Filmmaker Serkan Aktaş (RESURRECTION UNDER THE OCEAN)

RESURRECTION UNDER THE OCEAN, 3min., Turkey, Experimental
Directed by Serkan Aktaş
“Resurrection under the Ocean” is about the resurrection of a man who was helplessly sinking to the bottom of the ocean, after falling to the bottom of the ocean, with a symbolic narrative.

Get to know the filmmaker:

1. What motivated you to make this film?

“Making Resurrection under the Ocean was driven by a deep personal and creative desire to explore themes of human resilience and transformation in the face of adversity. The ocean has always been a powerful metaphor for the unknown, for both the depths of the human experience and the mysteries that lie beyond our comprehension. I wanted to create a story that reflected the fragility and strength of life, much like the ocean itself—where vast, powerful forces exist beneath the surface, often unseen.
The inspiration also came from my fascination with the idea of rebirth. In many ways, the ocean represents a kind of infinite possibility, a place where life can be both created and destroyed. This duality resonated with me on a personal level, and I wanted to explore the transformative power of human experience, especially in the face of environmental change and the shifting tides of society.
The film also stems from my love of storytelling that combines both the physical and emotional realms. The underwater setting allowed me to visually convey feelings of isolation and survival, while also diving deep into the psychological effects of confronting the unknown. Ultimately, Resurrection under the Ocean is a reflection on human survival, connection, and renewal, all set against one of the most powerful and mysterious forces in nature.”

2. From the idea to the finished product, how long did it take for you to make this film?

“It took just three months. The idea came quickly, and we worked with urgency and focus. With a great team and a clear vision, we were able to bring it all together in record time. The tight timeline pushed us to be creative and efficient.”

3. How would you describe your film in two words!?

“Resilient and transformative.”

4. What was the biggest obstacle you faced in completing this film?

“The biggest obstacles were finding the right sea location and working with a low budget. Securing a location that captured the essence of the story was tough, and managing the budget meant we had to be creative with resources. But these challenges only fueled our determination to make the film work.”

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

“Watching the audience react to Resurrection under the Ocean in the feedback video was both humbling and exciting. It was incredible to hear their thoughts and to see how the film connected with them. The feedback was deeply insightful, and I was moved by the emotions it evoked. It reassured me that the story resonated with people, and it reinforced my passion for filmmaking.”

6. When did you realize that you wanted to make films?

“I discovered my talent for writing stories and making films when I was 16. My elder brother and I watched Hokkabaz, a Turkish film, and it was the first movie I saw in a theater. That experience sparked my passion for filmmaking.”

7. What film have you seen the most in your life?

“Groundhog Day” (1993). It’s a fantasy film that I find fascinating, and its unique take on time and repetition has always captivated me. It sparked my love for fantasy films and storytelling that explores deeper themes.”

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

“More opportunities for networking with industry professionals and other filmmakers would be invaluable. Workshops and panels on emerging technologies and storytelling techniques would also help me grow as a filmmaker and push my work to new heights.”

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

“My experience with FilmFreeway has been great. The platform is user-friendly, and it made the submission process smooth and efficient. It’s easy to track submissions and connect with festivals, which is incredibly helpful for filmmakers.”

10. What is your favorite meal?

“My favorite meal is Gözleme with mushrooms, a traditional Turkish dish from my hometown of Kastamonu, Turkey. It’s even more special when my mom makes it—it’s a meal full of warmth and great memories.”

11. What is next for you? A new film?

“My next project is Kanlısırt – The Blood Ridge, a feature film I’m writing and directing. The script is already finished. Set during World War I, it tells the story of the intense battle between the Turkish and British armies at Gallipoli. The plot follows a fake war veteran who wronged his brother over inheritance. As his brother is about to die in battle, he must reach him to make things right.”

Filmmaker Aniruddha Das (MADE IN PARADISE)

MADE IN PARADISE, 44min., India
Directed by Aniruddha Das
Set against the stunning backdrop of Ladakh, Made In Paradise tells the story of the Changpa nomads, guardians of the world’s finest Pashmina. A testament to human resilience and perseverance, the film highlights the community’s immense respect for the environment, and its attempt to protect a rich heritage and culture, only to ensure that their Pashmina remains a global treasure. The film also explores the symbiotic relationship between the herders and their animals, the legacy of the Pashmina, and the fight to preserve a way of life that teeters on the edge of survival.

https://madeinparadisefilm.com/
https://x.com/pashminafilm
https://www.instagram.com/pashminafilm/

Get to know the filmmaker:

1. What motivated you to make this film?

The breathtaking landscapes of Ladakh and the resilient spirit of the Changpa nomads drew me in. Their story—rooted in harmony with nature and a fight to preserve heritage—felt too precious to remain untold. This film is my love letter to them and my way of sharing their story with the rest of the world.

2. From the idea to the finished product, how long did it take for you to make this film?

It took about a year and a half to bring this film to life. We wanted to immerse ourselves in the journey of the Changpa across seasons—through the extreme winters and harsh summers of Ladakh—capturing the rhythm of their lives as it unfolds.

3. How would you describe your film in two words!?

Resilient Harmony.

4. What was the biggest obstacle you faced in completing this film?

The biggest challenge was reaching the remote, high-altitude locations near the Indo-China border and finding the nomads, who are always on the move. It was a journey of patience and persistence, inspired by the very spirit of the Changpa people.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Watching the audience react to our film for the first time was nothing short of thrilling. Hearing their positive words and knowing the story resonated deeply was both humbling and exhilarating—it felt like the journey was truly worth it.

6. When did you realize that you wanted to make films?

After over a decade in the advertising industry, I realized the power stories have to connect with and inspire people. My work has allowed me to encounter countless such untold stories from India that deserved a global voice. This film is my humble beginning to bring those narratives to the world.

7.What film have you seen the most in your life?

The film I’ve seen the most is Baraka. Its visual poetry and ability to convey profound stories without words deeply resonate with me, reminding me of the universal language of cinema.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Festivals like yours already excel in connecting filmmakers to audiences and amplifying our voices. A valuable addition could be live Q&A sessions with the audience after screenings—whether virtual or in person. These interactions allow for direct engagement, fostering a deeper understanding of the stories we tell and inspiring future collaborations.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway has been a seamless and intuitive platform for submitting films. Its accessibility and organized interface make the process straightforward, allowing filmmakers to focus on storytelling rather than logistics. It’s a great bridge between filmmakers and festivals worldwide.

10. What is your favorite meal?

My favorite meal is Shapta with Tingmo, a flavorful Tibetan stir-fry paired with soft, steamed bread. Its rich spices and comforting textures make it a dish that feels like home.

11. What is next for you? A new film?

Next, I’m exploring the intricate world of Ladakh Shingskos—a centuries-old woodwork tradition, shaped by time and nature, now fighting to preserve its legacy in a rapidly modernizing world. This is the untold story of art, resilience, and the hands that carve history.

Filmmaker Mike Goldberg (THE KENTUCKY COWBOY)

THE KENTUCKY COWBOY, 58min., USA
Directed by Mike Goldberg
Despite becoming a success on the football field, a man struggles internally with mental health issues all his life, as he continuously tries to gain acceptance from his father and legendary football coach.

Get to know the writer:

1. What motivated you to make this film?
Hearing Chris’s story was eye opening, as we just don’t hear a lot about athletes who admit to mental health struggles, let alone in football and in the 80s-90s. We wanted to hear his entire story knowing it could likely help others who deal with similar struggles.

2. From the idea to the finished product, how long did it take for you to make this film?
About a year and half.

3. How would you describe your film in two words!?
Mentally Fulfilling

4. What was the biggest obstacle you faced in completing this film?
Getting athletes from Chris’s playing time to go on camera and discuss their mental health struggles.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Chilling… hearing others feel as we did making it, was amazing.

6. When did you realize that you wanted to make films?
Many many many years ago… but easier said than done.

7. What film have you seen the most in your life?
The Godfather probably

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
More categories could be helpful even in documentary world. Maybe some type of ‘in person” gathering/awards once a year.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Seems very easy to navigate and find what you’re looking for.

10. What is your favorite meal?
Sushi

11. What is next for you? A new film?
Yes… but not sure the topic quite yet.

Screenwriter Shaun Delliskave (WIT HAPPENS)

“Wit Happens” is a dramedy blending sharp satire and heartfelt comedy, capturing the unlikely bond between two souls at different stages of life. As Jack learns to break out of his “one-trick pony” role, Barbara guides him in finding his unique voice—one that has the power to connect, heal, and inspire.

Get to know the writer:

What is your screenplay about?
It follows Jack Demarrant, a struggling comedian known for his Trump impersonations, who is grappling with being typecast and ridiculed for his act. As he attempts to reinvent himself, he forms an unexpected connection with Hilary Steiner and her feisty grandmother, Barbara, which leads to personal growth, comedic challenges, and an exploration of legacy and relationships.

What genres does your screenplay fall under?
Comedy, Drama.

Why should this screenplay be made into a movie?
The screenplay offers a unique blend of humor and heart, addressing themes of self-identity, resilience, and generational wisdom through its comedic lens. Its sharp dialogue and cultural relevance make it both entertaining and meaningful.

How would you describe this script in two words?
Comedic Redemption.

What movie have you seen the most times in your life?

Raiders of the Lost Ark

6. How long have you been working on this screenplay

I crafted this over a period of three months this year.

7. How many stories have you written?

I have crafter over eight screenplays, with four of the being optioned and one working with a current studio right now.8.

8. What is your favorite song?

Hey Jude

9. What obstacles did you face to finish this screenplay?
Quite literally, two presidential assassination attempts. The screenplay would have been dropped had things gone worse.

10. Apart from writing, what else are you passionate about?
I write articles for my hometown newspaper (it’s not my full-time job) and collect exotic pine cones.

11. You entered your screenplay via FilmFreeway. What has been your experience working with the submission platform site?

It makes things super easy to find the right festival for my project.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
Not many festivals focus on comedy and provide options for getting input and other useful feedback on scripts. The Toronto Festival was able to organize that all in one spot!

Screenwriter Robert Feldges (A BETTER HERO)

Based on the animated series “Teen Titans” and characters appearing in DC Comics.

Get to know the writer:

1. What is your screenplay about?
On kid flash from the original Teen titans cartoon, taking his girlfriend Jinx to visit Central City and reconnect with his best friend Hunter, but they encounter an evil speedster who promises to break Kid Flash.

2. What genres does your screenplay fall under?
Superhero, Animation (technically a medium not a genre, but that’s the source material), Drama, Action

3. Why should this screenplay be made into a movie?
I doubt my full script is quite ready to be made into a full film, but once it fully is, it should be adapted because of how it respects the original characters and incoraptes them into the setting of a beloved show

4. How would you describe this script in two words?
Fallen Friends

5. What movie have you seen the most times in your life?
Definitely one of the Disney classics – I’m gonna go with The Lion King

6. How long have you been working on this screenplay?
About 3-4 months.

7. How many stories have you written?
I’d say a dozen, but this is the only one I’ve made into a script.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
The Scarecrow by Avantasia.

9. What obstacles did you face to finish this screenplay?
Finding enough time.

10. Apart from writing, what else are you passionate about?
Spending time with my wife, reading, running, pc gaming

11. You entered your screenplay via FilmFreeway. What have been your experiences working with the submission platform site?
It was very easy to use.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I wanted to get some professional feedback, so I just googled “fan fiction submission” and found the festival. The feedback was very helpful, and the one-on-one with the screenplay consultant (Sydney) gave me a lot of advice on how to improve.

Screenwriter Les Lahage (THE PRESAGE)

Leisal Werster lived in the woodsy shadows of Marstons Mills, Cape Cod. A former clergyman with a mysterious past and even darker secret who’s now on the run. Jessica Stone is no stranger to seeing tragedy in her life. With one year of college left she’s more determined than ever to see her dreams come true. A chance encounter will bring these two strangers together, changing their lives and impacting the lives of others. Jessica will soon question the unfathomable as she’s pulled into a series of horrific events. A game of cat and mouse will ensue while unearthly eyes observe from afar.

Get to know the writer:

1. What is your screenplay about?

It’s a game of cat and mouse while the antagonist chases down an ancient artifact.

2. What genres does your screenplay fall under?

Suspense, thriller and drama.

3. Why should this screenplay be made into a movie?

Intriguing characters, real life struggles, never seen before locations and an enticing storyline. It also begs the question, is there more to this life than just what we see?

4. How would you describe this script in two words?

Gripping and original.

5. What movie have you seen the most times in your life?

Jaws.

6. How long have you been working on this screenplay?

Six to eight months.

7. How many stories have you written?

The Presage is my ninth screenplay.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

My favorite song is Inner City Blues by Marvin Gaye.

9. What obstacles did you face to finish this screenplay?

The ending. I’ve never left an ending open for a sequel, The Presage was my first.

10. Apart from writing, what else are you passionate about?

Reading, hiking, art and living a healthy lifestyle.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Overall it’s been very good.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

My screenplay was the perfect fit, it’s a suspense/thriller.

Any feedback, good or bad is always welcome; it comes with the territory. I’m very happy the reader was entertained, that’s the main goal.

Screenwriter Drew Henriksen (BOZ: Bikers of Oz)

After a twister rips a biker bar from its foundation, two rival biker gangs crash land in the mythical land of L. Frank Baum’s tales. Thinking they know the story, the two foes quickly unite, but encounter forces that they don’t know as well as they thought. In this Adult Swim style animated show, think of Sons of Anarchy surviving the twisted land of Oz. May also be live action.

Get to know writer

1. What is your screenplay about?

Instead of Dorthy’s house, a biker bar lands in Oz. On the surface, BOZ is a farcical comedy, but underneath it deals with much darker undertones and how people need to put their differences aside to defeat darker forces. Rick and Morty style story telling.

2. What genres does your screenplay fall under?

Fantasy

3. Why should this screenplay be made into a movie?

We wrote it as a pilot for a TV series. It takes a world we think we know, and turns it upside down.

4. How would you describe this script in two words?

Out there.

5. What movie have you seen the most times in your life?

Wizard of Oz.

6. How long have you been working on this screenplay?

Ken Hewski and I wrote this two years ago and are still working on a set-up for the first season.

7. How many stories have you written?

I have three published novels and a script in preproduction. Plus several other screenplays. Ken has written several other award wining scripts. I forward this to him to also respond.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Don’t Fear the Reaper.

www.DrewHenriksen.com

http://www.imdb.com/name/nm2199633/

Screenwriters Jamie Latta & Cristen Coppen (TRUTH FALLS)

Amidst holiday chaos, Gaby and Fitz embark on a road trip to a spiritualist commune to confront Gaby’s estranged Aunt Tibby, leading to family revelations, spiritual meltdowns awakenings, and unexpected bonding.

Get to know the writers:

1. What is your screenplay about? Truth Falls is a holiday film about a family secret slowly and hilariously coming to light during the most wonderful time of the year. When Gaby loses her parents in an accident, she learns that her new-age, enlightened Aunt Tibby has been made the executor of her estate. Gaby and her best friend Fitz are forced to leave their swanky Chicago lifestyle for a spiritualist camp, Truth Falls, in Oklahoma to confront Tibby and demand her inheritance.Gaby gets more than she bargained for when she learns there’s way more to her family story than she was told. Like, WAY more… We learn that Tibby is Gaby’s birth mother. This secret has been buried for decades. This is a Film about what happens when a family secret slowly, painfully, and hilariously comes to light causing spiritual meltdowns and epic holiday awakenings.

2. What genres does your screenplay fall under? Christmas Comedy

3. Why should this screenplay be made into a movie? We wanted to write a movie that dug into what the holidays are really about – Family DRAMA. All great stories are about family. The inspiration for Truth Falls was to have a comedy that stems from your deepest secrets and wounds because those are the best stories people can see themselves in. We love a frothy, fun holiday movie and we thought – hey let’s do both. It can be fun, sad, tragic, and hilarious. Most holiday movies don’t look anything like what people experience. We all have family secrets – what better time to unwrap them than at Christmas? Truth Falls is an anti Hallmark Movie.

4. How would you describe this script in two words? Christmas Parody

5. What movie have you seen the most times in your life? Jamie: Love Actually. Cristen – The Family Stone

6. How long have you been working on this screenplay? Two Years

7. How many stories have you written? Coppen has written three scripts and Jamie has written dozens. This is our first script together. Boy was it fun!

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Cristen: So many to choose from. In the spirit of Christmas – The Carpenters Christmas LP – specifically Merry Christmas Darling.

Jamie: I’m an Indie Rock kinda gal – so on them for me would be I was thinking I Could Clean up for Christmas by Aimmee Mann

9. What obstacles did you face to finish this screenplay? Cutting funny scenes we love that just don’t serve the story. So hard. Everytime.

10. Apart from writing, what else are you passionate about? Travel, Film, Philanthropy, and family!

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site? Easy, but some of the contests promise feedback and don’t really deliver much.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received? It focused on comedy and we were looking to get as many eyes on this as possible. Your friends and colleagues can only read it so many times! We were really excited about the feedback. They did a great job breaking down the story and offering notes and insight.

Screenwriter Carlos Galinho (DOWNBURST)

Get to know the screenwriter:

1. What is your screenplay about?
The central topic is a wildfire that grows uncontrollably, generating its own micro-weather followed by a downburst, which spreads destructive and fast winds of fire, while different civil defense officers try to fight it and save lives. It is a multicharacter plot, focusing on different layers of drama. At the same time, it’s also a conspiracy thriller, as a journalist tries to uncover the causes behind it.

2. What genres does your screenplay fall under?
Action, thriller, drama

3. Why should this screenplay be made into a movie?
First if all, it’s full of action and drama, possibly the main “ingredients” of any Hollywood blockbuster. Then, it’s a genuine, dramatic and heroic story with uncommon elements: wildfires are rarely depicted in movies; and, the story, which may seem incredible and fictional, was actually based on true events that no one could ever predict. So, if I do say so myself, I think it would be a great movie, something between “Band of Brothers” and “Dante’s Peak”.

4. How would you describe this script in two words?
Multicharacter cataclysm

5. What movie have you seen the most times in your life?
Matrix

6. How long have you been working on this screenplay?
This screenplay is an adaptation of a tale I published on my 3rd book, which took 2 months to write. Later, the adaptation process took approximately 3 months. So, counting with everything, from story design to finishing the script, was 5 months.

7. How many stories have you written?
Around 40

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
I cannot nominate just one, but this one comes to my mind at the moment: “When You’re Gone (Bryan Adams)”.

9. What obstacles did you face to finish this screenplay?
The biggest obstacle was, and still is, writing in English since it’s not my first language: writing fiction is very different than writing technical texts or having a conversation, but I guess it’s a matter of experience.
Also, and since it was the first time I wrote a multicharacter plot, combining all those different stories into a one was definitely a challenge.

10. Apart from writing, what else are you passionate about?
My other hobbies include cycling and playing musical instruments. And, of course, I’m passionate about my profession: software development.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
Globally, it’s a nice platform to manage our scripts and submit them to festivals, but this was only the 2nd time I submitted via this site.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
The festival theme (action/adventure) felt right for my only script that has “action” as its main genre.
There’s not a lot of good opportunities to receive such a complete and detailed professional feedback about our scripts, so I really loved the feedback I received, especially because it was very constructive and addressed different topics.

Filmmaker Podcast EP. 1374 – Writer/Producer Virginia Duivenvoorden (KITE)

KITE, 6min,. Canada
Directed by Jerry Trieus
A short film about a dancer on a mission to experience flight. The journey is disappointing and filled with challenges. The result is a transformation as the dance artist finds strength through perseverance and ultimately freedom.

Get to know writer/producer Virginia Duivenvoorden:

What motivated you to make this film?

Kite began as a stage piece where I incorporated film on stage in the form of projections. I knew that I eventually would like to also see it as a film on its own. It all began as a photograph by Brooke McAllister. in one of the photos, I was wearing a black skirt and dancing with a 7 yard piece of tulle fabric. I loved the photos. In 2021 I decided to choreograph a dance to match them. That’s when Kite was born. When I started the choreography, I was in too much physical pain to think about performing. That’s when Brynne Harper started working on KITE. We spent two years developing the stage piece and we shared it in three different performances two were outdoor performances and one on stage for a work in progress showing. I approached Kites in all aspects from building and flying them to studying the history. All of the processes became part of the kite story from the failed kites that never flew and then to the handmade windsocks , which were actually amazing. It became a story about transforming from looking outside oneself to looking inside and finding that sense of flight and freedom from within the body. That was a journey that I really needed to make in order to process what was happening in my body with the pain and other medical conditions that I was coping with during the creation process.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I felt emotional seeing that the piece was clear in its message and was being received very much in the way that I had hoped for. It was rewarding to see that the message of resiliency and strength had shone through.

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