Italian Contemporary Film Festival: A CASA TUTTI BENE (THERE IS NO PLACE LIKE HOME)

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There Is No Place Like Home Poster
A big family that like any other one includes relatives that see each other often and others that rarely meet, reunite to celebrate the 50th wedding anniversary of grandma Alba and grandpa …See full summary »

Director:

Gabriele Muccino

The Italians are known to be hot-blooded people.  In A CASA TUTTI BENE (direct translation: At Home, Everyone is fine), a big Italian dysfunctional hot-blooded family celebrate a Golden Anniversary on an island.  Alba and Pietro have been married for 50 years.  They live on an island.  To celebrate, they invite their children, their wives,, ex-wives, children and other assorted relatives to attend.

  A recipe for disaster, especially when a storm brews and ferry services are cancelled with the dysfunctional family unable to leave the island.  Envies, jealousies, past loves surface.  At one point, even Pietro screams, when things get too out of hand: “When are they going to get off this fucking island?”  Though the setting sounds like a perfect comedy premise, there is more drama than laughs.  It takes a while for the audience to figure out who is who and who is related to whom and what each quarrel is about.  The film does not always work (the tacked on happy piano sequence), but when it does, the characters really grab you. 

One cannot help but feel sorry for some of them.  Everyone deserves to be happy .  But director Muccino deftly manoeuvres his film effectively with some good dramatic set-pieces.  His film seems to work as the film became number one at the Italian box-office two weeks in a row when it first opened.

Trailer: https://www.youtube.com/watch?v=_Qi0dH6Frj8

 

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Film Review: THE GOSPEL ACCORDING TO ANDRE (USA 2017) ***

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The Gospel According to André Poster
Trailer

From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley’s life and career are on full display, in a poignant portrait that …See full summary »

Director:

Kate Novack

 

THE GOSPEL ACCORDING TO ANDRE is a documentary on fashion icon, André Leon Talley.  When the film opens, André states his view on life and the fashion world – his Gospel.  He stresses that it is beauty not fashion that rules.  He continues to say that it is important to share the beauty with people you respect and love.

Those in the fashion industry know André by name.  Those who are not, might have noticed him in recent documentaries.  He appears in any doc in which fashion is involved.  It is difficult not to notice him.  He is an African American and a towering big man.

Besides being famous in the fashion industry, André has put Afro Americans on the map of fashion.

Director Novak’s doc follows the same route as most biographies on famous people.  She informs the audience of the subject’s background and what factors influenced him to become the celebrity he is.  André grew up poor, from the South who was brought up by his grandmother, Bennie Frances Davis, a maid on Duke’s campus, who supported him by cleaning from dawn to dusk.  She taught him the importance of discipline and respect while cooking him all kinds of cakes and pies which made him the size he became to be.  The one thing that he looked forward to every week was going to the all coloured church, where all the folk wore their Sunday best.  His grandmother, did the same and owned a big collection of hats.  Novak also documents, through interviews Andre’s climb to fame.  Like every celebrity, there are demons to be exorcised.  In Andre’s case, it is his weight.  He is not shy to show himself at a diet centre trying to lose many of the pounds he had put on.  Still, he maintained his fabulousness, always wearing the most outlandish outfits.  André made his name from being the editor of the fashion magazine Vogue.  Director Novak has many past Vogue editors talk about André.

Novak has assembled quite an impressive cast of interviewees that include celebrities like Whoopi Goldberg (though she only appears once), Mets Annual sponsorship dinner organizer and Vogue editor Anna Wintour, Tamron Hall, Tom Ford, Marc Jacobs, Diane von Furstenberg, Whoopi Goldberg, Valentino, Manolo Blahnik, Maureen Dowd, Fran Lebowitz,  Eboni Marshall Turman, super model Naomi Campbell and the late comedienne Sandra Bernhard.

Those in the fashion business will be in for quite a treat with this comprehensive look at  the industry while those are not, will learn quite bit including learning who’s who in fashion.   The clothes, gowns, jackets, dresses, hats and shoes on display are out of this world.

André is revealed to be a kind person, not proud and visibly upset at poor taste rumours spread about him.  He also is proud to say that he has done drugs like cocaine.  André is one fabulous, larger than life personality who has worked hard to get to where he is.  For this reason alone, there can be a lot to be learnt from this man.

Trailer: https://www.youtube.com/watch?v=KzZkVGCY5rY

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LGBT Inside Out Film Festival: A MOMENT IN THE REEDS (Tämä hetki kaislikossa), (Finland 2017) ***

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A Moment in the Reeds Poster
Trailer

Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent …See full summary »

Director:

Mikko Makela

Writer:

Mikko Makela

 MOMENT IN THE REEDS opens with gay undergraduate student Leevi (Janne Puustinen) revisiting his hometown in Finland to help renovate the family’s lake house.   When his father (Mika Melender) drives him to the house, it is revealed that his father does not approve of his son’s sexual orientation but there is nothing he can do about it anyway.   

Leevi helps in the innovation but is not particularly good at it, storming off at one instant when hitting his finger with the hammer.  (Most gay men are not good in this field of work!)  The dad has hired a helper (Boodi Kabbani), who shows up unable to speak much Finnish.  The father is unable to communicate with him but the help and son speak English.   Dad is suddenly called away.  

No surprises then when the helper, who is a Syrian refugee turns out to be gay and he and Leevi have really hot sex before the father returns.  If his film was made 20 years ago, the son would not have come up to the father.  Despite the familiar well-worn theme, the film is quite an entertaining watch, primarily for the reason that it does not aim high. 

 Coming-of-age, father/relationship, refugee problems are just a few issues tackled in this film.

Trailer: https://www.youtube.com/watch?v=5oyJodhVRok

 

 

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Film Review: ON CHESIL BEACH (UK 2018) ***

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On Chesil Beach Poster
Trailer

Based on Ian McEwan’s novel. In 1962 England, a young couple find their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.

Director:

Dominic Cooke

Writers:

Ian McEwan (screenplay), Ian McEwan (novel)

 

It was back in the days when a married couple had sex for the very first time on their wedding night.  As such, sex on the wedding night for the first time is an extremely stressful experience which many a couple try without much knowledge of the sexual act.

This is not a common topic, so ON CHESIL BEACH based on the novel by British writer Ian McEwan that was selected for the 2007 Booker Prize shortlist makes a welcome premise for a film.  The Boulting Brothers’ THE FAMILY WAY with Hayley Mills and Hywel Bennett and Alan J. Pakula’s THE STERILE CUCKOO with Liza Minelli and Wendell Burton are two notable films that feature newlyweds with consummation problems.  McEwan adapted disown screenplay for the film directed by theatre veteran Dominic Cooke.

ON CHESIL BEACH opens with the wedding night of a couple, Florence Ponting (Saoirse Ronan) and Edward Mayhew (Billy Boyle) in the summer of 1962.  The audience learns Florence is a music undergraduate while Edward a History undergraduate at the same University.  They fall in love.  Through flashbacks, the backgrounds of the groom and bride are revealed, the former of a higher class while the latter has been described by Florence’s mother (Emily Watson) as a country bumpkin.  Still the two are very much in love.

But they fail to consummate on their wedding night.  They both eventually confess that it is their first times.  Director Cooke plays the scene with dead seriousness while the scene is interrupted by flashbacks.  When the drama finally settles back on the couple, Edward pre-ejaculates on Florence due to his excitement which her. Disgusted, Florence flees to the beach where a major confrontation occurs.  They depart after Florence suggests that they could lead a life without sex, which she prefers likening the relationship to two homosexual men she knows of in Manchester.  She claims that he could have sex with others and she not be jealous so long as they still love each other.  Edward bolts off in disgust.

Director Cooke is a 4-time Olivier Prize winning director.  His direction is meticulous, with a cinematic display of the atmosphere of the period.  His camerawork is impressive with many a stunning shot of the couple, especially arguing as ON CHESIL BEACH often with both figures in the same frame.

Ronan is excellent in the role of the frigid bride, again reprising the role of a young lady coming-of-age while disrupting the lives of those around her (as in ATONEMENT and the recent LADY BIRD).  Boyle is also quite the actor, rising in fame after DUNKIRK and the recent drama THE SEAGULL.

The only problem with Cooke’s film is its choppiness as it does not flow well from one segment to another.  It takes a while before the audience realizes the direction Cooke is taking his film.  The film’s last act, with the two, not getting on in age with prosthetics make-up should have been more moving had it transitioned more smoothly from its abrupt jump in years of the couple.

Still ON CHESIL BEACH is a handsomely crafted period love story, though never reaching the heights of the simpler Boulting Brothers’s film with the identical theme, THE FAMILY WAY,  But both very entertaining romantic dramas.

Trailer: https://www.youtube.com/watch? v=ZR6DWDfMDlM

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