WHAT MAKES AN ARTIST?, 10min., Lebanon
Directed by Raafat Abou Daka
“What Makes an Artist” is an introspective documentary that delves into the lives of the internationally renowned sculptor brothers Assaf, exploring the unexpected paths that led them to their craft. The film peels back the layers of their fame to reveal the human side of their journey, offering a rare glimpse into their early struggles and the alternate careers they nearly pursued.

Get to know the filmmaker:

What motivated you to make this film?
The idea that people always strive to create something special and achieve a goal. Whether an artist or a doctor, everyone wants to stand out and prove themselves, often to their parents. I believe this is a universal drive, and I wanted to capture it from the perspective of someone famous—showing that even they were once like us.

From concept to completion, how long did it take to make this film?
I began working on the film in late 2021 and finished in July 2024. However, moving to Canada in early 2022 brought significant financial and mental challenges. Overall, the total working time from planning to finalizing was around 6 months.

How would you describe your film in two words?
A personal challenge.

What was the biggest obstacle you faced during production?
I already knew the artists, and I understood how perfectionist they were. For years, they had refused interviews, believing they had said everything they wanted to the media. I had to impress them, but after sharing the unique angle I was taking in this film, they were excited to participate in another interview.

What were your initial reactions to the audience feedback?
I was happy to hear the details they shared—it showed they were really focused while watching the film.

When did you realize you wanted to make films?
At 14 years old, I made my first 5-minute video using Microsoft Paint and Movie Maker. It was embarrassing, but I loved the process.

What film have you watched the most?
12 Angry Men.

What could festivals do to help you advance your filmmaking career?
I would love to meet more filmmakers and directors.

You submitted to the festival via FilmFreeway. How has your experience been with the platform?
It’s easy and straightforward.

What is your favorite meal?
Normally, Kafta and rice. For movie nights, pizza.

What’s next for you? A new film?
Yes, I’m working on a feature documentary about Palestine. I started it a year ago, and it will probably take another year to complete.

FAR FROM GATSBY, 90min., USA
Directed by Faustus McGreeves
Exploring the world of Todd Smith, world champion bodybuilder and fitness club owner, as he discusses how his tracjetory started out like the fictional character Jay Gatsby, but then took a turn for the positive.

Get to know the filmmaker:

1. What motivated you to make this film? I had just finished a tragic documentary about 90’s WWF wrestler Mike (Mantaur) Halec who passed away weeks after the film’s completion. A lot of my fiction is dark as well. I found out about Todd Smith and wanted to tell a positive success story. Todd’s story certainly is that. It was like a breath of fresh air. Todd is not just mugging for the camera, he is the real deal. Rags to riches story, but doesn’t let money get to his head. He uses his wealth and expertise to help as many people as he can. I was in awe of him.

2. From the idea to the finished product, how long did it take for you to make this film? I had my first meeting with Todd in August of 2023 and we filmed primarily three weekends in September, with one pick up shot in April of 2024. The film was completed in May of 2024.

3. How would you describe your film in two words!? Fascinating and Motivational.

4. What was the biggest obstacle you faced in completing this film? Really, just technical things. The video clips weren’t given unique names and so that was a massive pain in the editing room. However, working with Todd, the interviewers, actors, and my crew, was a blast and very laid back.

5. What were your initial reactions when watching the audience talking about your film in the feedback video? I was all smiles because I know it’s completely unbiased. We had a private screening and while overwhelmingly positive, you can’t completely trust that feedback. So, it’s great to hear what complete moviegoing strangers thought.

6. When did you realize that you wanted to make films? I ran around with a camera as a kid documenting family life, even when they were annoyed with me. When I got to middle school, I started making very amateur fictional comedy films with friends. I was a professional stage actor for years and then finally made the leap over to films in 2013 and haven’t looked back.

7. What film have you seen the most in your life? That’s hard to determine because I watch on average at least one film a day. Of course, it would make me sound proper to name a title out of the Criterion Collection and I will, but it’s not a snobbish film. The Princess Bride. It had some great advice like “never go in against a Sicillian, when death is on the line!”

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? Any way to foster connections and relationships with professionals in the field that can take the filmmaker to the next level in the business.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? I have been using the platform for a decade and it is awesome. Easy to use and intuitive.

10. What is your favorite meal? Chicken Tikka Masala with Rice pudding for dessert.

11. What is next for you? A new film? I am producing/acting a film currently being filmed in Hollywood alongside writer/director Brad Dickson, former writer for Jay Leno, and starring Eric Roberts. My next documentary is a collaboration with my Far From Gatsby cinematographer, Brendan Smyth, about Nebraska’s all female tackle football team, Pride, that just won the national championship for 2024.

HOME, 16min., USA
Directed by Al Chang
Seo-won navigates a fragmented reality filled with emotional encounters and haunting memories, seeking solace and clarity in her search for home.

https://www.instagram.com/4lcfilm

Get to know the filmmaker:

1. What motivated you to make this film?

When I was about 10, my parents would have me watch my great-grandmother. What I didn’t realize at the time was that she had Alzheimer’s. I’d play with my toys in the living room while she sat on the couch, sometimes watching TV, but often talking to herself with someone from her past. I didn’t think much of it because I didn’t understand what was happening. It wasn’t until I got older that I fully grasped what I had witnessed.
She would be wandering off when no one was watching, often barefoot. She would walk for miles, stopping at every traffic light. No one ever thought she was in distress. When we’d ask where she was going, her answer was always the same: “home”, she didn’t recognize where she was anymore.
I made this film because I’ve always been curious about what it was like on the other side—what she saw, what that might feel like on a day to day. It was my way of trying to understand her, even though none of us will ever fully comprehend what it’s like to live with Alzheimer’s. I understand this film tackles a heavy topic, and if I had to define the target audience, it would be those who have experienced it or are currently going through it. It’s not easy on anyone—this condition is just devastating on all levels. For those who haven’t experienced it, I hope the film sheds light on how disorienting it can be for the person suffering and, ultimately, the immense pressure it puts on their family.

2. From the idea to the finished product, how long did it take for you to make this film?

It took me about 3months. I’m in Grad school and I have a family, so it takes a while for me in post to really hop in and finish things. I try my best to use any free time to finish but life happens. But it’s usually the case with all my shorts, it takes about the same time frame. I do my best, not just for me but the people who offered their time, that is extremely important to me so the least I can do is work my ass off to make sure we have a solid finished piece.

3. How would you describe your film in two words!?
Invisible Prison

4. What was the biggest obstacle you faced in completing this film?
Sound was a big challenge this time. We filmed entirely outside, and since we couldn’t stop traffic, we had to work around it. After we locked the picture, I had to teach myself how to repair the dialogue. It took about a month of watching YouTube videos and a lot of trial and error before I started fixing the ambient noise, bit by bit. I’m proud of the result. It was time well spent, and now I’ve got a new skill under my belt.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Grateful for their thoughtful insight. They really understood what it was and some of the devices I used in telling the story. It’s always nerve wrecking watching or hearing others talk about your work but it’s something every film maker must get over. I did not expect all the wonderful feedback.

6. When did you realize that you wanted to make films?
I’ve always known I wanted to do something in a creative field. It wasn’t just one thing that led me to film. I’ve always written things growing up that doesn’t pertain to film. I used to write music or journal ideas, I think doing that helped me somewhat build that muscle and ability to stay in that space. I love movies, I don’t think you can do this without an obsession to film. We all start out viewing it as an audience and hooked by the magic of cinema but when you start pursuing it, finding out all the mechanics of it, you realize quick if you want to keep going down that rabbit hole or just let someone else pursue the madness.

7. What film have you seen the most in your life?
Back to the Future 2. It’s all nostalgia for me but I think this movie hits on so many different levels. Must’ve watched this over a thousand times.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
I think the feedback aspect is a very strong component that separates your festival from others. I understand some festival screen hundreds of shorts but even if they were able to pick a few at random and give some insight as to why they were picked or whatever it is, it would be very helpful. All we ever hear from festivals are through Filmfreeway, you get an automated response, whether you got in or not. It’s very impersonal, but you guys do a great job of allowing film makers to hear perspectives, see what worked and what didn’t. I greatly appreciate that, thank you.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
We’ve been on the festival circuit, for better or worse, for about three years now with four different projects. We all go through the highs and lows when that email comes through. Most of the time, you already know the outcome just by reading the first sentence. When the notification drops down and it starts with something like, “We really appreciate you…”—you know it’s a no. But when it starts with “Congratulations!”— it’s more of a sense of relief vs. excitement. I’ve had my share of both big and small festivals. Interestingly, some of the smaller ones take better care of their filmmakers, while the bigger festivals have become more like conglomerates, turning into the very thing they initially opposed: a version of the studio system. Some festivals even flat-out say you’ve got a 90% chance of getting in if you have a “known” name attached. I’ve seen some shorts with “known names” and they aren’t any better than some indie student film maker, a lot of times, they’re stories don’t hold up to the “star power”. I get that it’s a business, but a lot of festivals don’t truly support indie filmmakers.
Even with the bigger festivals I’ve been accepted to, there’s this disconnect—you show up, take a few pictures, screen your work, and then bye. It doesn’t feel like what we, as growing filmmakers, are really looking for. But I take it for what it is, try to meet more passionate, talented artists, and build a community to collaborate with.

10. What is your favorite meal?
I can always go for a good burger. The mom-and-pop shops with the old diner signs and faded menu pictures are usually the ones that make the best burgers.

11. What is next for you? A new film?
It’s a more lighthearted comedy, a piece of life type thing. Following two people who should never have crossed paths but for one night, we get to see how they’d be great for each other, but life doesn’t always have a fairy tale ending. We’re always trying to work out new genres with each project, we’re still on that train of thought. I’m also in my last year of Grad school and we shoot our thesis in OCT., then I graduate and we’ll see after that.

NOVA, 7min., USA
Directed by Noah Guardado
In the year 2468, Jackson, a seasoned bounty hunter, finds himself in dire straits when his partner mysteriously vanishes. Struggling with financial difficulties, Jackson reluctantly accepts a risky job offer to track down an elusive criminal. Set in a futuristic world with elements of sci-fi and cyberpunk, NOVA explores themes of identity and betrayal amidst a backdrop of advanced technology and quirky characters.

https://www.instagram.com/nova_themovie/

Get to know the filmmaker:

1.) What motivated you to make this film?

I would say my love for the 90’s Anime “Cowboy Bebop”. I knew I wanted to make something that resonated with people who also appreciate that sort of Jazzy Sci Fi noir style of storytelling. Making films that I love with the people I love is always the goal!

2.) From the idea to the finished product, how long did it take for you to make this film?

NOVA took around 10 months to create total – we spent around 3 months on pre-production and finalizing the story, 3 solid days to film, and around 7 months on post production. A labor of love forsure!

3.) How would you describe your film in two words!?

Surprisingly charming!

4.) What was the biggest obstacle you faced in completing this film?

Ooo fun fact: Our two leads (Jackson & Vex) had very conflicting schedules, so they were never actually on set at the same time. This was a bit of a wrench in the system for the conclusion of the story that demands these two characters meet face to face. With that being said, I’m still really happy with how it turned out!

5.) What were your initial reactions when watching the audience talking about your film in the feedback video?

Oh geez, at first extremely nervous, but after hearing what everyone had to say, I was pleasantly surprised! It is a surreal feeling to hear people talk about how they experienced something you made, and even more surreal to hear how it connected with them. Truly loved their input!

6.) When did you realize that you wanted to make films?

I’ve always had a passion for filmmaking for as long as I can remember. I still reminisce about the silly videos me and my friends made on FLIP cameras back in the day! But I will say that after I first watched “Scott Pilgrim vs. The World”, that was when I truly realized the infinite possibilities of what a film can be.

7.) What film have you seen the most in your life?

Definitely Back to the Future, my all time favorite!

8.) What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I think this festival especially has been fantastic, and has been very generous in its offerings to those accepted. I think personally it would be great to have more in person events to meet other filmmakers and enjoyers if possible in the future.

9.) You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Film freeway is great. Very clear, concise, and offers all of the tools necessary for filmmakers to fully celebrate the piece of work they’ve created.

10.) What is your favorite meal?

Tough one…let’s say a huge pile of steak quesadillas!

11.) What is next for you? A new film?

I am very happy to announce that we will be producing a new horror short film this year, to be released in 2025. Super excited for that. A lot of people have also asked if there is more in store when it comes to the world of NOVA, and to that I say, yup, the next one is already written! I’m also usually working on silly animations for my YouTube channel in the meantime.

THE BRIDES OF DRACULA, 5min,. UK
Directed by Alexander Miguel
Introducing a new breed of vampires – More alternative, more sensual, more dangerous. Loosely based on the legends of Draculas wives, the good, bad and the evil bride inhabit an old misty graveyard set in the high mountains, waiting for their beloved master to be resurrected once more. Inspired by original costumes and props by Derby-based designer Liam Brandon Murray, this is a unique film showcasing the finest in Wearable Art for the designer’s cinematic debut.

Get to know the filmmaker:

1. What motivated you to make this film?

I had long wanted to do a fashion film based around vampires. I had initially envisioned a very dark classic victorian look, but when I found designer Liam Brandon Murray, a whole new world opened up to me. This was the most unconventional and bizarre kind of fashion I had ever seen the likes of. So intricate, so luxurious, yet so macabre and puzzling in it’s grandness. I knew that I had found something entirely unique and had access to a kind of innovative fashion that nobody else did. I thought to myself, I’ll be a real fool if I don’t jump on this opportunity! Liam and I clicked from the get-go, and it was clear that this would just be the start of many creative collaborations to come. I was able to pick and choose all my favourite pieces from his collection of work. We needed to piece together 4 complete looks and additionally threw in a few more items to showcase as much of Liam’s work as possible. His outfits carry heavy influences of otherworldly flair, his inspiration drawn from mythology, aliens and religious figures into a seamless blend.

2. From the idea to the finished product, how long did it take for you to make this film?

I was probably brewing this idea for about a year, but it only really came together once I started working with the designer. The initial concept and ideas changed dramatically and became more tailored to the fashion pieces, and went from being dark and moody to a more lavish and colourful take on gothic. The aesthetic is intended to look like a graphic novel that has come to life. It then spent about two years in post production due to an insane amount of VFX and also due to the fact that the full budget was not on the table when we started filming, so I spent some time scraping together the remains of the post-production budget as we went along. It is worth noting that there is absolutely no AI in this film, every effect is created by our insanely talented VFX artist Matt Hutchings, using good old green screen, matte paintings and CGI compositions – The way filmmaking should be.

3. How would you describe your film in two words!?

Gothic; Reimagined.

4. What was the biggest obstacle you faced in completing this film?

It was a very ambitious project, which seems to be a common thread with me. It was all shot in one single day, in a very cold church, models covered in props blood clenching hot water bottles between their hands between takes. I remember the day so very clearly. Wrangling all the major props and costumes was a huge task. And the post production process seemed never ending at some point, I had to put the project on hold several times to focus on other things, the rapidly declining economy also hasn’t helped. But we got there eventually.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It is such an unreal feeling to have strangers speak about my work, they don’t know me or my team, so their perceptions and notions of the work are completely unbiased, raw and organic. People loved the surprising elements of lavish colour, which I think is rather unusual in the gothic genre. The fashion of course, gains a lot of wow-factor, and the fact it is put together like a music video, driven by sound and music rather than dialogue.

6. When did you realize that you wanted to make films?

To tell you the truth, I remember back in my teens I bought the DVD “Britney Spears Greatest Hits: My Prerogative”, and I just could not stop watching these music videos, I was fascinated by the fact that one artist could have so many different faces and aesthetics from one video to the next. Elements such as location, colour grading, hair and makeup, costumes, even the friggin aspect ratio, the possibilities seemed endless. I studied every aspect of these videos because they fascinated me so much. I drew parallels from one video to another, recognising the AUTEURSHIP behind them. A music video director is what I wanted to be, and even though music video is not the million dollar industry it once was, I am still dreaming that it will become relevant again one day.

7. What film have you seen the most in your life?

The Harry Potter films I have watched quite a lot. I can probably recite most of the dialogue actually. And certain Christmas classics such as Home Alone. It may very well be the film I’ve watched the most in my life.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Being featured in blog posts, magazines, and podcasts is a great way of bringing us struggling directors to the forum. Now more than ever, there is a need to be seen and heard by the right eyes and ears. The people who can take you further in your career. Networking events and additional seminars for filmmakers could also be a good addition to the festival experience.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway is great. The functionality of the site is easy to navigate and to keep track of all my submissions and projects. It wasn’t that long ago that we had to submit a custom made DVD to all the festivals. Very time consuming and not to mention costly in the long run. But then again probably there weren’t nearly as many festivals around as there is now. The downside I guess is that anyone can start their own festival. I try to be aware of festivals that look like scams, but it’s not always easy to distinguish which ones are legit and which ones are not. Building relationships with festivals over the years is turning into a lovely experience which I am now in the process of. Last year we had great success with the fashion film “House Of Mystic Magic” and this year with “The Brides Of Dracula”. I am already looking forward to see what project I will hit festivals with next.

10. What is your favorite meal?

I love some good comfort food! Mexican is a big favourite of mine. And pizza in all shapes and forms. Having lived in the UK for ten years now, I have become a huge Sunday roast enthusiast. Everybody knows that is the staple of a weekend indulgence.

11. What is next for you? A new film?

I have a couple of music videos coming out in the next couple of months. And my collaboration with designer Liam Brandon Murray has only just started. We are already planning two more fashion films and I am also in the process of making my first feature length documentary – a fashion documentary about Liams work and journey breaking into the fashion scene. So stay tuned for that, I am really stoked because it’s coming together nicely so far.

CHHAVA, 39min., India
Directed by Anurag Srijit, Arman Shaikh
Set in the storied Apshinge Military Village in Maharashtra, ‘Chhava’ offers an intimate glimpse into the lives of families bound by centuries of military service, from the reign of Chhatrapati Shivaji Maharaj to today. Crafted with care by first-time student filmmakers, the documentary weaves together personal sacrifices and enduring bravery, revealing the profound human spirit at the village’s heart.

https://www.imdb.com/title/tt32117939/
https://instagram.com/chhava.official

Get to know filmmakers Anurag Srijit, Arman Shaikh:

1. What motivated you to make this film?

Arman: My inspiration for Chhava is deeply rooted in my experiences growing up as a National Cadet. The discipline, camaraderie, and unyielding determination I witnessed during those formative years left a lasting impression on me. It wasn’t just about the physical training, but the emotional journeys of those striving to make it into the armed forces. With Chhava, I wanted to capture that raw essence of dedication and share the deeply human side of the families of those who dream of serving their country.

2. From the idea to the finished product, how long did it take for you to make this film?

Anurag: The shooting phase spanned around 20 days, which was an intense yet creatively fulfilling experience. However, when factoring in post-production, the entire process took about three months. We were meticulous about refining every detail to ensure the final product lived up to our vision. Time was spent crafting the film’s mood, pacing, and overall aesthetic, which are crucial to its storytelling.

3. How would you describe your film in two words!?

Arman: Courageous & Resilience

Anurag: Resilient Journey

4. What was the biggest obstacle you faced in completing this film?

Arman: Surprisingly, the journey of creating Chhava was quite smooth as the villagers were eager to share their stories, which fueled the creative process and made the film’s development a truly enriching experience. Though the biggest challenge we faced was during the post-production while finalizing the ending. We spent a considerable amount of time debating how to best bring closure to the narrative in a way that would resonate with the audience. We had to carefully balance what to include and what to leave out, ensuring the film’s impact remained powerful and true to its core.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Arman: When I first watched the audience reacting to Chhava in the feedback video, I was overwhelmed with a mix of emotions. Seeing their genuine enthusiasm and heartfelt discussions about the film was incredibly validating. It’s one thing to create a project, but to witness it resonate so deeply with viewers is truly gratifying. Their insights and interpretations provided a fresh perspective, revealing layers I hadn’t initially considered. It felt like we had created a shared experience that transcended the screen, sparking conversations about themes of bravery and sacrifice that are so integral to our story. I left the viewing feeling inspired and more connected to the film’s impact on the audience.

6. When did you realize that you wanted to make films?

Arman: I had a transformative experience while working on Chhava, which truly ignited my passion for filmmaking. It was during this project that I discovered the profound impact storytelling can have on an audience. I owe a great deal of this newfound ambition to Sudeep sir, our mentor at college. His support and encouragement pushed us to explore our creative boundaries and take bold risks. Thanks to his guidance, I realized that filmmaking is not just a career for me; it’s a calling that I’m eager to pursue further.

7. What film have you seen the most in your life?

Anurag: While I wouldn’t call myself a movie buff in the traditional sense, I definitely have a deep appreciation for films that challenge the way we think and experience storytelling, like Breaking Bad for its impeccable character development, Blade Runner for its iconic blend of philosophy and futurism, and Interstellar for the emotional depth it brings to science fiction.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Anurag: To truly enhance the festival experience, I believe that incorporating more interactive workshops and masterclasses with industry professionals would be invaluable. Additionally, establishing more networking opportunities could facilitate meaningful connections with seasoned filmmakers, potential collaborators, and mentors.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Anurag: Submitting to the festival through FilmFreeway has been an incredibly seamless experience. The platform’s user-friendly interface made the submission process straightforward, allowing me to focus on the creative aspects of my project rather than getting bogged down in logistics. Overall, FilmFreeway not only simplified the submission journey but also enhanced my excitement about sharing my work with a broader audience.

10. What is your favorite meal?

Arman: While I don’t have a single favorite dish, I do have a soft spot for sweets. Whether it’s a rich, velvety chocolate or a refreshing scoop of ice cream, I find joy in indulging in these treats.

11. What is next for you? A new film?

Arman: Absolutely, there are several exciting concepts that I’m currently exploring. While it’s still early, I’m enthusiastic about diving into new narratives that push boundaries and challenge conventional storytelling. It’s all about finding the right balance between creativity and timing. So, I’m keen to see how things evolve in the coming months as ideas start to take shape.

MAGIC OF PODLASIE – WHISPERS, 70min., Poland
Directed by Malgorzata Szyszka
Why, in today’s civilized world, do we still use the methods and means of healing bodies and souls used by our grandparents? Who really are Whishperes? How does modern psychology look at rituals and whisherers? The tradition of whispering/praying in the Ortodox Church language is passed down from generation to generation. The film asks many questions and seeks answers from experts in various fields: therapists/psychologists, anthropologists, ethnographers, but also residents of Podlasie.

http://www.szyszka.art.pl/
https://www.facebook.com/malgorzata.szyszka

Get to know the filmmaker:

What motivated you to make this film?

For over 20 years I have been making documentaries about shamanism in Mexico, Ukraine and India. The topic of Whisperers, women and man treating patients using folk medicine methods who operate in Poland, seemed natural to me and a consequence of my film expeditions so far. I wanted to check to what extent the whispering route is still alive, to what extent it fits into other healing phenomena in the world.

2. From the idea to the finished product, how long did it take for you to make this film?

2 years. It wasn’t easy. Most of the time we were looking for people who would like to take part in our productions. Whispering is a very personal experience and very often no one wants to talk about it. It’s something we want to keep secret from others. Such an internal dialogue between us and God, the Absolute, Energy, Angels, in which the Whisperers try to mediate, intercede for us, make requests, e.g. for health, success and love.

3. How would you describe your film in two words!?

Whisper love

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle was reaching the customers who do not agree to have their image immortalized in a photo or film. They believe that what they do is a service to another person, they do not receive any rewards, it is a secret

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

When translating the film into English, we wondered how to describe the phenomenon of whispering, i.e. treatment with folk methods, in another language. How to show the Polish specificity of such activity. I don’t think this is an easy film for the viewer. The statements contained in the film show what is universal and important for each of us, regardless of where you live, but also show the local reality of the culture and heritage of Podlasie.

6. When did you realize that you wanted to make films?

As a student, I worked as a journalist and made reports, interviewed artists, and actors, who worked on the sets of television theaters. I was fascinated by this artistic machine, which is very precise, demanding and at the same time getting out of control. The film is the work of many creators with very strong personalty. The director has to conected diferent options, ideas,wants and build very clear and interesting story.

7. What film have you seen the most in your life?

„Blow-up” directed by Michelangelo Antonioniego

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I have no idea. What comes to mind is the organization of festivals and meetings during which artists will have a chance to meet and exchange opinions.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

There are many festivals on the platform. It is difficult to find and distinguish good festivals that support the artist’s position on the international market from weaker ones

10. What is your favorite meal?

I like very diverse cuisine, local specialties, then I feel that I am getting to know the culture of Italy, Portugal, China or India, etc.

11. What is next for you? A new film?

“Man from the Wilderness, Tales of Dziad Borowy” – is a story about a modern man brought up in wild nature, who tries to maintain this unique bond while using the goods of civilization and the latest technologies. A story about defending the heritage of old forests, the prosperity of herbal meadows, animals and people, a story about actions that take place on the Polish-Belarusian border. What is humanity? What is most important in our lives? To what extent does our environment determine who we are?

ANGELITO, 13min., USA
Directed by Brent L. Peterson
12-year-old Angelito dreams of becoming a gang member like his older brother until a tragic accident forces him to grow up far too quickly.

https://antigravityfilms.com/projects

Get to know the filmmaker:

1. What motivated you to make this film? I’ve always wanted to make a gritty crime film as well as a film dealing with the subject of gun safety and children. Those came together in the form of Angelito, hopefully in a way that creates open discussion of the topics presented from multiple viewpoints.
to make this film? I wrote Angelito 4 years before making it. I finally decided to submit the screenplay to some festival and it did very well, so I decided to make it into a film after that.

3. How would you describe your film in two words!? An intense drama about making grave mistakes and having to deal with the consequences, but a road to redemption in the end.

4. What was the biggest obstacle you faced in completing this film? Finding a young local actor that could pull off the emotional journey of Angelito was very difficult. We spent a month longer than we had planned searching, but finally came up with Alec Hernandez, who had never acted before.

5. What were your initial reactions when watching the audience talking about your film in the feedback video? I was glad to hear that it moved viewers emotionally and made them think about the issues presented.

6. When did you realize that you wanted to make films? My filmmaking is the actualization of a childhood dream.

7. What film have you seen the most in your life? Probably anything Star Wars.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career? I would love to network with film producers and studios that I can partner with in producing more films.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site? Film Freeway has been very helpful in organizing, applying for and tracking film festival submissions.

10. What is your favorite meal? That depends on the day and the mood.

11. What is next for you? A new film? I’m simultaneously working on more short films as well as writing/developing my debut feature film.

ANCIENT LANDS AND LIVES – ABOVE THE GRAND CANYON RIMS, 9min., USA
Directed by Carol J. Amore
Ancient Lands & Lives- Above The Grand Canyon Rims is a high impact and fast-paced short Docu-music video that embraces Arizona’s Grand Canyon wildlife experience through versatile animal habitats and its resilient pinyon-juniper evergreen trees on the Canyon’s Rims. Its vast colorful canyon rock formations reveal layers in geological time, dramatic thunderstorms with rising cloud formations, dark night skies (Milky Way Galaxy visible) and sacred tribal lands.

Get to know the filmmaker:

1. What motivated you to make this film?
I believe short visual documentaries can make a tremendous difference
in inspiring audiences to explore new areas of the world from their backyard to natural wonders. The wildlife, ancient tribes and the night skies light the way
for self-discovery through the journey to the Grand Canyon National Park Area.

2. From the idea to the finished product, how long did it take for you to make this film?
Since I had previously traveled the Grand Canyon I wanted to find a new
visual perspective in which audiences at all ages could connect. I had to obtain a commercial film permit from the Grand Canyon National Park Service before I could professionally photograph or film there. It took about one year(2023) to film and produce this short film.
Selecting access to difficult locations and connecting with wildlife specialists
in advance of arriving there was critical. Planning is everything, even bringing rattlesnake guards was a good idea. Access to water when carrying heavy camera equipment is life-saving.

3. How would you describe your film in two words!?
IMMERSIVE EXPERIENCE!
Blending wildlife, the ancient Grand Canyon and night skies
helps shape this immersive experience along with the
music composer and performers by Mark Wood,
original member of the Trans-Siberian Orchestra.

4. What was the biggest obstacle you faced in completing this film?
Filming wildlife in their own habitat using film and remote cameras in rough terrain and high altitude areas(7500 ft.) of the Grand Canyon.
Anticipating the path the animals were mostly likely to travel during their nighttime movements and search for water and hunting for food.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
I was impressed by the audience observations as they saw the weaving of the different wildlife, indigenous Hopi Kachinas, the night skies and even the weather impacting the Grand Canyon terrain.

6. When did you realize that you wanted to make films?
I have been to the Grand Canyon several times and wanted to build and optimistic story about its a wide range of experiences that nature and its lands deliver including wildlife, ancient geological formations, night skies and the sacred tribal stories of its ancient inhabitants.

7. What film have you seen the most in your life?
The Films I see are right in front of me through direct observation.
I enjoy any wildlife and nature film with a compelling story.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
Your team helped engage audiences with all levels of experience.
I appreciated the video feedback which gain me insight to see how my intended visual film and music designed impacted others.

9. You submitted to the festival via Film Freeway. How has your experiences been working on the festival platform site?
Yes, I have won over seventy film awards including the
Cannes World Film Festival for BEST Nature/Wildlife film.
See the PRESS section of ancientlandsandlives.com and/or
Film Freeway awards.

10. What is your favorite meal?
Healthy foods, homemade Italian specialties and local ethnic foods(Indian)
I lived in the Indian wilderness on and off for three years while making
my award-winning TIGERS-Tracking a Legend film.(www.tigerstracking.com)

11. What is next for you? A new film?
Arctic Polar Bear Mothers is the upbeat short film/music video that I am filming and producing for release end of December 2024.

MIHI: At the center of our gaze, 15min., France
Directed by Cyril Durand-Gasselin
Introspection is a mental activity which can be described metaphorically as the act of “looking inside” oneself, through a form of attention paid to one’s own sensations, states or thoughts. In psychology, this is the inner knowledge we have of our perceptions, actions, emotions and knowledge, which is different from that which an outside observer might have.

https://facebook.com/Compagnienos
https://instagram.com/compagnie_nos

Get to know the filmmaker:

1. What motivated you to make this film?
I wanted to show how important introspection has been for me in my life, and still is. It helped me grow so much.
By giving this work to the world, I hope it will reminds everyone how important it is to take time to listen to yourself and to learn as much as you can from everything you can find inside.

2. From the idea to the finished product, how long did it take for you to make this film?
I would say 5 years, if I go back to the origin. But the work really started 3 years ago.

3. How would you describe your film in two words!?
Intense and sensitive

4. What was the biggest obstacle you faced in completing this film?
This project is my first so I faced many obstacles during the production. But I think the biggest one was the lack of time : time to rehearse with the dancers and time on set during the filming. We had to deal with short amount of time to do everything, so that was challenging.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Honestly, I’ve got really touched and smiled all the way through the video. The comments were so nice and good but mostly really interesting. And it is really satisfying to hear comments from people that you don’t know that are coming from another country.

6. When did you realize that you wanted to make films?
Since I was young, I’ve always loved to create. I was and still am a dreamer. Since ever I can catch myself looking around, observing people, landscape and the rest of the world, and create stories and pictures in my mind.
Ideas of film making came to me before dancing but I’ve decided first to focus on my dance career.
Today I’ve got the opportunity to bring back those dreams and make the visuals from my head to the screen.

7. What film have you seen the most in your life?
I really enjoy a lot Ryan Murphy’s works as “AHS”, “Ratched” and “The Normal Heart”.
But if I honest the “Devil wears Prada” is the still the film I can’t even count how many times I’ve seen it.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
I would say create even more opportunities to show my film and maybe organize meeting with people from the industry that has seen the movie.
But I would say that your festival is already doing really good. And I thank you for that.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
The platform is really efficient. It is simple to use and make your life so much easier.

10. What is your favorite meal?
I love cheese ! Everything with it will satisfy me but I would be always conquered by a cheese fondue.

11. What is next for you? A new film?
A lot is already on board for me and the Compagnie Nos (the dance company I created).
With my team, we are working on a project on stage but also on at least two new short films. But I can’t say anything more for now.