TIFF 2018 Review: TELL IT TO THE BEES (UK 2018) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Tell It to the Bees Poster
A single mother Lydia (Holliday Grainger) who is abandoned by her husband, meets the small village’s Doctor Jean Markham (Anna Paquin) who has recently returned to her hometown when Lydia’s…See full summary »

Director:

Annabel Jankel

Writers:

Henrietta Ashworth (adaptation), Jessica Ashworth(adaptation) | 1 more credit »

Based on the novel by Fiona Shaw with a post World War II setting, TELL IT TO THE BEES comes from the very little heard proverb about keeping secrets from neighbours but telling it to the bees.  This is a lesbian love story taking place in a Scottish small town, so it be best that this be kept a secret. 

 A brilliant female doctor (Anna Paquin) has just moved to the village.  She befriends a young boy.  When the boy’s mother and him is evicted rom their home after the father has left them, the doctor takes them in, only to start a love affair and relationship with the mother.  This is an emotional gut wrenching tale but with a fairy tale twist that takes away some of the story’s credibility.  But who can turn away a good fairly tale these days?  

Director Jankel loves the Scottish countryside and her film shows this – with lots of beautiful Scottish landscape scenery.

Trailer: (clip) http://www.thehollywoodnews.com/2018/09/07/tiff-2018-new-clip-for-tell-it-to-the-bees-with-anna-paquin-holliday-grainger/

TIFF 2018 Review: IF BEALE STREET COULD TALK (USA 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

If Beale Street Could Talk Poster
Trailer

A woman in Harlem desperately scrambles to prove her fiancé innocent of a crime while carrying their first child.

Director:

Barry Jenkins

Writers:

Barry Jenkins (written for the screen by), James Baldwin (novel)

The follow-up to his first Oscar Winner for Best Picture MOONLIGHT, IF BEALE STREET COULD TALK sees one again the victimized black in a prejudiced light.  Based on the book by James Baldwin, the film follows a 19-year old  woman fighting to free her falsely accused husband from prison before the birth of their child.   

Tish (KiKi Layne) is only 19 but she is been forced to grow up fast. She is left pregnant by Fonny (Stephan James), the man she loves. But Fonny is going to prison for a crime he did not commit, due to, as clearly emphasized in the film by a racist white redneck cop.  For a film with such a fiery plot, Jenkins’ film is extremely slow-paced, sometimes unintentionally funny with many segments plain dragging along.   

One could probably fault the source material for there is hardly any surprise in the story, quite unlike Jenkins’ last film, but Jenkins does not allow his actors or his camerawork to perform as freely as in MOONLIGHT.  The film also shifts uncomfortably among three subjects, Tish, her mother and Fonny.

 Trailer: https://www.youtube.com/watch?v=yp9cyhARz6U&vl=en

Film Review: THE PREDATOR (USA 2018)

 

The Predator Poster
Trailer

When a young boy accidentally triggers the universe’s most lethal hunters’ return to Earth, only a ragtag crew of ex-soldiers and a disgruntled science teacher can prevent the end of the human race.

Director:

Shane Black

It is hard to keep track the number of PREDATOR movies.  So popular they have become that there are many social media groups just dedicated to those movies.  Counting the two ALIENS vs. PREDATOR spin-offs, this PREDATOR 2018 is the 6th in the franchise.  

The director Shane Black (IRON MAN 3, THE NICE GUYS) started off as an actor in the original Arnold Schwarzenegger 1987 film, his character killed off by the predator in that one, hired because he could also be standing in as an emergency scriptwriter for James Cameron.  In this film, it was reported that the script was occasionally written within 10 minutes in Black’s trailer before it being filmed.  It shows.  The story is crap, the narrative is weak and a lot of what transpires on screen make no sense.  It totally believable that the script was incomplete before the first shoot.  The story for what it is – centres on one man and his group of PTSD soldiers taking out invading predators.  The leader is an ex-soldier (Boyd Holbrook) aided by a biologist (Olivia Munn) who has to put up with quite a lot of male chauvinist bullshit. That is the extent of the plot – the rest is smart talk, or maybe improvised dialogue that if written done just before shooting.  It is all blood, violence gore and foul language.

Canada’s own Jacob Tremblay has the role of the little boy, the innocent faced son caught in the predator crossfire.  He accidentally mistakes the predator’s armour as a Halloween costume wearing it out trick or treating creating a few mega blow-ups.  The script requires the character to utter  the fuck word many times, which is done.  One assumes that it is someone else’s voice over the boy’s dialogue.  The boy is supposed to be a really smart kid, able to solve complicated chess puzzles and have a fantastic photographic memory.  The film never explains where the genius comes from, except that the kid is autistic, which does not mean this kind of intelligence.  One character in the film even asks the question:”Where did he get all this from.”  Of all the performances, Tremblay does the best stealing the scene from all the other adult actors.

The script contains lots of dialogue that would whizz past most of the audience.  Since the team of soldiers are supposed to be all suffering from PTSD, this might explain the reason their words don’t make much sense, just as the jokes don’t – just fast quick talk.

For PREDATOR fans requiring lots of action, there are tons of pyrotechnic blow-ups, mashing of metal and quick edit fights which should have them satisfied.  Most of the action takes place in the city as opposed to the jungle in the original PREDATOR, though the film’s beginning scenes are set in the jungle.

THE PREDATOR was chosen to open the Toronto International Film Festival Midnight Madness Section and should have got enough cheers from that brand of audience.

Trailer:  https://www.youtube.com/watch?v=WaG1KZqrLvM

TIFF 2018 Review: LES TOMBEAUX SANS NOMS (Graves Without a Name) (Cambodia/France 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Graves Without a Name Poster
In Rithy Panh’s latest exploration of the lasting effects of the Cambodian genocide, a 13-year-old boy who loses most of his family begins a search for their graves.Cambodian-born, …See full summary »

Director:

Rithy Panh

Shot in both Cambodian and French, LES TOMBEAUX SANS NOMS (Graves Without a Name) is a very say, lyrical and poetic documentary of the aftermath of cruelty killings by the Khymer Rouge in Cambodia.  

The doc begins with a monk offering prayers for the deceased himself to understand death and life and what has transpired.  Figurines are made and placed on banana leaves and paced on made-up tomblike boats.  Director Rithy Panh also narrates the beautifully shot film in Cambodian.  Those who have not been to or are unfamiliar with Cambodia will have a glimpse of their countryside with their endless rice fields.  The stories are mainly told verbally then re-enacted.  

The most interesting of these is the one of the lady who stole rice from her people who ended up going crazy – an example of bad Karma.  Villains also get their comeuppance as in this art documentary. 

 This is director Rithy Panh’s latest exploration of the lasting effects of the Cambodian genocide, all the incidents revolving around the 13-year-old boy who had lost most of his family beginning a search for their graves.

Trailer: https://www.youtube.com/watch?v=YnUZsJLY558

TIFF 2018 Review: WHITE BOY RICK (USA 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

White Boy Rick Poster
Trailer

The story of teenager Richard Wershe Jr., who became an undercover informant for the FBI during the 1980s and was ultimately arrested for drug-trafficking and sentenced to life in prison.

Director:

Yann Demange

BAD BOY RICK stars newcomer Richie Merritt, delivering a solid performance as Ricky Wershe Jr. the drug hustler and informant, based on the 1980’s true to life criminal of the same name.  Yann Demange who wore the script and directed this based on true story film, dramatizes many of the incidents for the screen, easily noticed.  The narration is choppy with unequal time given to each of the major parts, more time needed to be allotted for the informant segment.  

Demange breaks ground on the ease of communication between the white Merritt family and black folk.  Never once does colour come into the picture.  All performances are excellent, the best coming from Bel Poulter playing Rick’s difficult and sassy sister.  As emphasized many times in other drug movies, the sentencing is so hard on drug offences that one would be better off murdering someone than being caught with a gram of cocaine.  

Still the film comes across with the message that drugs are bad and the target are the federal agents (Jennifer Jason Leigh and Rory Cochrane) who promises Rick immunity for informing but never come true to the promise.

Trailer: https://www.youtube.com/watch?v=qns48PtK2io

TIFF 2018 Review: MAYA (France 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Maya Poster
The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

Director:

Mia Hansen-Løve

It’s been frequently on the news about war journalists in Syria being kidnapped with the threat of being decapitated on live televsion.  MAYA, Mia Hansen-Love’s (LE PERE DE MES ENFANTS, EDEN) latest film has one such French journalist recently freed who travels to India on vacation to recuperate.  

He meets MAYA, an Indian girl who opens his eyes back to life, though she is too young for him to start a love affair.  The best segment of the film is his re-meeting of his mother  who is working with foreign children, though detached from her own son. This the only serious musings on life by the director.  Lighter fare. otherwise  from Hansen-Love with lots of beautiful scenery of poverty stricken India. 

 The film does not really go anywhere as deep as her previous films but MAYA is still worth a look.

TIFF 2018 Review: GIRL (Belgium 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Girl Poster
Lara is a 15-year-old girl, born in the body of a boy, who dreams to become a ballerina.

Director:

Lukas Dhont

GIRL tells the story of a boy/girl (Victor Polster) born a girl in a boys’s body undergoing a sex change to become girl.  As if the body is not under sufficient strain, GIRL is pushing her body to the limit as she suffers in her daily training to become a ballerina.  She has a supportive father and loving younger brother.  

 GIRL is Dhont’s first film as he goes for realism at the expense of narrative.  His camerawork is nothing short of suburb as one can see the camera focus changing as he tracks his camera.  Often, the audience can tell what is happening by the camerawork from a closeup or camera shift, before being told verbally by the dialogue as to what has transpired. 

 Dhont also effectively captures the emotions of her characters.  GIRL is arguable the most emotional film screened at the festival.

Trailer: https://www.youtube.com/watch?v=Kdzu26tnUTc

TIFF 2018 Review: DRIVEN (USA 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Driven Poster
Intense thriller where politics, big business and narcotics collide.

Director:

Nick Hamm

Writer:

Colin Bateman

Irish Nick Hamm directs DRIVEN based on the outlandish true story of the John DeLorean (Lee Pace) the designer of the car of the same name (the vehicle used in BACK TO THE FUTURE), the rise and downfall of him and his Californian neighbour Jim (Jason Sudeikis).  This is the second film about drug snitching after WHITE BOY RICK but in this one the federal drug agent, Ben Tisa (Corey Stoll) is more effective. 

 While Hamm tries to dramatize the events, a lot of the film depends on the technical details of the case, which might bore a few people, judging front a number that left the theatre during the showing.  The fact that Hamm is Irish is clear with the facts emphasized that Belfast made the Titanic and a lot of workers will be out of work if the DeLorean manufacturing money does not go through.  The story is already crazy enough without having to put in the ridiculous 10 second ending which obviously did not happen. 

 Good period 70’s atmosphere coupled with superb performances by Sudeikis and Pace.

Trailer: https://teaser-trailer.com/movie/driven/

TIFF 2018 Review: TEEN SPIRIT (UK 2018) **

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Teen Spirit Poster
Trailer

Violet is a shy teenager living in the Isle of Wight who dreams of pop stardom as an escape from her small town and shattered family life. With the help of an unlikely mentor, Violet enters an international singing competition that will test her integrity, talent and ambition.

Director:

Max Minghella

Writer:

Max Minghella

The film’s setting is the Isle of Wight where a Polish family of single mother (Agnieszka Grochowska) and shy 17-year old daughter Violet (Elle Fanning) who dreams of pop stardom etch out a difficult living.  

Violet enters an international singing competition as an escape from her small town and difficult family life.  Her days are spent doing chores, waiting tables, and attending secondary school, where she keeps to herself.  Violet surrenders to song and enters a competition. She befriends Vlad (Zlatko Buric), a once-celebrated opera singer who hears Violet and knows she’s something special. 

 He declares himself her manager and trainer, accompanying her as she tries out for a popular televised musical talent program called Teen Spirit.  The film is totally cliche ridden and filled with predictable plot points right up to the very end of the film.  Fanning is fantastic in the role, who almost saves this bland crowd pleaser.  

The contestants on the TV series “America Got Talent’ perform much better.

Trailer: https://www.youtube.com/watch?v=wu0Hwb6qUX0

TIFF 2018 Review: PAPI CHULO (IRELAND 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Papi Chulo Poster
A lonely TV weatherman strikes up an unusual friendship with a middle-aged Latino migrant worker.

Director:

John Butler

Writer:

John Butler

John Butler returns to the festival after last year’s gay coming-out story HANDSOME DEVIL with another sweet gay story entitled PAPU CHULO.  Surprisingly, this one has nothing to do with Ireland,  A TV weatherman (Matt Boner) loses it live n television and forced to take a vacation. 

 He meets up with an older Latino, Ernesto (Alejndro Patino), a migrant worker that he grows attached to for his kindness and ear to listen.  The film reflects class, ethnicity and companionship with the weather standing as a metaphor for life.  It is a sweet film, though a little chiched,  with sweet intentions, difficult to dislike.

  One wishes writer/director Butler would have gone further with his film as PAPI CHULO could have been just as efficient as a short 1-hour movie.

Trailer: (Unavailable)