Emily’s Mountain, 22min., Israel Directed by Tal Somech Emily celebrates her 6th birthday on a magical trip with her family and is slowly exposed to the horrifying reality that her parents are trying to conceal from her using modern technology and entertainment systems.
I have to really thank the actors for my reading, nothing short of terrific as they were, nothing short of incredibly smart, attractive, and perceptive as they were. They brought the script to life. – F. Maffai
FULL FEEDBACK on your stage play from our committee of Professional Playwriters, Production Heads and Story Consultants. Get a best scene of your stage play performed at the writing festival and made into a video for the winner.
Submit your 10 Page Play, 1 Act Play, or Full Stage Play to the Festival.
SUBMIT your STAGE PLAY Today You will receive feedback on your play in 3-5 weeks
“Graphic Novel” isa format, not a genre. Graphic novels can be fiction, non-fiction, history, fantasy, or anything in-between. Graphic novels are similar to comic books because they use sequential art to tell a story. Unlike comic books, graphic novels are generally stand-alone stories with more complex plots.
Submit your LITERARY FICTION Short Story to the Festival here and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.
NOTE: Submissions must be done by a STUDENT (college, university, high school, trade school etc…)!
FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.
SUBMIT your FEATURE, TV PILOT or SHORT SCREENPLAY.
Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.
3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.
4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.
(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)
Honored to win Best Performances for Stigma. I’m truly grateful to the Chicago Feedback Film Festival for this recognition. The team was supportive and responsive throughout the process. The audience feedback video is a wonderful initiative that adds real value for filmmakers. The experience felt sincere and professionally handled. Thank you for celebrating independent cinema and for giving Stigma a thoughtful platform.
The way you brought our film to the audience, your interactive approach, and warm communication truly made the experience special for us. As the Silent Plan team, we genuinely enjoyed being part of it. Thank you for having us!
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What’s nice about acting is that you’re not just left with yourself all the time, but you get to see the world through so many different people’s eyes.
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[on coming out as bisexual] I wanted to wait … to have enough years under my belt where people knew that it wasn’t a phase or anything and I wasn’t doing it for attention; this is a part of who I am, and I’m old enough to really know who I am by now.
Stunts are my favourite – I love it: the feeling, the adrenaline when all the cameras are rolling and everyone is watching and crowd round.
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The idea of science fiction, mythology, and creating a world is my favourite thing. I do love the reality of dramas and playing that, but being able to start from scratch, to completely build the character and this world, I love that.
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I knew exactly what I wanted to do since I could remember. As a kid, if my friends came round after school for dinner, I’d put on shows; I’d write plays and charge the parents £1.50 for a ticket for sweetie money.
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I haven’t been directed by a woman. I’d love to be; it would make a big difference. Often as an actress you can feel very alienated, especially if you are playing the female lead in a male-dominated cast and environment. It’s very hard to feel relaxed, to feel able to express yourself and to feel that you will be heard in that kind of environment.
Film is such a male-dominated industry. There’s a lot of “who you know” in terms of how you get promoted. The whole way the business is constructed means there are just men at every level, which makes it really hard for women to get their feet in the door. Also, the way of working makes it very difficult for women to succeed in the business. It must be incredibly hard if you have children to navigate the hours.
It’s business first and foremost in the US, and you’re a commodity. But I love their can-do mentality. They enjoy success and all the doors are open, no matter what you look like or where you’re from. It’s a big, hungry machine that constantly needs new talent to feed it, so everyone gets a chance. I’m sure my career would have petered out if I’d stayed in Britain; there’s just not enough work here. On the other hand, I love coming back and being normal.
Festival Reviews 