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Don’t depend on a guy for your happiness. You have to live your own life and do your own thing. That’s when good things come around – when you do your own thing and you’re not worried about a man. It will happen in due time.
I feel like you have to tell people who you are, but you don’t have to be disrespectful about it. But you also don’t have to be a shrinking violet.
I don’t wish for anything. Wishing for a million dollars feels greedy. I just wish for the best for me.
Follow your heart’s truth with no need for personal gain other than the feeling produced when doing what you truly love.
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I feel like I’m good with girls. I understand them and am good at loving them. I’ve always felt like that’s been natural for me.
I feel like I’m good with girls. I understand them and am good at loving them. I’ve always felt like that’s been natural for me.
I didn’t have that many friends my first few years of high school. It was very cliquey and I’m super shy, so it was hard to make friends.
Part of growing up is realizing you learn to love so many people. It’s about forming those relationships and finding what will last forever.
The thing I like a lot about acting is I’ll never learn enough. I’ll never know it inside and out.
The perfect date is the one where anything and everything goes wrong, but at the end of it, all you want is to see them again.
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[on his biggest quirks] I talk to myself, especially in the car. I do it to work through ideas, or if I’m pissed off. I use the interior of the car like it’s a [therapist’s office].
[on pre-acting jobs] I worked in a restaurant and in a bakery, and I once worked for my landlord as a construction guy who would repair things in the house. But I was not very good because I do not know a hammer from a screwdriver, so that did not last long.
[2006] I performed and sang at school but as a child it was never anything I was interested in doing professionally. But it all struck home when I was at college, Berkeley in San Francisco. I was still very shy and I decided to go to the theater to audition and I started doing plays and loved it. So it’s all gone on from there. I studied English and actually went to England for a year, to Leeds in the north of the country to study. It was a year abroad and that was wonderful. I had the time of my life. Everybody always talks about a dying passion for acting, but it never really happened for me that way, it happened so organically. Right now I cannot see myself doing anything else because it is so fascinating and a lot of it is really about human psychology. But I do have other interests like writing and playing music.
[on watching his own films] I am critical of myself like everyone else. You go to a movie theater and you are forty feet high. I had bad skin as a teenager and I am a shy person, but I think I am in the perfect business to fight my insecurities. You have to learn to love yourself and say “I am pretty cool” instead of being so critical. You can easily fall into the trap of doing that.
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I grew up with funny and interesting women, and my friends are funny, interesting women. So I can’t think of any story where those women don’t come into play. It’s the same as how I can’t imagine writing a story with no men. It’s just not real.
There’s an epidemic in our country of girls and women feeling bad about themselves based on what 0.5% of the human race looks like.
You push so far past the normal boundaries of what’s okay in society. I’m always fully aware of “You can’t do this.” When someone really believes in what they’re saying, but it’s crazy, it’s like my favorite thing on earth… Crazy’s just crazy and there’s nowhere to go. You can have a point of view, it can be very strange, but we have to know your reasoning.
FLESH WISH, 4min., UK Directed by Timothy Benjamin Slessor An experimental horror inspired by H.P. Lovecraft, David Cronenberg and Clive Barker, this music video / short details in an abstract way the summoning of demons through a ritual performed behind the locked doors of a 1970s terraced house.
What motivated you to make this film?
Several factors! Firstly, I wanted to make something visual to accompany the release of my album. Secondly, I wanted to experiment with a lot of different ideas and techniques, but importantly have a finished piece of work to show for it, not just a bunch of tests. Thirdly I wanted to see how I could kind of corrupt and pervert generative ai platforms and work them into my editing and animation / vfx practise and finally I wanted to make something that would surprise and confound my friends and colleagues!
From the idea to the finished product, how long did it take for you to make this film?
It was about three to four months of laborious work, mostly in after effects and premiere. I had to create all of the images and heavily distort and rework them and the editing was done frame-by-frame. About 6 months after it was finished I considered going back and tweaking some things but one look at the edit sequence was enough to convince me to leave well alone!
How would you describe your film in two words!?
Quite fleshy.
What was the biggest obstacle you faced in completing this film?
The hardest thing was just getting it finished! It was so hard to create enough interesting images and scenes, especially given the extremely fast cut-rate. I kept trimming the track down (ultimately from around 5 mins to about 3’45 I think) just so I could get it done (I had to keep pushing the release of the album back too as a result).
HOLIDAY SPECIAL, 91min., USA Directed by Harry Roseman Community, Celebration, Conversation, Chores; these are the key themes of this experimental documentary. Four days of shopping for Thanksgiving dinner as well as the meal itself are the ostensible subject of this film. Community is reflected in the interaction with people while shopping as well as the camaraderie of the dinner quests. The quotidian nature of these tasks is subverted by the abstract camerawork and narrative structure, offering the viewer a new perspective on both. The vertical orientation of the film reaffirms looking ahead as we follow the trajectory and shape of the shopping cart moving down the narrow aisles, as well as following the gaze of the filmmaker as he walks forward.
This is a HYBRID film festival with live screenings for the audience feedback video you will receive, plus an optional virtual 2nd showcase to enhance the film’s exposure (optional).
Festival also conducts blog and podcast interviews with the filmmaker. We have also started a filmmaker’s WhatsApp group with over 150 joined to date to chat about next project and make contacts etc….
Monthly Festival designed to showcase the best of films (shorts, features, web series) and screenplays (short, feature, TV) in the world today.
This submission hub is for multiple FEEDBACK Film Festivals. Chose the best festivals for your film or screenplay to submit to.
– LOS ANGELES Feedback Festival (any genre) – ANIMATION Feedback Festival – ASIAN Filmmakers Feedback Festival – BLACK Filmmakers Feedback Festival – BLACK & WHITE Feedback Festival – LATINO Filmmakers Feedback Festival – POLITICAL Feedback Festival – SPORTS Feedback Festival – STUDENT Feedback Festival
Awards & Prizes
The FILM FESTIVAL Experience:
We are proud to announce a FOUR tier festival set up of your accepted film at the festival. Two screenings of your film at our festival, plus two separate interviews.
Screening #1 will take place and will be a private screening for a select group of people. They will then go home after the festival and record their comments of your film. Then we turn those comments into our regular FEEDBACK Festival Video.
Screening #2 takes place one time only (for FREE) VIRTUALLY for all to see on our online feed every single day. 365 festivals in 2022. Already these screenings are garnering an audience of 1000s each day.
So in the end you will have TWO showcases of your film and you’ll receive your audience feedback video a week before the Virtual Festival.
Then (Tier #3) we will send you a list of questions to answer for our blog interview that will promote you and your film. Then after that (Tier #4), we will set up a podcast interview on our popular ITunes show where we will chat with you about the process of how the film was made.
We also have bonus in-person public screenings twice a month in Toronto. The filmmaker can attend and do a recorded Q&A with the audience.
The SCREENPLAY FESTIVAL experience:
Winning screenplays are performed by professional actors and made into a video each month.
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It was like second nature in a way, because I was familiar with the sets and stuff and it wasn’t like a strange world. It was like all things in life: You try it and if it makes you happy, it sticks. (On starting professional acting.)
I feel pretty strongly about it, morally. It’s not necessary to be exploited in that kind of way. I can’t say that I’ll never do it, but I don’t see a reason now, especially when you’re still trying to establish yourself. It’s just more important to be known for your acting and that you’re not willing to strip down for a scene. (On her refusal to film nude scenes.)
I hate it when people are like, ‘How do you stay thin?’ or ‘Do you work out? What’s your routine? What’s your diet?’ Then it’s like, ‘If I tell you I don’t, then are you going to give me a hard time?’
[favorite sexual position] I’ve learned that if you want to have an orgasm during sex, you have to be on top.
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With acting, I think half of it is just acting confident. We stand on these red carpets and pose in these dresses, but we’re all only so confident. It doesn’t mean we think we’re great looking or anything. It’s all a façade.
[on being cast as Carol Ferris in Green Lantern (2011)]: It was nice for me that this was a studio that wasn’t looking for some girl to have her legs greased up and her boobs out – and that was all that mattered. I imagined that no one else knew anything about Green Lantern. As soon as I got the role I was humbled about how naive I was. They were grilling me about StarSapphire and Hector Hammond and how many Green Lanterns are going to show up. All I could say was “What are you guys talking about?”.
I probably feel the most alive when I’m with my family and also when I’m cooking, and those normally coincide with each other. I love to cook for my family, that’s the best. I have all my nieces and nephews there, and you really use your hands and it’s such an experience for all the senses; for the touch, for the smell, for the sight, so you feel really alive.
I like to play someone who is unlike me and the character I play most often [Serena van der Woodsen on Gossip Girl (2007)]. Time and again, I keep playing drug addicts with sexual issues! I never knew I had a dark side, but this is where I get it out of my system.
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Chloe Pirrie (born 25 August 1987) is a Scottish actress. She has played main roles in the 2014 miniseries The Game, the 2012 film Shell, and the 2015 television film An Inspector Calls. She has also appeared in the 2016 miniseries War & Peace, the 2015 film Youth, the 2015 film Blood Cells and a 2013 episode of Black Mirror. In 2015 she also co-starred in the Academy Award winner for Best Live Action Short Film, Stutterer.
Festival Reviews 