Happy Birthday: John Candy (1950–1994)

WILDsound Festival's avatarWILDsound Festival

johncandyJohn Candy (1950–1994)

Born: October 31, 1950 in Toronto, Ontario, Canada
Died: March 4, 1994 (age 43) in Durango, Mexico

I think I may have become an actor to hide from myself. You can escape into a character.

[on Ghostbusters (1984)] Harold [Ramis] had called and things just didn’t go well with the negotiations on it. We didn’t see eye to eye on certain things and the rest is history. But Rick [Moranis] did a great job with it.

[on Who’s Harry Crumb? (1989)] It offered me a lot of different characters to play and it was a lot of fun.

JFK
1996
dir. Oliver Stone
Starring
Kevin Costner
Tommy Lee Jones
VOLUNTEERS
1985
dir. Nicholas Meyer
Stars:
Tom Hanks
John Candy
CaddyshackStripes
1981
dir. Ivan Reitman
starring
Bill Murray
Harold Ramis
MOVIE POSTERBREWSTER’S MILLIONS
1985
dir. Walter Hill
Stars:
Richard Pryor
John Candy
MOVIE POSTERSPLASH!
1984
dir. Ron Howard
Stars:
Tom…

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Happy Birthday: Rob Schneider

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robschneider.jpgRob Schneider

Born: October 31, 1963 in San Francisco, California, USA

Married to:
Patricia Schneider (23 April 2011 – present) (2 children)
Helena Schneider (1 October 2002 – ?) (divorced)
London King (25 September 1988 – 1 September 1990) (divorced) (1 child)

[on stand-up comedy] I’m still figuring it out. I delve into what’s interesting to me. The fact that 400 people in America make more money combined than the 150 million people at the lower end of the tier is pretty outrageous. But where’s the joke? People aren’t going there to hear what I think about politics. They wanna laugh. I talk about my marriage, my family and stuff that people can, hopefully, relate to.

MOVIE POSTERTHE BENCHWARMERS
2006
dir. Dennis Dugan
Stars:
David Spade
Jon Heder
You Don't Mess with the ZohanYou Don’t Mess with the Zohan
2008
Directed by Dennis Dugan
Starring
Sandler
John Turturro
JACK AND JILL
dir. Dennis Dugan
Stars:
Adam…

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Happy Birthday: Stephen Rea

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stephenrea.jpgStephen Rea

Born: October 31, 1946 in Belfast, Northern Ireland, UK

[When asked why he would have a “special thanks” credit on the Ozzy Osbourne album “Diary of a Madman”] It isn’t me, man. There’s a travel agent in Belfast named “Stephen Rea”, and I found that out because people kept asking me that question over and over. There’s also a set designer named “Stephen Rea”, but that’s not me either!

Interview with the Vampire
1994
dir. Neil Jordan
Starring
Brad Pitt
Tom Cruise

UNDERWORLD AWAKENING
2012
dir. Måns Mårlind
Björn Stein

V FOR VENDETTAV for Vendetta
2005
dir. James McTeigue
starring
Natalie Portman
Hugo Weaving
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
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FILM CONTESTSUBMIT your SHORT Film
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WILDsound Announces its October 2016 Winning Screenplays (26)

WILDsound Festival's avatarWILDsound Festival

Watch all of the winning screenplay readings performed by professional actors. 26 winners for the month of October 2016.

Watch them all here: http://www.wildsoundfestival.com/october_2016_winning_screenplays.html

1 – Feature Screenplay Winner

CHARLOTTE SOMETIMES by Cate Carson

4 – TV Screenplay Winners

WILLOWWOOD by Christopher Locke

EMMETT IN PEOPLELAND by Larry Hankin

THE VISA by Conrad Haynes

UNBREAKABLE KIMMY SCHMIDT Spec by Mike Miller

2 – 1st Scene Screenplay Winners

NIGHT WIND TO BAHIA by Thomas Thorpe

CRIME CYCLE by Donald R. Brown

4 – Best Scene Screenplay Winners

PORT SUDAN by Jack Sherry

PARADISE AT MAIN AND ELM by Barry Brennessel

LOVE IS NOT LOVE by Stephen Keep Mills

THE ACCIDENTAL ANGEL by Oren Weitz

5 – Long Short Screenplays (over 15 pages)

THE SON, THE FATHER by Lukas Hass

NOTE TO SELF by Humayun Mirza

TOGETHER by Jade Syed-Bokhari

CUCKOLD PICASSO by James R. Adams II and Lance Larson

THE MIGHTY…

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November 2016 – Read the best of Feature Film Pitches

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Read the best of FEATURE Movie Pitches. CLICK the link and read the loglines:

MAN IN THE MIRROR, by Juanita Brown
http://www.wildsoundfestival.com/man_in_the_mirror_by_juanita_brown.html

GESTATION, , by Ntwsaki Rampine
http://www.wildsoundfestival.com/gestation_by_ntswaki_rampine.html

DEATH EXPERIMENTAL, by Sean Williams
http://www.wildsoundfestival.com/death_experimental_by_sean_williams.html

ANIMATED BACKSTREET BOYS, by Felipe Herrera
http://www.wildsoundfestival.com/animated_backstreet_boys_by_felipe_herrera.html

CRAZY FRYING PAN, by Mykola Prut
http://www.wildsoundfestival.com/crazy_frying_pan_by_mykola_prut.html

WWII DIARY, by Mack Williams
http://www.wildsoundfestival.com/wwii_diary_by_mack_williams.html

KELSEY’S QUAIL, by Kendalynn Newborn Bolton
http://www.wildsoundfestival.com/kelseys_quail_by_kendalynn_newborn_bolton.html

ESCAPE TO PLANET B346, by Thomas Thorpe
http://www.wildsoundfestival.com/escape_to_planet_b346_by_thomas_thorpe.html

LEAVES OF WRATH, by Hilde Susan Jaegtnes
http://www.wildsoundfestival.com/leaves_of_wrath_by_hilde_susan_jaegtnes.html

NOW THEN AND FOREVER, by Jerry Kokich
http://www.wildsoundfestival.com/now_then_and_forever_by_jerry_kokich.html

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
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SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

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November 2016 – Read the best of TV SHOW Pitches

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Read the best of TV SHOW Pitches. CLICK the link and read the loglines:

IT’S A CULT, by Juniper Woodbury
http://www.wildsoundfestival.com/its_a_cult_by_juniper_woodbury.html

LETTER, by Lokman Abdo
http://www.wildsoundfestival.com/letter_by_lokman_abdo.html

SCHRODINGERS CAT, by B.R.S.
http://www.wildsoundfestival.com/schrodingers_cat_by_brs.html

EVERLASTING, by Canaan Richardson
http://www.wildsoundfestival.com/everlasting_by_canaan_richardson.html

COP HOUSE, by James Campbell
http://www.wildsoundfestival.com/cop_house_by_james_campbell.html

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

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November 2016 – Read the best of NOVEL Loglines

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Read the best of NOVEL Pitches. CLICK the link and read the loglines:

THUNDERCLOUD, by Ronald Joseph Kule
http://www.wildsoundfestival.com/thundercloud_by_ronald_joseph_kule.html

MURDER-GO-ROUND, by Phillip E. Hardy
http://www.wildsoundfestival.com/murder-go-round_by_phillip_e_hardy.html

KILLING IS A SIN, by Christopher J. Harvie
http://www.wildsoundfestival.com/killing_is_a_sin_by_christopher_j_harvie.html

ZOMBIE TURKEYS, by Andy Zach
https://wildsoundfestivalreview.com/2016/10/29/novel-logline-zombie-turkeys-by-andy-zach/

SUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
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writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
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SCREENPLAY CONTESTSUBMIT your FEATURE Script
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WILDsound Announces its October 2016 Winning Stories and Novels (10)

WILDsound Festival's avatarWILDsound Festival

Watch all of the winning stories performed by professional actors. 10 winners for the month of October 2016.

Watch them all here: http://www.wildsoundfestival.com/october_2016_winning_stories.html

1 – Winning Novel

THE PESSARY by Juliet M. Nevins MD

9 – Winning Short Stories

TRUE NORTH, by Hal Ackerman
ASTRONAUTS SWEAR THE VIEW IS NEVER DULL, by James Hartley
WATERMELON EATING CONTEST, by Teri B. Clark
IN THE CLEARING, by Steve Bensinger
GOBLIN, by J.F. Capps
DIRE CIRCUMSTANCES, by Alisha M Risen Kent
A TOXIC GAME, by Marianne Hagadorn
DEAD END JOB, by Alice Lacey
TOUCHING MY SPINE, by Monique Amado

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

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Movie Review: GUNG HO, 1986

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GUNG HO MOVIE POSTER
GUNG HO, 1986
Movie Reviews

Directed by Ron Howard
Starring: Michael Keaton, Mimi Rogers, Gedde Watanabe, George Wendt, John Turturro, Sô Yamamura
Review by Brent Randall

SYNOPSIS:

Gung Ho explores the similarities and differences between the American and Japanese cultures when a Japanese car manufacturer comes to America to revive a car plant in Pennsylvania.

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REVIEW:

Starring Michael Keaton as Hunt Stevenson, the movie opens with showing the doldrums of the town of Hadleyville, Pennsylvania. Hunt is the former foreman of the currently closed Hassan Motor’s plant that was the economic hub of Hadleyville. Hunt’s girlfriend, Audrey (Mimi Rogers) is picking him up to drive him to the airport, where he is on his way to Japan. Hunt’s mission is to persuade the Japanese executives at Hassan Motors to come to Hadleyville and reopen the Hassan plant there. His nervousness is quickly seen when Hunt puts his suitcases in Audrey’s trunk, and then proceeds to put his garbage too. This kind of humor, which Keaton pulls off so well, is seen throughout this movie (and many other Michael Keaton films as well), and it is this kind of humor that gives the viewer a much needed break from the difficulties facing Hadleyville. As the car progresses towards the airport, we quickly see through the various closed businesses that Hadleyville is struggling, and we see how important the Hassan Motors plant is to the success of other surrounding businesses. Hunt is fully aware of the importance of his mission, and knows that without the plant reopening, the town is likely to evaporate.

Hunt arrives in Japan and his struggles are illustrated through a variety of hilarious scenes showing Hunt trying to get acclimated with the Japanese culture. He finally arrives at Hassan motors and enters the executive board room. Upon giving his presentation to these executives, the owner and other members of the board seem completely uninterested in the jokes and humor Hunt uses to lighten the mood of the room. They also seem completely anything but impressed with Hadleyville, Hunt, or the prospect of coming to America to open the plant. After what seems like an unsuccessful attempt to woo the Hassan executives, Hunt returns to America. Audrey picks him up from the airport and asks him how the meeting went. Hunt reminds Audrey of the time when he first met her father, and how her father came after him with a power sander. Audrey says she remembers, and Hunt tells her that the meeting did not go quite that well. Once again, the quick witted humor Keaton employs helps illustrate beautifully the details of the meeting with the Japanese.

Hunt assumes the meeting was a failure and begins searching for other jobs all across the country. However, much to his surprise, he is informed from a friend that the Japanese will be coming to reopen the plant. Hunt and his fellow employees are estatic about the opportunity. The Japanese executives arrive in Hadleyville, and Hunt meets with them at the Hassan Motors plant. From this initial meeting, Hunt is given the job of leading the American workers and a raise in pay. Hunt is excited about the opportunity, but we also can already that the Japanese view of how the plant should run is quite different than that of Hunt’s view. For example, Hunt assumes the plant will actually open once all the structures are back in place, but the Japanese remain skeptical. We know by this pivotal meeting, the differences in work ethic, culture, and general ideas regarding business will play heavily in the success or failure of the plant.

Fortunately, for everyone involved, the plant does open, and the American workers are able to go back to work. It seems as if Hadleyville has been saved, but these successes may be short lived. From day one, the Japanese and American workers begin butting heads. In a pivotal scene, we as viewers see how their differences are vast by their approach to work. The Japanese workers believe in starting each day with morning exercises and taking a team approach to running the company, regardless of individual gains, and the Americans are much more individualistic, and are reluctant to even perform the exercises, much less take a team approach. As the days and weeks progress, these difference begin causing significant friction between the two cultures and threatens the future of the plant, and the way these two groups of people work through these differences will determine whether or not this plant, and more importantly, this town, will survive.

Gung Ho does a wonderful job illustrating the differences between cultures and how one must embrace differences and use these differences in order to achieve success. When I taught school, I used this movie to illustrate the differences of collectivism (a teamwork approach) to individualism (individualistic approach) in the workplace, and how these varying viewpoints can truly alter the way one views a working enviroment. These two schools of theory constantly show up in various aspects of this film and drive the way the Japanese and Americans think. This point is seen best when the Americans play the Japanese in a softball game. The Japanese show up in uniforms, warm up as a team, and play team ball by bunting and moving runners over, etc. The Americans, on the other hand, all are wearing different uniforms and trying to hit the ball as far as they possibly can. Niether way is right or wrong, it simply is a different philosophy, and it will take both sides working towards a common goal as opposed to working against each other to achieve success. Yes, Gung Ho is a hilarious movie if you like quick wit humor, and yes, Michael Keaton is fabulous, but it also dives deeper into how cultural differences can truly cause rifts between people. These differences, if we allow them to, can create gaps so large, that even the Grand Canyon would fail in comparison. We learn that different is not either right or wrong, it is simply different. Learning to embrace these differences can be difficult, but it can be accomplished. By embracing differences instead of critiquing them, great success can be achieved. Gung Ho shows us how we can do just that, and by doing so, how much more successful we can be when we choose to accept different viewpoints as opposed to simply rejecting them without just cause.

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Movie Review: NIGHT SHIFT, 1982

NIGHT SHIFT MOVIE POSTER
NIGHT SHIFT, 1982
Movie Reviews

Directed by Ron Howard
Starring: Henry Winkler, Shelley Long, Michael Keaton
Review by Drew Greco

SYNOPSIS:

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the “one great idea” for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night as their brothel. Against his better judgement, he gets talked into the idea, only to find that it’s more than his boss that has objections to this bit of entrepreneurship.

REVIEW:

When most people think of Ron Howard as a director, they think of such dramas as The Da Vinci Code, Frost/Nixon and A Beautiful Mind. When I think of Ron Howard, however, my first thoughts are of pimps and prostitutes. Allow me to explain.

Before Howard struck gold with the literal fish out of water comedy, Splash, he directed Night Shift, an overlooked and underrated classic about two aimless men running a prostitution ring out of the city morgue. While this might not sound like the basis for a comedy, Night Shift manages to make light of the illicit subject matter by focusing less on the bedroom and more on the unlikely friendships that develop between the three main characters.

Henry Winkler plays Chuck Lumley, recently demoted city morgue employee. You might think that having the coolest guy on television playing a pimp is a stroke of genius. And it is. But Winkler’s Chuck Lumley is the polar opposite of his Arthur Fonzarelli. Chuck is the type of guy who is content to watch life pass by as long as he doesn’t have to get involved. All he wants is to be left alone.

Enter Bill Blazejowski, a.k.a. Billy Blaze (Michael Keaton in a star-making performance). Chuck’s new partner can’t keep his mouth shut for more than a few seconds. He even carries a tape recorder with him at all times to catch such innovative ideas as edible paper and feeding mayonnaise to live tuna fish. It’s hard to believe that this is Keaton’s first feature film. His manic “idea man” walks away with every one of his scenes.

Shelly Long is Belinda Keaton, the hooker with the heart of gold. Her life is in disarray because her pimp has just been murdered and now there is no one to protect her and her friends. She has also recently moved next door to Chuck, who finds her slumped in the elevator after being attacked by a customer.

Feeling guilty about telling Bill to shut up and leave him alone, Chuck decides to open up and share some details about his life. He makes the mistake of telling Bill about Belinda’s plight. The idea man immediately jumps on the opportunity. He reminds Chuck how they have no supervision on the night shift, and utters two words that change their lives forever: Love Brokers.

Normally, Chuck would just ignore Bill’s latest scheme. But Bill has a new mission in life, to make Chuck a man. And Chuck is finally ready to stop being afraid of joining the rest of the human race. He also can’t stop thinking about his alluring next door neighbor.

Chuck and Bill become agents to Belinda and her friends. The ladies appreciate their new professional organization, which includes health, dental, and part ownership in a fast food restaurant. Business is booming until the men who murdered Belinda’s pimp go looking for the new guys who took over the business.

No, Night Shift is not the typical romantic comedy, and that’s exactly what makes it work. Most of us would never decide to get in over our heads and become pimps. But somehow, it seems like a good idea for our two morgue attendant heroes. As Billy Blaze puts it, “Well, we couldn’t be doctors.” It’s hard to argue with logic like that.

 

SUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
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