Film Review: I FEEL PRETTY (USA 2018)

Submit your Screenplay to the Festival TODAY

I Feel Pretty Poster
Trailer

A woman struggling with insecurity wakes from a fall believing she is the most beautiful and capable woman on the planet. Her new confidence empowers her to live fearlessly, but what happens when she realizes her appearance never changed?

 

I FEEL PRETTY is an Amy Schumer vehicle which she produces and stars in.  The simple premise  revolves around Renee Barrett (Schumer), an ordinary woman who struggles with feelings of insecurity and inadequacy on a daily basis.  During a cycle fit spin class, she suffers a big fall and wakes up from it believing she is the most beautiful and capable woman in the world, despite looking the same she has always looked.  With this new found confidence she is empowered to live her life fearlessly and flawlessly.

It is expected that a film based on one joke would quickly run out of steam.  This is obvious when the film has to resort to a nose picking joke at the film’s climax.  There are few surprises in this lazy comedy which runs like a predictable Harlequin romance from start to end.  

Renee has to learn that being pretty means pretty on the inside and not on the outside.  This means that the audience has to be drummed with this obvious message.  The message comes unashamedly at the end when Renee delivers a full blown speech on how the most important thing in life is oneself and not the outward beauty.  Awkward enough, for a film that is supposed to have an anti-pretty message, it is very noticeable that most of the cast are good-looking.  The most ridiculous is the one scene where it can be observed that all the extras walking down the street in NYC are drop-dead gorgeous.

The cast includes Lauren Hutton who has been absent from the screen for quite a while, playing the matriarch of the LeClaire cosmetics company.  Also in the cast is model Naomi Campbell who has earned the horrid reputation of being a terrible human being to work with on set.  It would be interesting to hear what trouble this one has caused on the set.

Schumer is  perfect in the role of Renee, being pretty, yet not pretty enough.  Schumer is brave enough to show off her not-so-perfect body, especially in the bar bikini contest segment, one of the film’s few spirited moments.  Michelle Williams is just plain awful here but Tom Hooper is a good sight for sore eyes.

The film runs similar along the lines as the last comedy release BLOCKERS.  Mildly funny at best, both films run out of jokes and surprises very fast.  I FEEL PRETTY has the joke on Renee’s fall happen 30 minutes into the movie.  The first 30 minutes shows Renee in her everyday life, which is as plain and unfunny as the person.  Example: the long stretched joke about the wide shoe size is a used joke that is ‘stretched’ too long for its own good.  Like the entire film.

The film might appeal as a feel-good movie for audiences that need to feel better about their appearances.  Still, if the film contains enough hilarious comedic set-ups, this film might have been worth a visit.

Trailer: https://www.youtube.com/watch?v=UmU6b09s6VE

Submit your Screenplay to the Festival TODAY

Film Review: SUPER TROOPERS 2 (USA 2018) ***

Submit your Screenplay to the Festival TODAY

Super Troopers 2 Poster
Trailer

When a border dispute arises between the U.S. and Canada, the Super Troopers are tasked with establishing a Highway Patrol station in the disputed area.

Writers:

Jay Chandrasekhar (as Broken Lizard), Kevin Heffernan (as Broken Lizard) |3 more credits »

 

The first SUPER TROOPERS movie released in 2001 was a dumb ass but funny enough movie that earned Broken Lizard, the comedy troupe involved with the movie a sufficient following.

SUPER TROOPERS 2 is the long awaited sequel that took a very long time to reach the big screen because of production approval and funding problems.  The film finally got funding from the fans, a big $2 million or so worth.  What do audiences get?  Another low-life dumb comedy.  Do NOT have high expectations going to see this one.  I did not.  But I laughed my head off at the dumbness.  And I had a super trooper good time.

Director Chandrasekhar wanted to make a prequel set in the 70’s with the cast portraying the fathers of the original characters.  It sounds like a terrible idea.  Probably is!  Thankfully, Broken Lizard did not follow that idea but did a sequel that started where the original left off.   Foster (Paul Soter), Farva (Kevin Heffenan), Rabbit (Erik Stohlhanske), Mac (Steve Lemme) and Throny (director Chandrasekhar), the original five are in it, together with their captain, a stern faced O’Hagan (British Brian Cox).  Surprisingly, straight faced Cox gets the film’s most laughs in every scene he is in.

The lame plot involves part of Canada actually being the United States so the Super Troopers are recruited (after losing their jobs in the last film) to patrol the border.  They encounter a smuggling scheme of drugs that they eventually solve (well, sort of) with the help of the Canadian mounties.  But the story leaves plenty of opportunity for dumb jokes.  These dumb jokes are hilarious, the funniest ones of which involve comedic timing.

The film opens with cameos by Seann William Scott and Damon Wayans Jr. as two troopers who bust a trailer for speeding and dope.  The sequence involves a well-filmed car chase.  All the shenanigans are not that funny but it is rewarding to watch Wayans and Scott do their thing.  One can tell that if one joke does not work, there are lots more around the corner, and some of these will work.  The real super troopers of the film are slowly introduced with the story brought in.

As expected, the film contains a lot of Canadian vs. American banter, about which country is the better one or which one is the worst one.  If the jokes are nasty to the Americans, there will be an equally nasty aimed at the Canadian.s  It is an almost equal tit-for-tat.

Three other 80’s stars (as the film caters towards 80’s humour) who lend their hand are Lynda Carter as Governor Jessman), Rob Lowe playing a small-town Canadian major, Guy LeFranc, the bad guy and Fred Savage playing himself.  The 80’s period atmosphere is not really convincingly created but the 80’s hippie humour (including a noticeable hippie song) is definitely emphasized.

Hate it or love it, Super Troopers is dumb fun which succeeds in that respect.

Trailer: https://www.youtube.com/watch? v=eEed-o8fVpM

Submit your Screenplay to the Festival TODAY

2017 SCI-FI/FANTASY Short Films (36)

Director BIO: Michele Haines (SAM THE HAM)

feedbackanimationfestival's avatarFEEDBACK Animation Film & Screenplay Festival

Director Biography – Michele Haines

5facc55d25 headshot

Michèle Haines is a Los Angeles based Voice Actor who found the voice of Sam the Ham through improvising some animal character ideas for a toy company. Michèle then accidentally discovered her animator while searching her brother’s name on the internet. The visual work of David Haines (they think no relation) brought Sam to life. Sam has more adventures to get into, and Michèle and David Haines will continue their animation collaborations while trying to determine if they share a family tree.

Director Statement

Sam, the little pig character, was born out of improvising ideas for a toy company. Years later, the idea to animated him into a cartoon came as way for me to distract and pull myself out of a depression after my father died. Sam’s dad is styled as a tribute to my father, an Army Airborne Ranger who was happiest playing…

View original post 28 more words

Director BIO: Brian Giovanni (WHEN COMES THE RAIN)

feedbackanimationfestival's avatarFEEDBACK Animation Film & Screenplay Festival

Director Biography – Brian Giovanni

Brian Giovanni is an independent animator based in Los Angeles. His work has been showcased internationally through the LoopDeLoop animation community, and he was named LA Winner in 2016 at one of their showcases. He has also trained under indie-animation legend Bill Plympton, and studies regularly at the Animation Guild in Burbank, CA. He also holds a film degree from Denison University’s School of Cinema. He is a proud member of ASIFA-Hollywood, and an advocate for the Arts Action Fund.

View original post

Short Film: MARY & MARSHA IN THE MANOR OF MADNESS, 3min., USA, Animation

feedbackanimationfestival's avatarFEEDBACK Animation Film & Screenplay Festival

Screenshot 2017 05 27 22.07.25

Sinister secrets await as Mary helps her girlfriend Marsha escape from her parent’s gothic mansion one dark and eldritch night. This hand drawn and digitally animated ‘one shot’ film takes us on a Lovecraftian escapade through the Manor of Madness. Our goal with this film was to combine the creeping horror of H.P. Lovecraft with the wacky action of classic Saturday morning cartoons. This bizarre juxtaposition of styles helps emphasize both the weirdness of the horror and the silliness of the humor. Also the idea of “Scooby-doo chases in H.P. Lovecraft” is just inherently funny, to us at least. The “side-scrolling” cinematography both suited the 2D animation and helped emphasize the eerie atmosphere of the mansion surroundings. It also makes it easy to understand where everything is in relationship to each other during the chaotic chase sequences.

Project Links

View original post

Short Film: MARY & MARSHA IN THE MANOR OF MADNESS, 3min., USA, Animation

feedbackanimationfestival's avatarFEEDBACK Animation Film & Screenplay Festival

Screenshot 2017 05 27 22.07.25

Sinister secrets await as Mary helps her girlfriend Marsha escape from her parent’s gothic mansion one dark and eldritch night. This hand drawn and digitally animated ‘one shot’ film takes us on a Lovecraftian escapade through the Manor of Madness. Our goal with this film was to combine the creeping horror of H.P. Lovecraft with the wacky action of classic Saturday morning cartoons. This bizarre juxtaposition of styles helps emphasize both the weirdness of the horror and the silliness of the humor. Also the idea of “Scooby-doo chases in H.P. Lovecraft” is just inherently funny, to us at least. The “side-scrolling” cinematography both suited the 2D animation and helped emphasize the eerie atmosphere of the mansion surroundings. It also makes it easy to understand where everything is in relationship to each other during the chaotic chase sequences.

Project Links

View original post

Director BIO: Kris & Kurtis Theorin (MARY & MARSHA IN THE MANOR OF MADNESS)

feedbackanimationfestival's avatarFEEDBACK Animation Film & Screenplay Festival

Director Biography – Kris Theorin

Krisheadshot

Kris is a director, animator, editor, and VFX artist. He has created content for several national brands including LEGO, Tube Heroes, Tongal, Zooppa, StikBot and SOAP Creative. Stop motion animation is one of his specialties but he is equally as talented creating 2D animations, live action short films and commercials.

View original post