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• The truth is, anybody that becomes famous is an ass for a year and a half. You’ve got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
• There aren’t many downsides to being rich, other than paying taxes and having relatives asking for money. But being famous, that’s a 24 hour job right there.

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• I recognize terror as the finest emotion and so I will try to terrorize the reader. But if I find that I cannot terrify, I will try to horrify, and if I find that I cannot horrify, I’ll go for the gross-out. I’m not proud.
• I am the literary equivalent of a Big Mac and fries.
• For every six crappy poems you read, you’ll actually find one or two good ones. And that, believe me, is a very acceptable ratio of trash to treasure.

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We’ve always actually been remarkably commercially successful. Not in terms of making huge amounts of money, which we rarely do, but in terms of not losing money and making modest amounts of money. We’re actually strangely consistent in that respect. We’ve been able to keep making movies because of that and also because, strangely, we’ve had studio patrons, starting from Barry Diller. Sometimes they’re establishment people who know they’re not going to make huge amounts of money, but they like your movies. They’re moviegoers, too.