Today’s Podcast: Filmmaker Marlene Emilia Rios (LUCIA & NICOLE)

Lucia & Nicole, 10min., USA
Directed by Marlene Emilia Rios
On the cusp of adulthood Lucia finds her childhood friend Nicole living on the street. Houseless after coming out, Lucia’s mother Ximena invites her into their home. However, Nicole’s re-appearance into their lives raises questions about their own daughter’s identity and how to respond to Lucia and Nicole’s re-connection.

https://instagram.com/huelgamedia

Get to know the filmmaker:

What motivated you to make this film?

I wanted to make this film because growing up I had this idea of romance that came from my grandparents’ stories of how they met, their serenading—and I’d sit in my living room and watch ‘A Walk in the Clouds,’ and I’d dream of romance. As I grew older, I realized there were no depictions of this for queer love. There wasn’t a vision of the future to latch on to. It seemed to only exist to me in vague, whispered possibilities. Very rarely do we actually get to see romantic films about queer relationships. I wanted to make something that was an ode to those moments and those films I loved as a child, ‘A Walk in the Clouds,’ ‘Pride & Prejudice’ but that existed in a world that was grounded to me. And I knew I wanted to showcase the beautiful community of Albuquerque that had welcomed me as a student and seems to be in constant celebration of identity. I wanted to make the kind of story you could imagine your grandmothers or your cool old aunts telling you someday about how they met long ago, and how their romance blossomed over the years.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised to see how people connected with the story, this film is a departure from my previous work, and I think of this film as coming from the more romantic and idealistic part’s of myself and I’m glad to see that recognized. I’d love to live in a world full of empathy and community care and I very consciously chose to reject certain narratives and stereotypes when writing and directing this project because I wanted to show that, and it’s really gratifying to see people appreciate that. It’s always meaningful to see when your intent comes through and when people are able to connect to a story that feels so personal to you. As storytellers we always strive to connect with people and stir an emotion within them, but with shorts, it’s often hard to gauge impact. Sometimes they live only in private screenings or online. Being able to hear from an audience is especially valuable in this sense.

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Short Film Review: LEFT. Horror/Drama. Directed by Seif Abdel Raouf

“Loay,” a young man invites his friend “Oday” over to help him move into a new house. As “Oday” finishes bringing in boxes, “Loay” asks him for one last favor: to take a specific box upstairs while warning him to avoid the mysterious room on the left. Curiosity gets the better of “Oday”, and he enters the forbidden room, initially finding it ordinary. However, he soon hears unsettling knocking from the room bathroom and discovers that each time he closes the door, the knocking resumes.

Review by Julie Sheppard:

Given the definition of the term “left” at the beginning of this fabulous horror short, we know we are in for something spooky — apparently, in Egyptian culture, left is a noun “used to describe a person who commits an unethical deed or sin”. 

The eerie vocal chirps, minor key crescendos, jerky clangs, and ghostly tinny knocks throughout the film, all add to the ominous feel of the piece. The greenish hue of the lighting, as the film progresses, creates a queasy essence. The extreme close ups on faces, and slow pans of the camera around the forbidden left area bring us along with the curious friend who can’t resist disobeying what he has been told — it becomes quite apparent that the thrust of this film is a study of the human tendency to follow the lure of the forbidden. 

The performance of the inquisitive friend is superb, able to creep and scan the prohibited area of the house in a tense and agitated manner that, in turn, keeps the viewer on edge. The clever narrative seems to be in an endless loop, as we discover that the owner of the house is gleefully trapping his foolish friends, for unethical and sinful reasons, as they will all eventually veer to the left.

New Film on the Platform: REDWOOD SURVIVAL, 5min., USA, Documentary

Watch Film: https://www.wildsound.ca/videos/redwood-survival

Carbon stored in fire-damaged redwoods produces new sprouts directly from tree trunk. The film is about understanding better the details at the chemical level of how these trees are able to come back to rebuild a crown of vigorous green foliage after losing everything.

Directed by Erik Sather

Produced by Andrew Richardson

FREE Event: Experimental/Dance/Music Festival. Thur. Mar 27th. 7pm. Carlton 

RSVP EXPERIMENTAL/DANCE/MUSIC Festival: Thur. March 27th, Carlton Cinemas. 7pm
EXPERIMENTAL/DANCE/MUSIC SHORTS Festival, ThurdayMarch 27th, 7pm

WILDsound is proud to showcase the best Experimental, Dance, Music films from the last year from around the world today.

Thursday, March 27th, 7pm SHARP.
Event ends at 9pm.

90 minute program of films. Followed by Q&A with filmmakers in attendance.Carlton Cinemas in downtown Toronto.
20 Carlton St., Toronto, ON M5B 2H5
(College Street Subway)

Tickets are FREE or Pay as you like. Tickets generally sell out. First RSVP. First served.

REPLY to this email to RSVP your FREE tickets!
Or, text the festival directly at 416-568-9046

SEE the full lineup of films https://wildsoundfestivalreview.com/experimental-dance-music-toronto-festival/

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Today’s Writing Deadlines: March 24, 2025

Submit to these exciting festivals today. Festivals that offer feedback from the industry, plus performance videos.

HORROR Novel Festival:
https://festivalforhorror.com/horror-novel-festival/

Get FULL FEEDBACK on either the 1st chapter or entire novel book from our committee of professional writers and writing consultants. Get your novel performed by a professional actor at the festival.

NEW OPTION: Or, just submit for an actor performance reading transcript of your novel (any 5 pages of your book). Great way to promote the sales of your book if you’re already published.


ROMANCE Short Story Festival:
https://festivalforromance.com/short-story-festival/

Submit your ROMANCE short story to the festival, and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.


DRAMA Screenplay Festival:
https://festivalfordrama.com/

This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1) Full Feedback on your script
2) Actors performance video reading of your script
3) Blog interview promotion.
4) Podcast interview on the Film Festival ITunes show


Today’s Podcast: Filmmakers Ben Berry & Brooke Bechtold (BEEHOLD)

Beehold, 18min., USA
Directed by Ben Berry
From his work with local nuns looking for answers about their barren apple trees to his consulting with golf courses in natural habitat management to classrooms, and his own design workshop – he is a true beeliever in the good story – the gospel of abundance as taught by bees and he’s helping protect Wisconsin’s beloved pollinators. It’s called Behold and our story starts here. Humm Productions, in collaboration with Mtn Craft Productions, has pioneered a new media format called DocuPod™. It combines the power of short, immersive documentaries with engaging podcast audio to create a captivating 360-degree experience for audiences.

https://www.hummproductions.org/episodes/

https://www.instagram.com/impactually_show/?hl=en

Get to know Director Ben Berry & Producer Brooke Bechtold:

What motivated you to make this film?

Brooke: Our team wanted our proof-of-concept DocuPodTM to be of a very special person serving his community at large with dignity and focus. We had just finished our Beehold podcast, and we knew that if listeners had the opportunity to see Charlie and feel connected to him that a short video documentary would be the perfect complement. We hoped audiences would adore and respect Charlie’s work protecting pollinators as much as we do. 

Ben: As Brooke mentioned, we wanted to shoot a proof of concept for our DocuPodTM. Once Brooke found Charlie, it was off to the races. Our goal is to approach every DocuPodTM we do thoughtfully—with a certain slowness. We want to allow the audience to be with the character and walk a mile in their shoes. Once Charlie agreed, our motivation became about showing Charlie’s passion and how that passion is lived out day to day. 

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Watch Today’s Festival: WILDsound DOCUMENTARY Shorts Festival. March 23/24 event

Watch Film: https://www.wildsound.ca/videos/wildsound-documentary-shorts-march-2025

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 3 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the Full Lineup of Films:

Isolated and Deprived, 27min., USA
Directed by Estela Imigo, Víctor Gutiérrez
The community of the Quinchao Archipelago, Chiloé, is isolated due to connectivity problems that force them to uproot themselves from their territories to access health, education, among others. This crisis has been unleashed because private marine transport companies do not comply with travel schedules and arbitrarily raise transport rates. It is because of this that the islanders decide to organize to demand a solution to their problems.

CROSSING WOMEN -THE INVISIBLE SUPPORT OF THE BORDER, 30min., Argentina/Chile
Directed by Pablo Mardones Charlone, Javier Astudillo
Through the wandering, life and work of women in the Andean Triple-Border (Bolivia, Chile and Peru), and the Paraná Triple-Border (Argentina, Brazil and Paraguay) we know a story of female invisibility and vulnerability. Through a voice-over that personifies them, we understand that, despite precarious working conditions, the tasks of caring for and maintaining the family have always rested on them. It will be a chain of (trans) border sorority that will allow, despite the adversities, that they invisibly sustain the rhythm of these borders.

Beat Keepers: The Next Chapter, 43min., Canada
Directed by Cindy Goldberg
A powerful and inspiring documentary that follows a group of talented female drummers as they unite for a life-changing three-day retreat in Dallas, Texas. Through the raw energy of rhythm, unwavering mutual support, and a shared passion for music, these women forge deep, lasting connections and celebrate the transformative power of music to heal, empower, and unite.

https://www.youtube.com/@beatkeepersnextchapter/

Michigan Visits Matter: The Family Cost of Incarceration, 12min,. USA
Directed by Bryce Mackie
A short documentary exploring the devastating impact of visitation restrictions on families affected by incarceration in the state of Michigan (USA).



BATTLE, 11min., Ukraine
Directed by Olga Samolevska
Poetic interpretation of the russian war against Ukraine. There are no actual fighting in the film. Three poems by Olga Samolevska. Song based on a poem by Vasyl Stus. The film is based on documentary footage of the results of the battle.

Filmmaker Lucas Haviland (PAGES IN THE WIND)

PAGES IN THE WIND, 14min., USA
Directed by Lucas Haviland
As Bailey sits in the park, he starts to reminisce about his journal entries over the past month. Through flashes to these entries, Bailey and his boyfriend, Gavin, experience the various intricate elements of their relationship. All the while Bailey takes in the environment around him in the present day. When his best friend, Corrine, stops by to surprise him, they start to catch up on the past week. Bailey quickly remembers that his entries might be less realistic than he wants them to be. And that his roommate, Gavin, will probably never be the man he needs in his life.

https://www.instagram.com/havilandfilms/

Get to know the filmmaker:

1. What motivated you to make this film?

The film’s exploration of romantic love and the lengths someone would go to experience it are rooted in my own thoughts surrounding the lack of that kind of love in my life. The exploration and need to put an image to these thoughts and showcase yearning is what drives my motivation in making this film. All to answer the question: To what lengths will someone go to feel love? Seeing and working on the creative projects of my friends and classmates, this motivation was kept alive and continued to grow until the final results of the film that was screened at this festival.

2. From the idea to the finished product, how long did it take for you to make this film?

It took roughly a year and a half from idea to finished product; however, the idea itself was not something I entertained in executing and creating until about half a year after I wrote it. This put the pre-production, production, and post-production process at about a year, with plenty of bumps along the way.

3. How would you describe your film in two words!?

Queer Yearning

4. What was the biggest obstacle you faced in completing this film?

I think the biggest obstacle as a first-time director was handling the intimacy and the plan of action in the approach to it. While other obstacles like weather and crew members graduating all played their parts, the attention to detail and ensuring actor safety and comfortability was definitely a major obstacle that was worth working through and utilizing an intimacy coordinator to achieve the final product. As a director handling intimacy for the first time, I felt like I have grown in my understanding of both writing and working through intimate moments between characters.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Going into the audience feedback video, I was nervous solely because of my perfectionistic tendencies and the miniscule things I wanted to try to change. This quickly changed to excitement and general appreciation for the thoughts, praise, and constructive feedback from the audience. It was reassuring to hear about parts that I was hesitant about being well-received by the viewers and for the themes to come across even in the ambiguity of the film.

6. When did you realize that you wanted to make films?

I realized I wanted to make films and write for film and TV going into my senior year of high school. After coming out and starting to embrace my queer identity, I knew that I wanted to write and create stories that gave visibility to emotions and feelings that many people in the LGBTQ+ community experience. I also wanted to portray queerness in manners that were missing as I grew up. Not to mention, I realized that I wanted to use film and screenwriting as a medium to explore the intricacies of relationships (romantic, platonic, familial, etc.) and connections between people of all identities.

7. What film have you seen the most in your life?

For enjoyment, I watched The Hunger Games films, specifically The Hunger Games: Catching Fire, many times. In terms of films that have influenced my writing and work, Brokeback Mountain is a film that I consistently revisit.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I was very satisfied with my festival experience thus far and have appreciated the email communication and updating that takes place. I think it could be interesting if there was a way for other filmmakers who were voted on by the audience could get in contact with each other to talk about their films and respective creative processes.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It was pretty intuitive and user-friendly! I didn’t have any issues submitting my project and filling out all of the information for the project file.

10. What is your favorite meal?

One of my favorite meals is a sushi platter of a variety of different rolls and seafood combinations.

Filmmaker Katie Schneider (Mothamorphosis)

Mothamorphosis, 2min., USA
Directed by Katie Schneider
Luna struggles with a part of herself.

https://www.instagram.com/schneids.art/

Get to know the filmmaker:

1. What motivated you to make this film?

One day, I woke up and went to the bathroom, and a moth flew out of my hair. This was such a ridiculous experience I wanted to use it as catalyst for my film, blending it with my personal experience of accepting myself as queer.

2. From the idea to the finished product, how long did it take for you to make this film?

It took me about 350hrs personally, though I had a small team working on music, sound design, clean up animation, and background.

3. How would you describe your film in two words?

Existential Dilemma

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle that I faced was finalizing the more abstract sections of the film, outside of her chasing the moth. Nailing the pacing, the meaning of the symbols and the shots was difficult.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It was so incredible to hear everyones thoughts about it, and how they interpreted the meaning of the film. I was really honored that everyone took the time to think deeply about the film that I poured so much effort and care into.

6. When did you realize that you wanted to make films?

I have always loved consuming stories, and how you can much can communicate with just visuals. The idea of making my drawings move felt like my ideas were coming to life.

7. What film have you seen the most in your life?

Lion King 1 and 1/2

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

You all offer so many opportunities already! And receiving the feedback is so meaningful.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It has been very accessible and easy to use.

10. What is your favorite meal?

Sushi for sure

11. What is next for you? A new film?

I am working on my thesis film right now! Still in very preliminary stages right now, but will be centered on the themes of jumping into the unknown when you may not be ready.