Writer Kathryn Caraway (UNFOLLOW ME)

Performed by Val Cole

Kathryn is facing the longest battle of her life, even with the necessary resources she’s not only a victim but also an advocate for her own rights to find a way to stop her stalker from completely ruining the life she has left, after he had made her out to be the predator.

Get to know the writer:

What is your novel about?

Unfollow Me is a raw, visceral true crime memoir based on actual events Kathryn Caraway experienced as the target of a sadistic stalker.

What genres would you say this story is in?

True Crime, memoir, psychological thriller

How would you describe this story in two words?

Gripping, haunting

What movie have you seen the most in your life?

My go-to movie, especially on rainy days, is A View to a Kill because it was the first James Bond film I ever saw. I watched it with my dad, and that moment stuck with me—it was more than just a movie night; it was a special memory we shared. That combination of action, intrigue, and nostalgia has made it my favorite ever since.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Head Above Water, Avril Lavigne

Do you have an all-time favorite novel?

As an avid reader, this is a rapidly moving target for me. The one book I’ve read multiple times throughout the years from my childhood is Of Mice and Men by John Steinbeck. It’s a novella, but it’s a classic. I’m fascinated by how emotionally rich and layered his writing is.

What motivated you to write this story?

Initially, I sat down to write this story to capture details before time eroded them. It wasn’t intended to be a book, much less for public consumption. Having experienced frustration with a lack of stalking resources, I realized there was power in sharing my story. For someone experiencing stalking victimization, I’ve included details—warning signs, methods on evidence collecting, coping strategies—that I feel would’ve been helpful to me during my darkest days as the target of a stalker.

If you could have dinner with one person (dead or alive), who would that be?

My grandmother. She passed away at the young age of 42, after my first birthday, so I have no memories of her. Yet, her presence has always been felt in my life. Writing was her passion, and the pieces she left behind has inspired my own love for writing.

Apart from writing, what else are you passionate about?

Advocating for victims of crime, specifically stalking. I’m currently advocating for Congress to make the National Protective Order database available to the public, similar to the Sex Offender Database. We live in a digital world and have the right to know if a potential intimate partner

What influenced you to enter your story to get performed?

When I came across the WildSound Writing Festival’s True Crime Novel Festival, I viewed it as an opportunity to help raise awareness about stalking. Too often in film and books, stalking is minimized, normalized, and even romanticized, rather than criminalized.

Any advice or tips you’d like to pass on to other writers?

It’s okay to write messy. Don’t try to make it perfect as you write—that’s what editors are for. Just focus on getting the story down.

Writer Eleanor Cooper (THE NIGHTMARE short story)

Performed by Val Cole

Get to know the writer:

  1. What is your short story about?

‘The Nightmare’ is a story told entirely through questions. It asks the
audience about their experiences with bad dreams whilst painting a visceral
image of someone consumed by sleep deprivation and night terrors.

  1. What genres would you say this story is in?

The genre is hard to pinpoint – it’s sort of a surreal, gothic approach to
a true human experience.

  1. How would you describe this story in two words?

Challenging, Nightmarish 🙂

  1. What movie have you seen the most in your life?

Lord of the Rings, more specifically Fellowship of the Ring! It’s my
absolute favourite.

  1. What is your favorite song? (Or, what song have you listened to the most
    times in your life?)

This changes all the time, but I’m currently loving the classic ‘How to
Save a Life’ by The Fray.

  1. Do you have an all-time favorite novel?

Anything by Lynette Noni I will devour in a day!

  1. What motivated you to write this story?

I started writing this for a university assessment, so I wanted a unique
approach. The more I experimented, the further I fell into this intriguing
narration style. I began with this idea of darkness, of terror, of night;
and kept going. And thus ‘The Nightmare’ emerged.

  1. If you could have dinner with one person (dead or alive), who would that
    be?

This question is harder than it should be! I think (other than Jesus, of
course) it would be cool to meet Tchaikovsky or Vivaldi and talk music.

  1. Apart from writing, what else are you passionate about?

Reading and writing pretty much sums up my personality, but I also love
music. I play a few instruments, particularly the violin which I’ve played
since I was 6 years old.

  1. What influenced you to enter your story to get performed?

I think this piece is powerful. While I’ve had other works published
through different mediums, it was a privilege to experience the potency of
these words when performed audibly.

  1. Any advice or tips you’d like to pass on to other writers?

Write, write, write — don’t stop writing! Practice makes perfect. Read and
write 24/7, immerse yourself in your craft, let experience mold your
progress.

Interview with Filmmaker Raph Isadora Seymour (YELLOW DRESS)

Yellow Dress, 4min., UK
Directed by Raph Isadora Seymour
What is she doing? Trying to make a garden? Trying to make something…and who or what is trying to stop her? Crude stop-motion makes startling and poetic images and tells a story of resilience and the desire for happiness for both the hero and the villain of the piece.

Get to know the filmmaker:

1. What motivated you to make this film?

I wrote a poem and decided to animate it. My friend and I had gone to Peckham Common to feed the crows. I liked their movements and cunning and was also interested in their sinister connotations and their innocence.

2. From the idea to the finished product, how long did it take for you to make this film?

The idea came to me in 2022 and I was finished in early 2024.

3. How would you describe your film in two words!?

Puppet Poem.

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle in making the project was balancing my time. Working a job and having other creative projects, working in stops and starts and still maintaining a creative flow however I feel this alongside the stopwork animation and patchwork effects may have benefited the style of the piece.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was thrilled to hear feedback on my film. I have shown my animations at some other festivals and have always had to gage peoples reactions.

6. When did you realize that you wanted to make films?

When I was a child I was very fascinated by automatons, also animation in general. I would play around with flip books and plasticine. As I left school I realized there didn’t have to be rules when creating, and that freed me to be as experimental as I like and make projects for the sake of expression. I also started making shadow puppet animations in lockdown to entertain myself and those around me.

7. What film have you seen the most in your life?

Films I have watched most in my life would probably be Walkabout and Edward Scissorhands but an animation I always go back to is Hen his Wife by Igor Kovalyov.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Maybe a forum for the filmmakers and audience to discuss films and filmmaking.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

I found working with film freeway to be a great way to connect filmmakers with interesting festivals.

10. What is your favorite meal?

Curried Lentil soup

11. What is next for you? A new film?

I have already completed another animation called Dust with glove puppets of an eye, an ear, a nose and a mouth culminating in a sneeze and I have started one called The Wave Machine based on a short story I wrote of the same name.

Interview with Filmmaker Hanah Chang (I WISH I WERE PRETTY)

I Wish I Were Pretty, 20min., USA
Directed by Hanah Chang
Areum (which means ‘beautiful’ in Korean) is fixated on her physical appearance. She is convinced her monolidded eyes are why she is ‘unpretty,’ especially in comparison with her longtime best friend, Jane (as in plain Jane), who has double-lidded eyes and is so beautiful that she could be mistaken for a K-Pop idol. Areum tries to work through her insecurities with her therapist, Helen. But when a man humiliates Areum in front of Jane, Areum has to decide whether to finally face a long-festering sore spot and see her own value or let her friendship with Jane deteriorate.

https://www.instagram.com/iwishiwere_pretty/

Get to know the filmmaker:

1. What motivated you to make this film?

I had found out about the Julia S. Gouw Short Screenplay Competition a few years ago, which at that time would provide $15,000 in production funding for the winners. I looked into my depository of unfinished scripts, and when reading through, was pleasantly surprised by the origins of ‘I Wish I Were Pretty’ (as in, I thought to myself, “This isn’t bad, I can use this!”). I worked hard and quickly to polish it, submitted, and when I didn’t get accepted, decided to make it myself. (Such is indie film life.)

2. From the idea to the finished product, how long did it take for you to make this film?

I can’t quite remember when I first had the idea for the original script, but I’m thinking it was around 2021, and then I re-worked it for that short competition for the 2022 cycle. We completed it in 2025.

3. How would you describe your film in two words!?

Personal and relatable.

4. What was the biggest obstacle you faced in completing this film?

Probably keeping my energy up – we were working around everyone’s schedules and were never able to assert this project as anyone’s priority because everyone donated their time to make it happen. Plus, random setbacks would happen, like the time that someone stole the hard drive I was sending out to our colorist.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Relief because I was fully expecting some negative feedback, awe because I didn’t intend for this to be an educational film and now I’m re-thinking who our audience actually is, gratitude for people being able to resonate with what we have to say and noticing the hard work we put in to things like nuance.

6. When did you realize that you wanted to make films?

When I was younger, I was that super obnoxious kid who always had a digital camera in your face recording every banal moment, but I don’t think I had filmmaking intentions then. In 2019 I decided to give acting a chance (finally) and then when the world shut down in 2020, everyone was talking about making your own stuff, so I started writing. And then the rejection from the competition came, so that was, I think, the main catalyst.

7. What film have you seen the most in your life?

Spirited Away by Hayao Miyazaki.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I think the biggest thing is probably community. We’re all trying to make a mark on the world in some way, but I think the most important thing is the journey and treasuring your local impact as opposed to trying to chase a grandiose end result. I’d love to talk with those who watched the film and grow in community with y’all as well!

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway is a great site. Pretty straightforward and allowed us to find great festivals to submit to like Chicago FEEDBACK Festival. It was also helpful having all of our information in one spot which allowed the submission process to be very easy! (It would be nice, though, if more festivals showed submission stats and if there was more uniformity between TRT requirements, types of deadlines, etc.)

10. What is your favorite meal?

Marinated kalbi with alllllllll the side dishes.

11. What is next for you? A new film?

I’ve been developing a story idea for the last couple of years based on my experiences growing up in the Korean church. It started out as a mockumentary, for which I wrote the pilot, but I’ve been hardstuck in the writing process and am now trying to write it as a feature instead. Wish me luck / send some prayer to the writing gods that some creative flow will take over my brain, please.

Today’s Submittable Deadlines. August 11th, 2025

Go to the main page: https://wildsoundwritingfestival.submittable.com/submit


1pg. LGBTQ+ SCREENPLAY Contest (everyone wins)

https://wildsoundwritingfestival.submittable.com/submit/331501/1pg-lgbtq-screenplay-contest-everyone-wins


1pg. HISTORICAL SHORT STORY Contest (everyone wins)

https://wildsoundwritingfestival.submittable.com/submit/331445/1pg-historical-short-story-contest-everyone-wins


EXPERIMENTAL STAGE PLAY Writing Contest (get play performed by professional actors)

https://wildsoundwritingfestival.submittable.com/submit/331392/experimental-stage-play-writing-contest-get-play-performed-by-professional-actor


TRAVEL Short Story Contest 6000-8000 words (everyone wins)

https://wildsoundwritingfestival.submittable.com/submit/314813/travel-short-story-contest-6000-8000-words-everyone-wins


TRAVEL Short Story Contest 4000-6000 words (everyone wins)

https://wildsoundwritingfestival.submittable.com/submit/314812/travel-short-story-contest-4000-6000-words-everyone-wins


TRAVEL Short Story Contest 2000-4000 words (everyone wins)

https://wildsoundwritingfestival.submittable.com/submit/314811/travel-short-story-contest-2000-4000-words-everyone-wins


TRAVEL Short Story Contest 0-2000 words (everyone wins)

https://wildsoundwritingfestival.submittable.com/submit/314810/travel-short-story-contest-0-2000-words-everyone-wins


TRUE CRIME Novel Video Transcript Reading

https://wildsoundwritingfestival.submittable.com/submit/314037/true-crime-novel-video-transcript-reading


TRUE CRIME 1st Chapter Novel Festival

https://wildsoundwritingfestival.submittable.com/submit/314036/true-crime-1st-chapter-novel-festival


TRUE CRIME Full Novel Festival
https://wildsoundwritingfestival.submittable.com/submit/314035/true-crime-full-novel-festival


YOUNG ADULT Screenplay Festival
https://wildsoundwritingfestival.submittable.com/submit/313934/young-adult-screenplay-festival


WAR Poetry Submission
https://wildsoundwritingfestival.submittable.com/submit/301196/war-poetry-submission


Today’s Writing Deadlines: August 11, 2025

Submit to these exciting festivals today. Festivals that offer feedback from the industry, plus performance videos.

TRAVEL Short Story Festival (everyone wins):

A travel story is a piece of writing that describes a location, its people, culture, and customs. It can also be a narrative of a journey that provides information about the physical, biogeographic, and ethnographic characteristics of an area.

Submit your TRAVEL short story to the festival here, and we will automatically have it performed by a professional actor and turned into a promotional video.


TRUE Crime Novel Festival:

Get FULL FEEDBACK on either the 1st chapter or entire novel book from our committee of Professional Writers, and Writing Consultants. Get your novel performed by a professional actor at the festival.

NEW OPTION: Or, just submit for an actor performance reading transcript of your novel (any 5 pages of your book). Great way to promote the sales of your book if you’re already published. (see examples on the video playlist below)


YOUNG ADULT Screenplay Festival:

This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1) Full Feedback on your script
2) Actors performance video reading of your script
3) Blog interview promotion.
4) Podcast interview on the Film Festival ITunes show.

Watch Today’s FREE Festival: POLITICAL Showcase Festival

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch today’s Festival: https://www.wildsound.ca/events/political-showcase-festival

Eureka!, 15min., Canada
Directed by David Creighton
In this animated micro-short, a conspiracy nut finally grasps the truth.

CANADA UNPLUGGED:( Part 1) The Perfect Storm, 56min., Canada
Directed by Sangita Iyer
A bold, eye-opening documentary from Mettle Films, directed by award winning filmmaker Sangita Iyer, explores diverse Canadian voices discussing the impact of mass immigration in Canada. In this two-part series, we hear real concerns, lived experiences, and urgent questions about Canada’s immigration system, cultural cohesion, housing crisis, and economic pressures.

https://www.instagram.com/mettlefilms

Watch the EXPERIMENTAL Shorts Festival (in case you missed it)

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch today’s Festival:  https://www.wildsound.ca/videos/experimental-shorts-festival

FOR THE LOVE OF DOGS, 27min. India
Directed by Mohanjeet Baldev Singh Kalsi
In the biting cold of North India’s winters, thousands of stray dogs struggle to survive, unseen and unheard. But in the bustling city of Gurugram, one man refuses to look away.

https://www.instagram.com/fortheloveofdogs2025

ALEPH, 29min,. Brazil
Directed by Joao Butoh
To live or not to live in the shadow of a society.
Can politics, religion and ethnicity force you to live up to established standards?
What is the price of your happiness?
Live your life or live the life that others attribute to you?

https://www.instagram.com/joaobutoh

Today’s Podcast: EP. 1563: Screenwriter Darryl Mansel (ONCE UPON A TIME IN SPACE)

Watch Today’s Best Scene: https://www.youtube.com/watch?v=vNkD7_Fp8HI

Get to know writer Darryl Mansel:

What is your screenplay about?
Once Upon a Time in Space is about perseverance and struggle. It asks the question ‘how far are you willing to go to obtain something that you need?’

What genres does your screenplay fall under?
Science fiction, action, adventure

Why should this screenplay be made into a movie?
It should be made into a movie because adventure is sorely lacking these days. Plenty of action, very little adventure. The audience wants to go on a ride with characters, this will give them the means to do so while having the choice of which character they ultimately want to succeed.

How would you describe this script in two words?
WILD BUSINESS.

What movie have you seen the most times in your life?
Star Wars Episode IV: A New Hope

How long have you been working on this screenplay?
2.5 years


Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Today’s 5 STAR FilmFreeway Testimonial: FANTASY/SCI-FI Film & Screenplay Festival

Deadline Today to Submit via FilmFreeway:

Loved being a part of this festival! Thank you for recognizing “A Princess’s Plea” as the winner for Best Performances! Besides winning the award, this festival offered a unique array of additives that made the fee more than worth it! We loved our audience feedback video and doing the blog + podcast interview with the WILDsound team. All of the films were very high quality and entertaining to watch. Highly highly recommend this festival.