Watch Today’s Festival: Best of DANCE Shorts Festival

Watch the festival here: https://www.wildsound.ca/videos/dance-festival-february-2025

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the full lineup of films:

Ikigai, 3min., UK
Directed by Marina Waltz

http://www.marinawaltzfilms.com/https://www.instagram.com/waltzmarina/

https://www.wildsound.ca/videos/audience-feedback-ikigai



One Human Show, 8min, USA
Directed by Yue Zhu
“One Human Show” delves into the essence of life, exploring diverse forms, gender roles, and societal constructs. Through the symbolic cycle of birth, death, and rebirth, the film reflects on equality, transformation, and the interconnectedness of existence. It questions traditional hierarchies, offering a thought-provoking exploration of how cultural customs shape our understanding of life and renewal.

https://www.wildsound.ca/videos/audience-feedback-one-human-show



RESISTANCE, 7min., South Korea
Directed by SU IN GOK, JI HOON YOO, SEOK JIN Noin YANG
One isolated in the waves, helpless against an overwhelming force.

https://www.wildsound.ca/videos/audience-feedback-resistance



Zero Sum Game, 8min., USA
Directed by Scott Cook, Liz Dibble
A rumination on the break down of civil discourse in society, the damaging nature of contention, and the profound importance of peace making.

https://www.wildsound.ca/videos/audience-feedback-zero-sum-game



These Things, 4min,. USA
Directed by Stephen Davis
These Things is a short film about four dancers who experience an event that leaves them feeling scared, sad and confused.

http://www.thesethingscinedance.com/https://instagram.com/thesethings.cinedance

https://www.wildsound.ca/videos/audience-feedback-these-things

March 2025 Under 5 Minute Festival Testimonials.

Submit to the festival via FilmFreeway:

Loved this festival! It was great to receive feedback on our short film 148: SNEEZE – something many festivals do not do. Also we were very happy to have won “Best Performances” too – thanks. Highly Recommend!


Thank you for great communication and help in creating the interview and the video about the audience’s reactions!


The idea to hear what the public thinks about our work is excellent and a great way to connect with the audience from a very organic style of reviews. Thank you for the feedback on our micro-short “A Taco” and the exposure you give us as filmmakers!


Overall a great experience. The work that went into creating the feedback video was much appreciated, and the website interview and podcast were a nice bonus. I highly recommend this festival.


This was a great experience for my under 5 minute short on climate change. I was so surprised by the awards! (won best music and best sound editing) A lot of effort went into their feedback, and I’m so grateful for the footage! Thank you so much.


Today’s Podcast: Actors Mary Frances Noser & Maximilien Blanc (STUCK)

STUCK, 13min., USA
Directed by Emma Grace Lukens
A couple’s ambiguous relationship becomes slightly more clear as they lie on their living room floor, discussing their dating lives.

https://www.instagram.com/stuck.short.film/

Hannah Ehman chats with the two leads of the award winning short film STUCK.

Mary Frances Noser: https://www.instagram.com/maryfrancesnoser/

Maximilien Blanc: https://www.instagram.com/maxblanc/


Follow Interviewer Hannah Ehman on Instagram: https://www.instagram.com/ehmanhannah/

Watch Hannah’s commercial spots: https://www.ispot.tv/topic/actor-actress/bP8/hannah-ehman

Subscribe to the podcast:

https://twitter.com/wildsoundpod

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

New Film on the Platform: NO DISINTEGRATIONS (Star Wars fan fiction) short film, 16min., Sci-Fi/Thriller

Watch film here: https://www.wildsound.ca/videos/watch-no-disintegrations

After the events of “Scorekeeper”, Bossk and Boba meet up and head to Honor’s Keep; a cantina on Mon Cala. There they reminisce of past hunts and we learn why the dreaded Darth Vader told Boba Fett, “No Disintegrations” on screen May 21st, 1980. Now, on May 21 2022, on the 42nd anniversary, we are proud to present our version of the events that transpired that day.

http://www.creativeforcefilms.com/

https://www.instagram.com/riseofrome/

Writer/Director: Roman Santa Croce

Co-writer: Roman Santa Croce

Produced by Creative Force Films

Cast:

Boba Fett: Matthew Sumner
Bossk: Roman Santa Croce
Dengar: Chris Burns

New Film on the Platform: THE GIRLS OF BATHROOM B short film, 5min., Canada

Watch the film: https://www.wildsound.ca/videos/watch-the-girls-of-bathroom-b

Tensions ebb and flow during a busy morning in 1980 as impatient teenagers wait to use the girls’ bathroom.

https://www.saleigh.com/
https://www.facebook.com/sal.eigh.info/
https://www.instagram.com/sal_eigh/?hl=en

Director/Writer: Sal Eigh

Short Film Review: ECTROPY. Directed by Jordan Schulz

“ECTROPY” follows the Artist, a member of the Timeless Presence species who struggles to see his potential. Aided by the young Gaia, the Artist faces existential challenges and immense pressures as they paint the fabric of nature.

https://instagram.com/sirdanielwinnscreationseries

Review by Julie Sheppard:

The short, Ectropy, gives the viewer a chance to escape to a fantasy world influenced by the forces of nature, where an artist creates sculpture and paintings with abandon. The visuals are breathtaking, with a sci-fi feel. A hot flaring sun, massive smoking explosions and falling boulders contrast with gentle images of soft pliable clay, and lush plants in the process of blooming. 

The actor playing the central figure radiates both awe and sombre intensity, as a strong foil to the gentleness and warmth of the adorable girl playing the role of the young Gaia. Underneath it all, the instrumentals match the grandeur of the imagery, notably the full-scale action film orchestral music, and prominent sound effects such as the ongoing undulation of water. 

The editing is stellar — such dynamic movement of a variety of images on screen, the most intriguing being the artist’s rapid fingers on glass and the creation of the angelic human statue. This short is effective in its contemplation that, in the end, nature is in control as the artist eventually goes back into the earth from whence he came. 

Feature Movie Review: Surge of Power: Where There’s Smoke

Directed by Vincent J. Roth, Jeff Rector, Mario DeAngelis

Enjoy the latest installment of the “Surge of Power” indie superhero movie franchise known for having lots of celebrities from the sci-fi and superhero genres! “Where There’s Smoke” follows Surge as he teams up with guest superhero, The Smoke (former pro wrestler Eric Moran), as they uncover a mysterious plot of the villain group called The Council. Who is Falling Apple, struggling with childhood trauma and abuse, out for revenge over her father’s murder, and what is her role in The Council’s evil scheme?

Homepage

https://www.instagram.com/surgeofpowermovies/

Review by Parker Jesse Chase:

Surge of Power: Where There’s Smoke brings a fresh outlook to the superhero genre, breaking away from the traditional Marvel/DC universe mold, while still honoring comic book legacies of the past. With special guest appearances from iconic characters, while introducing its own story, the film delivers a thrilling and campy take on superhero storytelling.


At its core, Surge of Power presents a compelling villain origin story. The narrative kicks off with our antagonist’s tragic backstory, an incident gone wrong that sets her on a path of revenge. As the story fast-forwards to the present, she aligns with more formidable forces, creating chaos and destruction. Her vendetta puts our heroes in an intense battle, blurring the lines between allegiance and morality. The confusion over who stands on which side adds an interesting layer to the conflict.


The film’s world-building is commendable. The costuming is well-crafted, seamlessly blending into the universe the film creates. The visual effects are executed effectively, though there’s something slightly off preventing a full immersion into this world. The film’s “weapons of mass destruction” lean into a cartoonish aesthetic, adding a layer of satire to the otherwise high-stakes battles. The action sequences are dramatic, pushing our heroes to their limits. However, as superhero stories often remind us, where there’s a will, there’s a way.


As the story progresses, an unexpected twist adds emotional depth—one of the heroes harbors feelings for the antagonist. His belief that she isn’t inherently evil, but rather manipulated by grief and pain is a compelling narrative thread. Her motivation, rooted in the loss of her family, makes her a sympathetic character rather than a straightforward villain. The reveal strengthens the emotional stakes, showing how pain can be exploited by larger forces with darker agendas.

One of the most poignant moments in the film comes from a mage-like character who foresees catastrophe and pays the ultimate price. Their death underscores the urgency of stopping the impending devastation, leading to a climactic final act where the heroes rally together. In a nail-biting finish, they manage to thwart disaster at the last possible moment.


The film’s use of a necklace as a central narrative device is a smart touch, linking past and present in a meaningful way. The audience is reminded of the young girl from the opening scenes, reinforcing the emotional weight of the antagonist’s journey.


Beyond its action-packed sequences, Surge of Power is packed with self-aware humor and satirical nods to the genre. It embraces camp, delivering sharp dialogue and playful meta-commentary reminiscent of Deadpool. Lines like “Who are we, Suicide Squad?” nearly break the fourth wall, adding to the film’s charm. Structurally, it tells a story within a story, offering a layered experience that acknowledges its comic book roots while modernizing its narrative approach.


Visually, the film is striking, with well-designed locations that add to the cinematic spectacle. The soundtrack complements the film’s tone, providing an uplifting and engaging backdrop to the unfolding events. While tackling serious and emotional themes, Surge of Power maintains a balance, presenting complex ideas in an entertaining and palatable way.

Short Film Review: SHADOWS IN THE PARK. Directed by Valerie DuPree

Two sisters venture deep into the woods…only one senses something watching. Fear twists into betrayal. Will they survive?

http://www.cavacastudiopictures.com/

Review by Parker Jesse Chase:

A chilling tale of childhood fear and the unknown, Shadows in the Park follows two sisters on an eerie venture into the forest, where only one senses an ominous presence lurking beyond the trees. The film weaves tension through its atmospheric sound design, autumnal color grading, and the simple yet unsettling premise of what happens when fear twists into something deeper—perhaps even betrayal.


From the opening frames, the melody hints something is amiss. The warm hues of the fall season contrast with the creeping unease introduced by the sound design, creating a dissonance keeping the audience on edge. As golden hour fades, so does the illusion of safety.

When the younger sibling questions if they should even be out this late, Ellie, the older sister, dismisses her fears with a teasing remark: “Yeah, because the trees are about to get us.” It’s playful, but the film’s careful pacing suggests otherwise—something is about to happen.

The tension escalates as the girls push deeper into the woods, ignoring the younger sister’s growing unease. The whispers start—a faint but chilling intrusion. Suddenly, Ellie is gone, and Alice is left alone, ripped by terror. Her fear isn’t just about what might be lurking—it’s the frustration of not being believed.

The sisters’ dynamic, from teasing to desperation, adds a layer of emotional depth beyond the typical horror trope. Are they simply scaring themselves, or is something truly out there?


The film’s biggest strength is its restraint. It never fully confirms what haunts the park, instead leaving the audience with an open-ended question—was there really something watching them?

Or was it just the tricks of the mind in the isolating vastness of nature? Shadows in the Park thrives in ambiguity, proving that sometimes, the most unsettling horror lies in what remains unseen.

I’M NOT A ROBOT: Oscar Winning Short Film. FEMALE Feedback Film Festival Winner

The FEMALE Feedback Film Festival (https://femalefilmfestival.com/) is proud to announce that their 2024 Winner of Best Short Film, I’M NOT A ROBOT, was awarded the Oscar last night for BEST SHORT FILM.

I’M NOT A ROBOT, 20min., Netherlands
Directed by Victoria Warmerdam
After repeatedly failing Captcha tests, music producer Lara becomes obsessed with a disturbing question: could she be a robot?

https://www.instagram.com/oakmotion

Watch the Audience Feedback Video:

Read the Movie Review: https://festivalreviews.org/2024/10/24/short-film-review-im-not-a-robot-directed-by-victoria-warmerdam/