Filmmaker Elisabetta Zavoli (THE FISHERMAN, THE ALIEN, THE SEA)

THE FISHERMAN, THE ALIEN, THE SEA, 9min,. Italy
Directed by Elisabetta Zavoli
In June 2023, the population of blue crabs (Callinectes sapidus) boomed unexpectedly in the Goro lagoon, Delta of Po River, Italy. Here, amidst the alarmed but inactive shouting of the entire community, a young fourth-generation fisherman, Alessio Tagliati, leader of a small cooperative of clams farmers that has lost all their production to the blue crabs’ voracity, faces this new environmental challenge by reviving a traditional sustainable fishing technique his grandfather taught him and by following what the sea taught him: being ready to adapt to an environment that continuously change, thus showing a tremendous spirit of resilience in the face of the collapsing of his world.

http://www.elisabettazavoli.com/
https://www.facebook.com/elisabetta.zavoli
https://twitter.com/elizavola
https://www.instagram.com/elizavola/

Get to know the filmmaker:

1. What motivated you to make this film?
I’m a freelance documentary photographer and filmmaker. In 2023, I investigated the invasion of alien species Atlantic blue crabs (Callinectes sapidus) in the Mediterranean Sea thanks to the support of the National Geographic Society – Storytelling Grant. One of the outputs was a short film telling the impacts of the blue crabs invasion.

2. From the idea to the finished product, how long did it take for you to make this film?
I made this short film from July to October 2023, when I met Alessio Tagliati, the young fisherman, whose approach was the perfect subject for telling a positive story of human resilience and care for the environment.

3. How would you describe your film in two words?
Sea, Hope

4. What was the biggest obstacle you faced in completing this film?
The biggest challenge was to find the ideal weather conditions to support the narrative.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
I think the audience got the right message from my short film and this makes me very happy and accomplished.

6. When did you realize that you wanted to make films?
The short film was one of the outputs I have to produce for the National Geographic Society – Storytelling Grant but until July 2023 I haven’t found yet the right subject for telling the story. When I found him, the story unfolded in front of my eyes.

7. What film have you seen the most in your life?
The Piano by Jane Campion

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
I think that live screening events where filmmakers can meet the audience are always the best!

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
My experience was very good and FilmFreeway was very well organised.

10. What is your favorite meal?
I’m vegetarian, so any dish based on vegetables and fruits.

11. What is next for you? A new film?
I hope to be able to follow up the blue crabs invasion crisis in the lagoon and see how the whole community reacts.

Poet Ard-Alan Pourvali (WHITE MAGIC MAN)

Get to know the poet:

1) What is the theme of your poem?
All’s fair in love and war.

2) What motivated you to write this poem?
We pray for God’s love, forgiveness, and gratitude to be bestowed upon our ex-lovers.

3) How long have you been writing poetry?
Eight years.

4) If you could have dinner with one person (dead or alive), who would that be?
My cousin Ismail Pourvali. In the late 1800s, our family moved from Armenia to Persia. By the 1950s, he had become a renowned journalist, speaking out against the monarchy of the Shah and later the theocracy of Shiite Ayatollahs. His strong convictions resulted in him being exiled twice. He died in Paris in 2005 at the age of 80.

5) What influenced you to submit to have your poetry performed by a professional actor?
My love for English words is unparalleled. There’s something special about experiencing them live.

6) Do you write other works? scripts? Short Stories? Etc..?
I write film essays, soccer articles, and screenplays.

7) What is your passion in life?
Experimental filmmaking and Italian soccer.

Poem:

Roller coasters on merry farms,
with southland Chingona.
Take me back home again,
In the season of America.

Sexed like wildfire and starlight.
Her moonlight radiates desire.
Love is the only keeper,
and I’m getting higher.

Vexed runes of darkness,
black magic and voodoo
Like Romeo and Juliet
Capulet and Montague.

Hexed by Santeria,
The roots of her witchcraft.
I prance with white magic,
Jesus guides my glance.

Shadows dance at midnight
Under this Chicana spell
A black cat crosses my path.
An omen from heaven or hell.

Every alley and byway,
chance leaves its wrath.
All fire lit and lit,
On shattered glass I took a bath.

Of stilettos and of sangrias,
On this night of trance.
Of Chonies and of bloody maria’s,
Never severs, true romance.
A cosmic soul-tie, Everlast.

Poet Mike Bevins (ODE TO MY WIFE)

Get to know the poet:

1) What is the theme of your poem?

What my wife and I were experiencing when we got her diagnosis and later learned she would indeed die

2) What motivated you to write this poem?

It helped me to put into words a lot of what I was dealing with…from when she got her diagnosis to the day she died was just five months

3) How long have you been writing poetry?

This was really my first as a professional writer…I wrote a few when I was much younger

4) If you could have dinner with one person (dead or alive), who would that be?

My wife

5) What influenced you to submit to have your poetry performed by a professional actor?

I had a memorial service for my wife and read it aloud to those in attendance…but it’s nice to hear someone else speak my words

6) Do you write other works? scripts? Short Stories? Etc..?

I’ve written five features and two shorts

7) What is your passion in life?

My family…my second career as an actor and writer…enjoying what I can and being relatively healthy

POEM:

There was a man who had a wife
He thought she would be with him the rest of his life
They had been together so many years
Through good times and bad, through laughter and tears
It wasn’t always easy but as the years passed
They created a life together they thought would last
When one day an intruder made its presence appear
You’re not wanted…get out of here!
But it refused to leave and continued to spread
The man and wife were now filled with dread
There was hope for treatment but she wouldn’t be cured
Their bond was tested yet their faith endured
But things happened so quickly and so fast
The man soon realized this cannot last
As her condition worsened he grew sad
Taking solace in the memories of the life they once had
With each passing week she could do less and less
He tried holding it together but was a bit of a mess
And a decision was made while she lay in bed
Not to continue to treat her but comfort her instead
He thought of all that had happened before
As she closed her eyes which would open no more
And it came to be before too long
This angel named Angela was called home and gone

Deadline Today: FEMALE Feedback Film Festival

Submit via FilmFreeway:

The FEEDBACK Female Film Festival (FFFF) was created for women filmmakers and screenwriters. The goal is to showcase the best of female talent in film & TV from around the world.

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Film Festivals (short & feature) occurs 12 times a year (every month) in Los Angeles and Toronto.

Accepted films get their film screened at 2 festivals. The Audience Feedback Festival where you will receive a video of people’s reactions to your film. (Great asset to promote your movie). Plus, the Film Festival Streaming Service Festival where it will be seen by people in the industry and film fans.

Plus, each filmmaker gets the opportunity to do two interviews to further promote them and their work. A blog interview, and a podcast interview on the Film Festival ITunes show.

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Screenplay Readings also take place EVERY SINGLE MONTH.

Every submission received full feedback on their script from an industry professional. Winning scripts get their script performed by professional actors and make into a video for you.

Filmmaker Podcast: EP. 1199 – FILMMAKER BIRGITTA LILJEDAHL (POTATO)



POTATO, 14min., Sweden
Directed by Birgitta Liljedahl
When Mother 1 (46) struggles with a tired body, a failed bun-baking project and hopeless over-aged children, Lisa (22) and Dennis (64), conflicts soon escalate beyond what’s accepted by The State of Sweden. The doorbell rings. And The Inspector enters, providing the States quality solution: a shining, new Mother 2 (27). A Mother that fulfills all criteria, not only for the children and the state, but that might even interest a most critical, new Father. Mother 1 fights for her life against the Inspector, the State and Mother 2’s tetra-organic cabbage from Peru, but soon finds herself deported to Svalbard, by the police. When Mother 1 strikes back, the children will meet a force they’ve never witnessed before. POTATO is an absurd, socially critical comedy that takes place in a future more close than we would like..

Get to know the filmmaker:
We are building a society where perfection is demanded. Always. It’s insane. And boring. And just bad business. The human as a species, is magic, where development comes from imperfection, failures and mistakes.

You can sign up for the 7 day free trial at http://www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast:
https://twitter.com/wildsoundpod
https://www.instagram.com/wildsoundpod/
https://www.facebook.com/wildsoundpod

Watch the SCI-FI Film Festival – Best of South American Films – April 20/21 event

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

Watch the festival:  https://www.wildsound.ca/videos/april-20-sci-fi-south-america

See the Full Lineup of Films:

GOOD NIGHT, 1min., Brazi
Diected by Paulo Leão
Strange sounds surrounding home

https://www.facebook.com/paulo.leao.31

NO MAN’S LAND, 15min., Argentina
Directed by Enzo Pedroni, Francisco Castro Inveninato
Threatened by imminent danger, Victoria and her baby seek refuge in an abandoned chapel where they meet Aquiles, an elusive village survivor who gives them shelter. Their bond will be tested when their paths cross with “El Golfista”, a young man who makes many promises.

https://www.instagram.com/tierra.de.nadie1/?hl=es

CNX´S, 15min., Argentina
Directed by Bernardo Alejandro LORENZO
Abel lives in a complex where he interacts with a strange talking computer and develops an alienating job under a system of merits and punishments. Due to the deterioration that this routine generates, he needs to add more merits to update his biomechanical body and continue to be functional. For that, he receives the help of a delivery man who allows him to develop a plan to hack the system. When he succeeds, he discovers the truth about the environment in which he is immersed.

https://www.instagram.com/cnxs_cortometraje

ANANTARA, 13min., Brazil
Directed by Douglas Alves Ferreira
In the not so far future, a little girl lives alone in a junkyard. One day, another girl appears, and life is not so lonely anymore. A big event occurs, and they will never be the same again…

http://www.douglasferreira.com/

SCISSION, 73min,. Venezuela
Directed by Luis Rojas España
Luis tries to lead a normal life since he left his country, but strange events begin to happen from his homeland, submerging him in a sea of doubts where it is impossible for him to differentiate reality from paranoia.

https://www.imdb.com/title/tt21916134/
https://www.instagram.com/escisionmovie/

Watch the DOC International Showcase – April 20/21 event

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

Watch the festival: https://www.wildsound.ca/videos/april-20-doc-international

See the Full Lineup of Films:

THE ROAD OF INHERITANCE, 9min., China
This is about the inheritance of traditional craft of sword-making by craftsmen.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/the-road-of-inheritance-review

WORLD WAR II: THE SHIPWRECKS OF TRUK LAGOON, 45min., Germany
Directed by Christian Wehrle
“World War II: The Shipwrecks of Truk Lagoon” is a 45-minute documentary that dives into the haunting underwater world of Chuuk Lagoon, a site of immense historical and ecological significance. Once a formidable fortress for the Japanese Imperial Navy during World War II, this tranquil Pacific lagoon now cradles a ghostly fleet of sunken warships and aircraft, remnants of the devastating Operation Hailstone. Through a blend of captivating underwater footage, historical insights, and expert interviews, the documentary unveils the stories of these submerged relics. It explores the ecological transformation of these wrecks into vibrant marine habitats, while also pondering the ethical considerations of diving in this underwater graveyard. The film invites viewers on a reflective journey, intertwining the lagoon’s war-torn past with its present status as a unique sanctuary for marine life, leaving a lasting impression of the intricate ties between history, humanity, and the natural world.

https://www.facebook.com/profile.php?id=61555290403495

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/world-war-ii-the-shipwrecks-of-truk-lagoon-review

Watch DOC Shorts – HUMAN INTEREST Festival – April 19-20 event

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

Watch the festival: https://www.wildsound.ca/videos/apr-19-doc-human-interest

See the Full Lineup of Films:

FOR EVERYTHING THERE WAS A SEASON, 20min., USA
Directed by Trevor Bloom
A changing climate alters the fragile balance of survival for both wildlife and people in the Greater Yellowstone region. Visualized as the story of each of the four seasons, we’ll show you how a changing world is impacting nature and humans – and give you tangible actions we can all use to make a positive difference.

http://www.guidesofjacksonhole.com/https://instagram.com/guidesofjacksonhole.com

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/for-everything-there-is-a-season-review

THE LOST JEWS OF PAKISTAN, 12min., USA
Directed by Alexander Nilsen
Imagine a scenario where a teenage boy’s compassion shines through for a religious community that was forgotten, transforming a neglected graveyard into a place of beauty and solace. That’s the heartwarming story we captured in our documentary: The Lost Jews of Pakistan. It’s a tale that will inspire audiences and remind them of the incredible power of unifying religions while honoring our ancestors.

Filmmaker Podcast: EP. 1191 – Filmmaker Yiou Wang (WATER ALWAYS GOES WHERE IT WANTS TO GO)

WATER ALWAYS GOES WHERE IT WANTS TO GO, 5min., Romania
Media Artist Yiou Wang
“Water Always Goes Where It Wants to Go” is an ecoperformance CG art video of the body in synergy with the storied landscape of water. How can we go back to something we already have? We are born out of water, and water constitutes our body, our territories, and our myths. Mapping water through the body, in between transitory space for waters, the short film investigates the relationship between the self, its embodied and somatic dialogues, and these physical and symbolic waters, questioning how we can return to our first water, the common body.

Works

https://www.instagram.com/yiou_wang_/

Get to know the filmmaker:
This short film is the natural product of a very rich and interesting conversation Alina and I have. Many of our ideas clicked and crosspollinated. Alina is an actress and performance artist, who expresses through her body; I am a visual artist who expresses through image and form. We are both empaths who share an intuitive, embodied connection to a larger, more-than-human world. Alina has been introducing to the world the method of ecoperformance for many years, where she embodies a forest, a river, a crow, or an ancient mythic being and shapeshifts in synergy with the consciousness of the embodied. We began to focus on water, as water is our first body – the amniotic fluid is where we come from, and our common body. In many precolonial cultures and epistemologies, the land is often also corporeal. In Tuva, the mountain peak is the heart of mountain ranges, where rivers are the aortas, the soil’s blood vessels.

Alina and I wanted to create a branch of artworks embodying water combining her ecoperformance and my virtual filmmaking. She performs embodying water from our animistic perspective, and I do the motion capture, transferring her movement to the avatars of water. The scenography is designed with a root in theatre arts, where I put my 3D scanned natural environment pieces in the scene reminiscent of stage.

From the idea to the finished product, how long did it take for you to make this film?
It is hard to pinpoint the start of this project, since Alina and I have been communicating for a year and our minds grew into this rich constellation. Since the beginning, we agreed to draft some proposals to apply for certain live performance art grants. After that, we thought why not make a film to further illustrate our proposal? And the actual production and editing of this film was about three weeks. But it’s hard to say it’s only three weeks, because a lot of the models I put into the environment were from my longtime habit of 3D scanning in my forest hikes.

You can sign up for the 7 day free trial at http://www.wildsound.ca (available on your streaming services and APPS). There is a DAILY film festival to watch, plus a selection of award winning films on the platform. Then it’s only $3.99 per month.

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/
https://www.facebook.com/wildsoundpod

Deadline Today: EXPERIMENTAL, DANCE, MUSIC Film Festival

Festival occurs 3 times a month at our Los Angeles and Toronto events. See website for next events: https://experimentalfilmfestival.com/

Submit via FilmFreeway:

Festivals take place at various Cinemas in downtown Toronto, Canada, for the audience feedback video.

NOTE: The festival has created a hybrid festival with 4 tiers to enhance your film and your festival experience. All accepted films receive all four tier options:

Tier #1 – Your film plays at either a public live event where we will record the audience reactions of your short or feature and then send you the feedback video. Or, it plays at a private festival event where the audience will record their comments/reactions to your film on their camera or phone, then we edit them and send you a promotional video. No matter what you will receive a promotional video of your film of people commenting on your film.

Tier #2 – We put up your film live on the Film Festival Streaming Service for 30 hours and invite a select industry audience to watch it. With this system, some films have already received a distribution deal as many platforms are looking for solid feature and short films. We can not guarantee anything of course but this has been very helpful to many in the past. (see testimonials below)

Then (Tier #3) we will send you a list of questions to answer for our blog interview that will promote you and your film. Then after that (Tier #4) we will set up a podcast interview on our popular ITunes show where will we chat with you about the process of how the film was made.

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The goal of this festival is to showcase the best of new experimental short films and independent music videos from around the world. Films that don’t get a fair shake from other film festivals because programmers don’t know where to “categorize” these films. There isn’t a typical linear story occurring so most festivals can’t truly understand the talent and beauty around these films.

We want to showcase films that showcase true originality and talent from filmmakers from every corner of the globe. And also showcase new musicians who have made a music video and want it to be shown.