Filmmaker Suzanne Baird (GIN RUMMY)

GIN RUMMY, 17min., USA
Directed by Suzanne Baird
I’m excited to share our project made from love and friendship..
Three best friends have been playing Gin Rummy every week for over 50 years. On this Gin Rummy night they have made other plans as a final bonding of the trio.

Get to know the filmmaker:

1. What motivated you to make this film?

There were several motivators. The biggest was that my mother was dying from Dementia. It was an illness that she had for about 10 years and was in the final phases. At the same time, Roe V. Wade was repealed, and this required an examination of the question of choice on many levels. Do we have dominion over our bodies, male or female, to make choices about our health and existence.

2. From the idea to the finished product, how long did it take for you to make this film?

I wrote the first draft of the script in November 8, 2022. 3 weeks later my mother passed away. I finished the script and shot in March 2023 and delivered the show to festivals in June 2023.

3. How would you describe your film in two words!?

Thought Provoking.

4. What was the biggest obstacle you faced in completing this film?

The hardest part was trying to get into the top tier festivals. I was never sure why exactly. We got into several festivals but none of the festivals that qualified for Academy level entry.

I thought it would be the funding but oddly the money came easily. That was the easy part. I had a great producer, Julie Tondreau. Julie did an amazing job but was actually doing more than 1 job. We were short a few crew members on the day, but we got almost everything done as planned.

A few things got missed but, in the end, they didn’t really affect the film.
The hardest part was scheduling the 2-day shoot and getting everything, we wanted. We had detailed boards, but my DP didn’t really use them which was disappointing.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was really gratified! They were so positive and thoughtful. It was a great
feature of your festival. So appreciated!!

6. When did you realize that you wanted to make films?

When I was in my 20s I knew I wanted to be involved in film. Like many, I’ve always loved the movies. Unfortunately, my first entertainment job was not a good experience, I was young and had no money so, it was hard to make a living. I’ve always wanted to tell stories that would be messages of change. I’ve written since I was 14 and started writing full stories and scripts for the past 25 years. As a result, I spent 10 years in a career that made money but left me unfulfilled. I started late, but I managed to get my foot in the door as a PA on an Antone Fuqua music video. I was hooked. For 20 years I worked in Visual effects on features and commercials. It took time for me to get the courage to become a director but when I did, there was nothing else I wanted to do but write and direct.

7. What film have you seen the most in your life?

The Godfather 1-3, Star Wars, It’s a Wonderful Life, My Dinner with Andrea, Under the Tuscan sun, The Wizard of Oz.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

It would have been great if the festival were in person. I’ve been to festivals with other film makers and that really is the very best thing. Having audience feedback is so great but it’s even better to experience your films with a live audience.

9. You submitted to the festival via Film Freeway. How has your experiences been working on the festival platform site?

It’s been good. Unfortunately, there are a few festivals that are not vetted and just take your fees. That’s always disappointing, but the set-up is efficient and I’m grateful for that.

10. What is your favorite meal?

I’m not sure why you are asking the question. But its Fried Chicken!

11. What is next for you? A new film?

I’m currently working on two projects while I teach production at the Academy of Art University. I’m working on a documentary about plastic waste and a narrative script about a clerk for the supreme court.

Filmmaker Paul Parker (THE DIVIDE)

THE DIVIDE, 14min., UK
Directed by Paul Parker, Nigel Woodley, Dom Reece Roberts
Following a global humanitarian disaster, mankind seeks survival in the midst’s of more dominant predators on the earth.

http://www.threestrandprods.co.uk/
https://www.twitter.com/strand_three
https://www.instagram.com/threestrandprods

Get to know the filmmaker Paul Parker:

1. What motivated you to make this film?

The Divide is taken from a section of a feature film script that we wanted to shoot a proof of concept for to show investors the kind of feel and genre that this film is going for.

2. From the idea to the finished product, how long did it take for you to make this film?

This section of the script had numerous rewrites over a few months and then another three months of pre-production and assembling crew, locations, shooting schedule etc. In total with the post production, editing and music score, about eight months.

3. How would you describe your film in two words!?

Dystopian allegory.

4. What was the biggest obstacle you faced in completing this film?

Budget! We would have loved to spent more but as always there are constraints.

Budget doesn’t determine quality but it certainly helps to enhance the quality.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It’s always fascinating to hear other people’s take on your work.

Like all art forms, there is subjectivity and original interpretation and expression. This is one of the reasons I make films, so that people can form their own opinions about what they watch.

6. When did you realize that you wanted to make films?

When I was moved by watching films. Almost everyone has had that experience when you are watching a film and it’s like you are there living it. The world that is being created, you are in it, breathing it and you are oblivious to anything else other than what is taking place in front of you.

7. What film have you seen the most in your life?

Difficult question as I like to revisit different films at certain times so I would say I have seen a lot of films a lot of times.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Anything that creates exposure and serves to satisfy the interest that those who watch the films. Thinking outside the box, how about a live zoom question and answer session from those interested in asking a question?

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Honestly not the best. I’ll tell you why, you submit to festivals without knowing whether you will be a part of that festival or not. I understand that there needs to be a selection process and festivals can’t show every film. But let me ask you this, who pays for something not to get anything back? As a film maker who has invested a lot of money into films, to then pay to festivals not knowing whether you will be in the festival just doesn’t make much sense to me.

This is one of the reasons why I have resisted entering films into festivals for a long time.

10. What is your favorite meal?

Chicken fricassee. A creamy chicken sauce with mushroom, pepper, sweetcorn, and rice, its beautiful.

11. What is next for you? A new film?

We have a number of feature scripts that we are developing and its just a case of seeing which one develops and takes off next.

Filmmaker Ira Setiawati (PLASTIC TOURISM)

PLASTIC TOURISM, 18min., Indonesia
Directed by Ira Setiawati
“Plastic Tourism” is more than a documentary; it challenges viewers to confront uncomfortable truths. It is a call to action and testament of the delicate balance between human leisure and environmental responsibility.

Get to know the filmmaker:

1. What motivated you to make this film?

There are many plastic trashes on beaches & we have tried hard to solve it by many ways but not effective enough to solve it. So we hope this movie can open eyes of many tourists, business people on beaches, government & local people to be aware more about these plastic trashes & together solve it well.

2. From the idea to the finished product, how long did it take for you to make this film?

It is about 3 months.

3. How would you describe your film in two words!?

Love earth.

4. What was the biggest obstacle you faced in completing this film?

Limited human resource who have experiences in the movies production, also limited equipment and short time.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was so touched & happy that other people in other part of earth appreciate this movie well & pay attention to the earth’s critical condition at this moment.

6. When did you realize that you wanted to make films?

Last year.

7. What film have you seen the most in your life?

I have seen film the most in my life: Dance with Wolves.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your film making career?

We need more time to prepare it, because we don’t want to miss the deadline, some festivals the following year will not take it as not produce recently.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

This is the first experience, positively surprised.

10. What is your favorite meal?

Tempeh with teak leaves: the fermented soya bean covered with teak leaves.

11. What is next for you? A new film?

It is about traditional food culture connected to miracle of micro biome.

Filmmaker Nikolaus Aldrich (THE VISITOR)

THE VISITOR, 11min., USA
Directed by Nikolaus Aldrich
With his relationship in a rough patch and his career stalled, A man tries to find new purpose by retreating to the Pacific Northwest. While there, strange things begin to happen as he grapples with his sense of reality.

https://www.instagram.com/thevisitor_shortfilm2024/

Get to know the filmmaker:

1. What motivated you to make this film?

As a kid I was always fascinated by the subject of UFOs and Aliens. But I never really spent much time thinking about it as an adult. Then last year it was in the news a lot. It sort of re-ignited that curiosity I had as a child. There was so much storytelling potential that I drafted out a whole trilogy of films based on an idea that had come to me. I decided to start small and develop this as a short. The short film is essentially the opening prologue for the feature. While writing the short I wanted to make sure that it could work both as an intro to a feature but a self contained story as well.

I wanted to map the films in a way that naturally progresses through the emotions of what I imagine one would go through if they were to experience this. So starting in a Sci-Fi/Horror genre made sense to me. But if I’m lucky enough to expand this further it wouldn’t necessarily stick with that genre throughout the story.

2. From the idea to the finished product, how long did it take for you to make this film?

I began writing the script/outline in July of 2023. The script was mostly done by December 2023. My Producer and I knew since the late-Summer of 2023 that we wanted to film around Portland so it then just became a waiting game since it was getting colder. Filming occured in May of this year and technically finished the short Mid-October 2024. So from beginning to end it was about 15 months. But there was some development of the feature as well.

3. How would you describe your film in two words!?

Slow Burn

4. What was the biggest obstacle you faced in completing this film?

Logistics. We had an LA cast and crew, a cast member from NYC and then the rest of our cast and crew were local to Portland. We filmed near Government Camp, OR which is about an hour outside of Portland. So getting everyone to the location was a complex task. In some ways I felt like Catherine O’Hara in Home Alone. Worried that I would be on the plane and realize one of our cast or crew members were left behind.

We had so many moving pieces while filming in a distant location with little control over weather, with a crew who wasn’t necessarily all familiar with each other and we were in the middle of the woods with virtually no cell phone service. Trying to balance all of those hurdles while filming the whole short in 3 days was my biggest concern. We planned as much as we could and thankfully it paid off. We had the best cast and crew we could hope for. Everyone got along great and was just all around a really good experience.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It was surreal. There were some things mentioned that honed right in on specific points I was trying to make. The idea of the Visitor(s) and how technically all the characters are alien to this location was a very intentional bit. I was happy to see that point come across. It was also so fun to see how the audience brought their own interpretations to it, what kinds of genres it fit into and filmmakers it reminded them of. There was a lot of hard work put into the film from every department and I was very happy to hear that those teams were given mentions. They really pushed the film into the next level.

The reaction to the film has been so positive. With its inception coming from a relatively dark time in my life. I really don’t have words to describe how incredible it feels to hear others talking about the film and engaging with it enthusiastically. My initial reaction was that this whole strange journey was worth it. I couldn’t be prouder of how it turned out and hearing the reactions to it made me a bit emotional if I’m being honest. I was very moved by the whole experience because it’s surprisingly pretty rare in the festival circuit to really get that kind of direct feedback on your work.

6. When did you realize that you wanted to make films?

When I was about 6 or 7. Literally, I’ve never wanted to do anything else my entire life. When I was about 10, I was making home movies with my cousin. Re-enacting Star Wars with the toy lightsabers. Around the same time my stepsister (Executive producer of The Visitor, Rachel Krause) and I would also make home videos where she played crime solving twins. We were very impressed with our opening credits sequences which included just filming an early 2000s era PowerPoint slideshow. In a weird way this film feels like a continuation of us making our childhood movies since she was a big part of the behind the scenes as well. It’s kind of a full circle moment. Filmmaking is something I’ve always known I would do eventually. I’ve been an Editor for a few years now so I’m still a part of the filmmaking process. I love my job too but making this film reminded me that Directing really is my dream. It was really nice to be on a set again.

7. What film have you seen the most in your life?

Probably the original Star Wars. I don’t know the exact number of times but it was absolutely the movie that made me want to pursue this career in the first place. According to my Letterboxd account the movie I’ve logged the most is Avatar: The Way of Water which I’ve seen 14 times. So I would guess that one might one day even surpass Star Wars. George Lucas, Steven Spielberg, and James Cameron are the directors most responsible for me wanting to make movies. I would guess many of my most watched films are from the three of them.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Each festival is catered to a specific thing. In a lot of ways this early festival run for The Visitor has been a bit of a trial run to see who or where we will get the best response. For example, I don’t think it’s a surprise we’ve gotten the best response from the Sci-Fi centered festivals. But we’ve also done well with horror festivals. I do love the feedback we get, especially from the Fantasy/Sci-Fi Film & Writing Festival. That experience is so valuable not just to hear kind things said but to also get a sense of what is resonating with the audience. This only helps us grow as artists and storytellers. I think any expansion of that would be immensely valuable.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It’s been a very positive experience thus far. Having a centralized place to submit the film to most festivals has made the whole experience so much more convenient.

10. What is your favorite meal?

I love Kung Pao Chicken

11. What is next for you? A new film?

Right now I’m focusing on the festival run for The Visitor. The Visitor was conceived as a proof of concept for a feature film. So I would love to expand this into a feature film. There’s so much more story I want to tell in this world.

Today’s FilmFreeway Deadline: THRILLER/SUSPENSE Film & Screenplay Festival

Deadline Today: THRILLER/SUSPENSE Film & Screenplay Festival

https://filmfreeway.com/ThrillerSuspenseFestival

The monthly festival that showcases the best of Thriller/Suspense Genre Stories and Films from around the world.

THRILLER festivals occur 12 times a year in Toronto & Los Angeles. Go to the website for information on the next events.

This is a HYBRID film festival with live screenings for the audience feedback video you will receive, plus an optional virtual 2nd showcase to enhance the film’s exposure. Festival also conducts blog and podcast interviews with the filmmaker. We have also started a filmmaker’s WhatsApp group with over 100 joined to date to chat about next project and make contacts etc….

With THRILLER screenplays and films, there will always be a market. This is a genre that will always be popular. Agents and producers are always looking for the next great writer and the next great filmmakers who tell great THRILLER stories. So if that is you, we will showcase your script or short film and make sure the right people see your work.

Over 40 FIVE Star Reviews: 

I had a great experience with this festival and particularly loved getting the audience feedback video. Thank you for giving us the Best Story award.

– S. MacKie

I am glad that I entered the film in this festival. Particularly love the reviews done on the selected films. I truly hope it becomes bigger and better with time.

– A. Odera

thank you for the selection, amazing feedback and our win for best performances.

– A. Chang

Thank you so much for screening our film. The feedback video was such an amazing treat to have. We look forward to submitting more projects here in the future.

– A. Alfaro

Today’s Podcast: EP. 1338 – Filmmaker Emir Cakaroz (AMERICANS SMELL GOOD)

AMERICANS SMELL GOOD, 66min,. USA
Directed by Emir Cakaroz
The film combines the filmmaker’s story in the U.S.A. with people from different social, racial, and ethnic backgrounds that he wouldn’t have met if he hadn’t come to this country. It explores the experience of being in between many cultures when living in a foreign land.

Get to know the filmmaker:

What motivated you to make this film?
Immigration, a sense of belonging, connection, and isolation were always occurring themes in my films. However, I was mostly focusing on my family’s immigration from Bulgaria to Turkey and its long-term effects in my previous films. This time, I realized I had enough experience to make a film about my immigration from Turkey to the USA and I made it!

What were your initial reactions when watching the audience talking about your film in the feedback video?
It was amazing! It was a great feeling to see people understand what you wanted to do, and they actually enjoyed the film. It was also great to see how the audience made personal connection with the film.

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Today’s Film Festival: FEMALE Filmmakers Festival.

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

CLICK the link to watch the film directly:

CONTRAPLANO, 7min., Brazil
Directed by Débora Bukanowsky
We’re so accustomed to seeing the movement in front of cameras that we don’t question: what’s it like to be behind a camera and produce cinema?

https://www.facebook.com/Bukanowsky/
https://www.instagram.com/arnobukanowsky/

Watch film here: https://www.wildsound.ca/videos/contraplano

INSECT, 8min., Canada
Directed by Cherelle Ann Sarah Higgins
In a subterranean prison, a bitter young girl and her supernatural ally hold a strange and beautiful man captive to avenge the crimes he has committed against her.

https://insect.bulldog-pictures.com/
https://www.instagram.com/b_dog_films/

Watch film here: https://www.wildsound.ca/videos/insect

SHUT UP & MAKE ME…., 12min., USA
Directed by Claudine Pierre-Louis
We witness the search for answers amongst depression through the eyes of the main character, Soul.

https://www.instagram.com/claudinelove1214/

Watch film here: https://www.wildsound.ca/videos/shut-up-make-me

LATE WINTER, 17min., Croatia
Directed by Jasna Safić
Selma and Saša have been arranging for three weeks to go to dinner together, but on the day when they were finally given the opportunity to actually go, Saša’s mother conveys them that Saša’s demented father Vlado has gone and he needs to be found. Selma and Saša go to his parents’ settlement to find him, take him home and put him to the bed.

Watch film here: https://www.wildsound.ca/videos/late-winter

Short Film Review: An Advert for One Night. Directed by Graham Birch

Lisa responds to a newspaper advert to meet Sarah in a hotel room for a night. They meet and have a wonderful night that sadly uncovers that one was badly abused and the other is currently suffering serious mental and physical bullying from a partner. Will this allow them to bond? What will they do?

Review by Andie Karvelis:

Ever hear the expression “Don’t judge a book by its cover”? That applies to this film, except maybe we should say “Don’t judge a film by its title”. An Advert for One Night begins with a deceptively simple concept that soon propels you into a much deeper and emotional story. Graham Birch wrote and directed this short film about Lisa answering Sarah’s advert in the newspaper and the bond that forms between them. This unfolds beautifully and answers the viewers immediate questions about the film’s premise. Director of Photography, Ross Yeandle did a wonderful job and was incredibly smart with the lighting. I loved the lighting change to let us know that both our leads were attracted to each other. Plus the music choices the filmmakers picked were spot on.


Valery Danko and Alina Tamara portrayed Lisa and Sarah and they had a lovely rapport on screen together. I believed they were attracted to one another, and when they shared the personal trauma they’d been through, it felt real to me. Their playful banter during the montage section was really well done, I wish there was more of that prior to the discovery of the trauma each had been through.

To tell this powerful and moving story in just 15 minutes felt a little rushed. I wanted it to be longer because it is such an impactful film that tugs on your heartstrings. All in all, Graham Birch and his team created a wonderful film that leaves you feeling hopeful.

Short Film Review: Asim Khan “AK” | PARKOUR – Discover the differences between Parkour and Freerunning

Pakistan native Asim Khan Yousafzai is more than a freerunner: he is a teacher, a fighter, and above all, a survivor. As a child, he lived through the 2005 Kashmir earthquake. Freerunner Asim Khan explains how he rose above limited resources to become a hero.

Directed by Ali Imran Ch

Executive Producer: Albert Crane

https://youreverydayheroes.com/hero/ali-imran-ch/

https://www.instagram.com/youreverydayheroes/

Review by Julie Sheppard:

This exhilarating short film Asim Khan “AK” | Parkour inspires the viewer to embrace dreams against all odds. Asim Khan allows us to see his path from being exposed to the horrors of the tragic Pakistan earthquake of 2005 (with heartbreaking video footage of the quake and the resulting carnage), to displaying his repeated acrobatic attempts and failures, to recounting his wildly successful career as a freerunner. 

The swift, inquisitive eye of the camera catches Asim’s intense athleticism as he jumps, twists, and flips — extreme close ups allow us to see his determined facial expressions and his agile limbs doing the work. It is thrilling to hear his underdog story about how he moved from enduring ridicule from others at the start of his pursuit, to being highly respected and honoured for his gravity-defying craft. The rapid-fire shots of him (and his equally determined teammates) running through the streets and scaling cement buildings were particularly electrifying. 

It would be remiss not to mention the film’s soundtrack — moving from gloomy ominous refrains during the earthquake footage, to powerful rhythmic sounds during the dizzying parkour/freerunning scenes. Despite his painful struggles in the aftermath of the earthquake, the film proves that Asim is still able to fulfill his dream to literally “fly on earth”.  

Short Film Review: Daniel Came Home. Directed by Brian Gregory

A dead soldier comes back from the grave to confront his abusive, fascist father.

Project Links

Review by Parker Jesse Chase:

In Daniel Came Home, written and directed by Brian Gregory, the opening words, “Daniel is down & I think he is dead,” immediately jolt the audience into a state of alertness. Before we can settle into what might follow, the title card appears, confirming Daniel is, indeed, alive. However, the journey that follows is not the homecoming one expects to be welcomed with.


Set in a stark, black-and-white world, we meet Daniel, played by Adam Eveson, as he rocks on a chair—an image as eerie as it is telling of his fractured mental state. The atmosphere of the film, almost suffocating in its minimalism, allows the tension to build slowly, and we soon learn the man sitting across from him is his father, Jack, portrayed by David Keyes. The film unfolds with a simmering, quiet intensity, where the past collides violently with the present.


The heart of the story lies in their confrontation—rooted in family traditions, military service, and ultimately, a son’s rage against the abusive, fascist authority of his father. Daniel’s physical appearance, marred by facial scars and a disquieting tension in his movements, reflects the trauma that haunts him. His identity as a soldier, shattered by war, has left him no longer human but something primal, monstrous. He refers to himself as the “angel of death,” declaring both he and his father will be dead by sunrise. This line delivers a gut punch, foreshadowing the inevitability of their tragic end.


The performances are intense, particularly in the verbal sparring between father and son. Jack’s accusation, “You’re a monster,” and Daniel’s chilling response, “You created me,” reveal the film’s core: the destructive inheritance of violence and trauma. The moment Daniel shoots his father, the film becomes less about the act itself and more about the cold, intimate aftermath. Daniel cradles his father’s corpse with an unsettling tenderness, as though the bloodshed has finally brought him peace.


Daniel Came Home delves into the ravages of war, not just on the body but on the soul, highlighting how both the battlefield and the domestic sphere can become arenas of violence. In Daniel’s final moments, as he army crawls out of the room—triggered by PTSD flashbacks—it’s clear this film is about the emotional toll of war and the inescapable grip of family legacies. Brian Gregory’s direction, combined with haunting musical compositions that distinguish both Daniel and Jack, adds layers of emotional texture to the short’s grim, inevitable conclusion. Based on Gregory’s story Daniel from “The Fifth BHF Book of Horror Stories”, the film offers a chilling exploration of familial ruin, revenge, and the unrelenting scars left by both war and patriarchal oppression.


Daniel Came Home leaves a deep, unsettling impression—a compelling narrative bearing witness to the psychological horrors of abuse and the devastation of unresolved trauma.