Read the best of NEW HORROR TV SHOW Loglines:

horrorfestival's avatarFestival for HORROR

Read the best of NEW HORROR TV SHOW Loglines: 

CLICK the links and read the pitches:

MENTAL, by Tristan J. Shuler

PATRONYMIC, by Manmohan Kumar Rana

TATTOO, by David Wise

SUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

View original post

August 2016 Comedy Films/Screenplays/Stories

comedyfestival's avatarComedy FESTIVAL

Submit your Comedy Screenplay or Film to the Festival Today:http://festivalforcomedy.com

See the August 2016 Comedy Stories. Click the link and watch the winning videos:

ACTOR
ACTOR
ACTOR
ACTOR
ACTOR

festival poster
KADDISH!, 6min, France

WATCH Audience FEEDBACK

festival posterBOTTOMLESS, 2min, USA, Animation/Biography
WATCH Audience FEEDBACK

festival poster
INSIDE, 3min., Belguim, Animation/Comedy

WATCH Audience FEEDBACK

festival posterGHOSTBOY, 9min., UK, Animation/Comedy
WATCH Audience FEEDBACK

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

View original post

COMEDY FILM FESTIVAL: Thursday September 29, 2016

comedyfestival's avatarComedy FESTIVAL

The FEEDBACK Monthly Film Festival is back for 2016.. Our home is The Carlton Cinemas, located in the heart of downtown Toronto at 20 Carlton Street. The event runs from 7pm to 9:10pm.

Continuing to showcase the best of short films from around the world, while maintaining our audience feedback format moderated by Matthew Toffolo. Showcasing a festival every single month in 2016!

Tickets for 2016 are PAY WHAT YOU LIKE. Purchase your tickets online via Paypal or Credit Card. Tickets are first come first serve.

All proceeds to this month’s festival will be donated to festival cinema costs (suggestion $8 and up), which helps the monthly event:


OR, if you like to obtain seats in advance and pick them up on the day of the event (come for FREE, or make a donation), please email us at festivalevent@wildsoundfestival.com and we’ll reserve seats for…

View original post 259 more words

Read the best of NEW COMEDY Feature Film Loglines:

Read the best of NEW COMEDY TV SHOW Loglines:

Read the best of NEW COMEDY Feature Film Loglines:

Movie Review: Spider-Man (2002)

Tribute review for Rosemary Harris. Happy Birthday Today!

SPIDER-MAN MOVIE POSTER
SPIDER-MAN, 2002
Movie Reviews

Directed by Sam Raimi
Starring: Tobey Maguire, Kirsten Dunst, James Franco, Rosemary Harris, Willem Dafoe, Cliff Robertson and J.K. Simmons
Review by Andrew Kosarko

SYNOPSIS:

Orphaned at a young age, young Peter Parker was always some what of a nerd, living with his aunt and uncle. One day while attending a high school field trip to a science laboratory, Peter is bitten by a genetically enhanced super spider. The next morning, he awakes to some massive superhuman changes overtaking his body, allowing him to climb walls, shoot webs from his wrist and a super keen reflex ability. As any teen would, he attempts to abuse his new power to win points with a girl he’s in love with, Mary Jane Watson. Then, because of an indirect result of his greed, his uncle is shot and killed, leaving him with the knowledge that with his great power, comes great responsibility….

REVIEW:

Alright, let’s begin. I was never, ever a fan of Spider-man, nor Marvel for that matter. But I was pumped for this movie when I first saw the trailer where Spider-man webbed up a helicopter full of crooks between the Twin Towers. It gave me Goosebumps. And while I wasn’t a fan, I knew all about this character and his enemies. I got so jazzed seeing Easter eggs like “Otto Octavius” portrait in the background of the trailer. But it seemed no one around me was “pumped” about it. Then, the day the world stopped. September 11th. The world was in shock. Americans were in confusion. In the time that followed, little was accomplished in bringing those responsible to justice. People where discouraged. Their faith in justice, un-rewarded. All they wanted was a hero. Someone to stand against an unstoppable evil force, and triumph. And that man was Spider-man. I once took a History of film class. The one thing I took away from the lessons was that films have their success by the time they are created. Sure, stories, acting and a whole bunch of other things contribute to a great film. But timing is everything. Spider-man hit at just the right time.

The Story:

This film does a great job of just getting to the point. Within the first few minutes we meet all our central characters and the inciting incident is off and running. And it doesn’t stop. Complication leads to complication. But this film, compared with other films of it’s genre, is able to keep itself fun. You can actually enjoy every scene and not feel all too depressed or upset. Of course the scenes of death may lower the tone a bit, but joy wouldn’t feel as good if it wasn’t for pain. Catch my drift? The plot rarely gets off track and keeps in mind that it has to do two things at once; tell an origin story, and tell the story of a hero battling evil. Everything that happens develops both the plot and the characters in addition to their relationships with those around them. That right there folks, is how you tell a story.

Acting:

Now we’re going to run into some problems… Tobey Maguire – Peter Parker / Spider-man: Tobey’s 2nd best portrayal of the webslinger is in this film. He takes the cake in the second film, but this one was still strong. He’s able to play a lovable dorky nerd and a true bad ass when he wants to be. His emotional scenes with his Uncle Ben and Aunt May are always touching and some of his best work. But overall, as many others have said before me, it’s a tad “wooden” at times. The emotion comes and goes from him. I don’t think it’s a lack of effort on his part, just a style of acting he’s become accustomed to. It’s really just a nitpick to be honest.

Kirsten Dunst – Mary Jane Watson: Never since Smallville’s Lana Lang have I been so annoyed with a female lead in a super hero portrayal. There’s just something about her that makes me want to drive off a cliff. I’m not saying she’s a terrible actress because she can hit the mark (See: The Virgin Suicides). But I just don’t like her in this role. In an effort to make her an “independent, strong willed woman”. She just comes off as a pain. I’m all for strong women roles. Aunt May is a strong women role. But there’s some actresses that try to show “strong women” and just come off as annoying and bitchy. This is one of those portrayals.

James Franco – Harry Osbourn: Good stuff. I mean, there’s not much all for him to do right now. He’s just a spoiled rich kid who takes up with Peter because he’s outcast from the normal crowd. He does a good job of showing that there is a good side to him, but that he’s headed down the wrong path because of his father’s lead. Which, of course, brings us to…

Willem Dafoe – Normal Osbourn / Green Goblin: By far, one of the greatest villain portrayals ever. He’s crazy. No more explanation needed. When he slips from persona to persona he’s taken the job of working his eye movements differently, different posture, changing up his voice tone, and as my father always said about characters who wear masks in movies; “It’s all about the eyes.” Dafoe does an excellent job of helping to plant the seeds for Harry’s arc in later film as well.

Rosemary Harris / Cliff Robertson: Aunt May / Uncle Ben – this tag team is great. When one sets down the reigns of guiding Peter, the other picks them up in a beat. It’s the anatomy of a good couple. One that holds the same values. So not only is it believable when they guide Peter through his journey, but also makes them realistic characters. I could believe that these two were in love just by the way they compose themselves in scenes where the other is not there. Fantastic acting and characterization.

JK Simmons: JJ Jameson – had to mention this. BEST PART OF THE MOVIE EVER. If anyone ever got a comic book character more perfectly adapted it’s this one. Granted it’s not a prominent role, but still scene stealing none-the-less. Directing: Sam Raimi hit the mark on this film. It’s a perfect balance of tragedy, comedy drama and action. It has all the necessary requirements to please comic fans, movie fans, and the general audiences. The look of the film, the tone, just everything about it, while it doesn’t appeal to me personally, does work and coincide with one another. The hallmark of a good director is someone with a stylistic goal. Raimi never sways away or loses track of what he intended.

Cinematography:

Don Burgess – A great job. The swinging shots through the city are just amazing and everything is well captured and shot. The colors shine greatly like how a comic book film should. It’s not blatantly campy/comic booky ala Batman & Robin or Sin City, but it’s also not gritty and “realistic” as something like Batman Begins.

Production Design:

As cited above, everything is well done and put together. It combines the realistic feel it needs while still giving it that “comic book” style and edge.

Editing:

No real problems here. Nothing special either.

Score: Not Elfman’s greatest work, but he still shines. I’m not a personal fan of the theme for Spider-man that he came up, but it works. The strongest part of his score, in my opinion, is the sad scenes and the use of the piano and the strings. Very powerful stuff that is guaranteed to hit your heart when you’re watching it.

Special Effects:

Top notch. I mean, nothing has topped Jurassic Park in terms of CGI believability, but this doesn’t take you out of the movie or anything. It’s always enjoyable and fun.

In closing:

The movie is solid. It’s a good popcorn flick with a little swig of substance mixed in. It was what we needed in a tough time to give us all that hope that in the end, the good guy will win. Call it what you may. But I find it ironic that the first trailer focused on the WTC and then those terrible events happened, only to come back with the Spider-man movie and give people some hope again. So from me to those who made this film. Thank you. Your film was what we needed.

….oh, but really quick. Next time, do it without Macy Grey. Ok-thanx-bye.

 

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Movie Review: NINOTCHKA, 1939

Tribute review for actor Greta Garbo. Happy Birthday today!

NINOTCHKA MOVIE POSTER
NINOTCHKA, 1939
Movie Reviews

Directed by Ernst Lubitsch
Starring: Greta Garbo, Elvyn Douglas, Bela Lugosi
Review by Patrick Askin

SYNOPSIS:

A stern Russian woman sent to Paris on official business finds herself attracted to a man who represents everything she is supposed to detest.

REVIEW:

“Ninotchka” from MGM released in 1939 and directed by the incomparable Ersnt Lubitsch is one of the great all -time comedies from the classic film era. This movie is like a fine champagne, it is delicate, bubbly and gets better with each viewing. The movie stars GRETA GARBO and is famous for the tag line “GARBO LAUGHS.” She is simply marvelous as a dour Soviet official with no sense of humor sent to Paris to oversee her incompetent but lovable co-workers who have bungled selling Soviet goods to the French.

The movie is basically a subtle satire of THE SOVIET UNION and also a subtle glorification of all things Capitalism. One of my favorite lines in the film is when Melvin Douglass who plays the charming French aristocrat Count Dagou meets the overly serious GARBO he says” Oh A Russian, I love Russians, I’ve been admiring you five year plan for fifteen years.”

So Count Dagou and Ninotchka(Garbo) end up falling in love despite their differences which sets a a confrontation of cultures and lots of comic twists in the plot. Garbo’ s supporting cast is full of wonderful character types and film also stars the wonderful INA CLAIRE as the former Grand Duchess Swana from Czarist Russia now living in exile in Paris.

Ersnt Lubitsch was a German emigree who’s directing style was known as the “Lubitsch touch” and it is never better than in this film. No one was better at sophisticated comedy than he was. There are so many great moments in this film but the comedy is subtly funny not laugh out load uproariously funny.The movie was released in 1939 which is considered the most Golden year of the Golden era. It received many Academy award nominations but that was the year of “Gone with the Wind” so it was overshadowed a bit. Garbo was nominated for Best Actress and it’s a shame she never won one because not only was she a great beauty she was also a wonderful actress and it’s too bad she didn’t make more comedies. Her talent like her beauty is timeless and she has a wonderful time here poking fun here at her own image.

All the elements of this film come together perfectly between the great writing, directing and acting. I’ve watched this film over ten times and it just gets better each time and it is about as perfect a movie as you can get. Unfortunately this sort of sophisticated type of comedy is sorely lacking in today’s films. When you watch this movie it doesn’t feel dated, there is always a market for satire and I think there is still an audience today for this type of movie.

So if you going to pick one comedy to watch from the Golder Age of Hollywood you can’t do any better the “Ninotchka.” But I suggest you watch it more than once because there are many little moments to cherish here. And if you are a Garbo fan or have never heard of her then this is also. a must see film

 

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Movie Review: …AND JUSTICE FOR ALL, 1979

Review for tribute to Jack Warden, born today. Amazing character actor. One of his best works.

AND JUSTICE FOR ALL,  MOVIE POSTERAND JUSTICE FOR ALL, 1979
Movie Reviews

Directed by Norman Jewison

Cast; Al Pacino, Jack Warden, John Forsythe, Lee Strasberg, Jeffrey Tambor, Christine Lahti, Dominic Chianese, Craig T Nelson
Review by Surinder Singh

SYNOPSIS:

Ethical Baltimore lawyer Arthur Kirkland (Al Pacino) desperately battles the establishment of law when his case to free the innocent Jeff McCullaugh (Thomas Waites) is thrown out by the furiously unforgiving judge Fleming (John Forsythe) over a technicality. Soon enough the tables are turned and judge Fleming is arrested on a charge of rape and battery. Fleming specifically requests to be represented by Kirkland, which presents the honest lawyer with a conflict of interest…

REVIEW:

…And Justice for All arrived at the tail end of what is in hindsight the decade that Al Pacino did some of his best work. With roles like Michael Corleone, Frank Serpico and Sonny Wortzik already behind him, Pacino had to a lot to live up to! Arthur Kirkland is one the less renowned roles that Pacino has played, even though the movie carries one of the most famous Pacino quotes of all time: “You’re out of order! You’re out of order! The whole trial is out of order!” This is perhaps due to Kirkland not being as visually striking as the stylish Michael Corleone or as outrageously fashioned as Frank Serpico. Either way, Kirkland is a topnotch Pacino performance!

We first see lawyer Kirkland sat in a jail cell amongst the incarcerated. Having thrown a punch at judge Fleming, Kirkland’s “passion” has isolated him from other lawyers safely in their apartments. Kirkland in many respects is much like Serpico in that he’s a man who is standing up against what he believes is wrong in his own institution. Kirkland faces a minefield of moral dilemma everyday of his life, luckily he has at least one escape: his grandfather Sam (Lee Strasberg). It’s worth noting that Strasberg was Pacino’s real-life acting coach/mentor during his days at the Actor’s Studio and the relationship certainly shows on screen.

What is so striking about this low-key movie is how strong the script is, thus completely understandable why Pacino signed on. Even though the film takes place in a world of suited-and-booted lawyers, there is never a dull moment or a shortage of interesting characters in Kirkland’s life. When Kirkland is invited by his friend and colleague the unconventional judge Rayford (Jack Warden) on a helicopter ride, it ends in a near-death landing! The scene is wonderfully comical with Warden as a man who has a playful relationship with fate; he shows the terrified Kirkland the importance of being courageous and taking risks.

Being true to himself is certainly a risk Kirkland will have to face in the challenge ahead of him. When Kirkland’s colleagues tell him Fleming has been arrested and wants to be defended by him the sheer absurdity causes the men laugh hysterically! The scene shows a great understanding of humor and director Jewison handles the scene with skill. Pacino makes you laugh out loud (despite the seriousness of the case) you have to stand back and laugh at his character’s circumstance. Fleming is largely responsible for Kirkland’s innocent, young client being sat in a jail with dangerous criminals. What makes things worse is when Fleming confesses to Kirkland he is in fact guilty of the rape.

As the film progresses, the moral questions begin to press heavily upon Kirkland. Pacino revels in this opportunity to do one of the things he does best: portraying someone with deep inner conflicts. Pacino pushed this skill to the limit in the famous “Sollozo Scene” in The Godfather (1972). With his dark eyes Pacino gazes out at others but draws you into his character’s mind and emotions. The camera loves Pacino’s long, staring pose and when it’s on him you cannot watch anyone else in frame. Pacino displays this skillfully in the scene where his colleague Porter (Jeffery Tambor) reveals that his guilty client (that he cleared) has now murdered again. The guilt is eating away at Porter and we see in Pacino’s eyes the conversation Kirkland is having with himself.

Kirkland has to ask himself the question: “should I defend my guilty client because it’s my job to do so?” Kirkland is compelled to take the case or be disbarred from the practice of law (such is the influence of judge Fleming) Kirkland cannot evade the question. The filmmakers ensure we see a very bleak vision of the law; every excuse is given to Kirkland to lose faith in the justice system. When Kirkland makes demands of his client Fleming it’s clear that the judge has no intention of following orders and seems to be using his lawyer for political reasons. In this scene we are made aware that Kirkland is a puppet on a string and that he’s within a system attempting to control him.

From the very beginning we know that Kirkland is the outsider and so if anyone is going to rage against the machine it will be him! The final courtroom scene is a real treat for Al Pacino fans as it allows him a platform for one of his classic speeches! Pacino takes hold of everyone’s attention and destroys Fleming’s plea of innocence in a show-stopping rant: “And ladies and gentlemen of the jury, the prosecution is not going to get that man today, no, because I’m gonna get him! My client, the Honorable Henry T. Fleming, should go right to fucking jail! The son of a bitch is guilty!”

Pacino’s Kirkland finishes the movie with his principles intact and the crowd cheering. …And Justice for All is a simple morality tale about he importance of doing what you believe is right and just. What makes it great viewing is the acting and non-fussy direction that shows you what’s possible with the basics of narrative cinema: story and character.

 

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Movie Review: THE MISSION, 1986

Tribute review for Jeremy Irons who was born today. One of his best films.

THE MISSION MOVIE POSTER
THE MISSION, 1986
Movie Reviews

Directed by Roland Joffe
Starring: Robert DeNiro and Jeremy Irons
Review by Jeremy Richards

In 18th century South America Jesuit Father Gabriel (Irons) has come to set up a mission for the Native Guarani Indians. However, other more unscrupulous men like Rodrigo Mendoza (De Niro) are reaping the rewards of the slave trade. Enter Altamirano (Ray McAnally) a man who must decide whether the Jesuit missions will be left in safety or shut down for good. The final decision will pit men against each other as they hold steadfast for their beliefs and the rights of the Guarani.SYNOPSIS:

Review

The Mission is an immense film. It comes from director Roland Joffe who strived to elaborate on the viewer’s experience. The Mission has a documentary feel in its vast ambition of recapturing the lives of the Guarani Indians and Spanish settlers in 18th century South America.

In an inspired move Joffe decided to cast actual South American native peoples in a bid to bring more realism to the story. And as art mirrors reality, this film too had oppressed Native Americans playing the role of their oppressed forefathers adding to the films timeless appeal.

The 1980s ushered in a time when films seemed to have the most realistic quality. In the past film technology and special effects were probably considered too cheesy, and nowadays technology interferes so much that the viewer knows the film isn’t real. But films like The Mission hold a physical quality which allows you to feel as if you are a present in the action.

To help lose yourself within the film Joffe hired Robert De Niro and Jeremy Irons at the height of their careers to bring their commanding presence forward. But more impressive than the Hollywood stars are their actual feats on camera. We tend to forget that what we see in a movie has to be filmed in real life. This means setting up a camera, setting up lights, and having extras act in the background. All this prep makes filming a scene in an empty street difficult, so to watch Robert De Niro carrying a heavy bundle through the Amazon makes you appreciate the film that much more.

The Guarani natives were unfamiliar with modern technology and in fact didn’t even understand cameras. Obviously they never had any modern acting training like Robert De Niro, but this also means their reactions would be true to themselves. The Mission is the kind of film you have to watch twice. Once to see the story unfold and twice to see the scope what you have just watched.

The subject matter is filmed delicately by Joffe to convey the scope and grandeur of what is being shot. The film takes you through dirty Spanish streets, beautiful Jesuit Missions, and into the luscious heart of the Amazon jungle. The sets and lighting further add texture and beauty to the scenes.

The films score also deserves mentioning as it has been listed by the AFI as the 23rd greatest score ever. And it is quite a good score with deep drenching emotion. It would almost be too sappy if it weren’t for the gravity of the films subject.

In the end one of the best points about this film is that it has a great subjective feel. You are not going to see a film about villains chasing jewels, there is no big heist, and not a single mythical creature. You are going to watch peoples emotions unravel as they travel through harrowing events.

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed