Awesome festival, great communication and genuine attention to promoting your work. The feedback video and interview offer a valuable chance to connect with the audience and dive deeper into your vision. Thank you so much!
Such a great festival! They were really supportive after my film won, providing me with audience feedback for my movie and resources to help spread the word about it and connect with other filmmakers. I highly recommend this festival!
This was a fun one! Great communication, networking opportunities, and I enjoyed the viewer reactions. I’ll be back!
Wonderful experience. Highly, HIGHLY recommend.
HORROR Underground was an incredible experience and I highly suggest it to any film maker. They really care about speaking with the artist, getting to know their story and why they make films while also doing an incredible job helping uplift emerging artists. Their feedback videos are very helpful as well. Can’t wait to submit my next project!
Dystopian stories are a type of speculative fiction that explore the darker aspects of human nature and the human mind. They often serve as a warning about what could happen to modern society if certain aspects grow out of control.
SAVE $40 off the regular submission for full novel submissions. Get FULL FEEDBACK on your novel by our committee of industry professionals. Get a transcript of your novel performed by professional actors at the Festival.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.) 1) Full Feedback on your script 2) Actors performance video reading of your script 3) Blog interview promotion. 4) Podcast interview on the Film Festival ITunes show
Nibbling of the Night, 10min., UK Directed by Gabi Bania Suzy and Billy are an unhappy middle-aged couple whose affection has long faded away. Suzy feels used by her careless husband, enslaved by the role of a subordinate housewife. She escapes from her worries and loneliness into addiction of night’s gluttony, spending nights next to the kitchen’s refrigerator. However, one night, her depressing fate is going to change thanks to a visit of two female vampires, who become for her a model of the strong, independent, and emancipated woman she always wanted to be.
Nibbling of the Night, 10min., UK Directed by Gabi Bania Suzy and Billy are an unhappy middle-aged couple whose affection has long faded away. Suzy feels used by her careless husband, enslaved by the role of a subordinate housewife. She escapes from her worries and loneliness into addiction of night’s gluttony, spending nights next to the kitchen’s refrigerator. However, one night, her depressing fate is going to change thanks to a visit of two female vampires, who become for her a model of the strong, independent, and emancipated woman she always wanted to be.
Sexaholics Anonymous, 13min., USA Directed by Christian Allen Five strangers, united by shame and compulsion, gather to discuss their obsessions in what should be a safe space, but two of them are unfortunately at the wrong support group. Tonight, ‘body count’ takes on a whole new meaning for this group.
BFF, 12min., USA Directed by Nevin Bolla Heartbroken, a young woman isolates herself in bed after discovering her boyfriend cheated on her. While her friends celebrate a bachelorette party outside, she remains stuck in a cycle of painful memories and regret. Her best friend, determined to pull her out of despair, steps in with humor, tough love, and a few ridiculous antics.
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Qaqsoss naka Wahantuhsis (Fox & the Tiny Demon), 80min,. Canada Directed by Tara Audibert Qaqsoss naka Wahantuhsis is an animated allegory about Qaqsoss, a fox who is haunted by Wahantuhsis, a tiny demon. Set in an enchanted forest, the film explores themes of mental illness, trauma, and generational pain through Qaqsoss’ struggles with both her inner demons and the mischievous demon that follows her. As Qaqsoss faces her fears, she discovers resilience and growth. Ultimately, the story intertwines Indigenous culture and personal experience, showcasing the importance of self-healing and the understanding of others. The film, told in Wolastoqey, is a poignant exploration of survival and connection.
HOMEPLANET, 26min., USA Directed by Andrew Pritzker Barefoot on a country highway, a Disoriented Man is picked up by Two Local Cops who suspect he may be a space alien.
Crispin Green has edited some of the top TV shows in recent times. It was a pleasure to site down with him to talk about the craft of editing and his career.
Interview with Crispin Green:
Matthew Toffolo: Tell us about the “Game of Thrones” experience. How is editing such a unique show where there are 4-7 plots occurring in a single episode?
Crispin Green: It’s an experience quite unlike working on other shows in that the editors are there for the duration of the shoot (about 6 months) rather than blocks of two or three episodes. This can help in the editing process as you get more of a sense of the season as a whole story.
MT: Will you be back to editing the series “Game of Thrones”? How does the process work? Who do you report to and collaborate with? The showrunners? The novelists? The director of the episode?
Yes I’ll be back if the opportunity arises.
CG: When assembling the dailies I work closely with the director, showing him or her cut scenes as the shoot progresses. He or she will give me notes as we go along if needed as they only have limited time for fine cutting when the episodes are complete. Some VFX heavy scenes have to be fine cut early so that the VFX team has a chance to get their work done in time (dragons take a long time to animate!), in these cases the showrunners will get involved with the cutting process. Once the director has presented a fine cut to the producers, the showrunners take over and I will work with them until picture lock.
PHOTO: Game of Thrones Season 5:
MT: I have to ask you about editing “Doctor Who”. Another iconic series. Were you a fan of the show before you began editing it? How was your experience working on the show?
CG: Yes I was a fan, I grew up watching the show and couldn’t quite believe it when I got to actually work on it! It was great fun to work on, the showrunners were very open to unusual ideas.
PHOTO: Doctor Who Season 4:
MT: What’s the key difference between editing a feature film in comparison to editing a TV episode?
CG: I’ve only cut one feature (and co-editor on The Great Rock n Roll Swindle – which wasn’t normal!) so I can’t really comment but I would imagine that TV shows have less time available due to pre-booked transmission dates.
MT: Besides “Game of Thrones”, and “Doctor Who”, do you have a favorite experience and film/TV show that you’re most proud of?
CG: Series one of “Bodies” was a ground-breaking medical drama written by Jed Mercurio where we got to try out some interesting stuff and equally “Misfits” was a pretty cool show to cut the first episodes of.
MT: What are the key qualities to be a great editor?
CG: The ability to get the story across in the most interesting way, understanding the director’s vision and being ready to adapt to what the writer/showrunners want.
MT: What is an editor looking for in their director/show runner?
CG: Someone who is good to work alongside (we spend many weeks together in a small room!) and who has an interesting vision of the project.
MT: What is a director/show runner looking for in their editor?
CG: Same answer as above but also it helps if the editor can second guess what the director wants while assembling the scenes.
MT: What film, besides the ones you’ve work on, have you seen the most times in your life?
CG: It’s a three way tie between “The Blues Brothers”, “Some Like It Hot” and “The Italian Job”!
MT: What advice would you have for people who like to be an editor in the film/TV industry?
CG: I started as a runner and worked my way up and I would recommend this route to anyone, you get to meet lots of people on the way who, more often than not, will be happy to help you on your journey. Also, try and cut as many things as you can to develop your cutting instinct, and watch lots of TV shows/movies to try and understand how to (or how not to!) construct an understandable story.
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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK DAILY Festival held at http://www.wildsound.ca and in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.
Really loved the experience with this festival. Nice team and communication ! And good promotion for my movie VOIGHT-KAMPFF. Thanks !
Fantastic film festival! We are sincerely grateful for the incredible experience we had at the FEEDBACK Under 5 Minute Film Festival. Winning an award and receiving such thoughtful film reviews means the world to our team. Thank you for recording the audience feedback video and featuring our director’s interview online. We truly appreciate the opportunity to showcase our work and connect with the audience. Your support and recognition inspire us to continue creating meaningful projects.
Wowser. It feels so fulfilling to hear people commenting about and analyzing our documentary THE TRENT SAUCER, which won for Best Short Film. This is why we create films – to share with the wider world. Thank you for building this festival!
Thank you for great communication and help in creating the interview and the video about the audience’s reactions!
Absolutely amazing! Really loved my experience with this festival.
SAVE $40 off the regular submission for full novel submissions. Garner FULL FEEDBACK on your novel by our committee of industry professionals. Get a transcript of your novel performed by professional actors at the Thriller/Suspense Festival.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.) 1) Full Feedback on your script 2) Actors performance video reading of your script 3) Blog interview promotion. 4) Podcast interview on the Film Festival ITunes show
Sprucilla and The Queen of Trees, 9min., USA Directed by Chris DiFiore Barē is a Halloween tree decoration living in the clearance aisle at Bargain Branch, but their dreams refuse to be boxed in. They think they’ve got what it takes to be crowned as the next Queen of Trees, even though they don’t have luscious green leaves or dazzling decorations like the other trees in the competition. After Barē gets some guidance from Sprucilla, a legendary Queen of Trees winner, they embrace their chance to shine as their true self and prove that being different isn’t a weakness—it’s a superpower.
I Mean Live is our nonprofit animation studio dedicated to spreading empathy through the power of storytelling, so “Sprucilla and the Queen of Trees” was a natural fit as the first short film project for the studio and I to take on. At its heart, the story of ‘Barē’ is one of redefining labels and forging your own unique path, despite what anyone else may think. Having support and inspiration can be essential fuel on your journey through life; ‘Sprucilla’ and the other clearance aisle items who support ‘Barē’s’ journey represent the love we all deserve.
2. From the idea to the finished product, how long did it take for you to make this film?
The inspiration for the short film was something we thought about at the studio for a long time, but production lasted about four months from beginning to end.
3. How would you describe your film in two words!?
Empathetic and hopeful!
4. What was the biggest obstacle you faced in completing this film?
I wanted the short to not only capture the empathy and hope that is integral to I Mean Live’s ethos, but also display the quality of animation we as a studio are capable of. We spent a lot of time refining the 3D animation to display that quality and we’re so happy with the results.
5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Everyone at I Mean Live loved watching the audience reactions to the short. Even though this began as a very personal project, the ability to share our work with audiences and spread the message of acceptance and love is key to our mission statement, and has been the most fulfilling aspect of this entire project.
6. When did you realize that you wanted to make films?
I’ve always loved storytelling and technology, and for the past 20 years, 3d animated films have been at the heart of both.
7. What film have you seen the most in your life?
National Lampoon’s Christmas Vacation
8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
I think watching the film play to a live audience is the most gratifying experience a filmmaker can have, so anything that could bolster or promote in-person screenings would be a great addition.
9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
Excellent. I’ve enjoyed the vast network of festivals FilmFreeway provides access to.
10. What is your favorite meal?
Waffles. Pretty much any breakfast food.
11. What is next for you? A new film?
Our nonprofit studio I Mean Live is tackling several projects and campaigns across 2025, including a bridge animated series Flower and Flour that is currently in production and set to premiere in early 2026, several graphic novels, a (LGBTQ) Pride Month campaign for the Hetrick-Martin Institute For LGBTQIA+ Youth, and a series of PSA’s (Public Service Animations) to spread and champion empathy and inclusivity.
Festival Reviews 