Film Review: THE GIRL ON THE TRAIN (USA 2016) ***

THE GIRL ON THE TRAIN (USA 2016) ***
Directed by Tate Taylor

Starring: Emily Blunt, Haley Bennett, Rebecca Ferguson, Luke Evans, Justin Theroux, Edgar Martinez

Review by Gilbert Seah

THE GIRL ON THE TRAIN is based on the best selling novel of the same name by British author Paula Hawkins. The suspense mystery revolves around Rachel’s daily trip on the train to work in London. The film is adapted to a setting in the U.S. with the train now travelling along the Hudson.

The film and book is divided three chapters – Rachel, Meghan and Anna in that order. It makes sense in the novel as the story is told from the three points of view of the three women. In the film, however, it is not and while unfolding totally from Rachel’s (Emily Blunt) point of view, it is told in non-chronological order, flipping back and forth from the present to 6 months ago, to 4 months ago to 2 months ago again back to the present. The titles appear, which is really redundant and confusing. One title of 6 months ago should suffice, with all the events now occurring in chronological order. The film’s mystery is heightened artificially by these antics coupled with blurry images of Rachel’s memory.

The film opens with Rachel Watson travelling on the train. It is revealed that Rachel is an alcoholic (reason not given except perhaps to make her a sad and pitiful protagonist) who divorced her husband Tom (Justin Theroux) after she caught him cheating on her. During her daily journey, she sees through the train window and fantasizes about the relationship of her neighbours, Scott (Luke Evans) and Megan Hipwell (last seen in THE MAGNIFICENT SEVEN). That all changes when she witnesses something from the train window and Megan goes missing and is presumed dead.

One can see the attraction of the story. It is also one of redemption – the redemption of the sad, alcoholic Rachel. She goes to the detective (Allison Janney) with her story of what she had seen, hoping to do some good. This of course backfires. The story, full credit to the book, is very intriguing where truths and secrets are hidden and images are lies. For those who like a good yarn, THE GIRL ON THE TRAIN will not disappoint. But director Taylor is unable to prevent unintentional laughs (as observed in the promo screening) during a few of the film’s key scenes.

The film is aided by excellent performances, the best of which is provided by Blunt in the lead role. Janney is also outstanding as the disbelieving detective.
But the film is totally geared towards a female target audience (i.e. film is a chick flick to put it crudely). All the female characters are strong like the detective and those who are not, finally get it together at the end as in the characters of Rachel and Anna. The men are all male idiots who cannot keep their dicks (the doctor, Tom and Scott) in their pants. The actors playing them all have great bodies. No female should complain about the eye candy. The only male who has a good character is a fellow passenger on the train who ends up saving Rachel from two thugs when she passes out. Even then, he is also told to “fuck off” when Rachel comes to. Enough said about a film with main female characters in a female novel written by a female with a script adapted by a female. (The director of one of my outlets has already told me I have female issues).

The film does have a few good sinister moments. The best is the one where a victim (not to be revealed in the review) is about to be murdered. She is half-conscious and being pushed under the vegetation in the woods. It is an excellent scene as she looks at her killer, knowing that she is about to die and unable to do anything.
Apart from a few over melodramatic segments, THE GIRL ONTHE TRAIN is a satisfying mystery with a credible solution with the bonus of the sad heroine’s redemption.

Trailer: https://www.youtube.com/watch?v=KkoEE1i0CX8