Actor/Writers Jack Utrata & Ashley Alexander (11 Blocks To Go: The Bet)

11 BLOCKS TO GO: THE BET, 10min., USA
Directed by Nathaniel P. Claridad
Samantha, a free-spirited hapless romantic, discovers her 30-something-year-old BFF Drew, a gay high-functioning drug-addled sex addict, hosting an orgy in lieu of honoring his personal commitments.

http://www.11blockstogo.com/

https://www.instagram.com/11blockstogo/

Get to know Actor/Writers Jack Utrata & Ashley Alexander (11 Blocks To Go: The Bet):

1. What motivated you to make this film?

Ashley: Honestly, it started out as a fun excuse to hang out and laugh and create something, but it quickly turned into a passion project. Neither of us expected it to turn into what it is. It went from sketch comedy to feature to TV series because we wanted more of our characters.

Jack: Our friendship happened quickly, and it was quality. You won’t find many lifelong friends in your 30s. That’s just by design. Usually, that happens in your 20s, when you have social opportunities from school, work, and your social life. But we connected on a soul level and connected creatively through improv and then a shared desire to create a love letter to friendship. A story that showcases the highs and lows of best friends in their 30s when they are making those long-term commitments to work, to their love life, and to family. We wanted to explore the boundaries of friendship, where is starts and where it stops. It’s not always a clear-cut answer. 11 Blocks To Go has always been a TV Series in our minds. And making this short was a jumping-off point for us to showcase our chemistry together and also see if the world we created on paper would be meaningful and interesting to others on film. This award clearly shows that this is the case, and we couldn’t be more honored to accept it.

2. From the idea to the finished product, how long did it take for you to make this film?

Four Years from concept to final product. We started writing our pilot in February of 2020. Once the pandemic hit, we took the entire operation online. By 2021, we were touring the country with our pilot script and even picked up a few awards. It wasn’t until October 2023 that we decided we needed to show the world a little slice of what had been making waves in script form at festivals. We filmed over two days in late October 2023. Jack’s husband, Nathaniel P. Claridad, directed, and we got an amazing team together. Over the months that followed, Jack edited the film himself and then sent it off for color correction and sound design. In March of 2024, we had a locked picture and began the submission process.

3. How would you describe your film in two words!?

Wild, heartfelt.

4. What was the biggest obstacle you faced in completing this film?

Jack: Time was our biggest challenge. As writers, producers, and actors, we often felt like we could do more, but that’s the nature of the creative process—always striving for perfection. Despite those internal doubts, the incredible response from our audiences proves that our instincts and hard work paid off.

Ashley: Time was definitely our biggest challenge. I felt like once we wrapped I was ready to start filming. We were so focused on producing up til the shoot that I didn’t prep enough from my character’s standpoint that I really didn’t feel grounded in my character or in my body. I thought, we wrote these characters, we’ll be fine, and we were, but I didn’t feel like I was in actor mode or ready until the director yelled cut for the last time.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Jack: Pure joy, with a few happy tears. Hearing the audience connect with the characters we created and relate to their struggles was incredibly validating. It reminded us exactly why we tell these stories—to create something that resonates deeply and sparks meaningful conversation.

Ashley: I was actually truly surprised that character dynamics and themes were picked up and commented on. I was also thrilled that someone said it’s “BroadCity – esque” because that is very much how I see the tones and dynamic of our show.

6. When did you realize that you wanted to make films?

Jack – For me, I always knew I wanted to be an entertainer. It was always my “what do you want to be when you grow up” answer. But the first time I saw my Dad’s old VHS camcorder was a pivotal moment. Then, in 5th Grade, I got my own, and it was game over! I was hooked!

Ashley – 8 years old. 2nd grade I told everyone in class I’d be in movies but I made sure to let all adults know I’d be a triple threat and to remember my name. ha!

7. What film have you seen the most in your life?

Jack – Honestly, this answer is pretty fabulous. I’d say it’s an even split between Frank Capra’s “It’s A Wonderful Life” and the 1st Sex and The City film.

Ashley – If I see something over and over, it’s because of comfort. I would say Burlesque, Ratatouille, and Cinderella w. Lilly James and Kate Blanchett are what I’ve seen over and over and will continue to.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Honestly, we love an in-person opportunity. We both live on opposite sides of the country, so it allows us not only to see one another but get to make meaningful and hopefully lasting relationships with other filmmakers. We learn so much from connecting with other artists and creators, and we’re learning the more established an event is, the more turnout, and therefore the more connections.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

No complaints.

10. What is your favorite meal?

Jack loves beer-battered french fries dipped in Clam Chowder.

Ashley’s changes constantly but can always go for tacos or sushi.

11. What is next for you? A new film?

Jack is currently writing a two-act play about a queer, formerly unhoused Only Fans performer whose estranged Grandmother shows up at his door after nearly 30 years of no contact to reconcile and throw him a coming-out party!

Ashley is in the middle of writing an adventure novel about soul searching in the midst of grief as well as a podcast series concept about three best friends, each leaving their partner in a Thelma and Louise style… but no one kills themselves.

Filmmaker Corey Davis (RED)

RED, 24min,. USA
Directed by Corey Davis
In life, everyone is meant to share their adventures with someone special, someone they hold dear to them. Red tells the story of two friends who become lovers in a relationship that develops over the course of 12 years. Love itself is a long journey if you use it properly. Red is the story that will elevate the youth in a way to make them think about their futures and how they want to share it with someone, if they wish to do so. A lot of people today don’t last very long in relationships, especially the generation I live in today. But, Red is the story that can inspire people to love each other through the best times and the worst. It’s pretty rare these nowadays to see people last a long time, but I hope Red will inspire you follow your hearts.

https://www.facebook.com/100004541449317/posts/959713974189975/
https://twitter.com/coreydjokester

Get to know the filmmaker:

1. What motivated you to make this film?

I made Red back in 2018. I was on the verge of entering my senior year in high school. I had feelings with this girl I had known since Kindergarten. I never told her I was in love with her, so I wanted to project my feelings into my craft as a way to help me process them. I was a young kid longing for something that others had. Maybe I was looking in the wrong place; maybe I was too young to know what I wanted, but I just wanted to express the idea that I wanted someone to love and in return love me back.

2. From the idea to the finished product, how long did it take for you to make this film?

It took me about 3-4 days to write and create this project. I am a night owl. I tend to stay up very late to work on projects, so sticking with a nightly schedule definitely helped me finish the project more smoothly and efficiently in a reasonable manner.

3. How would you describe your film in two words!?

In two words, I would describe this film as colorful and vivacious.

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle I faced when completing this film was making the animation believable. I worked on an app that had animated presets that you could use for characters. The animation itself was kind of still in the beginning, so me, who is not at all an animator, had to make something out of the presets that were given to tell a story from it. Every movement the characters make, every piece of clothing they wear, every score placed in scenes. All aspects were all done meticulously in a timely fashion.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I got goosebumps seeing the audience give their feedback on my film in the video. I never h had an actual audience give their critique on my films before, so to see that come into fruition was a very humbling and incredible experience. I appreciated their honesty in how they viewed this film as that only told me what worked and what I could improve on as a storyteller. I have asked some of my peers in the past to critique my older works, but it went nowhere, so to see a group of strangers take the time out to watch my film was a very awesome experience to witness.

6. When did you realize that you wanted to make films?

Ever since I was six years old, I always knew I wanted to make films. I always knew that I wanted to use film as an outlet for me to channel my emotions and commentaries on the world in ways I could not do so in real life. I had a very imaginative mind growing up as I would always envision myself portraying these imaginary characters in my head. From that point on, I knew then and there that being in the creative field was my true calling.

7. What film have you seen the most in your life?

Out of all the films I have watched in my entire lifespan, the film I have seen the most was Rocky (1976). That film is very inspirational and heartfelt as it has encouraged me to “go the distance” in life and keep pushing forward.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

To enhance the festival experience, I would say for all the films that have participated in this festival, the best way to enhance the experience would be to share those films on social media to help get the traction they need to boost the experience. It would also be a great networking experience for fellow filmmakers involved.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

My festival experience on the platform site has been very positive as I was able to locate my film and read about others. It has allowed for me to follow other people and follow up on their films. I definitely did not feel disappointed.

10. What is your favorite meal?

I like some good old-fashioned southern soul food (ribs, chicken, baked beans, etc.).

11. What is next for you? A new film?

I am planning on making a feature film about a young man trying to escape the metaverse after wearing a dangerous VR headset that transports his mind into the game. I hope to release this sometime next year.

Screenwriter Audrey Mosdell (MAGGIE MAY)

MAGGIE MAY – first 5 pages
Narrator: Steve Rizzo
Maggie May: Val Cole
Chelsea: Elizabeth Rose Morriss

Get to know the writer:

1. What is your screenplay about?

Maggie May is a story about falling in love with your best friend and the fallout of that experience. This theme is set to the background of a female fictional rock band.

2. What genres does your screenplay fall under?

Maggie May is a drama but could be considered as a coming of age sub genre. It can be considered a musical as well.

3. Why should this screenplay be made into a movie?

Whether or not you are queer, many people share the experience of falling in love with a best friend. Maybe that’s worked out, but often we have experiences with unrequited love. Additionally in these times, it’s more important than ever to highlight unabashedly queer stories.

4. How would you describe this script in two words?

Glamorously heartbreaking

5. What movie have you seen the most times in your life?

Guardians of the Galaxy (2014) – It was the first film I saw after my mother passed.

6. How long have you been working on this screenplay?

I started working on this story in 2021, but scrapped the 25 pages and started over in 2022. My first draft was completed at the beginning of 2024.

7. How many stories have you written?

I have written about 5 original stories, but this is the first project I have sent out to festivals.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

This changes based on my mood but currently Good Luck, Babe! by Chappell Roan.

9. What obstacles did you face to finish this screenplay?

I face writers block and setting aside time to write frequently as I have a full time job outside of this that takes up most of my time.

10. Apart from writing, what else are you passionate about?

The environment, LGBT and women’s rights, and my cat Casey ❤️

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

My experiences have been positive! Most festivals are responsive and have provided me with great feedback whether being an official selection or not.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I entered the LGBTQ+ Toronto & Los Angeles Film Festival which is how I received this opportunity. The feedback I received was incredible which helped me make little tweaks to perfect the script.

Screenwriter Sarah Edmonds (KEVIN’S NOT DEAD)

https://www.instagram.com/saraheedmonds/

G-man and Greg are just two guys trying to get through the day by doing the bare minimum. However, when a vampire hunter appears at their place of business, the pair start to suspect that their sunscreen-loving coworker Kevin is her target. After a few near-misses with the hunter’s traps, G-man and Greg decide to put their lives on the line to save Kevin from her murderous plot—even if he is undead.

CAST LIST:

Narrator: Val Cole
G-Man: Geoff Mays
Greg: Steve Rizzo

Get to know the writer:

1. What is your screenplay about?

“Kevin’s Not Dead” is about two small town mechanics who are suddenly roped into helping a Romanian vampire hunter fulfill her quest for revenge. However, when her target turns out to be their strange but seemingly harmless coworker, they start to question whose side they’re really on.

2. What genres does your screenplay fall under?

This screenplay is a horror comedy (emphasis on the comedy).

3. Why should this screenplay be made into a movie?

I’m a bit biased, obviously, but I think the biggest draw for this screenplay in terms of production value is just that it’s fun! This screenplay offers a campy take on the vampire film that offers a nod to the classics while also keeping a more lighthearted contemporary tone throughout that I think works well for attracting both horror and non-horror fans alike. It’s a relatively self-contained script, as well, which is hopefully appealing in terms of set and budget demands. I think it strikes a good balance of being a low-budget option with a fairly broad audience appeal.

4. How would you describe this script in two words?

Campy and fun.

5. What movie have you seen the most times in your life?

I truly have no idea but it’s probably either Dogma or The Departed.

6. How long have you been working on this screenplay?

I wrote the screenplay in about a week and have revised it twice since then (each major revision takes about a day, I think). I’ve been submitting to festivals over the past few months so, all in all, it’s existed for about half a year.

7. How many stories have you written?

That’s a difficult question! In total, I’ve written three feature-length screenplays (this is the first I’ve sent to festivals); about four or five short screenplays (a couple of which have been made into short films); three stage plays (two of which have been produced); one novella that was published in September 2023; four yet-unpublished novels; and I don’t even know how many short stories (nine of which are published, I believe).

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’ve been really hooked on the band Bad Omens lately, so probably either their song “Death of Peace of Mind,” Matt Maeson’s “Hallucinogenics,” or “Tessellate” by alt-J.

9. What obstacles did you face to finish this screenplay?

No obstacles, really. The only tiny one was just getting the automotive details right, but this script was inspired by my father who works as a technician, so it was easy enough to ask him or his coworkers to clarify things.

10. Apart from writing, what else are you passionate about?

Writing is pretty much my life, to be honest! It might be a bit of a cop-out, but I’m also really passionate about helping other people reach their creative potential. Aside from working as an English professor, I also am the editor for the West Trade Review’s Visual Poetics and am the editor-in-chief of For Page & Screen Magazine where we publish online issues featuring other people’s short stories, scripts, and films. I think the world can always use more stories, so whether I’m writing them or someone else is, I just enjoy finding a way to share them.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’ve always had good experiences with FilmFreeway. I received my first ever festival win several years ago with a festival I submitted to through Without-A-Box, so I’ll always be a bit sad that they’re no longer a submission platform, but, otherwise, FilmFreeway is very user-friendly, so I have no complaints.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The fact that the festival provides feedback was a huge draw for submitting. This is only the second feedback festival I’ve submitted to and it was really interesting to see the differences in the notes from each one. I actually rewrote a portion of the script following the first feedback festival, so I was glad to see that the same concerns were not raised a second time. Overall, I was happy with the feedback I received from this festival!

Screenwriter A. E. Guaake (TRUST ME)

CAST LIST:

Narrator: Geoff Mays
Elder: Hannah Ehman
1st Guard/2nd Council Woman: Val Cole
3rd Council Woman: Elizabeth Rose Morriss

Get to know the writer:

1. What is your screenplay about?

My screenplay is about the Hulder, a mystical human-like creature with a cow’s tail, famous from Norwegian folklore, who has to go to Earth on a dangerous mission to con an orphan teenage boy in order to save her young brother from dying.

2. What genres does your screenplay fall under?

Adventure/Fantasy (low fantasy)

3. Why should this screenplay be made into a movie?

Because it is an action-packed story centred on making impossible choices, woven into a layered mystery where nothing is as it seems.

4. How would you describe this script in two words?

Mysterious, Unpredictable

5. What movie have you seen the most times in your life?

American Psycho, Out of Sight and The Naked Gun: From the Files of Police Squad!

6. How long have you been working on this screenplay?

It took 6 months to finish the script. Since then I have made minor corrections to the script based on feedback from peers.

7. How many stories have you written?

I have written the sequel to Trust Me and Scandi Noir mystery called ‘A Death in Dale’.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

November Rain by Guns n’ Roses

9. What obstacles did you face to finish this screenplay?

The most time-consuming task was identifying and eliminating plot holes. I ran the story through my mind repeatedly, evaluating every possible outcome to ensure that both the main plot and subplots aligned seamlessly.

10. Apart from writing, what else are you passionate about?

I’m interested in vegan cooking, playing the guitar, mountain hiking, cross-country-skiing, watching good films and TV shows.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been very good. The website is easy to navigate and the support team answer any questions you may have within a few hours.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The story draws heavily from Norwegian folklore, so I focus on entering festivals that emphasise themes of lore and fantasy.

The feedback was invaluable in highlighting areas for improvement—issues I could not see on my own because I was too close to the material.

Filmmaker Podcast EP. 1366 – Filmmaker Raafat Abou Daka (WHAT MAKES AN ARTIST?)

WHAT MAKES AN ARTIST?, 10min., Lebanon
Directed by Raafat Abou Daka
“What Makes an Artist” is an introspective documentary that delves into the lives of the internationally renowned sculptor brothers Assaf, exploring the unexpected paths that led them to their craft. The film peels back the layers of their fame to reveal the human side of their journey, offering a rare glimpse into their early struggles and the alternate careers they nearly pursued.

Get to know the filmmaker:

What motivated you to make this film?
The idea that people always strive to create something special and achieve a goal. Whether an artist or a doctor, everyone wants to stand out and prove themselves, often to their parents. I believe this is a universal drive, and I wanted to capture it from the perspective of someone famous—showing that even they were once like us.

What were your initial reactions to the audience feedback?
I was happy to hear the details they shared—it showed they were really focused while watching the film.

Subscribe to the podcast:

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Watch Today’s Film Festival: CRIME/MYSTERY Film Festival

Watch Film Festival HERE: https://www.wildsound.ca/videos/november-crime-mystery

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Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the Full Lineup of Films:

THE DROWNING POOL, 12min,. Spain
Directed by Enrique Novials
Ariadna, a former police officer, is now a detective shocked by the recent death of her mother due to Covid. In the midst of this, she must find a child who has been kidnapped after school.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-the-drowning-pool



THE DAYS OF KNIGHT, 9min., USA
Directed by John P Martinez
A highly trained operative, belonging to a clandestine ancient group of expert mercenaries, is given a mission to recover a valuable item for one of the 13 most influential families on Earth. As war breaks out and alliances formed centuries ago crumble, survival becomes the top priority for everyone involved.

https://www.instagram.com/1018filmsaz/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-days-of-knight



WHERE THE DEVIL LIES, 29min,. USA
Directed by Austin James Lewis
After losing his wife in a tragic accident while serving in Iraq, former army soldier Mickey McTaggart turns to a life of crime as a hitman for a Mexican cartel. Haunted by the memory of his wife, he finds himself torn between his deadly profession and his growing love for the cartel’s rival’s daughter, who is also his next target. As his past and present collide, Mickey must confront his demons and make a choice that will forever change his life.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-where-the-devil-lies

Happy Birthday: Sarah Hyland

sarahhylandSarah Hyland

Born: November 24, 1990 in New York City, New York, USA

You know, every woman has issues with her body. I’m sure Adriana Lima has something she doesn’t like, which is ridiculous! But it’s just how women are. It’s one of those things where you have to love yourself for who you are; as long as you’re healthy, that’s all that matters. Girls deal with pressure differently. Some days I’m depressed, and other days I’m completely fine. The only advice I have for young women is to cherish the body you have now; when I was 18, I don’t think I did.