Film Review: BOOM FOR REAL: THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT

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Boom for Real: The Late Teenage Years of Jean-Michel Basquiat Poster
Trailer

Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and ’80s shaped his vision.

Director:

Sara Driver

 

Sara Driver’s doc of THE LATE TEENAGE YEARS OF JEAN-MICHEL BASQUIAT is just that.  It is the story of the NYC Graffiti artist pre-fame.  None of his most famous paintings are shown on the screen till the end of the film.

The doc begins with a lengthy History of New York City – when it was run down, ugly and poor with a high occupancy rate.  As the voiceover informs, landlords were aware that they were not going to rent out their places any time soon, so they were burning them to claim the insurance money.  Then-President Gerald Ford announces that he will never ok a bill that will bail out the city by default.  It is almost a full 15 minutes in this hour and 15 minute film that Basquiat is first introduced into the picture.

Director Driver’s aim for her film is twofold – firstly to create the atmosphere and period of the times where street artists of that era touted their wares among the elite art groups.  The second is to reveal Basqiuat’s talent in these difficult and challenging times.

This she accomplishes using never-before-seen works, writings and photographs. Driver herself was part of the New York arts scene, so she knows her stuff and it shows.  She had worked closely and collaboratively with friends and other artists who emerged from that period.

Among them are film director Jim Jarmusch, James Nares, Fab Five Freddy, Glenn O’Brien, Kenny Scharf, Lee Quinones, Patricia Field, Luc Sante and many others.  Jarmusch and Sante are given the most screen time, having the most to say.  Those interviewed draw upon their memories and anecdotes.  The film also uses period film footage, music and images to visually re-recreate the era, drawing a portrait of Jean- Michel and Downtown New York City -pre AIDS, President Reagan, the real estate and art booms – before anyone was motivated by money and ambition. 

Besides Basqiuat’s talent, he is also revealed to be penniless and occasionally homeless, crashing at friends’ apartments and even allowing himself to become a rent-boy for a roof over his head for the night.  A lady’s man who would steal anyone’s pretty girlfriend.  According to Jarmusch, he would disappear around the block to steal a flower to present to his friend’s lady.  Basqiuat also indulged with the drugs of the time, like LSD, which explains many of his psychedelic pieces.

An interviewee claimed that Basqiaut would eventually become as famous as Andy Warhol, who everyone respected at the time.  Indeed Basqiaut did.  His famous and most recognized works are shown at the end of the film.  These are the 7 or so years before Basqiaut achieved that status.  An eye-opening film on Basqiaut’s late teenage years.  If he was still alive today, he would be of the age of many of those interviewed, and would provide priceless insight of himself when interviewed.

Trailer: https://www.youtube.com/watch?v=PUsy5RObL2U

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Film Review: BIRTHMARKED (Canada/Ireland 2017)

Two scientists raise 3 children contrarily to their genetic tendencies to prove the ultimate power of nurture over nature.

Writers:

Marc TulinMarc Tulin (story) |1 more credit »

BIRTHMARKED is a Canadian/Irish comedy with a good premise but unfortunately falls flat due its script and lack of direction.

The film begins in 1977.  Two respected scientists, Ben Morin (Matthew Goode) and his wife Catherine (Toni Collette) quit their jobs at the university to conduct an experiment they think will revolutionize our understanding of human identity, after they are inspired by a speech on scientists making a difference in human beings.   The project aims to raise three children contrarily to their genetic predispositions to prove the ultimate power of nurture over nature. They want to prove that everyone has the same potential to become anything. Maya, a newborn girl adopted from two feebleminded parents, is raised to be smart, while Maurice, a newborn boy adopted from two anger-prone parents, is raised to be a pacifist.  Finally, their own biological son Luke, who comes from a long lineage of scientific brains, is raised to become a revered artist.  The film’s message is the importance of family above all.  The experiment will reveal little scientific truth, leading Ben and Catherine to discover the true value of family.

BIRTHMARKED’s script by Marc Tulin is the sloppiest script this year for a variety of reasons, a few of the more noticeable ones mentioned below.

The film begins in a 1978 setting.  For one, the script never ever mentions where it is set. Being an Irish/Canadian co-production, one can imagine the reason the filmmakers the setting ambiguous, so that the film will be marketable in the U.S., Canada and Ireland.  Director Emanuel Hoss-Desmarais takes great pains with the music, wardrobe and props (vehicles) in the creation of the ’77-’78 setting, but the script completely blows it with one character using the phrase “most importantly”, a term that was never used till after 2010.   Nothing is mentioned of the other two adopted kids’ parents – who they are or why they would allow their children to be a part of human experiments.  The ethics of the experiment is never discussed.  The ending is also unsatisfactory with no closure.  Characters like Dr. Julie Bouchard (Suzanne Clement) and Mrs. Tridek (Fionnula Flanagan) appear out of nowhere.  One is played by a French Canadian and the other an Irish, to be fair.  For a film about there children, one would expect the children to be super cute with each one memorable for their own peculiarities and perhaps even stealing the movie from the more experienced actors.  No such luck as the children’s roles are underwritten.

One wonders the reason British actor Matthew Goode (hardly recognizable) has ditched his good looks, hiding under a beard and spectacles for the role of the scientist, after all he kept his good looks as a mathematician/scientist in THE IMITATION GAME.  Director Emanuel Hoss-Desmarais gives himself a cameo as a fellow scientist.  Toni Collette assumes another quirky role after the recent MADAME.

The main subject on nature vs. nurture is is never debated or concluded resulting in the film’s good intentions being insufficient to save it. 

Trailer: https://www.youtube.com/watch?v=yFS9zWOSUnM

Film Review: SHOW DOGS (USA 2018)

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Show Dogs Poster
Trailer

Max, a macho, solitary Rottweiler police dog is ordered to go undercover as a primped show dog in a prestigious Dog Show, along with his human partner, to avert a disaster from happening.

Director:

Raja Gosnell

 

Watching the first 15 minutes of a film’s opening can usually determine what can expected from the rest of the film.  At the start of SHOW DOGS, Max (Ludacris ), a talking Rottweiler that works as a police dog mistakenly takes down an undercover cop while three talking pigeons explain what is gong on to each other and the audience as if the scene needs to be explained.  The baddies have a British accent, of course and the camera tilts sideways for no apparent reason.  The antics include the dog unimpressively tumbling around and dodging vehicles.  Max bites the cop in the butt.  This is a sequence that is neither funny or exciting or worthy of mention.

So, in this world where humans and sentient dogs co-exist, the macho but lonely Rottweiler police dog named Max has bungled his duty to save a kidnapped baby panda.  Max promises the panda that he will return to save her.  Max is eventually ordered to go undercover as a primped show dog at a prestigious dog show with his human partner Frank (Will Arnett), the one he bit on the butt earlier in the film.

An impressive cast of celebrities voice the canine characters.  RuPaul voices Persephone, 

Gabriel Iglesias, Sprinkles, a Pug, Shaquille O’Neal, Karma, Stanley Tucci, Philippe and Alan Cumming, Dante.  One wonders the decision for Tucci doing a French accent, thus making his voice hardly recognizable for the Belgium dog, Philippe.

There are no shortage of jokes in the film.  The trouble is that they are only mildly funny at best.  The best example is the fast sloth joke, humorous a little, but laugh-out loud, it is not.  To illustrate how good the jokes are, I did not laugh once during the entire comedy!  The film is also not short of ass-hole and gross jokes.  It is easy to calculate the jokes hit/miss ratio for this film.  Zero!

The film contains many show dogs that are perfectly groomed that are great to look at.  Still, this is insufficient to lift the film out of the doldrums.  Max, the Rottweiler looks sloppy compared to all the other dogs, kind of dirty looking an always drooling.  It does not help that the script insists on having a romantic angle between Max and Daisy (Jordin Sparks), a Border Collie.   To make matters worse, there is also a hint of romance between Frank and another dog handler, Mattie (Natasha Lyonne).

The script by Max Botkin and Marc Hyman, at best makes reference to better dog films like TURNER AND HOOCH.  At one point, Max calls his partner, Hooch.  Again, a little humorous at best!

2018 has so far seen the best and worst dog films of the decade.  Wes Andersons’ ISLE OF DOGS is so far the best dog film this year.  SHOW DOGS, lands on the other end of the spectrum. 

Trailer: https://www.youtube.com/watch?v=6z8s36yLaLQ

 

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Film Review: BOOK CLUB (USA 2018)

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Book Club Poster
Trailer

Four lifelong friends have their lives forever changed after reading 50 Shades of Grey in their monthly book club.

Director:

Bill Holderman

 

The BOOK CLUB is made up of Diane, Vivian, Sharon and Carol played by veteran stars Diane Keaton, Jane Fonda and Mary Steenburgen respectively, and listed in order of both their popularity and importance of their roles in the film.  All four have had their hey day, Fonda with her Oscar Winning KLUTE, breaking into fame with CAT BALLOU (I have seen this film 7 times), Keaton with ANNIE HALL, REDS, Bergen with 11 HARROW HOUSE, THE HUNTING PARTY and SOLDIER BLUE and Steenburgen with CROSS CREEK and DEAD OF WINTER.  Watching them on screen is the best thing about the film.  Unfortunately, they are unable to save this sorry feminine old farts comedy.

The film’s premise is simple enough with the script stretching it into a tired full length feature.   Four older women spend their lives attending a book club where they bond over the typical suggested literature.  Each member takes her turn to suggest a book.  One day, they end up reading Fifty Shades of Grey (with Christian Grey and his sexual frolics) and are turned on by the content.  Viewing it as a wake up call, they decide to expand their lives and chase pleasures that have eluded them. 

With four and not one character, the audiences has to sit through all four and not only one story as they sort out their lives. 

When the club first meets, it is a long drawn out affair of introductions.  One by one, they appear, each apparently trying to outdo each other in wardrobe and appearance.  The dialogue is obviously written by a team of comedy writers (though only mildly funny).  One liners and punch liners come out of the members’ mouths instead of authentic everyday dialogue.  

Later on in the film, the audience sees Keaton wearing all her ANNIE HALL outfits from male jacket, to loose tie to beret.  It is clear that the film pays more attention to wardrobe, the  mansions with their interior design and stuff that make the elders look good that more urgent matters like script and direction.  Choice of popular songs at appropriate parts of the film is ‘cute’ at best.

As the film progresses, it appears that this is a film that shows only one side of the American life – that of the wealthy.  All the characters are white and wealthy, with for example, Diane’s boyfriend, Mitchell the pilot (Andy Garcia) owning a mansion with his own private plane or Vivian’s Arthur (Don Johnson) rich enough to miss airline flights at a whim.  Even the supposedly middle class couple Carol (Steenburgen) and Bruce (POLTERGEIST’s Craig T. Nelson) has a house to die for.  An Asian is shown at one point in the film, but she is only the server of ice-cream sodas.

Of all the 4 stars, the most watchable and most amusing is Bergen playing the judge Sharon, prim and proper but trying to get a date on her dating site.  She is best known to the younger generation for her TV role in MURPHY BROWN though this one, in my opinion was the true beauty in her younger days.  Her match with Richard Dreyfuss (JAWS, THE APPRENTICESHIP OF DUDDY KRAVITZ, AMERICAN GRAFFITI) is the one that brought the most laughs in the audience in the promo screening I attended.  Her other match up with Wallace Shawn falls flat.  The audience seems to love (though this has been done before) the segment with Bruce with a uncontrollable hard-on, the result of his wife spiking his beer with a Viagara.

The script underwrites certain characters, which is understandable as there are too many characters in the film.  Alicia Silverstone (CLUELESS) is largely wasted as Jill, one of Diane’s daughters who is not given much to do.

BOOK CLUB is merely an excuse to watch 4 stars come together.  If watching them is all that matters, the this film might be for you.  BOOK CLUB aims low as a glossy, standard senior product with nothing fresh to offer.  The film achieves its aim.

Trailer: https://www.youtube.com/watch?v=LDxgPIsv6sY

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Film Review: RBG (USA 2018) ***1/2

A look at the life and work of Justice Ruth Bader Ginsburg.

Directors:

Julie CohenBetsy West

Often the first 10 minutes of tim sets the tone and mood for the rest of the movie.  As far as this doc called RBG (standing for Ruth Bader Ginsburg, but using the initials of the famous rapper) goes, it is the most spirited first 10 minutes of introduction to any film beginning with the uplifting music I have witnessed in a film this year.  What an into and what anticipation the directors have created for their audience who are then introduced to this ‘witch’, ‘American’ ‘shit-disturber’ who have changed countless lives.  In her very won words: “Everyone wants to take a picture with this 80-year old lady.”

The film delivers a message in the form of Ruth’s mother’s advice to Ruth: “Be a Lady.  Be independent!”  Ruth or RBG explains that being a lady means controlling girly emotions like anger.  The way to win an argument is not to yell.  Being independent means being able to take care of oneself.”  These simple words also apply to males as well with “Be a Gentleman.”

You could do something to make the world better!  Ruth decided to become a lawyer.  If not her husband can support her, Ruth’s parents muse. 

The film benefits from the availability of archive footage.  There are marvellous grainy black and white footage with voiceover provided by Ruth.

The most amazing thing about Ruth, as the movie emphasizes to great effect, is that she did not get life handed to her on a silver platter.  She burnt the candle at both ends by looking after her daughter and ill husband (with cancer) while she was third year at Law School.  The hard work work paid off for Ruth.  Her children also speak to the camera, praising their mother.

The most important issue tackled by the doc is however, the injustices against women.  Law firms did not hire women – it was just the way it was.  Ruth fought for women’s rights.  Ruth Ginsburg used her legal education to make the difference, dealing with sex discrimination cases thus making a difference in the women’s rights movement.  She would take cases that made good law.  The film gets more personal with a specific case –  Frontiero vs. Richardson.  The film is fortunate to have the real Sharron Frontiero interview and speak her case.  She was denied a housing allowance in the Air Force.  “You are lucky to be in the Air Force at all, she was told.   Sharron filed a lawsuit, under taken by RGB.

RBG is an inspiring doc that would make even men cheer that women have attained their deserved rights through the notorious Ruth Bader Ginsburg,

The film also shows her personal side.  They are shots of Ruth attending her favourite pastime – opera  She appreciates the sound of the human voice (she likens it to an electric current), the drama and the music.  Justice and mercy are all in the opera,

Ruth knew exactly what needs to be said and it was a very shrewd strategy.  Ruth wins many cases carefully outlining the words to emphasize the cause.

RBG premiered in Toronto at the Jewish Film Festival a few weeks back.  But he doc and its content has universal appeal.  The directors have created as inspirit a doc as its subject – the Notorious RBG.

Trailer: https://www.youtube.com/watch?v=biIRlcQqmOc

SCI-FI BEST SCENE Reading: THE CUT, by Christopher Kerr

fantasyscififestival's avatarFantasy/Sci-Fi FILM & WRITING FESTIVAL

Genre: Sci-Fi, Fantasy

Two young men must find their passage through the canals of post-apocalyptic London, to peace and freedom, in the “promised land” beyond: Bristol.

CAST LIST:

Junior: Allan Michael Brunet
Alex: Salma Dharsee
Narrator: Elizabeth Rose Morriss
Spencer: Hugh Ritchie
Jessica: Courtney Keir
Toovey: Zazu Oke

Get to know the writer:

 1. What is your screenplay about?

Two young men have to find passage through the canals of post-apocalyptic London, to peace and freedom in the “promised land” beyond – Bristol.

Ostensibly a coming of age tale, in the guise of a zombie, road-trip, buddy-movie, canal tour; a genre much under-represented in mainstream cinema to date.

2. What genres does your screenplay fall under?

Sci-fi / black comedy – somewhat akin to A BOY AND HIS DOG (1975) in tone.

3. Why should this screenplay be made into a movie?

Though an engaging story on its own merit…

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SCI-FI BEST SCENE Reading: M – DEMON KILLER, by Mark Hammond

fantasyscififestival's avatarFantasy/Sci-Fi FILM & WRITING FESTIVAL

 

Genre: Sci-Fi, Fantasy

A young Asian waitress discovers she is the last in a long line of Demon Killers when a billionaire/sorcerer opens a portal to Hell under City Hall in New York City. Local Native American demons hunt in the tunnels and, even more strangely, powerful Chinese warrior demons are sent to slaughter her before she can stop the invasion from hell. M is a New York City waitress but this may be asking too much.

CAST LIST:

Liana: Marissa Otto
Louise Ricci: Courtney Keir
Narrator: Elizabeth Rose Morriss
Det. DeAngelo: Allan Michael Brunet
Emma: Salma Dharsee

Get to know the writer:

 1. What is your screenplay about?

A young waitress discovers that she is the last in an ancient line of Demon Killers and Hell Gate Closers, as a portal to hell opens under City Hall. Worse, legend holds that this warrior of the Light always dies…

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SCI-FI BEST SCENE Reading: MAGIC MAN, by Norma Hickox

fantasyscififestival's avatarFantasy/Sci-Fi FILM & WRITING FESTIVAL

 

Genre: Action, Drama

A musical 2 act play. This futuristic musical takes place in the year 2099 in a town called Grand Beach, Colorado. An engaged couple enter college and the guy meets another girl that he feels a very strong attraction for.

CAST LIST:

Lisan: Salma Dharsee
Sarah: Marissa Otto
Narrator: Elizabeth Rose Morriss
Hara: Zazu Oke
Jasek: Isaiah Kolundzic
Minister: Allan Michael Brunet

Get to know the writer:

 1. What is your screenplay about?

Hara, engaged to Minta, meets Lisan, with whom he has had several previous lives. Can he break the bond of previous lifetimes and move on? Who does he marry in the Valentine’s Day 2300 wedding? A musical play with futuristic dress, flashbacks to 1990’s and a robot.

2. What genres does your screenplay fall under?

Sci-Fi Romance

3. Why should this screenplay be made into a movie?

It brings to people’s attention the…

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SCI-FI BEST SCENE Reading: MAGIC MAN, by Norma Hickox

fantasyscififestival's avatarFantasy/Sci-Fi FILM & WRITING FESTIVAL

 

Genre: Action, Drama

A musical 2 act play. This futuristic musical takes place in the year 2099 in a town called Grand Beach, Colorado. An engaged couple enter college and the guy meets another girl that he feels a very strong attraction for.

CAST LIST:

Lisan: Salma Dharsee
Sarah: Marissa Otto
Narrator: Elizabeth Rose Morriss
Hara: Zazu Oke
Jasek: Isaiah Kolundzic
Minister: Allan Michael Brunet

Get to know the writer:

 1. What is your screenplay about?

Hara, engaged to Minta, meets Lisan, with whom he has had several previous lives. Can he break the bond of previous lifetimes and move on? Who does he marry in the Valentine’s Day 2300 wedding? A musical play with futuristic dress, flashbacks to 1990’s and a robot.

2. What genres does your screenplay fall under?

Sci-Fi Romance

3. Why should this screenplay be made into a movie?

It brings to people’s attention the…

View original post 280 more words

TV SCI-FI BEST SCENE Reading: DRAGONS & WOLVES by Drew Henriksen

fantasyscififestival's avatarFantasy/Sci-Fi FILM & WRITING FESTIVAL

 

Genre: Sci-Fi, Fantasy

Dragons & Wolves is a serialized, character driven drama based on, but not limited to, the Dragon Tales & Stories trilogy written by Drew Henriksen and published by ArcheBooks, Italian publisher Armenia, Draghi E Lupi. It tells the story of a mythical family through four hundred years. Told in the form of a western, viewers may not realize it takes place a few centuries after a plague wiped out most of humanity. With different supernatural beings such as dragons, warlocks, and werewolves it follows the character of Randy on his quest to save mankind. The focus is on well-developed characters reacting to situations as we would with flashbacks to the 1970s & 2000s.

CAST LIST:

Jergon: Zazu Oke
Carmon: Salma Dharsee
Kaitlin: Marissa Otto
Narrator: Elizabeth Rose Morriss
Captain: Allan Michael Brunet
Randy: Isaiah Kolundzic
Kyle: Hugh Ritchie

Get to know the writer: 

 What is your…

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