1. What motivated you to make this film?

This film grew out of my ongoing exploration of repetition, movement, and rhythm in digital space. Working with 3D animation software, I’m fascinated by how simple geometric forms can build into intricate visual landscapes—layered systems of shapes and tiles that balance structure with subtle irregularities.

2. From the idea to the finished product, how long did it take to make this film?
The process took several weeks from concept to completion. The core idea came together quickly, but most of the time was spent refining the visuals, pacing, and composition to make sure everything felt clear and cohesive within such a short runtime.

3. How would you describe your film in two words?
Intersecting Paths.

4. What was the biggest obstacle you faced in completing this film?
Finding consistent time to work was the hardest part. Balancing a full-time professional role with an active creative practice meant I had to be very intentional about prioritizing. Time for experimentation and focused artistic work is limited, but absolutely essential for the project to grow.

5. What is your favorite stage of the filmmaking process?
I love the moment when the animation starts to come together, when lighting, materials, and motion all click and the piece begins to feel alive.

6. When did you realize you wanted to make films?
My interest in animation really developed in college, though I’ve always loved film and knew I wanted to work in media. What draws me to animation is the ability to be involved in the entire process—integrating design, motion, sound, and narrative into one expressive medium.

7. What film have you seen the most times in your life?
That’s a tough one. Blade Runner is a film I return to often for its stunning world-building and philosophical depth—every viewing reveals something new. I also revisit Casablanca, It’s a Wonderful Life, The Maltese Falcon, and pretty much all the Studio Ghibli films. Hard to pick just one!

8. In a perfect world, who would you like to collaborate with on a film?
I’d love to work more with musicians and sound designers. Audio isn’t my area of expertise, but I’m fascinated by how sound can transform visuals and create emotional connections. It’s such a powerful force in storytelling.

9. You submitted to the festival via FilmFreeway. How has your experience been with the platform?
FilmFreeway has been great—simple, efficient, and accessible. The streamlined submission process and clear communication tools make it a valuable resource for independent filmmakers.

10. What is your favorite meal?

That’s a tough one! I’d probably say BBQ—it’s hard to beat. But I also really enjoy seafood, especially a well-prepared salmon or grilled fish.

11. What’s next for you? A new film?
I’m continuing to develop short-form works that explore abstraction, visual metaphor, and atmospheric storytelling. These projects build on the ideas behind Intersecting Paths while pushing into new formal and conceptual directions.