Filmmakers Ísak Magnússon, Óliver Sólberg (BELONG TO YOU)

BELONG TO YOU, 6min., Iceland
Directed by Ísak Magnússon, Óliver Sólberg
Belong to you follows a swimming pool employee who thinks about his relationship with his coworker on a quiet night.

Get to know the filmmakers:

1. What motivated you to make this film?

We had just graduated from high school, where me and Ísak had worked quite closely together, and we wanted to continue our partnership and continue creating. I had this idea that was originally a poem and from that we started production. The poem was originally just meant for me to vent out my feelings.

2. From the idea to the finished product, how long did it take for you to make this film?

The idea first came about when I wrote the poem in early 2024. From that there was the early drafts of the script, but that came to a halt until me and Ísak picked it up in august 2024. We started production but that also came to a short stop, because we couldn’t find the right actors. Then, by miracle, we found the two perfect ones. We shot the film in one day at a closed swimming pool on november 23rd and finished shooting after only eight hours of filming. Then came post production which took about two months and the film was finished in late february of 2025. So in total the film took about a year to complete, from idea to the big screen.

3. How would you describe your film in two words!?

Haunting and Beautiful.

4. What was the biggest obstacle you faced in completing this film?

Definitely finding the right actors, because the script demands a lot of subtlety, but we also found it difficult to find the right swimming pool, that would be the right size for just two employees.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

We were really grateful to hear all the wonderful feedback. It also felt really surreal as we have only heard feedback in Icelandic, so hearing it in English was quite special.

6. When did you realize that you wanted to make films?

Óliver: For me, it was making Imovie shorts as a kid.

Ísak: For me, it was watching The Grand Budapest Hotel in 2021, for the first time. The film amazed me and made me realize that I wanted to make films, and be a part of the filmmaking world.

7. What film have you seen the most in your life?

Óliver: I have probably seen Stalker, by Andrei Tarkovsky 10 times. I like to watch it when I can’t sleep, because it’s so relaxing and the atmosphere in the film is so alluring.

Ísak: For me, it’s definitely The Grand Budapest Hotel, by Wes Anderson, I watch it at least once a year and it’s my comfort movie. It’s just so entertaining and beautiful, it always makes me cry. The cinematography and the score come together so beautifully and I just love it.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

We have nothing to comment on, we think your festival is excellent. We think other festivals should take wildsound as an example of a filmmaker driven festival.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?

Good and bad. There are better websites to use to submit your film, but Filmfreeway is the most popular one by a longshot so you kind of have to use it. There could be more information on the website but otherwise it’s fine.

10. What is your favorite meal?

Óliver: My dad’s risotto is my favourite meal. It makes me feel very nostalgic.

Ísak: My favourite meal is cod with curry sauce and rice. It reminds me of my youth and it used to be served sometimes in school, and it was so delicious that me and my best friend would sometimes have four servings.

11. What is next for you? A new film?

Well, right now we are developing a new short film that will most likely be shot in late september. The working title is: I Am From The Future.

Interview with Filmmaker Ben Hamilton (Sitka’s Hidden Wonders)

Sitka’s Hidden Wonders, 43min., USA
Directed by Ben Hamilton
Sitka’s Hidden Wonders is a 40-minute theatrical nature film that blends sweeping cinematography with a deeply personal story of return. Told by award–winning wildlife filmmaker Ben Hamilton, the film explores what it means to truly see a place—through the hidden layers of one of Alaska’s wildest coastal ecosystems.

https://instagram.com/sitkawonders

Get to know the filmmaker:

1. What motivated you to make this film?

Every summer, over 600,000 people visit Sitka, but most just walk around town and never see the incredible natural wonders all around us. I wanted to create a film that connects them to this place—beyond the shops and the docks—into the wild heart of Sitka. After years of filming here for networks like BBC and National Geographic, this was my chance to make something for Sitka itself.

2. From the idea to the finished product, how long did it take for you to make this film?

The film took two years of full-time work, plus a year of planning and permits before that. And some shots were collected over the last decade—moments I’d been saving for the right project.

3. How would you describe your film in two words!?

Local. Connected.

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle was really time. The focus and intensity it took to deliver a film like this while still being there for my small kids and wife. It meant weeks away in the field, long nights editing, and constantly trying to balance the work with family life.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It was great to hear their reactions to the film. I’ve been showing the film in person in Sitka all summer so getting audience reaction has not been new, but always great to hear that people not in that place still really connected to the film.

6. When did you realize that you wanted to make films?

I started making films in high school—shooting weddings, promos, stop motion, documentaries, and funny shorts with friends. I always through I wanted to make fantasy and sci fi films, but eventually found my way to nature and wildlife!

7. What film have you seen the most in your life?

The Empire Strikes Back, Tropic Thunder, and The Fellowship of the Ring. I watch a lot of wildlife films and documentaries, but epic fantasy and comedy are my go-to for downtime.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I’d love more of those raw, immediate audience reactions right after a film—before the analysis that I could use for social. The multi minute format is a bit awkward and not as helpful for reaction cut ups.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?

It’s been easy to navigate and makes it simple to track submissions and discover new festivals.

10. What is your favorite meal?

Fresh-caught king salmon grilled with black cod tips—ideally eaten outdoors with friends.

11. What is next for you? A new film?

We’re building Sitka’s Hidden Wonders into a full tourism experience in Alaska. We’ve rented the main theatre downtown for two years, we’re working with cruise ships to bring the film to their guests, and we’re creating tours that take people into the places they see on screen—so they can experience them firsthand and find their own wonders. We have a new film were working on for the area that dives deeper into some of the elements we touched on in the film but its too early to talk about that!

Today’s Podcast: EP. 1572: Filmmaker Alice Ioana Nicolae (NOW IT’S BETTER)

Now it’s better, 12min., Romania

Directed by Alice Ioana Nicolae

In a world where it is easier to tear down than to build, to blame rather than to take responsibility, there are still resources for a better life. Although very painful and seemingly unique to each couple, the stories of our protagonists are almost universally valid, or perhaps very relevant in our current social and political context.Will the protagonist couples save their relationships? We will see in the short film ‘Now It’s Better.’

www.instagram.com/alicenicolaehl

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch Today’s FREE Festival: DOCUMENTARY Shorts Festival

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch today’s Festival: https://www.wildsound.ca/events/documentary-shorts-festival-august

Guided by God, 5min., Ukraine
Directed by Sophia Bihailo
A portrait of Lubomyr Martyniuk, an artist who has spent 17 years painting the flowers and nature of the Kyiv Botanical Garden, transforming a forgotten botanical laboratory into his studio and filling it with thousands of works.

War in Ukraine through the Eyes of Europeans, 18min,. Ukraine
Directed by Alexander Sparinsky
The author’s documentary art musical story, which conceptualizing the events of current Russian-Ukrainian war and its possible consequences; short meter (in prospect up to 25 minutes), which will demonstrate to the world the range of opinions of ordinary Europeans who by the will of the Russian aggressor are in a state on the eve of World War III.

https://www.instagram.com/aleksandr.sparinsky/

Gazakh District, 4min., Azerbaijan
Directed by Ruslan İbrahimli
Gazakh region is an ancient and beautiful place of Azerbaijan. This short introductory documentary is made to introduce Gazakh history, culture, cuisine and famous people. Starting from the Gazakh Museum of History and Local History, the film presents the material culture samples discovered in the territory of the Gazakh region, Damcili cave camp, brief information about Samad Vurgun, a magnificent view of the Goyazan mountain and the special food of the Gazakh people, Khangali, to the audience.

Busking Axl: my tribute to Guns & Roses, 26min., Argentina
Directed by Jimmy Alejandro Castro Zambrano
Damián Tovar Luna is a street artist who, through the interpretation of a character called Axl to the cap, pays tribute to Axl Rose and the famous rock band Guns & Roses.

https://www.instagram.com/jimmyartista/

Today’s FilmFreeway Testimonial: WILDsound FEEDBACK Film Festival

Submit to the WILDsound Festival Today:

I highly recommend that filmmakers of any skill level interact and engage with the Wildsound Film Festival.

Festival organizers Matthew and Alison Toffolo have created an awesome experience. Their passion for the medium of film and providing filmmakers with exposure, feedback, and connections is clear through the quality of their festival.

The feedback videos they offer are a perfect tool to gauge audiences’ reception of your film.

The podcast interview the festival provides is a great way to promote your film. Matthew is an awesome host who asks engaging and detailed questions.

Films submitted to this festival also have the chance to be selected for one of the biweekly, genre-based screenings at the Toronto Carlton Cinema.

These in-person events happen biweekly and are an awesome opportunity to view, support, and discuss short films with other artists. I’m so grateful to have met so many truly talented and passionate film enthusiasts and creators at this event. It was an incredible honor to have The Callback, a short film I wrote and directed, premiere at this festival. I’m deeply grateful to have been a part of it.

Short Film Review: MATTER. Dance/Experimental

Directed by Gabe Katz, Mike Murphy

A young woman enters into a journey of self-exploration, discovery, and identity. As she travels through the ephemeral, working through her understanding of self-perception, other travelers within the same universe try to join. These travelers soon realize that her story is not for them to mimic or assume, but to discover through their own experiences. They learn to accept that one can be empathetic to the experiences of others, without being central to the plot. These travelers become members of a creative community, observing and understanding a greater universal struggle: accepting oneself as a thread within the fabric of existence, and not the fabric itself. The young woman continues on her journey within the greater schema of reality. She endures everything and nothing all at once—accepting her present reality for its momentous nature, knowing it will be quickly lost to the vastness of time.

https://www.gabekatz.com/matter

Review by Parker Jesse Chase:

Matter is a meditation on identity, community, and the space between individuality and collective existence. The film follows a young woman on a journey of self-perception, where others attempt to step into her story only to realize it isn’t theirs to take. Instead, they’re reminded that empathy does not mean centering oneself in another’s path. Her movement through the ephemeral becomes a mirror for our own human tension: wanting to be both unique and connected, both the thread and the fabric.


The film opens in a stark white space, sterile and stripped down, our main figure in black, her face concealed by a helmet. The contrast is striking. A jazz-like wind instrument plays faintly, textured with background noise as if we’re overhearing it at a small cafe. Movement begins, fluid and deliberate, and the costuming folds into the choreography so naturally it feels like an extension of the body itself.


Soon another figure intrudes, removing the helmet, followed by more dancers drifting into the frame. At first, their presence is ambiguous. Are they invading her space, or offering community? That tension lingers as bodies multiply. Movements ripple, one blending into another, pairs forming and dispersing, a current of mimicry and fluidity that raises the question: how do we hold our own shape while surrounded by others?


Each dancer gets moments of individuality, flashes of expression through body and gesture. Yet as the camera widens, the ensemble surrounding them looks heavy, even sorrowful. Drooped shoulders, bleak expressions, a kind of condemnation of the one in focus. The group closes in, zombie-like, pushing forward and down to the floor. It reads as a physical metaphor for the struggle between breaking free and being pulled into the conformity of the whole.


The cycle repeats. The crowd fades, only for smaller sets of dancers to return, layered routines intersecting within the same space. Background noise swells, reminding us that life is always filled with unseen passerbyers, strangers whose presence is felt even without direct contact. Dancers clutch their hearts, shield their faces, run corner to corner grasping for any sense of individuality in a space that keeps inevitably folding back into the group itself.


The film circles back to its beginning. The helmet returns. The original figure collapses, body limp, hand dropped lifeless to the floor. The black helmet rests ahead of her, now transformed into a symbol of both burden and release, maybe even death. The film leaves us in that stillness, confronting the inevitability of returning to matter itself.


Gabe Katz’s hand is present throughout, not just as choreographer, but as a guiding force across costuming and the emotional architecture of the piece. Paired with Sam Gendel’s soundscape and the minimalist staging, Matter becomes less about watching a performance and more about feeling through one. It asks us to consider the truth that we are both small and infinite, fleeting but part of something vast.


We are matter. Sometimes we feel like the center of the room. Sometimes we dissolve into the crowd. Either way, we are here.

Turning 54 Today: Carla Gugino

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

When my friends have a health concern, they call me. I’ve always been
a vitamin taker. I also take digestive enzymes and antioxidants, and
supplements that help with the thyroid and adrenals for my time-zone
changes.


When a sports movie really works, it gets you on all levels, because
the stakes are high. It’s black and white. It’s win or lose.
Personally, just as an actor, I love accents; they’re fun.


Unfortunately, ‘chick flick’ has become a term to describe most movies
that I don’t even like. They’re these movies that, yes, have women in
them but they really don’t reflect who women are, and there’s
something kind of silly or shallow or gossipy about them.


As an actor, you’re naked emotionally; you’re revealing yourself emotionally.
I feel like I’m the only person – or woman, at least – who hasn’t read
‘Fifty Shades of Grey.’


Well, first of all, I’m an incredibly gullible person – I’m so bad
that when I said that to someone, my friend said, ‘You know,
‘gullible’ isn’t even in the dictionary.’ And I said, ‘Really?’ As I
was saying ‘Really?’ I will acknowledge that I then realized what was
happening, but that’s how bad I am.

Turing 36 Today: Charlotte Ritchie

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

She owns an orange hobby horse, an item she insists to be included in
any show she is involved in. It can be spotted in certain scenes.

Released an EP with brother, Luke titled ‘Light of Another’ in June 2014.
Member of All Angels.

Sister of musician Luke Ritchie, and journalist Alice Ritchie.

Turning 42 Today: Jen Landon

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

“Sometimes, if I’m feeling sad, I’ll be like, ‘I need a dose of Dad.’
Or if I’m feeling like a real a–hole, I can’t watch the show at all.
I’m like, ‘Dad can’t see me like this!’ As if he can see me through
the TV.” – on watching her father’s shows in reruns.

Jennifer says of her learning of her father’s illness at the young age
of 7, “I was not ready. I wasn’t ready to hear it at all, not at all.”
Then after Jennifer was told to say her last goodbyes to her dad, she
says, “I cried when they did that. They took me over there. I was
like, ‘No, I don’t want to! I don’t want to.’ I think there’s a part
of me that has not gotten older, right since then.”

Turning 87 Today: Elliot Gould

Watch the best of new films from around the world today by signing up for the FREE 3-DAY trial going to http://www.wildsound.ca (Also on Roku, FireStick, and your Itune (app))

And I took a moment, and I said, “No, because there’s so many people
dependent on our work for their living or their livelihood. You do
something whether it works or whether it doesn’t. Once you’re
committed and you do it, it becomes a part of your life. I wouldn’t be
sorry about it. I’d learn from it.” So I felt that I was able to
impart at least a little bit of wisdom to him.

I mentioned that I’m friendly with Casey, but I’d never really talked
with Ben, so I decided to go to a gathering recently that George
Clooney was having, a party for the cast of Argo. When I told Ben that
I was there because I wanted to say hello and let him know how
impressed I am with his craft, I think he was pleased, but then he
asked me a question, which I thought was really great. He said, “Have
you ever done anything in all of this that you were sorry you did?”

(2013, on landing Friends) They’d done a pilot, they’d been picked up
by NBC, and I knew they were going to be on around Mad About You and
Seinfeld, but they were not yet in production. They sent me a script,
and… there wasn’t much in it, but they wanted me to play the father
of David Schwimmer and Courteney Cox. I didn’t know if I’d do it.
There wasn’t much money in it for me, so I didn’t think I would do it,
and my agents didn’t want me to do it at the time, either. But then I
saw on the script that it was to be directed by Jim Burrows. I’d
worked for Jim’s father, Abe, who directed Say, Darling, where I was
third assistant stage manager and I was a chorus boy, just a little
part. But that was one reason why I wanted to work with Jim Burrows.
That, and to see how he did it, because he was so successful. So I
wound up doing it, and we got along great. And all the Friends were
very nice to me, too.