Poet Adam Farris (PAGE(S))

Get to know the poet:

1) What is the theme of your poem?

This poem is about the feeling of being torn away from a loved one. There are varying intereprations of what specifically that means, so I’ll leave it at that.

2) What motivated you to write this poem?

Past experiences tend to provide excellent source material.

3) How long have you been writing poetry?

I’ve been “writing” for many years, but honestly, poetry is newer for me. It stemmed from a desire to take what I’d learned drafting persuasive policy and messaging pieces in my previous life in government and harnessing that skillset toward an expression of values and human experience – and also, it’s fun for me!

4) If you could have dinner with one person (dead or alive), who would that be?

This answer will definitely change next week, and then again in a month and so on and so forth. But right at this very moment, I’d say an ancient Sumerian king. I’ve been reading through some literature on the history of cuneiform and Babylonian culture, and something about speaking with someone from thousands of years ago, as humanity was just starting to come together into cities, just sounds so interesting to me. I’d bet I’d be surprised at both the similarities and differences we share (a paradox, I know – but it reminds me of traveling abroad and witnessing that contradiction first hand).

5) What influenced you to submit to have your poetry performed by a professional actor?

It just sounded like a neat thing to do, honestly. Additionally, as a new artist, I felt this could help promote my work.

6) Do you write other works? scripts? Short Stories? Etc..?

I’m working on two books at the moment!

7) What is your passion in life?

Wow, talk about opening Pandora’s Box in a single question! I have a really long answer for this that probably doens’t fit the venue, but I’ll get into the nitty gritty of the idea in both books I’m working to finish.

Poet Gabriella Niles-Ewen (WHEN THEY LOOK AWAY)

What is the theme of your poem?

The theme of my poem is survival, resilience, and reclaiming a voice after enduring an abusive relationship. It explores the weight of trauma, the pain of being dismissed or blamed, and the fight to hold onto a sense of self when the world seems to turn away. It’s a deeply personal reflection on the strength it takes to keep going and demand to be heard, even when it feels like no one is listening.

What motivated you to write this poem?

This poem was born from my own experiences and the desire to process emotions that felt too heavy to carry silently. Writing has always been my way of making sense of pain, but this poem in particular felt like an act of defiance—a way of saying, “I’m still here, and my voice matters.” I also wanted to speak for anyone who has ever felt dismissed or silenced, to let them know they’re not alone.

How long have you been writing poetry?

I’ve been writing since I was 10 years old. Writing has always been my escape—a place where I could explore my thoughts and emotions freely. As a child, it was a way to imagine other worlds; as I grew older, it became my outlet for navigating the complexities of life. Poetry, in particular, has been a constant companion, helping me to put words to feelings I didn’t know how to express any other way.

If you could have dinner with one person (dead or alive), who would that be?

Dick Van Dyke. I’ve always been inspired by his infectious energy and his incredible legacy in entertainment. He has such a vibrant spirit, and I think a dinner with him would be unforgettable. We’d talk about everything from his classic performances in Mary Poppins and Chitty Chitty Bang Bang to his outlook on staying creative and joyful in life. I imagine we’d share plenty of laughs, and his positivity would leave me feeling uplifted and inspired.

What influenced you to submit to have your poetry performed by a professional actor?

I’ve always been curious about how my words might sound when spoken by someone else. I wanted to hear my poem come to life through another voice, to see how someone else could embody the emotions I poured into it. It’s also about sharing those feelings with the world in a way that feels bigger than me—letting someone else be the voice that, at times, I felt I didn’t have.

Do you write other works? Scripts? Short Stories? Etc.?

Absolutely. I write short scripts, feature-length screenplays, and short stories, often exploring gothic and horror themes. One of my short scripts was even nominated for a horror award, which was such an exciting moment in my career. I’ve also had the privilege of producing three short films, which was both challenging and rewarding. I love experimenting with different forms of storytelling because each medium offers a unique way to connect with an audience. It’s always a thrill to figure out how best to bring a story to life and make it resonate.

What is your passion in life?

My passion lies in storytelling—whether it’s through writing, filmmaking, or photography. I love delving into the complexities of the human experience, capturing raw emotions, and exploring untold stories. I’m also deeply committed to advocating for gender equality and social justice. Beyond my creative work, I value my family and friends immensely. They are my foundation, and I cherish the authentic connections I’ve built with them. Making everlasting memories with the people I love is something I hold close to my heart. Together, these passions fuel my drive to connect with others on a deeper level and leave a meaningful impact in the world.

Screenwriter Nathaniel Anglin (GHOSTING)

1. What is your screenplay about?
‘Ghosting’ follows a young Navajo woman who returns to her hometown in Flagstaff, Arizona, for the three-year anniversary of her cousin’s disappearance. She begins to suspect a connection between a popular dating app and the case.

2. What genres does your screenplay fall under?
It is a no doubt ‘horror’ entry. I really wanted this to feel scary and creepy, and toe the line between police thriller and supernatural tale.

3. Why should this screenplay be made into a movie?
I wrote it in such a way where I believe in the hands of capable filmmakers it wouldn’t require a ton of production cost. That being said, based on the hot climate of good horror — there is no doubt in my mind this film would crush at the box office. Picture ‘The Ring’ meets ‘Tinder.’ Beyond the hook of the idea, the film is loaded with important themes and examines grief, generational trauma, and violence against Indigenous women.

4. How would you describe this script in two words?
Unique horror.

5. What movie have you seen the most times in your life?
It’s probably a toss up between a few. Go (1999). The Matrix (1999), Fight Club (1999) and Goodfellas (1990).

6. How long have you been working on this screenplay?
I completed the first draft in summer 2023. I’ve done three drafts since then.

7. How many stories have you written?
Too many to count. I’ve got seven features in the vault right now. I’ve also done three tv pilots.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
That’s a really hard question. I can give you a couple:
Into The Mystic – Van Morrisson.
Ooh La La – The Faces
With Or Without You – U2
Silver Springs – Fleetwood Mac
Allure – Jay-z
NY State Of Mind – Nas
Work – Gangstarr

9. What obstacles did you face to finish this screenplay?
Not many. I had been plotting this one out for awhile and I loved the idea so much. It came pretty naturally. I don’t have too many obstacles during the writing process. The creative part has always been fun for me. It’s once you’re done with the piece and have to find a way to get it funded.

10. Apart from writing, what else are you passionate about?
Reading, Acting, raising my son Ronan, working out and studying Irish history.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
It’s the standard! Loved it.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
Feedback was solid. It was nice to take home an award and always feels great when people latch onto a specific piece of your writing and rave about it. The scene they picked out from mine to do the reading of is a really intimate scene and for many folks I’d think it might be a throwaway but for me I loved how close it was.

Screenwriter Régine Resbeu (1.11)

1.11 is a dystopia that takes place in 2060 when, to curb population growth, an algorithm selects each year, on a random basis, 100 million people around the world to be euthanized.

First 2 pages of script.

Narrator: Hannah Ehman
Mr. O’Toole: Steve Rizzo
Young Male Voice: Shawn Devlin
Arthur: Sean Ballantyne

Get to know the writer:

1. What is your screenplay about?

It is a dystopia that takes places in 2060 when, to curb population growth, an algorithm selects each year, on a random basis, 100 million people around the world to be euthanized.

2. What genres does your screenplay fall under?

I would say sci-fi but it is also a coming-of-age story.

3. Why should this screenplay be made into a movie?

Because it was written to be made into a movie and it is potentially very cinegenic.

4. How would you describe this script in two words?

Compelling page-turner.

5. What movie have you seen the most times in your life?

I usually don’t see movies many times but they are some that I have seen more than once such as
– Interstellar by Christopher Nola
– An affair to remember by Leo McCarey
– The Mad Adventures of Rabbi Jacob by Gérard Oury

6. How long have you been working on this screenplay?

About two years including the different versions.

7. How many stories have you written?

Three feature length screenplays (including 1.11) and one short screenplay (which won the 2020 Manhattan Short Screenplay Award).
I also write poetry, novels, short stories.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

It is a tough question because I have a lot of favorite songs. Let’s say Baby Can I hold you by Tracy Chapman (maybe one of the most beautiful love songs ever that tells so much with just a few words).

9. What obstacles did you face to finish this screenplay?

Time!

10. Apart from writing, what else are you passionate about?

Watching movies and series, and reading books.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Very good so far.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I thought it was well adapted to my screenplay and the initial feedback was very positive and encouraging.

Filmmaker Grant M. Varner (WHERE ANGELS FEAR TO TREND)

WHERE ANGELS FEAR TO TREAD, 5min,. USA
Directed by Grant M Varner
In late 1900’s New Orleans, a man’s ailing daughter is losing her fight with an undisclosed illness. Our narrator “The Fiend”, succumbing to the injuries of a mysterious attack of his own, shows us the monsters which ravage the mind of the little girl’s father.

https://www.instagram.com/cultaffectionshtx/

Get to know the filmmaker:

1. What motivated you to make this film?

The biggest motivator for me was the fact that today, despite social media potentially being your best friend, someone will only spend mere seconds consuming you with their eyes and ears as they shuffle through hundreds of bits of content. So I felt it was only necessary to do something ridiculously big in order to break through all the noise. Although it definitely became a bit bigger of a bite than I could maybe chew at times.

2. From the idea to the finished product, how long did it take for you to make this film?

Right at about nearly 4 and a half years believe it or not. Mainly due to so many waiting periods for various aspects of production, covid restrictions and budget.

3. How would you describe your film in two words!?

Cult Affections

4. What was the biggest obstacle you faced in completing this film?

Not to sound melodramatic, but honestly constant self doubts that the amount of work towards this project couldn’t possibly be worth the end results.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was extremely pleased to hear that certain messages that were taken away from the video were exactly what I was attempting to convey. So it thrilled me to hear that my story telling was effective in that sense.

6. When did you realize that you wanted to make films?

When I was in middle school I became a huge fan of Steven Spielberg, he and his movies were such a huge inspiration to me. As a kid I always found myself desperately yearning to be a part of those worlds. Then the consideration that I could create my own worlds dawned upon me. That was the advent for my passion for film.

7. What film have you seen the most in your life?

1987 Lost Boys with Kiefer Sutherland and Cory Feldman. To me that’s the most perfect 80’s movie for the Alt genre. It’s absolutely my favorite ever!

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I’d say yall are doing a great job as it is! Y’all have a very unique and valuable way of going about things which is extremely helpful to independent filmmakers like myself. I’d say the one note I have is to maybe not make us buy our own trophies hahah.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It was pretty good! Lots of festivals I’d never even heard of before that I’ve gotten to check out and travel too. It’s allowed me to meet some new and amazing people. Those submission fees get crazy though. I’ve never paid so much to get rejected from something.

10. What is your favorite meal?

Probably my Nonna’s homemade spaghetti. Never tasted anything like it. My Mom’s pasta comes extremely close though. Other than that, I’d say pasta with Pesto and Salmon. I could eat those 9 times a week.

11. What is next for you? A new film?

Film wise, I’ve got a couple other music videos for my band up my sleeve. Ultimately though, I really want to play shows and take the band on tour. Internally, filmmaking is a big passion, but I’m really hoping these sorts of projects will entice people to come out to some shows. So who knows, we’ll see!

Filmmaker Jacob Hamblin (TILL DEATH DO US PART)

TILL DEATH DO US PART, 24min., USA
Directed by Jacob Hamblin
Desperate to marry the love of his life, an Undertaker’s apprentice digs up the grave of a mysteriously murdered bride in an attempt to rob her corpse of its ring.

Get to know the filmmaker:

1. What motivated you to make this film?

What really motivated me to make this film was my love and passion for older cinema. I remember my father showing me old black-and-white monster movies, and I absolutely loved them. The idea of creating something familiar, yet no longer commonly seen, excited me and our crew as we dove into making this film.

2. From the idea to the finished product, how long did it take for you to make this film?

It took about two years from when I first started writing it to when we completed the final edit.

3. How would you describe your film in two words?

Nostalgic, unsettling.

4. What was the biggest obstacle you faced in completing this film?

The biggest challenge was finding the right style of animation for the film’s opening. We spent a lot of time brainstorming and experimenting, but nothing felt quite right. Then, during a film competition for a video game, we stumbled across an unbelievable animated film made in the exact style we wanted. After tracking down the creator, we discovered he was a young college student from Lithuania studying graphic design. The video we saw was his first-ever attempt at animation, and ours became his second. Once we connected with him via email, the collaboration was amazing, and he brought our vision to life beautifully.

5. What were your initial reactions when watching the audience talk about your film in the feedback video?

It was GREAT! After working on the film for so long, and with this being early in our festival run, it’s been incredibly gratifying to hear the positive responses to our hard work. Hearing that we successfully captured the old-school Universal monster look and feel has been particularly rewarding.

6. When did you realize that you wanted to make films?

I feel like I’ve always wanted to tell stories and make films, but I used to think you had to be rich or live in Hollywood to do it—and I had neither. It wasn’t until high school, when I took a film class, that I realized anyone could make films. That class changed everything for me and inspired me to fully pursue filmmaking.

7. What film have you seen the most in your life?

The Back to the Future trilogy, without a doubt. They’re my comfort movies. Most of my films are period pieces, and I love the concept of going back in time. I originally planned to pursue a career in history, so these movies combine two of my favorite things: history and storytelling.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

What you’re doing is already fantastic! Just being able to receive feedback is huge—so many festivals don’t offer that, and it’s incredibly refreshing. If I had one suggestion, it would be to provide even more feedback. I’d happily watch a full hour of feedback if it were available. It’s invaluable to hear what’s working and what might not be.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the platform?

I love FilmFreeway—always have, always will. No complaints.

10. What is your favorite meal?

Steak and lobster.

11. What is next for you? A new film?

Yes, we’re currently working on our first feature film!

Filmmaker Johannes Grenzfurthner (SOLVENT)

SOLVENT, 94min,. Austria
Directed by Johannes Grenzfurthner
While searching for Nazi documents in an Austrian farmhouse, a team of experts uncovers a hidden secret buried in its bowels. American expatriate Gunner S. Holbrook becomes obsessed with solving the mystery, and as his sanity wanes, he must confront an insatiable evil. Can he find redemption before it drains the life out of him?

http://monochrom.at/solvent
https://www.facebook.com/solvent.film/
https://www.instagram.com/monochrom.film/

Get to know the filmmaker:

1. What motivated you to make this film?

“Solvent” was born out of a need to confront and dissect Austria’s historical baggage, but not in a traditional or sanitized way. The farmhouse setting, tied to my own family history, became a metaphorical stage for exploring guilt, complicity, and the grotesque ways the past seeps into our present. I’ve always been fascinated (and horrified) by how easily we fall into patterns of denial and silence. This film is my attempt to scream into that silence, to mix surreal horror and black humor into a narrative that forces us to face uncomfortable truths. The past isn’t dead. It’s a festering wound we carry, and I wanted to visualize that.

2. From the idea to the finished product, how long did it take for you to make this film?

The production timeline was chaos in the best possible way. We, of course, wanted to shoot in my grandfather’s derelict farmhouse, but the mold situation was far worse than anticipated—it was spreading into neighboring houses. With health department issues looming, we had just two months to shoot on-site before we had to completely empty the place of furniture, old clothes, and papers. Act 1 was filmed while Ben Roberts and I were still figuring out Acts 2 and 3. We had a rough arc in mind, but the details (and even characters) emerged organically. For instance, Bartholdi’s entire plot only materialized after we had already shot chunks of footage. The whole process felt like molding clay while the potter’s wheel tried to electrocute us.

3. How would you describe your film in two words!?

Demon piss.

4. What was the biggest obstacle you faced in completing this film?

You mean besides financing this madness? Balancing historical authenticity with the surreal, comical, absurdist elements was a constant tightrope walk. I wanted to explore Austria’s cultural and historical trauma without reducing it to a simplistic caricature of Nazi horror. And then, of course, there were the technical challenges. The goddamn puke machine we built wouldn’t work, and some of the shots in the wine cellar were ridiculously hard to pull off because of how narrow the space was. My cinematographer, Florian Hofer, was incredible—he carried that heavy camera rig on his head the whole time. One day, he was so exhausted, he literally couldn’t lift his head off the ground anymore. And then there was the editing. Anton Paievski is a wizard at his craft, but we spent long, grueling days together assembling this puzzle of a film, often without a clear picture of how it should look. That’s when the movie truly came to life—through trial, error, and a shared willingness to embrace the chaos.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Oh, it was great, really. There were plenty of comments that echoed things I’d heard from other reviewers and journalists, but also some surprising insights that hadn’t come up before. One of the feedback videos focused heavily on body parts (eyes, genitals) and really dug into the body horror aspects of the film. That level of detail was refreshing because, usually, reviewers either gloss over those elements or make a quick side joke. To hear the audience engage so directly with the visceral, grotesque elements of Solvent felt like validation for embracing those uncomfortable, raw aspects of the story.

6. When did you realize that you wanted to make films?

It wasn’t a single “aha” moment, but rather a slow accumulation of tiny rebellions. As a teenager, I was hacking together camcorders and creating absurdist little flicks—short films have been a constant throughout my life. But I came to feature-length films relatively late, making my first feature documentary only about 10 years ago. Before that, my creative energy was spread across a range of mediums: interactive media, theater, performance art, and hacking cultural tropes with my art collective monochrom. Filmmaking became the ultimate synthesis of all these influences, letting me explore narrative, technology, absurdity, and politics on a grand scale. And let’s face it: artists just want a pat on the back—but never know what to do with it when they get one.

7. What film have you seen the most in your life?

That’s hard to say! After making Masking Threshold, I was invited by Letterboxd to create a list of films that influenced me. I welcomed the challenge. I am a nerd for “lists.” But when I sat down, it was pretty overwhelming. Every movie I’ve ever watched has shaped how I view film and the world. Some films are, for various reasons, enormously present in my memory. Poltergeist, for example, because I first saw it when I was 9, alone on late-night television in our dark living room while my parents and friends had a BBQ outside. I felt I was dying of fear throughout the entire experience. Or RoboCop, because as a 12 year old nerd in a shabby theater in my Austrian hometown, it kindled my interest in politics, technology, and toxic waste that melts your face off. I didn’t include those films (and moments) in my compilation because they feel too big and too dominating. I decided instead to choose films that, for whatever biochemical reason, my brain goes back to when it is wandering, digesting, and scheming.

https://letterboxd.com/horrorville/story/johannes-grenzfurthner-the-films-that-inspired/

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I’d love to see festivals embrace more unconventional programming—films that blur genres, push boundaries, or make people deeply uncomfortable in the best way. Offering spaces for filmmakers to connect in informal, chaotic ways—like a drunken roundtable or a “roast your film” session—could be fun.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?

Not too shabby! FilmFreeway feels like an online dating site for filmmakers—it’s streamlined, efficient, and takes a lot of the soul-crushing bureaucracy out of the process. That said, it could use a bit more personality. Imagine rejection emails that came with a personalized insult or a cryptic haiku—it would at least make “thanks but no thanks” a little more fun. Maybe they should lean into the drama of the rejection process—filmmakers are used to theatrics, after all.

10. What is your favorite meal?

Wiener Schnitzel with a side of existential crisis. There’s something comforting about the simplicity of a Schnitzel—especially when paired with a debate about whether the universe is inherently meaningless.
Comfort food!

11. What is next for you? A new film?

There are ideas, definitely. But if I told you, I’d have to lock you into a cellar—the good old Austrian way. Stay tuned, but keep your cellar door locked, just in case.

Filmmaker John Anthony (RUN)

RUN, 4min., USA
Directed by John Anthony
A young woman tries to enjoy a late night run

https://www.instagram.com/jdafilm34

Get to know the filmmaker:

1. What motivated you to make this film?

Just thought it would be fun to write a horror film, this was my very first horror film written.

2. From the idea to the finished product, how long did it take for you to make this film?

About a month, all said and done.

3. How would you describe your film in two words!?

Unexpected Thriller 🙂

4. What was the biggest obstacle you faced in completing this film?

Finding the right costume for the clown.

5. What were your initial reactions when watching the audience talk about your film in the feedback video?

It was very humbling, and very honored that they enjoyed it.

6. When did you realize that you wanted to make films?

About 8 years ago, after taking acting classes and writing scenes for class.

7. What film have you seen the most in your life?

MY favorite of all time ” Rocky” 1976

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

You guys were top notch, truly blessed and honored to have won for best Micro short, just a great festival that you guys put on and run.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Very good, FilmFreeway does a great job with all their festival information.

10. What is your favorite meal?

Plain pasta and grilled chicken breast!

11. What is next for you? A new film?

Working on two new films another Horror film and a comedy.

Watch Today’s Film Festival: Best of WILDsound Shorts December

Watch the Film Festival HEREhttps://www.wildsound.ca/videos/best-of-wildsound-december

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

See the full lineup of films:

HONORABLE, 16min., USA
Directed by Zachary Scott Clark, Mariah L. Richardson
Two months after he denounces the Nation of Islam and nine months before his assassination, MALCOLM X SHABAZZ has a chance encounter with his estranged brother and mentee MUHAMMAD ALI.

https://linktr.ee/Honorablefilm
https://www.facebook.com/Honorablefilm
https://www.instagram.com/honorablefilm/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-honorable


ALISHER’S GIFT, 16min,. USA
Directed by J Matt Wallace
An Uzbek and Kyrgyz blended family learns there are more than ethnic issues behind their historic misfortune. The recent death of their uncle Alisher prompts the delivery of gifts to a nephew and niece who learn important truths about both their recent and ancient past.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-alishers-gift

HEALING FOR THE NATIONS, 3min., Canada
Directed by Christopher Angus
An animated vignette built on dreams and visions for the nation of Canada.

http://www.attic-films.ca/https://twitter.com/attic_films

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-healing-for-the-nations


HOME SWEET HOME, 31min., USA
Directed by Stephan Looney
30 minute short-film documenting a group of close friends traveling to the director’s home state of West Virginia. An intimate and nostalgic look into friendship and roots.

https://www.youtube.com/@jpegstephan
https://instagram.com/jpegstephan

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-home-sweet-home

TRUE ROMANCE, 29min., Canada
Directed by Katherine Costal
A lovesick teenager tries to rekindle her relationship with a past boyfriend by inviting him to a surprise party, only to discover the harsh truth behind their romance and the love lives of the guests.

https://www.instagram.com/kat_costal/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-true-romance

GROCERY SHOPPING, 38min., USA
Directed by Harry Roseman
I am at the grocery store three to five times a week. It has become a ritual, picking out the items, going over the shopping list, interacting with the same people year after year. It seems to me, an important aspect of my and many other people’s lives. Something utterly familiar. Though filmed it becomes somewhat mysterious, seen anew, to be rethought about.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-grocery-shopping

Today’s Novel Deadline: WOMEN’S FICTION Festival

Submit your WOMEN’S FICTION Book by the deadline.

Submit on the submission page here: https://femalefilmfestival.com/womens-fiction-novel-festival/

Women’s fiction is a broad term for books that center on women’s experiences and are marketed to female readers.

Get FULL FEEDBACK on either the 1st chapter or entire novel book from our committee of professional writers and writing consultants. Get your novel performed by a professional actor at the festival.

NEW OPTION: Or, just submit for an actor performance reading transcript of your novel (any 5 pages of your book). Great way to promote the sales of your book if you’re already published. (see examples on the video playlist below.)

SUBMIT your novel now (both your 1st chapter or full novel accepted) To be eligible for our Writing Festival Events. Submissions take 3-5 weeks for evaluation.

Submit a novel book and get it seen by the world.

A great way to get your words out there, obtain the agent you’re looking for, or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way.