PIPPY AND THE TYPIST, 5min., USA
Directed by Rachel Nemez
Our protagonist, Pippy, discovers that a magical typewriter controls the events happening down below.

https://rachelnemez.com/
https://www.instagram.com/rachelnemez/

Get to know the filmmaker:

1. What motivated you to make this film?

My studiomates and thesis friends single handedly kept me going. I was going a little bit crazy at the beginning of the process, and I think the fact that I just wasn’t alone in a studio made all the difference. There were three of us in our studio sharing the space, and it was really awesome to be able to just pop in and chat for a bit and then go back to your separate working stations.

2. From the idea to the finished product, how long did it take for you to make this film?

From September 18th to April 24th? Roughly?? Technically I had another few weeks before that but I had a hard time knowing what I wanted to do.

3. How would you describe your film in two words!?

Interconnected silliness.

4. What was the biggest obstacle you faced in completing this film?

Honestly it was taking the photos that really got me by the end of it, because I had to set up lighting and gels and make sure everything was structurally sound. Like I built the sets from foam, wood, and grout, and it did a pretty good job for a while holding up, but I could’ve been more gentle with the walls so that the wood didn’t splinter off. Between running in between lighting and tweaking the camera and changing the gels, I just needed extra hands. It also doesn’t help that I tend to be extremely indecisive about my lighting. However, at the time, I met this guy on tinder who I brought into my school’s studio and I asked him to hold my set in place while I took photos and traded out colored gels for the lights. I would’ve asked my friends but everyone was in the thick of it at the time and I didn’t want to bother them.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was nervous to watch it back, because I just haven’t seen my own film in like a month, because I super needed a break from watching it multiple times a day during the final editing stage. My initial thought was that what caught people’s attention the most is the visual elements. Also not to mention the reviewers’ slightly different interpretations of the film. It was funny, because per my own observation, there are two energies of people that watch my film for the first time. Either like “omg crunchy texture!”, or “it represents the abominability of the human spirit.” And I was wondering if those two reactions only existed in the bubble of my school and local festivals, but I’m slowly learning that it’s a pretty vast reaction.

6. When did you realize that you wanted to make films?

Well I never really thought I’d be a filmmaker, I enjoyed animations as a kid and knew that I wanted to do that, and thankfully I had the resources and support to go pursue it. I just wanted to make cartoons!

7. What film have you seen the most in your life?

When I was a kid I think I watched Jim Carrey’s How the Grinch Stole Christmas once a week year round. I think that single handedly made it my most watched movie as a kid. But I will say, Adventure Time I think is my most watched piece of media of all time in a crazy way. I used to religiously watch the episodes as they came out when I was a kid, and it’s currently my goto comfort show. There are definitely bits and pieces that influenced me throughout making my film.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I’m not really sure, I’m pretty new to the film festival submission process and have only participated in 4 so far, and only 2 I was present for. I think a way for the filmmakers to come in contact so we can network a bit? But also, this festival has been very communicative and thorough about the process and giving a lot of exposure opportunities. So thank you!

9. You submitted to the festival via FilmFreeway. How has your experiences working on the festival platform site?

It’s been really straightforward and chill. It’s a great platform in my opinion.

10. What is your favorite meal?

I have a restaurant panic answer and a real answer. I panic order Chicken Caesar Salad every time I go to a restaurant that serves it, but also secretly I love it. However, that being said my real answer is mofungo con chicharron, it’s Puerto Rican food that consists of plantain and pork rind and it’s the best ever.

11. What is next for you? A new film?

If I’m being the realest right now, I’m trying to get a job. I told myself in two weeks I would start animating again, I’ve been on a little Summer break from it all since this last project was so all consuming. But ultimately yes I would like to get started on a new project within the coming month!

TIMEBANK THE GAME – THE RECORD OF AN EXPERIMENT, 40min., Hong Kong
Directed by Amy Cheung
One hundred life forms received a distressing signal from the vanished civilization of Pharmakon, learning that Earth is on the verge of self-destruction. Time Lord has devised a way to destabilize time, propelled Earth beings to enter an alternate reality through “THE GAME” – a mysterious portal that reduces them to a single-cell form.

Get to know the filmmaker:

1. What motivated you to make this film?

TimeBank THE GAME initially expanded my MA research project in educational psychology, where I proposed an experimental treatment model fusing serious games and positive psychological principles with new technology to motivate young people to invest time in environmental repair. I then received funding from Hong Kong to implement the idea in the form of an alternate reality game within an immersive exhibition. The film initially documented the project to fulfill the funder’s requirements, but then AI video generation technologies emerged and became easy to use. I was incredibly curious to explore AI’s big data-driven answers, hoping to see where the “Artificially Intelligent” narrative twist could lead us. Speculating if one day in the future, the residues of our destroyed planet came back through a time portal (THE GAME) to tell us how to survive, would anyone believe that our extinction had been self-directed, and therefore vow to take action?

2. From the idea to the finished product, how long did it take for you to make this film?

About 2.5 years. The alternate reality game took 1.5 years, and editing and post-production in conjunction with the AI generator took another year.

3. How would you describe your film in two words!?

Speculative Realism.

4. What was the biggest obstacle you faced in completing this film?

Without a budget and limited manpower, as there were only 3 people working on it part-time – myself, my script writer/producer, and the cameraman/editor – at one time it seemed like we would never finish it, thanks for our 4th collaborator – the AI video-generator.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

They are very insightful and I was so touched that they got many of my ideas quite accurately.

6. When did you realize that you wanted to make films?

I always wanted to but I couldn’t quite be bothered to learn all the equipments and techniques.

7. What film have you seen the most in your life?

La Jetée. Every year or two, I rewatch it. In fact, the film’s exploration of memory, time, and human experience resonates strongly with the themes I sought to explore in my own film. Chris Marker’s ability to convey such a powerful narrative with minimal resources has been a significant inspiration for me. His innovative storytelling techniques deeply engage and provoke thought in the audience, a principle I strive to embody in my projects.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I would love to meet filmmakers, producers, and scriptwriters who are interested in topics such as the climate crisis, alternate reality games, positive psychology, time bank, non-material value of meaningful and what motivates our behavioural choices, environmental activism. Hopefully, there will be opportunities for face-to-face meetings in the future.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Very easy to use. Enjoy it.

10. What is your favorite meal?

My favorite meal is a “food+live performance” I created with my partner, where we ambushed a morning TV show (we were invited, but they didn’t know we were going to perform). Instead of just explaining the dish, we acted out the poetic ingredients in silence and orchestrated the colors, shapes, and forms of the food as if we were painting. The host didn’t know what we were doing and panicked. That was my favorite and most unforgettable meal.

11. What is next for you? A new film?

Yes, I am planning a new alternate reality game set under the ocean—TimeBank THE GAME 2.0: Bill-the-Lion—a film hopefully created entirely underwater over the course of a year, focusing on THE GAME’s portal and temple. I would also like to research the sonic soundscape in order to compose an oceanic interspecies opera as a soundtrack for the film.

DISSIMULATOR, 3min., Australia
Directed by Holland Kerr
An astronaut, investigating the crash of a space station on a distant desert planet, receives a signal that water has been found. Sweaty and exhausted, she eagerly follows the signal deep into the belly of a mysterious cave.

Get to know the filmmaker:

1. What motivated you to make this film?

I wanted to create a gender bent version of mermaids. Instead of beautiful women suffocating wayward men in the sea, the illusion of home and a loving husband could suffocate a woman in space.

As the animating process chugged along, the work became a reflection on somewhat suffocating relationships I’ve had in life as well.

2. From the idea to the finished product, how long did it take for you to make this film?

All up, 25 weeks spread out across 1 year.

3. How would you describe your film in two words!?

Trust Nothing.

4. What was the biggest obstacle you faced in completing this film?

Making the work through the RMIT Masters program gave me the tools and encouragement I needed to create the work, but also gave me an extremely strict time limit to create it in.

Originally the work was about twice its current length, was coloured in and contained the protagonist’s son. The final version is much more abstract, which I leaned into and I think makes the work much more open and absurd, some of its final version’s more enjoyable qualities.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I needed to make it clearer who the protagonist was and her relationship to her husband who she encounters as an illusion later in the work. That being said, people enjoyed the abstraction of the work, so I need to strike a better balance between over and under explaining.

6. When did you realize that you wanted to make films?

I’ve been filming and animating for as long as I can remember. Some time around age 5, I starred as a cowgirl in a family friend’s home movies, and this gave me the film-bug I think. Around 6, my rich neighbors made the enormous mistake of letting me use their video camera. With it, my friends and I filmed a lot of BluesCluesesque songs which I had written, which my neighbors dutifully transferred onto full sized video tapes for my mom. Around age 7, I had somehow managed to get myself banned from borrowing that silver beauty (there was an incident involving a can of whipped cream I think) and I moved on to animating in Microsoft Paint and Windows Movie Maker, which I pursued well into highschool.

7. What film have you seen the most in your life?

Ooooh that’s tough. Either Blazing Saddles or Amadeus, as I grew up watching both.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

This is my first festival season, and this experience has been terrific so far, so I don’t have a sense of what could be missing.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform sites?

A lot of rejection thus far, but a very enriching experience overall.

10. What is your favorite meal?

A big greek salad made by my Mom.

11. What is next for you? A new film?

A new film or possibly a comic book. I honestly have so so many ideas, the tough part is choosing which thing to make next

NAVIGATING THE NIGHT, 10min., USA
Directed by Erin M. Aler
A young Soldier participates in a routine training mission, where her failures lead to a predicament for her morals to come to question

https://www.instagram.com/navigating_the_night

Get to know the filmmaker:

1. What motivated you to make this film?

The major motivation was wanting the experience of directing. I really enjoy the creative process of developing an idea into a full fledged concept. As I dedicated more time and energy to the project, the more I was determined to see it finished. At one point I found myself saying “if I can’t do this live action, I’ll just animate it myself.”

2. From the idea to the finished product, how long did it take for you to make this film?

Three years over all, bordering on four years. There were many drafts throughout the years, and the fund raising took some time as well. Luckily when we filmed everyone was available due to the writers strike.

3. How would you describe your film in two words!?

Real-world Horror

4. What was the biggest obstacle you faced in completing this film?

Funds. Funds were a major obstacle. We had to overcome a lot. It delayed our original shoot dates. Everyone was out of work because of the strikes. I ended up having to turn to starting a Kickstarter campaign. A lot of work went into just promoting, creating content, and raising awareness for the Kickstarter. Luckily we were able to reach our campaign goals and were able to pay for the equipment, cast, crew, and provide food and lodging for them.

There are always obstacles when it comes to filming itself. We found a few ourselves during and post shoot. I think our team worked so well together that when there was an issue we worked through it and found a solution.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Building up to watching the audience feedback I was really nervous. It’s really vulnerable putting yourself out there like this. I wasn’t sure if the message I wanted to get across would be picked up or received well. When watching the audience feedback, I was pleasantly surprised, almost over joyed, to hear how they really resonated with the film and its message. It made me feel confident in the product we produced.

6. When did you realize that you wanted to make films?

Around middle school. Growing up, because my family is so big, going to the movies together was a treat. For Christmas my family would go see a movie. It really bonded us. I realized that film is something that brings people together, and later on that it is one of the best art platforms for collaborating. As I got older and older, I’ve found a passion for telling stories and expanding my imagination.

7. What film have you seen the most in your life?

The Lord of the Rings Trilogy, specifically the extended edition. When I go home for the holidays it is now tradition that we watch the whole thing. We even debate if we should add The Hobbit into the mix.

I feel like it’s that or A Christmas Carol from 1984 with George C. Scott. Just because that’s our Christmas tradition to watch since as long as I can remember.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I really enjoyed the audience feedback portion of this festival. It was really enlightening hearing what they thought about the film, and their critique. If there were to be any other elements added, possibly the judges critique about why they chose the films. Overall I had a wonderful experience with Horror Film & Screenplay Fest.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway has made it so easy to submit to all different types of festivals. Which has been so helpful. Especially with this being the first film festival run I’ve ever done. I highly recommend anyone trying to get their film out there to use the platform.

10. What is your favorite meal?

As of right now, yellow Thai curry with mango sticky rice for dessert.

11. What is next for you? A new film?

As of right now I do have a few projects in the queue that I want to develop and produce. I have another completed short film script that’ll soon be in the works, and I am currently working on my first full length feature script. If you’re interested to see how they develop, stay tuned because more to come.

THE HIGHWAYMAN, 11min., USA
Directed by Derek Bensonhaver
As a killer indiscriminately stalks the highways of America, he could be any face, any look, anybody, anywhere and you wont know him until it is too late.

Get to know the filmmaker:

1. What motivated you to make this film?
– In the USA, a consistent problem here is gun violence, and road rage, and often times those intersect. I’ve witnessed road rage before, that and unfortunately gun violence are both prevalent where I live in New Mexico. I wanted to tell a story about those issues, but encase it in a serial killer thriller/horror setting. Filmmaking is my passion and I am particularly drawn to darker subject matter, typically making various genres of horror films. This time I wanted to steer the direction of the story more into a thriller category, as that is more realistic in a very real subject matter.

2. From the idea to the finished product, how long did it take for you to make this film?
– This was a large undertaking and done by an amazing team throughout, even though it was all volunteer, so that puts the project on all of our back burners for swiftly finishing. I wrote the idea about two years ago, then during the strikes revitalized it for myself and started the motions forward finally to make it come to life. Took us five filming days which included a day of just myself and my DP getting plate shots for the killers montage, and then reshooting one single shot to make it just perfect for the final cut. All in all from actually shooting through final product, about six months.

3. How would you describe your film in two words!?
– Actually Possible.

4. What was the biggest obstacle you faced in completing this film?
– As I mentioned every one of us did this for free, every cent spent where needed was out of my own pocked with no further funding. So the time it took to complete was a little slow, but so worth it. We’re all very proud of it. Money always makes things go faster, and I wish I had the funds to pay everyone for their time, and hopefully will be able to make that leap in the next project.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
– I was very excited to see it, and quite grateful for the positive feedback! Understandably, I was expecting a little confusion about the ending and why. The film is extremely ciclical, from start to finish. everything is replicated visually or verbally from the first half into the last segment, even down to the victim and the killers final resting positions. I don’t want to spoonfeed the audiences, but it does move quickly once the pickup of aggression happens, and thats the actual point; despite there being a serial killer out there, i’m making the point that people lose their cool over nothing, and are quick to react with anger, violence, and even the concept of anothers life means nothing out there on the road. So even our loving happy family can fall apart at nothing, and any other driver out there is just as dangerous as a supposed serial killer right now.

6. When did you realize that you wanted to make films?
– In high school a friend found an old vhs camera and some blank tapes. we started messing around making ‘short films’ or whatever you’d like to call those attempts, but man it was fun. Eventually that led us to a local monthly film competition and meeting other people who took it more seriously and that we could learn from working with them. At that point, being involved with the festival and these other filmmakers, I knew that this was what I wanted to do. I’ve always been a movie fan growing up, but having the chance to actually craft and tell my own stories was, and still is, everything.

7. What film have you seen the most in your life?
– Tough question, and I dont think I can narrow it down to one specifically, but off the top of my head i’d say…. Airheads, Waynes World, Scream, Nightmare on Elm Street, Friday the 13th pt. 3 and Evil Alien Conquerors are probably all equal.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
– You all run an interesting thing by offering more than most do, including with the feedback videos. I think if its possible to run a nightvision camera during screenings to capture peoples actual reactions/screams/gasps/cheers etc would be truly amazing and inspiring for every filmmaker, especially as we arent able to attend every screening we have.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
– I actually really like the way filmfreeway is laid out, it makes it all pretty simple and easy to find festivals you may not know about to submit, as is I stumbled across your festival initially, but now have it saved for future projects to submit.

10. What is your favorite meal?
– Pizza, i’m always in the mood, especially if its thin and has meatballs on top.

11. What is next for you? A new film?
– The Highwayman is submitted to many festivals, so promoting this is current priority, but i’ve got one script that is a horror/drama in competition at Monkey Paw to try to secure funding for it to be made, as its just not feasible solely out of my pocket this time. And I’ve got two other scripts in the early stages right now, one straight horror, and another that is a dramedy. Seeing the Highwayman do well at the festivals currently is definitely motivating to keep plucking away at more ideas and more stories and pre planning, and keeping me excited even more to make them and show them to the world.

DON’T LOOK AWAY, 36min., USA
Directed by Joseph Vitug Lingad
In the span of six years, the film follows Corey to show how his facial difference has impacted his life, friendships, family relations, romantic relationships, and careers, and how these experiences have shaped his personality and perspective. By capturing the daily life of Corey, the film shows the audience the challenges of living with a facial difference: being stared at, bullied, constantly having to explain your facial difference, the struggles of online dating, and the psychological and emotional impact of all of these experiences.

http://josephvlingad.com/
https://www.facebook.com/adultswithfacialdifference/?ref=bookmarks

Get to know the filmmaker:

1. What motivated you to make this film?

I was motivated to make this film due to my experience living with a facial difference. I was born with a cleft lip and cleft palate. I wanted to make a film that shows how members of the facial differences community’s looks impact their daily lives and demystify stigmas of living with a facial difference that mainstream media has created and continues to perpetuate.

2. From the idea to the finished product, how long did it take for you to make this film?

The short film took me a little over six years.

3. How would you describe your film in two words!?

Unabashedly honest

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle in completing this film was to tell Corey’s story without sensationalizing his experiences.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was very happy that Corey’s story touched viewers.

6. When did you realize that you wanted to make films?

I wanted to make this film back in 2017.

7. What film have you seen the most in your life?

Either the “Le fils” (The Son) by the Dardenne brothers or “Minding the Gap” by Bing Liu

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I wish this was also an in-person festival as well.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

My experience with FilmFreeway has been great and easy to navigate.

10. What is your favorite meal?

Kare Kare – a Filipino stew

11. What is next for you? A new film?

I plan to make a feature film on the same topic. In fact, I’ve been following three other characters with various facial differences as long as Corey (six years plus). Depending on how successful “Don’t Look Away” is in the film circuit, I plan to use it as a “calling card” to collaborate with partners to help me make a feature film.