Submit your LITERARY FICTION Short Story to the Festival here and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.
FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.
SUBMIT your FEATURE, TV PILOT or SHORT SCREENPLAY.
Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.
3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.
4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.
(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)
What this festival does is give the writer exposure. With our best scene video reading, plus the 2 interviews, this festival simply makes the screenwriter’s name and script searchable and out there to the world. Plus, submissions receive full feedback on their script no matter what.
Born December 7, 1989 · Wokingham, Berkshire, England, UK
Birth name Nicholas Caradoc Hoult
QUOTES:
[on being asked what it was like working with Hugh Grant] “Hugh was brilliant. He helped me a lot by giving me ideas and teaching me something new every day. He really helped me get into my role. He’s my idol now. Him and Jim Carrey – I’d like to work with him one day”.
I don’t like watching myself. I get embarrassed.
[about continue acting]”Yes, definitely, I love it. I’d like to stick to comedy as it’s great fun, or an action movie like “Lord of the Rings”.”
I’ve seen kids who only care about performing; it’s their life and it’s all they have, and it’s not a nice thing to see. It’s unhealthy and if you’re surrounded by showbusiness, that’s what can happen to you.
Born December 7, 1988 · Melbourne, Victoria, Australia
Birth name Emily Jane Browning
QUOTES:
[on a scene that was cut in Sucker Punch (2011)] I had a very tame and mild love scene with Jon Hamm. It was like heavy breathing and making out. It was hardly a sex scene… I think that it’s great for this young girl to actually take control of her own sexuality. Well, the MPAA doesn’t like that. They don’t think a girl should ever be in control of her own sexuality because they’re from the Stone Age. I don’t know what the fuck is going on and I will openly criticize it, happily. So essentially, they got [director Zack Snyder] to edit the scene and make it look less like she’s into it. And Zack said he edited it down to the point where it looked like he was taking advantage of her. That’s the only way he could get a PG-13 (rating) and he said, “I don’t want to send that message”. So they cut the scene! The whole point of our job is to be able to realistically portray a human being and if you don’t experience life, if all you experience is acting and being on set, how on Earth are you going to be able to connect to real people and portray these characters? I realized if I want to do this, I have to have a life.
[on what you bring as an artist] You can’t judge it and you can’t analyze what you do, because what you bring is original and beautiful and special.
In my everyday life I’m a little bit nervous and not particularly brave. I feel like if I can be completely brave in my work then I’m doing something right.
I usually spend the hiatus of Dexter (2006) in New York in a way to balance things.
In school, I was always being cast as the clown. And then I did The Exorcism of Emily Rose (2005), and once people hear you scream, they can’t un-hear it. But I don’t mean to say that I’ve been typecast, either.
I just want to be with great teachers. If that means I’m in a horror film with good teachers, I’ll do another horror film. But I would love to branch out and do more comedy or just more straight dramas.
At a young age I always had an entrepreneurial spirit. So I’m trying to develop things on my own, too, and there are a couple things that have absolutely nothing to do with the entertainment business that I’m trying to tackle. We’ll just sort of see.
At a very young age I was predicting outcomes, trying to take all the information and find the best route to wherever I was going. I avoided a lot of pitfalls because of that.
Comedy is like math – you can check your answer because you know you’ve gotten it right if you get a laugh. It just makes sense to me. I feel like because I’ve had to keep that tool in my box for so long, I’m ready to show it off a bit.
I read Christopher McDougall’s book “Born to Run”. If running were a religion, this would be its bible. I actually scribbled my favorite passages on my arm to read during the race.
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DE NADA, 14min., USA Directed by Sheridan Philipp “De Nada” is a short film that explores how important a strong family dynamic and bond can be. A poor single Latina mother and her daughter test the limits of their bond with each other ultimately proving that regardless of how difficult life can be, they will always support each other.
NICE TO MEET YOU, MOM!, 10min., USA Directed by Isaul Beltran An imaginative eleven year old boy travels from Mexico to the U.S. to meet his mom for the first time. However, he starts to wonder what kind of a person she is, and becomes reluctant to meet her.
CHEMSEX, 7min., Brazil Directed by Daniel Porto A group of unknown gay men connect via a dating app for casual encounters. The starting point is a chemsex party, where drug use intensifies sexual experiences, but also reveals the depths of human emotions. The film explores both the fascination and liberating energy of these encounters and the emptiness and loneliness that can haunt a gay man’s life.
GOOD BEHAVIOR, 19min., Brazil Directed by Mathews Silva Ana, a woman whose life was marked by the tragedy of losing her sister to an unknown killer, decides to introduce her girlfriend, Julia, to her family during a dinner. As the night progresses, dark secrets about her sister’s murder come to light. Confronted with the shocking truth, Ana and Julia must find strength in each other to face the past.
THE ARTIST’S HAPPINESS, 22min., Argentina Directed by Blas Zanella Farah, a young artist who aims for motivation in sadness, looks for dreadful situations in order to attain inspired works. Her obsession will turn into a nightmare and a family tragedy, though it may not bring the expected results.
THE VISIT, 22min., Brazil Directed by Mathews Silva Mabel is a cheerful elderly woman who waits in her remote home for the arrival of her son, who is coming to take her to live in the city. However, it’s Teresa, a photographer, who ends up appearing and becomes Mabel’s guest. As they spend time together, the two women get to know each other, unexpectedly growing closer.
I’M DEAD, YOU’RE WELCOME, 15min., USA Directed by Roderick Fenske Four friends reminisce about their legacy after the wake of their friend’s passing. Revelatory private affairs force them to deal with life choices that tangle them closer together in a way they never expected.
The Western is a film genre defined by the American Film Institute asfilms which are “set in the American West that [embody] the spirit, the struggle, and the demise of the new frontier.” Generally set in the American frontier between the California Gold Rush of 1849 and the closing of the frontier in 1890.
FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.
SUBMIT your FEATURE, TV PILOT or SHORT SCREENPLAY.
Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.
3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.
4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.
(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)