November FilmFreeway Discount Codes – 50% off codes!

2024 FilmFreeway Discount Codes – 50% off codes!

CHICAGO Feedback Film Festival
https://filmfreeway.com/ChicagoFilmFestival
50% off code: chicagofestival

Toronto DOCUMENTARY Feature & Short Festival
https://filmfreeway.com/TorontoDocumentaryFilmFestival
50% off code: torontodoc50off

THRILLER/SUSPENSE Film Festival
https://filmfreeway.com/ThrillerSuspenseFestival
50% off code: 50thriller

CRIME/MYSTERY Film Festival
https://filmfreeway.com/crimemystery
50% off code: crime50

ROMANCE & RELATIONSHIPS FESTIVAL
https://filmfreeway.com/RomanceFestival
50% off code – romance

ACTION/ADVENTURE Film Festival
https://filmfreeway.com/ActionAdventure
50% off code: actions50

FEMALE Feedback Film Festival
https://filmfreeway.com/FEEDBACKFemaleFilmFestivalFFFF
50% off code: female50

Toronto COMEDY Film & Screenplay Festival
https://filmfreeway.com/TorontoComedyFilmandScreenplayFestival
50% off code: torcom

FANTASY/SCI-FI Film & Screenplay Festival
https://filmfreeway.com/FantasySciFiFilmScreenplayFestival
50% off code: scififantasy50

EXPERIMENTAL, DANCE, & MUSIC FESTIVAL
https://filmfreeway.com/ExperimentalFilmMusicVideoFestival
50% off code – 50offexperimental

UNDER 5 MINUTE Film Festival
https://filmfreeway.com/Under5minFilmFestival
50% off code: under50

ENVIRONMENTAL Film & Screenplay Festival
https://filmfreeway.com/EnvironmentalFestival
50% off code: environment50

Toronto LGBTQ+ Film Festival
https://filmfreeway.com/LGBTTorontoFilmFestival
50% off code: lgbt50

New York FEEDBACK Film Festival
https://filmfreeway.com/NewYorkfeedbackfestival
50% off code: nature50

HORROR Underground Film Festival
https://filmfreeway.com/horrorunderground
50% off code: underground50

WILDsound Film & Screenplay Festival
1st Scene & Short Screenplay Festival
Student FEEDBACK Film Festival
FAN FICTION Film Festival
https://filmfreeway.com/WILDsoundFilmandWritingFestival
50% off code: wild50

Watch Today’s Film Festival: UNDER 5 Minute Film Festival

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

Watch the Festival directly: https://www.wildsound.ca/videos/under-5-minute-festival-november-2024

See the Full Lineup of Films:

TEN (10), 4min., UAE
Directed by Iliya Hristov Atanasov
In the depths of the Cordilia Trench, a seasoned submarine pilot named Sam embarks on a seemingly routine mission to collect biochemical samples, guided by the voice of Linda from the base station, only to face a deadly encounter with a monstrous sea creature that threatens to devour them and their discoveries.

https://www.pixelhunters.com/
https://www.facebook.com/pixelhuntersuae
https://www.instagram.com/pixelhunters

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/ten-review

TENDU, 2min., USA
Directed by Sophie Power, Michelene Mallard Billy
What happens when you grow up in a world where there was only one projected image of what a ballerina “should look like” – down to the pink nude pointe shoes?

https://www.sophiepower.info/

https://www.instagram.com/karaokeandvodka

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/tendu-review

BIRDS OF A FEATHER, 5min., USA
Directed by Katie Cobos
A talkative parrot attempts to befriend a boy with Tourette’s syndrome

https://instagram.com/mango_nerd

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/birds-of-a-feather-review

THRESHOLD, 3min., USA
Directed by John Gunnar Headley
A woman struggles with her fear of the unknown.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/threshold-review

WHEN I’M WITH YOU, 4min., Canada
Directed by Kanja Chen
An emotional tale of how the enduring love between a young boy and his grandfather bridges the gap between generations.

https://www.instagram.com/kanjachen/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/when-i-m-with-you-review

MY TURN!, 5min., USA
Directed by Isabelle Maria Tumboimbela, Daisha Lin Sherman
One sunny morning in Jakarta, Indonesia, Beth and her younger sister Liz become fierce rivals in their race to the bathroom. Beth regrets unintentionally hurting her little sister during the scuffle, and they both realize how much they care about each other.

https://www.instagram.com/myturn_shortfilm

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/my-turn-review


CHAIN, 5min., USA
Directed by Ling Han
“Chain,” directed by Ling Han, is a 3D animated short film featuring charming characters and a sophisticated environment. It uniquely tells the story of the mantis catching the cicada, unaware of the oriole behind.

https://www.chainanimationofficial.com/
https://www.facebook.com/profile.php?id=61559900085971
https://www.instagram.com/chain_animation_official/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/chain-review

Deadline Today: 5 pages or less SHORT Screenplay Contest (everyone wins)

Deadline Today: 5 pages or less SHORT Screenplay Contest

For a limited time we will produce and perform every single submission and turn it into a promotional video of your work.

NOTE: Please make sure it’s a distinct beginning, middle, end story

Submissions take 3-5 weeks for the video to be completed.

Watch previous short screenplay readings: https://www.youtube.com/watch?list=PL-0CVDAfvxirsGcx5tW1xeuf-_t3I-AhF&v=TelbC52tkXo

HORROR Underground Film Festival – Today’s FilmFreeway Deadine

Festival designed to expose and promote films and screenplays that work outside the system and break the boundaries in the horror genre. To bring a voice to the talented independent filmmakers & writers within the horror genre.

Submit to the Festival via FilmFreeway:

Submit your HORROR films and screenplays today to the festival.

Our mission is to promote screenplays, films and videos that dissent radically in form, technique, or content, and challenge and transcend commercial and audience expectations using the audience FEEDBACK festival format that the flagship festivals uses.

Film festival occurs with a private audience at least 6 times a year in Montreal and Los Angeles. Each accepted film received 2 festival screenings. Private cinema screening where they will receive their audience feedback video. And the virtual screening (4-6 weeks after) that is an industry showcase of the best HORROR films from around the world today.

Screenplay Festivals occur once a month. We perform a transcript script of the winners in a studio using professional Canadian actors and post them online for the entire world to see. (Great proof of concept video to use to promote your script.)

NOTE: Accepted works also get the opportunity to do two interviews: A blog interview and an ITunes Film Festival podcast interview.

Today’s Film Festival: EUROPEAN Showcase Festival

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

CLICK the link to watch the film directly:

DAS BILDERHAUS, 15min., Germany
Directed by Tom Sielemann
An ensemble short about people going to a movie theater. Three storylines: A boy falling in love, a couple in a very strange relationship and two film nerds having a discussion with an unexpected outcome …

https://www.facebook.com/DasBilderhausFilm

Watch Film NOW: https://www.wildsound.ca/videos/das-bilderhaus

ONE FRANK….., 38min., Serbia
Directed by Alena Jaworowska (Suranova)
The war, the disaster, the shock… In the period ahead historians will describe these events in details, give an appraisal of them, determine the causes and the consequences… But how does a common person survive? He’s lost his home, he has nowhere to go back, there is no one waiting for him in this big world. The barrel-organ, the road and the loneliness… Here’s the first-person account.

Watch Film NOW: https://www.wildsound.ca/videos/one-frank

A FLEETING ENCOUNTER, 85min., Switzerland
Directed by Romed Wyder
Grappling with a mid-life crisis, Sacha leaves his girlfriend and escapes to his grandparents’ Airbnb. He is surprised by the presence of Marjan, an Iranian woman who is facing her own marital crisis.

https://antidote-sales.biz/catalogue/fleeting-encounter

Watch Film NOW: https://www.wildsound.ca/videos/a-fleeting-encounter

HOLY B3, 10min., Germany
Directed by Claudio D´Attis, Roberto Basile
A lonely nurse (Comasia Castellana) from Wetzlar spreads her faith in a bizarre clinic in Guagnano, while Pastor Haase (Alexander Hoymann) is worry about the artificial intelligence (robot Roberto Basile). Four modern evangelists (Franco D’Attis, Karin Herbort, Daniela D’Attis, Michele Nappo) are the answer!

http://www.youtube.it/clamexico

https://www.instagram.com/p/B-ujbrSj0kZ/?igshid=zjotf5najt77&fbclid=IwAR0gGnEg7OOLmoIDHURi6VaCblEGnYCCSC0YweluqzRdRCh7YDQWIKEECS0

Watch Film NOW: https://www.wildsound.ca/videos/holy-b3

THE STORY OF MARJAN THE BUNNY, 3min., Slovenia
Directed by Mitja Manček
Marjan the bunny was the first pet of little Mitja, which was named after his dad. One day boy found an empty cage and he didn’t know where the bunny had disappeared.

http://www.mancekmitja.si/en/Films/ProfessionalYears/TheStoryOfMarjanTheBunny/

https://twitter.com/mancekmitja

Watch Film NOW: https://www.wildsound.ca/videos/the-story-of-marjan-the-bunny

DISCONNECT, 6min., UK
Directed by Simeon Lumgair, Elena Zacharaki
Shay Levy’s mesmerizing music video for her debut single, “DISCONNECT,” explores the profound theme of disconnection within relationships. Taking viewers on an emotional voyage, Shay encounters an array of captivating characters, the Lover, The Mother, The Chauffeur and the Friend, each embodying a distinct form of love. Yet, she finds herself trapped in an unrelenting state of disconnection. Shay delves into the intricate layers of love through this film, showcasing its diverse expressions encompassing friendship, affection, eros, and charity.

http://quirkymotion.com/
https://facebook.com/quirkymotion
https://instagram.com/quirkymotion

Watch Film NOW: https://www.wildsound.ca/videos/disconnect

APRICOT, 29min., Germany
Directed by Marie Dollenberg
Charlotte, Julie, Marie-Claire, Jean, Lotta – five girls who run a French café in St. Pauli.

https://www.instagram.com/diemaedchenvomduport/

Watch Film NOW: https://www.wildsound.ca/videos/apricot

Today’s PODCAST: Screenwriter Mary Oleske (THE LAWS OF THE GODS)

Watch the best scene reading: https://www.youtube.com/watch?v=E12uUF6vTZM

LGBTQ+ Drama

This is a study in gender rights and the rights of all humankind. What truly makes one female or male?

A female attorney is assigned to represent a transgendering inmate seeking a transfer from a male to a female prison. This is a study in the struggle for the balance of rights: personal, political and global. A glance into our past suggests nothing has changed in 3,000 years. Insight comes from an unexpected source.

Get to know the writer:
A female attorney is assigned to represent a transgendering inmate seeking a transfer from a male to a female prison.

This is a study in gender rights and the rights of all humankind. What truly makes one female or male? Portrayed is the struggle for the balance of rights: personal, societal, and global and, how amazingly, this struggle has existed and been depicted in literature and theater for over 3,000 years.

The screenplay deals with where we are now, what should be guiding our actions, what rules or laws should govern us – especially when those rules conflict: the laws of man (US constitution), personal conscience, or God (whose god by the way).

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Feature Film Review: TARGET JEREMY. Directed by Eddie Velez

TARGET JEREMY is an action-adventure spy thriller featuring quirky humor, unexpected betrayal, and complex characters. The story follows a Special Agent who cannot feel pain on a seemingly innocent road trip to Babylon, which escalates into a violent climax.

Review by Julie Sheppard:

Target Jeremy takes us straight into the heart of danger, per the Chinese proverb off the top of this US short. It is a riveting depiction of a CIA rescue in the Middle East. The storyline keeps us on the edge — will our hero make it out alive, and complete his government mission?

The actor playing David gives a masterful performance as a wide-eyed, innocent tourist, placing himself in grave danger, who transitions to a first-rate special agent. Another actor, playing a kidnapper who drives David into the desert, does a fabulous job portraying a sly Middle Eastern man, supposedly craving connection with the West. The actors playing the two bickering cousins provide humanness and dimension, much like the two likeable characters in Pulp Fiction, Vincent and Jules.

The lightening-speed editing is stylish and effective, notably during the gripping fight choreography. Scenes transition smoothly between CIA offices and the dusty Middle Eastern desert. The soundtrack is thrilling and upbeat for this high-energy action flick.

Viewers are indeed sent straight into the heart of danger, and then breathe a sigh of relief when rescued.

Poet Jordanna Miller (Death Wish)

1) What is the theme of your poem?

Hatred and rage are two of the main themes of this poem, as well as the desire for freedom. The narrator recognises that this hatred and anger is negatively affecting them. And they want this person to die, because (in their mind), that’s the only way they will ever rid themselves of these painful and traumatic emotions. I’m not going to say that this belief is correct, but I’m not going to say that it’s incorrect, either.

2) What motivated you to write this poem?

I am a survivor of child abuse. Between the ages of 13 and 16, I was emotionally abused and groomed by an adult who I trusted and looked up to. When I came forward about this abuse, I lost almost everything. I lost my education, my friends, and so much more. What’s more, I’ve been scrutinised and harshly judged because I didn’t react the way people expected me to react. I didn’t behave the way people expected me to behave. A lot of people have this idea of a “perfect victim” and once a victim acts in a way that doesn’t perfectly align with this idea, their experiences are dismissed and invalidated. I wrote this poem because I wanted to challenge this idea of the perfect victim. The narrator is flawed – they think “bad” things, and they’re also angry, bitter, perhaps even a bit immature. But they’re also too afraid and powerless to actually take action against their abuser. I want people to read the poem, and be shocked and unsettled by the content of it. However, I also want readers to understand that the narrator is a product of other people’s actions. Maybe the narrator is a bad person, or maybe they’re just a flawed human being who is attempting to navigate a situation that nobody should have to navigate. When it comes to abuse, there’s no right way to think or respond, and I don’t think the narrator (or any survivors of abuse) should be judged, positively or otherwise, for the way they react to, and feel about, their abuser.

3) How long have you been writing poetry?

For over 6 years.

4) If you could have dinner with one person (dead or alive), who would that be?

Emily Dickinson. I love her poetry, and I also think she has an interesting take on death and religion. She seems to be much more comfortable with the idea of dying than other people (including myself) are. Additionally, in some poems, Dickinson shows scepticism in regards to the existence of a higher power (see – poems such as “I heard a fly buzz – when I died”), whereas, in others, she appears to maintain her belief that something greater exists (see – poems such as “Because I could not stop for Death” and “I cannot live with you.”) I would love to discuss these subjects with her.

5) What influenced you to submit to have your poetry performed by a professional actor?

This poem was always intended to be spoken out loud. The reason why I wrote it was because of an upcoming Spoken Word night. Hearing a professional read it out loud for me is very helpful, and it allows me to strengthen my own performance of the poem, and let’s me focus on the parts of the poem that may not be working very well/may need further rewrites.

6) Do you write other works? scripts? Short Stories? Etc..?

I have written a few scripts and a couple short stories, but poetry has always been my main focus.

7) What is your passion in life?

Writing and reading.

Poet Christiana Ares-Christian (Secrets in the Morning, Early)

1) What is the theme of your poem?

The theme of this poem is love; even if it’s secret, it can be beautiful.

2) What motivated you to write this poem?

I was inspired by Li-Young Lee’s poem “Early in the Morning” and my own
exploration of my sexuality.

3) How long have you been writing poetry?

I’ve been writing poetry most of my life. I think I started in middle
school!

4) If you could have dinner with one person (dead or alive), who would
that be?

I’d be happy to have dinner with Maya Angelou (she was such as force, and
we could cook together) or Li Bai (I think our appreciation of nature is
similar)!

5) What influenced you to submit to have your poetry performed by a
professional actor?

It was a new opportunity, and I was interested in how someone else might
read my work.

6) Do you write other works? scripts? Short Stories? Etc..?

I’ve written a fantasy fiction novel and some novellas, but poetry has my
heart!

7) What is your passion in life?

Writing poetry and teaching others the beauty and benefits of writing
poetry!