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TIME, 3min., Greece Directed by Christos Karakasis An experimental movie depicting the passage of time over the city of Athens. It does not follow the usual cinematic narrative but focuses on the visual dimension of the moving image. The creator, hidden behind four shooting angles, designs a live painting and plays with four shots that test the composition, opening and duration of a panorama. The duration of this panorama (the continuous movement of the camera from point A to point B) combined with Time Lapse creates the feeling of a prolonged time. According to the director this is a comment on time. Time is “the undefined movement of the existence and the events of the past, present and future, considered as a whole”. According to ancient Greek mythology, time has wings on its back and never stops moving. Time was associated with Saturn, the Titan, who was the son of Uranus (sky) and Gaia (earth), representing the chaotic freedom of a primitive world opposed to Zeus’ order. “But what was of particular concern to ancient Greek poets, philosophers and historians was the problem of seeking the beginning of everything.
JACKAL AND HIDE, 12min,. UK Directed by Andy Gray, Nick Sneath, Lee Alan Donaldson In a desperate attempt to save them, a rescue group band together to free the boss whilst vastly outnumbered, a fight to the death soon ensues.
THE PLAQUES, 3min., France Directed by Patrice Guillan Paris, August 1944, Louis Dumas has just passed his entrance exam at the prestigious Sorbonne, he runs to announce it to his fiancée Henriette. But Paris rises up and frees itself, it shoots in the streets. Will he manage to join his sweetheart?
Submit a screenplay that is only 1 page long and have it performed at the Writing Festival by professional actors.
(NOTE: The screenplay submission must be properly formatted.)
Submit for only $20. ALL of the screenplays will be accepted and performed. If there is a beginning/middle/end, and the grammar is sound, we will perform it.
A great way to get your words out there, obtain the Agent you’re looking for or just get your story and work seen by more people. Your story will be seen by 100,000s of people when it’s read online using top professional actors. It’s a rush you’ll never experience in your life seeing it come to life that way.
Watch Previous Short Screenplay Readings:
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Also….. Watch Today’s Film Festival: Best of ACTION Shorts Film Festival
Go to www.wildsound.ca and sign up for the FREE 7 day trial to watch this festival and a new Film Festival every single day.
TV SCREENPLAY FESTIVAL takes place every single month. At least 4-15 winning screenplays read monthly.
Submit via FilmFreeway:
This festival was created as a way to get new teleplay writers out there to the industry. And to help expose the many amazing Web Series that our out there today that need recognition and exposure.
The present and future of the industry is now television. If you look at the TV industry at the turn of the century, you’ll see an entirely different medium.
This festival has a guaranteed 4 tier set up for each accepted script. (No matter what all screenplays submitted receive FULL FEEDBACK on their work by industry professionals.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional vehicle. (cut & paste the link here to watch the recent videos: https://vimeo.com/showcase/8252522)
Then (Tier #3) we will send you a list of questions to answer for our blog interview that will promote you and your film. Then after that (Tier #4) we will set up a podcast interview on our popular ITunes show where will we chat with you about the process of how the film was made.
—— TV WEB SERIES FESTIVAL occurs every 3 months.
Festivals takes place at the Carlton Cinemas in downtown Toronto, Canada. And at the LA LIVE Regal Cinemas in downtown Los Angeles.
Submit your short film that’s 5 minutes or less and get it showcased at the FEEDBACK Short Film Festivals in Los Angeles and Toronto. A monthly film festival event!
Submit via FilmFreeway:
(NEW: Also accepting smartphone made films.)
ALSO submit a short screenplay that’s 5 pages or under and get it performed by professional actors at the Writing Festival. FULL FEEDBACK on all entries.
Festival occurs 10 times a year! And gives accepted films multiple options to showcase and promote your film.
1) Screening #1 where you will also obtain your audience feedback video (private screenings). 2) Screening #2 virtually on the streaming service WILDsound TV 3) Podcast interview at Film Festival Radio on ITunes 4) Blog interview promoting you and your film.
(Note; If your film is not formally accepted to the festival, please email the festival if you like to receive the committee’s notes.)
IN THE DISTANCE, 10min., France Directed by Laëtitia Daché “In the Distance” is a choreographic triptych presented as short films, offering a perspective on the notions of complementarity and duality, expressions of resilience in the face of challenges.
I have reflected deeply on the duality inherent in certain experiences and emotions that can emerge throughout life. This duality, which manifests itself in countless places and in a variety of forms, became a source of exploration for me. It served as a starting point for my reflections. The complexity and subtlety of the human experience, with its layers of contradiction and harmony, has always been something I’ve sought to convey. There is a richness in these tensions, a constant interplay between opposing forces, which I find both fascinating and challenging to express.
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
COUNTERFEIT, 18min., USA Directed by Michael E. Berg A neo-noir dramedy about a desperate man past his prime who has a chance encounter with an unhappily married woman at a bar. They conspire over drinks and deception to arrange a contract killing of her husband. But when she arrives unannounced at the man’s motel room, their cover stories quickly unravel and the consequences play out in unexpected ways for both.
PARALAND: THE PROLOGUE, 4min., USA Directed by Patrick McCarthy Paraland is the story of three heroes charged with rebuilding the realm following the reign of a hateful tyrant. As they struggle to unite the land and bring together the twelve races, they must also solve magical mysteries, defeat legendary foes, and endure the gods’ twisted sense of humor. patrickhmccarthy@gmail.com
KILLING R, 15min., Sweden Directed by Irene Altagracia Perez Lopez In a not-so-distant future where AI technology is part of everyday life, Rebecka (41), a successful architect and mother to Nonno (5), works from home with her sick daughter while her partner Carl (39) is away.
LOW DOWN LARRY CONQUERS THE MOON MEN, 4min., USA Directed by Sammy Verni At the height of the Space Race in July 1969, Larry Johnson and his trusty sidekick Spike, endeavor to be the first man (and dog) to set foot (and paw) on the Moon.
BEYOND THE SYSTEM, 16min., Ireland Directed by Fergus Mulligan In 2100, Earth’s inhabitants live under domes, believing the outside air unbreathable. A worker dreams of the world beyond and escapes using available tools. His attempt fails but becomes a signal flare, inspiring others.
DWINDLE, 17min., USSA Directed by John Broadhead A motivated young woman and her blind father, travelers in a post-apocalyptic world, journey through a forest where the father’s chilling stories about an ancient, dangerous creature threaten to be more real than either can believe.
ANTI-SOCIAL CLUB, 24min., Denmark Directed by Danny Germansen Anti-Social Club is a 24min art-house film about a young woman named Suzana who is living emancipated in nature but then is being forced by norms and rules of society to assimilate into to being a good, productive and law obedient citizen and contribute to society and the economics of the state, thereby becoming a slave of the system.
L.A. HAUNTED, 14min., USA Directed by Arthur Mountaniol A grotesque ghostly trip to the City of Fallen Angels. Los Angeles like you’ve never seen before.
EXPERÏRE ALLEGORIA !, 8min., Tunisia Directed by Anas Mejri In 3018, Science, Art, Religion and Technology evolved. Green, an Artist-Scientist, meet up with Red, a young lady, who seems to be a key to his newest discoveries. A new mystery he meets.
THE TOWN OF DEAD DREAMS, 14min., Canada Directed by Manisa Hope The Town Of Dead Dreams is the story of three friends Sun, Dew, and Kind who go on a journey to find a town that completely differs from the one they live in. On their way, they encounter an unexpected misfortune which changes their destiny. Will they be able to overcome the obstacles that they will face throughout their journey?
ADAM SUSBE’s LAST INTERVIEW, 20min., Bulgaria Directed by Dima Proykova Adam Susbe, the leader of the emancipated men, is invited for an interview In Sazi Wag’s intergalactic studio. Provoked by the journalist’s questions and interrupted by advertisements featuring defiantly naked men, Adam tries to convince the viewer that the male problem exists. The year is 3023… dima.proykovamge@gmail.com
Submit a short story that is only 1 page long (maximum 400 words) and have it performed at the Writing Festival by a professional actor.
Submit for only $20. Most of the stories will be accepted and performed. If there is a beginning/middle/end, and the grammar is sound, we will perform it.
A great way to get your words out there, use this example writing to obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 1000s of people when it’s made into a video using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way.
A man wakes with amnesia after an explosion. Unaware of his identity, he’s a mafia boss targeted by a cartel. His past threatens their operations. As he regains memory, he confronts the dangerous crime world
When an explosion gives a mafia boss amnesia, he wakes without realizing that he’s been targeted by a cartel because of his past. As his memories slowly start returning, he has to confront the dangerous crime world he was a part of.
I really like the premise of the story that was created by Zedd K Ghazal. It’s such a unique storyline and it grabs your attention. Zedd created a wonderful action/adventure story that is suspenseful and intriguing. There were some things that didn’t make sense to me but huge props to Zedd K Ghazal who also starred in the film, edited and directed this with Sam Salman. I really liked how the filmmakers chose to do the flashbacks. They added in special effects so you understood you were seeing something from the past. Also they did a great job with the music, it really elevated the scenes.
Robert Zambrano was the Cinematographer/ Audio engineer and I have to give him credit because having multiple tasks on a production is hard. The cinematography looked really nice. Plus the Stunt Coordinator Billy Leo did a great job with the fight sequences. For me, I would have loved to see the camera angles and edits help sell some of the hits more. The devil is always in the details and in a full length feature there are going to be lots of devils to contend with.
Zedd K Ghazal and his team did a nice job with this whole film and I think they are onto something very special.
TENDU, 2min., USA Directed by Sophie Power, Michelene Mallard Billy What happens when you grow up in a world where there was only one projected image of what a ballerina “should look like” – down to the pink nude pointe shoes?
Michelene: What I connected the dots on is that all of my motivation to create documentary films are all mainly connected to African American arts, culture and society. Contemporary as well as commercial dance was such a safe space for me. I took part in a handful of productions during my formative years. I’ve followed the world of dance since I slowed down to finish school, and I’ve always been more fascinated with those who looked like me in a mainly white centered profession. After originally shelving the idea of making a Black ballet portrait during a stressful, hectic first semester of cramming and making multiple films to meet class deadlines, Sophie encouraged me to continue to develop the film, even offering to co-direct with me.Thus,Tendu was born.
Sophie: When Michelene first pitched the project, I knew right away that I’d like to collaborate to bring it to life. I was struck immediately by her passion for showcasing Black excellence and we both shared a combined interest in cinematography surrounding the movement of dance. In development, we came across many stories of microaggressions which Black dancers faced in their professional journeys. Particularly in the classrooms/studios of their youth. Because of this, we were driven to turn our focus towards those who were shaking this up and paving a better path for the next generation. The name ‘Tendu’ coming from the French word “tense”, is a core ballet movement which “serves as a foundation for many others”. For this project, we decided to play on this analogy by seeking out a selection of talented New York dancers/ teachers who, empowered by their craft, encourage young children of color to get involved in ballet. Thereby creating a warm and welcoming base from which Black talent can grow. Micah’s portrait is the first part of this series.
2. From the idea to the finished product, how long did it take for you to make this film?
Sophie: For Micah’s portrait it was relatively quick. From shoot day to post it took approximately two weeks. It was a pleasure to work with him and we really enjoyed filming in such a calm and beautiful setting next to gentle sounds of the water. The project itself as a whole is on-going – the next part of the series with the very talented dancers Amanda Smith, Kobe Courtney and Judea Lowe is soon to be released.
3. How would you describe your film in two words!?
Michelene: Enchanting, Captivating
4. What was the biggest obstacle you faced in completing this film?
Sophie: Access to the garden location inside the Ford Foundation for Social Justice Center. Everyone we spoke to there was very kind and helpful, however as it’s a building in the center of Midtown right beside Grand Central – security was incredibly tight. There were approx 15 security guards to navigate – that’s a lot of checkpoints with equipment!
5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Michelene: I was nervous at first – every auteur/artist is nervous when someone sees their work for the first time, but was delighted that our people resonated with our film and took in the beauty and patience that we strived for. Understanding the need for representation in contemporary dance was my biggest takeaway that I hoped to reach audiences, and I am grateful that it did.
6. When did you realize that you wanted to make films?
Michelene: It took me 10 years to find my why, and I do not regret it. I rummaged through freelance blog work and wrote countless music reviews while working numerous side hustles. It wasn’t until I picked up my first camera while on assignment for a new artist feature in 2016 that I finally felt like I was home. I ended up making my first short doc, and the rest was history.
Sophie: For as long as I can remember I’ve been interested in human stories – particularly around arts and culture. Whilst writing for an independent magazine called INDIE, I got the greatest enjoyment out of interviewing subjects for various pieces. Artists, designers, drag performers – I felt endlessly curious. This combined with working as a Video Producer lay the foundation for documentary work. On a freelance contract for the production of ‘Hawking – Can You Hear Me?’ – a feature documentary on the life of Stephen Hawking, I felt thrilled and honored to be in discussion with the family members of this groundbreaking astrophysicist. This was the moment which solidified my desire to direct non-fiction.
7. What film have you seen the most in your life?
Michelene: The Color Purple (1985) Sophie: Eternal Sunshine of the Spotless Mind (2004)
8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
Michelene: I would say implementing a mixer where filmmakers can make connections.
9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
Sophie: I found it incredibly stream-lined and easy to use. It helps that once the project is created on FilmFreeway, it’s easily accessible for everyone to see.
10. What is your favorite meal?
Michelene: I like mostly anything with carbs and red meat! My go to is a nice cube steak and baked potato. Or a homemade lamb shank and pasta with mushrooms. Hearty and in my belly!
Sophie: Can’t say no to sushi!
11. What is next for you? A new film?
Michelene: I have a few films in pre-production, including a thesis film documentary portrait titled Supernova which follows Chyna Streetz, an NYC based rapper with a turbulent past and bright future (currently filming,) and I am producing/DPing the first episode to a hybrid six-part series about the trauma and healing of Black Women, appropriately titled Cicatrix. So yeah, I’m pretty busy!
Sophie: Next up I’m directing and producing my first experimental hybrid documentary which will be showcased in May at the Cityvisions 2025 Festival. Alongside this, I will be the Production Designer on a thought-provoking short film on migrant dairy farmers by Director Izabel Acevado titled ‘Fabiana’s Birthday’, as well as working on some exciting documentary features for broadcast/streaming with the production company Motto Pictures.
MY TURN!, 5min., USA Directed by Isabelle Maria Tumboimbela, Daisha Lin Sherman One sunny morning in Jakarta, Indonesia, Beth and her younger sister Liz become fierce rivals in their race to the bathroom. Beth regrets unintentionally hurting her little sister during the scuffle, and they both realize how much they care about each other.
Get to know filmmakers Isabelle Maria Tumboimbela, Daisha Lin Sherman:
1. What motivated you to make this film?
Isabelle: My Turn! It was an opportunity to make a universal story as a film and have fun with it despite being a capstone project. Daisha: When I heard Isabelle pitch this idea, I was immediately captured with excitement at the possibilities. I really wanted to work on something fun and goofy for our final year of school, and with the sisterhood element being personal for me as well I knew I really wanted to bring it to life.
2. From the idea to the finished product, how long did it take for you to make this film?
Isabelle: I came up with the idea in March 2023, but we did not start pre-production until June 2023. The whole film took us roughly a year to make from beginning to end.
3. How would you describe your film in two words!?
Sisters Fight
4. What was the biggest obstacle you faced in completing this film?
Isabelle: At the start of making My Turn!, I struggled with imposter syndrome. I often questioned whether I was a good director and if my ideas were worthy of being turned into an animated short. This feeling of self-doubt was particularly intense during the story development phase. Crafting a compelling narrative and storyboarding it proved to be both frustrating and challenging; we knew we couldn’t rush this critical part of the process. It required numerous revisions and testing with peers and advisors. However, by taking the time needed for the story phase, my confidence as a director grew significantly, as we ultimately created an engaging story that truly deserved to be seen.
Daisha: The hardest part for me was balancing my need for perfection with the needs of production. There were certain design elements and animated shots that I wanted to continue working on to make better, but there was so much that still had to be done and constant deadlines. I had to learn when it’s good enough, it’s time to move on. I’m incredibly proud of what we were able to complete in just one year!
5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Isabelle: I couldn’t help but smile throughout the entire feedback video as I watched the audience’s reactions. It was especially gratifying when they highlighted details that we had planned with care. It feels surreal to see people enjoying a film that our team worked so hard to create.
Daisha: It was so fulfilling to hear that people picked up on our references and intentions with the film. There were a lot of little details and design decisions that were all done on purpose, and to hear that being appreciated is amazing and incredibly gratifying as an artist.
6. When did you realize that you wanted to make films?
Isabelle: Honestly, I can’t pinpoint a specific moment when I realized I wanted to make films. I didn’t aspire to be an animator until my second year at San Jose State University, although I’ve always had a passion for storytelling—whether through comics, posters, or presentations. It was really the moment Daisha asked me to create My Turn! that I recognized my desire to bring that particular animated short to life. Daisha: I knew I wanted to be an artist since I was in second grade, but I knew I wanted to make animations after discovering Flipnote Studio on the DSI as a kid. Having the power to bring characters to life in their simplest forms was so exciting, and was a creative itch that I sought after through middle and high school.
7. What film have you seen the most in your life?
Isabelle: I think the most rewatched films I have seen are The Lion King and Prince of Egypt. The music, backgrounds, acting, and story have held up for decades!
Daisha: There’s so many films I’ve watched to the point of constantly quoting, including Mulan, Brave, and Road to El Dorado.
8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
Isabelle: Honestly, it would be wonderful for winners to receive a physical award, like a trophy, as it truly solidifies our success and gives us a “we did it” moment. In addition to that, a cash prize would be incredibly helpful. I love creating stories, but it requires both time and resources, so financial support for artists can make a significant difference in our work.
Daisha: I definitely agree with Isabelle on the trophy, although it’s offered by this festival and others, it comes with a price tag. However, I really liked the feedback video from this festival, I feel more festivals should implement that as well!
9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
Isabelle: FilmFreeway is such an intuitive website to apply for film festivals it might be easier than online dating. But the site sends us a lot of emails which can be overwhelming sometimes.
10. What is your favorite meal?
Isabelle: As an Indonesian who has lived abroad for a long time, my love for Indonesian food has only deepened over the years. My ultimate meal would start with Asinan, a refreshing spicy Indonesian salad. For the main course, I’d choose Gurame Goreng (fried carp) paired with stir-fried water spinach sautéed with garlic. To top it off, I’d enjoy a glass of avocado juice sweetened with condensed milk. Daisha: It always puts me in a happy mood to go to Ramen Taka near our old campus and indulge in a big bowl of Tonkatsu ramen, finishing with ice cream and taiyaki.
11. What is next for you? A new film?
Isabelle: As a recent graduate, I’m experiencing a newfound freedom and am eager to dive into personal projects while enjoying My Turn!’s film festival run. I definitely plan to return to storytelling, whether through animation or a webcomic. Currently, I’m collaborating on a companion app, which allows me to explore new artistic avenues and continue learning. Daisha: I’d love to make another film in the future, but for now I’m looking for ways to hopefully make a living off my art eventually. I have a lot of interests and avenues I want to pursue and it’s hard to choose! Animation will always be a passion of mine, but currently I’m working on building an art business in fine art landscape painting.
Festival Reviews 