter Frank Baruch (WHERE KOMAINU CRY)
Interview with Screenwriter Frank Baruch (WHERE KOMAINU CRY)

Interview with Screenwriter Richard Geiwitz (WIGGLE ROOM)
Interview with Screenwriter Richard Geiwitz (WIGGLE ROOM)

Interview with Screenwriter Iannis Aliferis (Samantha Rutledge PI, A Killer Case)
Interview with Screenwriter Iannis Aliferis (Samantha Rutledge PI, A Killer Case)

Interview with Screenwriter Ricardo Fleshman (KILLING MOSES)
Interview with Screenwriter Ricardo Fleshman (KILLING MOSES)

Interview with Screenwriter Hank Biro (SPACE FISH)
Interview with Screenwriter Hank Biro (SPACE FISH)

Interview with Screenwriter Toni Nagy (The Masses)
Interview with Screenwriter Toni Nagy (The Masses)

Interview with Winning Screenwriter Agnese Pagliarani (TO HELL AND BACK)
Interview with Winning Screenwriter Agnese Pagliarani (TO HELL AND BACK)

Interview with Screenplay Writer Adam Lapallo (WOLFPACK FENCERS)
Interview with Screenplay Writer Adam Lapallo (WOLFPACK FENCERS)

Interview with Screenplay Writer Terry Connell (PLANS FOR THE HOLIDAYS)
Interview with Screenplay Writer Terry Connell (PLANS FOR THE HOLIDAYS)

Interview with Screenplay Writer Todd Bird (LITTLE EARTHQUAKES)
Interview with Screenplay Writer Todd Bird (LITTLE EARTHQUAKES)

Interview with Screenplay Writers Charzette Torrence & Danielle Johnson (JILLIAN’S PEAK)
Interview with Screenplay Writers Charzette Torrence & Danielle Johnson (JILLIAN’S PEAK)

Interview with Winning Screenwriter Waide Riddle (Dear Tom Hardy: I love you)
Interview with Winning Screenwriter Waide Riddle (Dear Tom Hardy: I love you)

Interview with Winning Screenwriters Nicholas Downs, Susan Mac Nicol (SIGHT UNSEEN)
Interview with Winning Screenwriters Nicholas Downs, Susan Mac Nicol (SIGHT UNSEEN)

Interview with Winning Screenwriter Dallas Rico (MARRED)
Interview with Winning Screenwriter Dallas Rico (MARRED)

Interview with Winning Screenwriter S.W. Andersen (SOMEWHERE BETWEEN LOVE AND JUSTICE)
Interview with Winning Screenwriter S.W. Andersen (SOMEWHERE BETWEEN LOVE AND JUSTICE)

Interview with Winning Screenwriter Robert David Simpson (THE HUNT FOR CHUCK BERRY)
Interview with Winning Screenwriter Robert David Simpson (THE HUNT FOR CHUCK BERRY)

Interview with Winning Screenwriter Fritz Mueller (ANAHNA)
Interview with Winning Screenwriter Fritz Mueller (ANAHNA)

Interview with Winning Screenwriter Christianne Charles (CAKE)
Interview with Winning Screenwriter Christianne Charles (CAKE)

Interview with Winning Screenwriter Leah Pollack (MARKED)
Interview with Winning Screenwriter Leah Pollack (MARKED)

Interview with Winning Screenwriter Andrew Ward (BROWN DOG)
Interview with Winning Screenwriter Andrew Ward (BROWN DOG)

Interview with Winning Screenwriter Michael Zielinski (CHRISTMAS PAST AND PRESENT)
Interview with Winning Screenwriter Michael Zielinski (CHRISTMAS PAST AND PRESENT)

Interview with Winning Screenwriter Julian Blondell (Xightfall)
Interview with Winning Screenwriter Julian Blondell (Xightfall)

Interview with Winning Screenwriter Nate Yacos (Tugnutt: A Love Supreme)
Interview with Winning Screenwriter Nate Yacos (Tugnutt: A Love Supreme)

Interview with Winning Screenwriter Cicely Wynne (REMEMBER KENT STATE)
Interview with Winning Screenwriter Cicely Wynne (REMEMBER KENT STATE)

Interview with Winning Screenwriter Mirka Kettunen (MAJOR TOM AND THE ALIEN GIRL)
Interview with Winning Screenwriter Mirka Kettunen (MAJOR TOM AND THE ALIEN GIRL)

Interview with Winning Screenwriter Rodrigo Juatco (HERO OF HEROES)
Interview with Winning Screenwriter Rodrigo Juatco (HERO OF HEROES)

Interview with Festival Founder J.O. Malone (National Black Film Festival)

 

In a short time the National Black Film Festival has established themselves as one of the premier film festivals in the country. Educational workshops and panels that give the filmmaker and/actor insight into their chosen field. You want to miss our networking events starting with our opening night mixer and followed by the NBFF All Black Party and 2019 NBFF Awards Show. Join us and your film can be the next projecting on the big screen!

Contact

 
Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

J.O. Malone: In our 1st two years our festival has given filmmakers an crash course into the film industry and a platform to let their stories be told.

2) What would you expect to experience if you attend your upcoming festival?

Giving you this basics. Knowledge into the film world. Screenwriting, directing, acting and amazing info from our diverse panels.

3) What are the qualifications for the selected films?

Lead actor/actress, director, writer, producer must be African American decent. Quality cinematography, sound, acting, writing and directing.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

It’s important that filmmakers submit to festivals were the organizers and board members understand your culture. We you come from.

5) What motivates you and your team to do this festival?

Giving a platform for African Americans to tell their story for their perspective. Also. Building the Houston film community.

6) How has your FilmFreeway submission process been?

We love FilmFreeway.

7) Where do you see the festival by 2023?

Top 10 festival in the country.

8) What film have you seen the most times in your life?

Do the Right Thing – Spike Lee

9) In one sentence, what makes a great film?

The flow of the story.

10) How is the film scene in your city?

The city of Houston is growing as a film city. As the 4th largest city in the country we have the talent to make an impact in the film world. Our passion is unmatched.
 

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*****

James Rowlins left his native England for Paris, France, to study French cinema. His passion for visual culture subsequently took him to Los Angeles, where he earned a doctorate at the University of Southern California while learning the ropes of filmmaking. He has published articles on the French New Wave and film noir. After serving as Head of Film Studies at the Singapore University of Technology and Design, he now dedicates himself to the full-time running of Brighton Rocks Film Festival.

Interview with Festival Director Edward Payson (an Anti-Hero Production Genre Fest)

This film fest was created to celebrate genre films of all kinds that tend not to have too many outlets on the festival circuit. Being filmmakers ourselves, we know the work that goes into making a film so our entry fees are low and we have a lot of rewards to give out. We are a film fest made by and for filmmakers.