“Unicorn Symposium,” a short fashion film directed by Max Simonson, is an expressive and magical film taking viewers on a journey of self-discovery and the power of embracing the present moment. With stunning production design by Lufan Shi and captivating clothing and accessories by Vow Studio, the film creates a visually engaging experience seamlessly blending between reality and fantasy.

The opening shot introduces us to our leading lady, portrayed by actress Olivia Fildes, whose clothes—a simple white turtleneck and black denim jacket—reflect her plain and neutral personality. Standing beside her is a pedestrian holding onto a white balloon, symbolizing imagination and childlike wonder. The use of a colorful abstract sweater on this distant wayfarer creates a striking visual contrast, further accentuating her subdued character. This contrast emphasizes our protagonist as a “Plain Jane” living in a mundane existence.

As the story unfolds, we witness our leading lady spending a seemingly ordinary day shopping at the mall. However, through clever foreshadowing and the appearance of our stranger on the street, color bursts onto the screen as they pass by a contemporary Memphis design-inspired style boutique. This transition marks a turning point as the protagonist’s dull personality begins to shine brighter, as she begins to shop and choose clothing pieces for a classic dressing room montage.

The film skillfully employs extreme close-up shots to reveal our leading lady is featured in the polaroids displayed on the mirror, leaving her bewildered. Suddenly, she finds herself transported to another world, reminiscent of the movie “13 Going on 30.” Walking into her surprise birthday party, the look on her face expresses her confusion and disbelief. The production design masterfully creates a retro atmosphere, complete with paper umbrellas, polaroids, handheld cameras, balloons and metallic streamers, ultimately enhancing the overall celebratory experience.

Despite her attempts to convince the group it is not in fact her birthday, the party guests, through their gifts and affection, persist in celebrating her. The film expertly portrays a play on clichés, as the production design, including the delectable food styling, immerses viewers in the festive atmosphere. From fun drinks to birthday cake, a chocolate fondue fountain, and gelatin treats, the partygoers embrace the moment and live within the joyous celebration.

In these moments of revelry, our leading lady undergoes a transformation, changing into the clothes she left behind in the fitting room. Feathers fly, creating a dreamy and whimsical effect, symbolizing her newfound freedom to live fully in the present. The film captures the essence of a special day, filled with spontaneous singing, pinata smashing, and heartfelt laughter.

Amidst the chaos and jubilation, tears are shed and laughter resounds, underscoring the emotional depth of the characters. As the experience comes full circle, a recreated moment reminiscent of the first polaroid seen on the mirror brings everything back together. Our protagonist, realizing the significance of the occasion, feels compelled to capture the moment on her phone, reflecting the modern tendency to document and share every aspect of life.

However, as she leaves the room to grab her phone, life takes another unexpected turn, forever altering her perception of reality.

“Unicorn Symposium” is an enchanting expressive experience derived from Max Simonson’s direction, coupled with Lufan Shi’s stunning production design and Vow Studio’s impeccable clothing and accessories, create a visually captivating experience for all. Ray Lin’s music composition further enhances the film’s atmosphere, making it an ultimately cohesive and magical journey.

In its exploration of self-discovery and the importance of remaining present, “Unicorn Symposium” reminds audiences of the value of cherishing the experiences unfolding before our very eyes. This thought-provoking and enchanting film will leave viewers questioning the extent to which we should be living in the moment free from our technological devices.

Review Written by Parker Jesse Chase

Directed by  Max Simonson

Watch the Audience Feedback Video: