In November 2021, she married her boyfriend of 10 years Josh Hartnett in London. They have three children together: two daughters, Thisbe Hartnett (b. November 25, 2015) and Roxanna Hartnett (b. July 1, 2017), and a third child (b. 2019).
This is a HYBRID film festival with live screenings for the audience feedback video you will receive, plus an optional virtual 2nd showcase to enhance the film’s exposure. Festival also conducts blog and podcast interviews with the filmmaker. We have also started a filmmaker’s WhatsApp group with over 100 joined to date to chat about next project and make contacts etc….
Submit your ROMANCE or RELATIONSHIP Film or Screenplay to the festival today.
Get your short or feature film showcased at the private festival with the sole purpose of getting the filmmaker an audience feedback promotional video.
– NEW OPTION: Submit for a guaranteed acceptance.
– 8 Film Festival events a year.
– Filmmaker also receives a chance to talk about their film on the Film Festival ITunes Podcast and also do a blog interview.
– All accepted films receive an audience reaction video of how they felt about your film.
Then you can use that video to promote your film to get into more festivals and obtain a distribution deal.
Romance Screenplay Festival happens monthly.
– Full feedback given on all submissions by industry professionals.
– Winners get their script performed by professional actors and made into a video for them.
– Winners also get to talk about their work and script on the Film Festival ITunes Podcast.
CATHY & HARRY, 40min., USA
Directed by Marta Renzi, Daniel Wolff
A revealing and humorous double-portrait of Catherine Murphy and Harry Roseman whose work is in collections from the Metropolitan Museum of Art to the Metropolitan Transit Authority. “Cathy & Harry” documents how their lives revolve in joyous, dizzying intensity around work, food, friends, and each other.
Get to know the filmmakers:
What motivated you to make this film?
We thought these two were special people, whose work and relationship should be documented.
What were your initial reactions when watching the audience talking about your film in the feedback video?
We were pleased that the message came across – and a little surprised that the message seemed to be so much about their relationship.
Subscribe to the podcast:
https://twitter.com/wildsoundpod
Watch Film Festival HERE: https://www.wildsound.ca/videos/november-horror-shorts
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/
SEE THE FULL LINEUP OF FILMS:
REPLACED, 5min,. USA
Directed by Nicholas Campbell
Depressed college student Sam attempts to reach out to her mother in the afterlife but welcomes something else instead.
Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-replaced
IVANIA, 12min., Spain
Directed by Luigi Abanto
Michael (45). He is a camera repair technician. One day an old Voightländer camera comes into his hands to repair it. When he turns it on, he discovers that the camera captures the presence of a woman who lives in the same space and time as Miguel, although in another dimension.
Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-ivania
DARK ROOM, 11min., USA
Directed by Rogelio Robles
After losing everything, a man slowly and painfully loses his mind right before your eyes. Becoming the serial killer he was destined to be.
https://www.instagram.com/roy_horror_director/
Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-dark-room
THE APPARITION, 4min., Canada
Directed by Kieran Persaud
After receiving a call from a distressed mother, A priest goes to perform a house blessing in hopes to rid the home of intruding spirits.
https://www.instagram.com/kieran_persaud_/
Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-the-apparition
CHERRY ON TOP, 15min., Brazil
Directed by Laura Reis
A girl with a bunny head tries to escape from her hunted reality when she discovers a group of colorful and hungry girls to be a part of…but things are not as sweet as it seems
https://www.instagram.com/cerejadobolofilme/
Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-cherry-on-top
Watch Film Festival HERE: https://www.wildsound.ca/videos/november-international-student-festival
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/
See the Full Lineup of Films:
AXINOS, 5min., Greece
Directed by Anna Maria Kakona, Calliopi Villy Kotoula
A little girl tries her best to protect her beloved sand sea turtles from the busy summer beach.
THE SLAUGHTERHAUS, 9min., Chili
Directed by Gonzalo Sepulveda
Based on a Nicanor Parra poem, A dystopian thriller about Meat Consumption and Global Warming.
http://www.cinando.com/cintamanifilms
https://www.facebook.com/cintamanifilms
https://www.twitter.com/cintamanifilms
DISENTANGLE, 14min., Bolivia
Directed by Andrea Estéfany Caballero
“Paskay” is an animated short made in Stop Motion and digital Cut-Out, that tells the story of Candelaria (20) and José (21), young people from a community in the Andean highlands, whose friendship and possible romance is interrupted by the sudden death of José. One afternoon, Candelaria falls asleep. In her dream, Candelaria looks out into the lagoon and sees the soul of José inside the World of the Dead, but realizes that she can not reach it and José can not get out. Candelaria cries in frustration. An Andean belief says that one should not cry too much to the dead, or they will not be allowed to rest in peace and will be caused them suffering. How can Candelaria get over the death of José?
https://www.facebook.com/andrea.caballero.58152/
CYPRESS SLEEP, 15min., Turkey
Directed by Leila Norouzi Hasanbarough, Eren Uğur
PhD student Zechariah sets off to a historical cemetery in the countryside with his lover Seda for his thesis research. On the way, they bump into something they are not aware of. This creates an enigma between the two characters. Seda will make an important decision on this journey
https://www.instagram.com/cypress_sleep/
NO PLACE FOR REST, 15min,. Chili
Directed by Cristobal Lopez
Héctor, a villager in southern Chile disconnected from his family, avoids assisting Rosa, his mother who lies prostrate, leaving her in the care of her sister Elena, who neglects her own existence because she has to take care of her. From her bed Rosa sees how time passes and how her daughter is consumed with her. Rosa will devise a plan underground, which will change the roles of the house forever.
FORGOTTEN FLAME, 17min,. Serbia
Directed by Mike Somov
Two strangers accidentally meet each other near the metro station in the morning and start discussing the muzzled dog’s fate. Each one of these three is lonely, and their encounter can give them a chance to fill up holes in their lives. Nevertheless, some of them can lose this opportunity because of fear of getting lost in abandonment even more.
https://www.facebook.com/somov.is.me/
https://www.instagram.com/somov.is.me
NGEN, 23min., Chili
Directed by Jaime Bernardo Diaz Diaz
Ngen is a documentary that, through a contemplative and dreamlike journey, shows us the world of Rosa, a Mapuche machi from the town of Fin Fin Boroa, Araucanía Region. Through her story and the observation of her environment, she brings us closer to the deep relationship that exists between her, medicine and non-human beings called Ngen, owners of nature.
LA CHIMBA, 26min,. Chili
Directed by Víctor Villegas Campillo
Patrimonial ethnographic documentary that highlights our history, from the Pre-Columbian era, specifically how those territories were inhabited and how it was transformed into an important commercial sector until today.
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Quote from Hollywood Reporter interview:
So it was 2019 and I was playing the female lead in this Broadway show called Be More Chill. And simultaneously, I was shooting season three of The Marvelous Mrs. Maisel. So it was a really crazy year for me. I was doing eight shows a week, and on Mondays, I was filming for Maisel, while on top of that, doing press. And then Maisel wrapped and Be More Chill closed around the same time. I had lived in New York for 11 years and I was starting to feel like, “Oh, I think I’m ready for some change.” But first, I knew that my friend Bowen Yang was doing a show called Nora from Queens, and this was before Bowen was announced on SNL. I don’t think he even got it yet, but he was doing Nora from Queens. And I was like, “Well, Bowen and I used to do comedy together in college. I’m sure there’s a dumb role available for me on that show…” So I did episode 108 and played a character named Shu Shu. And episode 108 just so happened to be directed by Dan Kwan and Daniel Scheinert [Daniels]. Daniel Scheinert tells this story of when I walked into the audition room for that role, we all kept giggling as if we had been friends forever, and he was thinking in his head, “Stop embarrassing us, this is a work setting!” So even though we had only known each other for five minutes, we immediately had this very art-soulmate connection. And we had so much fun filming that episode. Simu Liu is in it. Jamie Chung, Harry Shum Jr.. We all had so much fun, so I was like, “I have to go to L.A. because I know that there are other young creatives who are just as weird as them and just as weird as me and are making cool things…” So I went to L.A. and within a week of me being there, the boys called me and said, “Hey, we’re working on [Everything Everywhere All at Once]. No pressure, but we think you’d be really great for it. Are you interested?” And without knowing Michelle Yeoh was attached, without knowing it was A24, I immediately was like, “Anything you guys do, I’m there.” I have always understood their sense of humor, but when I read the script, what really captured me was the depth and the soul of the family story, and also the very profound question of “What if?” or “Is the life that I’m living enough?” or “Could I have chosen a different path?”. So I’ve always believed in it, but I could’ve never imagined the response that we’re getting right now. It’s completely beyond any of our wildest dreams.
Born
November 25, 1971 · Hollywood, Los Angeles, California, USA
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