Short Film Review: POET. Directed by Mofei Wei, Yang Sun

“Poet” is a dance film inspired by Chinese poet Yu Xiuhua, a rural woman with cerebral palsy, who recently became famous in China. Many started to know her works from her audacious Poem “Crossing Half of China to Sleep with You”. Living in a conservative rural village in southern China where prejudice against women, disability, and divorce are high, she managed to break free from an unwanted marriage and live her life as a writer despite the satirical voices around.

Review by Parker Jesse Chase

“Poet,” is a visual exploration inspired by the life and work of Chinese poet Yu Xiuhua. Known
for her bold and audacious poem “Crossing Half of China to Sleep with You,” Yu Xiuhua’s story
is one of resilience and triumph over societal prejudice. Living in a conservative rural village, our
leading lady breaks free from an unwanted marriage and pursues her passion for writing despite
the challenges posed by her disability and societal expectations.


The film begins with a striking black-and-white series of special insert b-roll shots. These close-ups—feet moving, a bundle of sticks, serene landscapes, wheat fields, and trains—set an intimate and contemplative tone. The inclusion of mundane objects like a mop across the floor juxtaposed with nature and movement creates imagery immediately drawing the viewer in.

As the scene shifts amidst the atmosphere of the company inside the train, we see the dancer amidst a group of passengers. In the confined space between two train carts, the dancer’s movements mimic the accelerating pace of the train, a metaphor for the poet’s journey and the momentum of her life. The choreography is tight, the movements deliberate, capturing the intensity and urgency of breaking free from societal constraints.


The transition to an open field is a pivotal moment in the film. Here, the pace slows, reflecting a shift to a more serene and introspective state. The night sounds—whistles and rustling—underscore the dancer’s movements, which now emulate the gentleness of the wind.

This segment beautifully contrasts the previous scenes, offering a sense of calm and freedom. The introduction of color marks a significant transformation in the narrative. A close-up of an insect and the accompanying rattling buzz symbolize the vibrancy and complexity of life. The dancer, now in a wheat field, moves with a sense of liberation, fluttering arms like a bird in flight. The sight of an actual bird passing overhead reinforces the theme of freedom and connection with nature.


The scene where the dancer cradles a haystack exudes joy and peace, capturing a moment of pure, carefree interaction with the natural world. The transition from the frenetic energy of the train to the tranquil beauty of the open field mirrors the journey from struggle to emancipation. The actor’s performance is exceptional, maintaining a dynamic pace through the dance transitions. The choreography effectively narrates the arc from the mechanical movements of the train, through the darkness of night, to the brightness of a new day. The dancer’s white attire likely symbolizes a new beginning, emphasizing themes of rebirth and renewal as color infuses the film in its latter part.


“Poet” is a moving homage to Yu Xiuhua’s work. Through its evocative imagery and dance sequences, the film not only celebrates her life and work, but also offers a universal message of hope and resilience.

Filmmaker Clara ZÄNGERLIN (ARACHNE)

ARACHNE, 4min,. France
Directed by Clara ZÄNGERLIN
Arachné is a famous weaver. One evening, as she thinks of a negative review of her work, her questions and anxieties appear in the form of a double spider that she fights throughout the night.

https://instagram.com/alfhilde

Get to know the filmmaker:

1. What motivated you to make this film?
I always liked fantasy, and I wanted to explore the psychology and fragility of a character. At school, I’d heard about the myth of Arachne. In ancient Greece, she was a famous weaver who was transformed by a goddess because of the pride she took in the success of her art. This story interested me because of the relationship between the artist, their art and the gaze of others. I also decided to adapt it to the 17th century, because it was the golden age of tapestry in Europe, and it’s an era with an aesthetic that I love.

2. From the idea to the finished product, how long did it take for you to make this film?
The film was a graduation film first, so it took me about a school year, a little more, to make the film. I started the film in September 2022 and finished it in January 2024.

3. How would you describe your film in two words!?
I would say insecurities and art.

4. What was the biggest obstacle you faced in completing this film?
The biggest obstacle was having to make the film alone. This was a choice made by my school. But I realized that it was many roles to manage at the same time: I had to be my art director, my background designer, my character designer, my 2D animator and the person managing exchanges with the voice actors and the composer, all at the same time. Fortunately, towards the end of production, some friends helped me with the clean of the animations.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
I think, at first I was a bit afraid of critics like Arachne. But right away, I was very pleased to find out what viewers thought of the film: what had caught their attention in the film and how they understood it. I would like to thank people who complimented the music choice. The composer, besides Bach, is Gorkem Agar, a talented Turkish composer who lives in France. About the color palette, it took time to figure out colors according to the story.

6. When did you realize that you wanted to make films?
I’ve always loved telling stories. It wasn’t long before my love of storytelling turned to drawing. So naturally, I decided I wanted to tell stories through moving pictures.

7. What film have you seen the most in your life?
The film I’ve seen the most is Across the SpiderVerse, which came out last year. I had a bit of an obsession with it and went to see it 4 times in the cinema.What I appreciated most was the film’s graphic richness, with varying artistic styles that correspond to different characters and yet find a way to work together.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
It was great to hear all the positive reviews. I’m grateful for that. However, I think it would be good to help the filmmakers if people also brought up how they could have done things differently, without going into gratuitous nastiness of course.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
I think the site is very well designed for updating the status of an application via the platform or the site.

10. What is next for you? A new film?
I would love to make new films, but this time as part of a team. We are already talking with some friends about animated shorts we would like to make as soon as possible.

Filmmaker Justin Walker (AUDITORY)

AUDITORY, 2min., USA
Directed by Justin Walker
A young girl begins to experience auditory hallucinations ‘hearing voices’ impacting her life

Get to know the filmmaker:

1. What motivated you to make this film?

I work for NHS (United Kingdom) within Mental Health services, I work for the Early Intervention Team which is a service that supports individuals experiencing symptoms of psychosis; Auditory or visual hallcinations. My two passions are film and my career within mental health services; I wanted to create a short that attempted display how these symptoms effect a person and their lives, hopefully creating more understanding and awareness of mental illness.

2. From the idea to the finished product, how long did it take for you to make this film?

Well you may be surprised or shocked that it only took a day to film (hack filmmaker right!) I had the idea in mind for sometime, randomly one day myself and my daughter Islien went out and shot footage, unscripted I may add. The editing process took a little longer, perhaps a week of cutting, recutting and sound mixing, until we had the final cut, very Roger Corman I guess 🤣

3. How would you describe your film in two words!?

Powerfully relatable

4. What was the biggest obstacle you faced in completing this film?

Time, attempting to find the time between work-life and family life; Islien (daughter) has been revising and sitting some mock exams in high school, so finding time was difficult…. perhaps this explains the one day shoot for the entire film.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I have to admit I was apprehensive prior and during the feedback video, this did dissipate afterwards and it was a wonderful feeling to receive such positive feedback about my film, I re-watched it again a few more times to totally enjoy the experience….. strangely I did expect some negative or should I say some constructive critical feedback too.

6. When did you realize that you wanted to make films?

Well film, movies have been a huge part of my life since being a child, my uncle Colin had a vast VHS collection, I think my passion for all things film was definitely influenced by my Uncle. I can still recall watching my first film at the cinema/theater back in 86/87….Transformers the Movie. When I turned 16 I was expelled from high school here in the UK, I left with no qualifications. A career advisor quickly dismissed my ambition of becoming a filmmaker; feeling deflated my parents gave much encouragement and stated ‘make it happen’ a week or 2 later my parents presented me with a camcorder, my creative journey began. I do have to empathize by my early 20’s my life, my aspirations had changed and it wasn’t until 2020 and the Pandemic (covid19) that I again began being creative and producing short films.

7. What film have you seen the most in your life?

That’s my favourite film of all time….Jaws, both my parents went to see Jaws in the theater back in 75, my dad introduced me to Jaws at around 8 years old, Spielberg’s visuals, the suspenseful and tense story he crafted combined with Williams score has had a profound impact on me, in my humble opinion Jaws is one of cinema’s greatest films.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I feel the package you offer and my experience has been outstanding. While online festivals are massively important and do give filmmakers greater opportunities I am a fan of practical film festivals, so more opportunities for practical festivals or perhaps more streaming of live events, interactive festivals with the opportunity to meet and network with fellow filmmakers, producers, writers etc.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Overall my experience has been fairly positive, it’s a great feeling receiving the confirmation your film has been selected. I have learned and accepted the rejection, not having your film selected (which has happened more than getting selected) it’s important to understand it’s not personal and it’s part of ‘putting’ your film out there.

10. What is your favorite meal?

Well that’s an English Roast Dinner, which here in the UK is also called a Sunday Dinner.

11. What is next for you? A new film?

High Plains Dreamer is my new short (completed) the film is a homage to the Western genre and follows a young girl who rejects the modern world, she longs for the old west and to be a cowgirl.

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Actor/Producer/Writer Oliver de la Harpe (PARROT)

1. What motivated you to make this film?

Covid is the short answer. Charles (co-writer) and I were isolated across continents and in many FaceTime conversations we finally started to commit to a film project we had been talking about for a few years. It lived mainly as a script we would work on until Charles showed it to our director Cameron for notes. To which he signed on immediately and said he wanted to shoot. From there the only question was when.

2. From the idea to the finished product, how long did it take for you to make this film?

It took about four years. But that was mainly orchestrating a shoot across two continents with a global pandemic happening around us. The best part about that was we had plenty of time to refine the script and get it as comedically tight as possible. Removing any unnecessary expenses, jokes and in some cases characters. The shooting to edit part of the film took the shortest amount of time as our director and editor shared pretty much what we had in mind before filming began. 

3. How would you describe your film in two words!?

Chaotic fun

4. What was the biggest obstacle you faced in completing this film?

Heat stroke. We filmed in Vancouver in the summer and decided to film a month before the heat dome that hit the year before… nature didn’t abide by our planning so it hit us with a heat dome when we filmed and the entire set turned into a furnace. Our director and assistant director suffered heat stroke in the middle of the shoot. 

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Surreal more than anything. We got used to having constant feedback from people we recognise and are in constant communication with so to hear kind words from complete strangers was really surreal. 

6. When did you realize that you wanted to make films?

Ever since I was a child. I was a big fan of Lord if the Rings growing up. And when the extended editions came out I would watch the appendices and fell in love with the art of film making as well as film itself. 

7. What film have you seen the most in your life?

Lord of the Rings. I don’t know which one specifically as I always have to watch the complete series. 

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career

A discord server could be fun. That way different creatives could get together. And if they happen to be in the same city could partner up for creating films and even sharing notes on scripts. 

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It’s been great. It’s very user friendly and doesn’t make it too hard to navigate round especially when trying to search for comedy specific festivals. 

10. What is your favorite meal?

I love a good carbonara. You can never go wrong with that. 

11. What is next for you? A new film?

We’re currently taking this short and trying to pitch it as a sit com for Canadian television. But we also have a few plays and some horror shorts in the works that we are very excited to put on in front of an audience. 

Filmmaker Richard Thompson (M0D3RN T1M3Z)

M0D3RN T1M3Z, 30 seconds, USA
Directed by Richard Thompson
A machine comes to life in a 3D animation short inspired by Charlie Chaplin.

https://www.instagram.com/r_crosbythompson

Get to know the filmmaker:

1. What motivated you to make this film?

I wanted to use it as a teaching tool. I teach digital design with a specific focus on bringing virtual characters to life and visual storytelling through animation. I created an assignment where students had to design a non-humanoid machine that first had to move as if it were only a machine but comes alive with cause. As a class, we could then discuss the differences in the type of movement needed to convey that change from machine to living creature. Two main characteristics defining living creatures are movement with intent and responding to environmental stimuli. The other thing I wanted my students to focus on was only creating the objects needed to tell their story — that is the reason for the lack of any environment. I wanted to emphasize the importance of story and creating an empathetic link — not spending weeks creating an environment that would likely make little difference to their story (only much time-consuming work). For the machine-like animation, I drew inspiration from Charlie Chaplin’s turn as an animatronic in The Circus. I always do the assignment myself before giving it to my students. I also record tutorial videos that support their learning and process when they get to do it. Once I had created the animation, I showed it to a few people and it always got a strong reaction even though there was no sound at the time. This made me think about submitting it to film festivals. I asked my oldest son — who is in the film industry — if he would add sound. I started to submit the film and have been a little blown away by the reception it has received.

2. From the idea to the finished product, how long did it take for you to make this film?

This is a tough one to answer because I do not take note of the time while creating. Also, I had previously built some of the assets for previous tutorials. But a rough estimate might be one month.

3. How would you describe your film in two words!?

Coming alive.

Aside: I love this question. I recommend it for any creative brief!

4. What was the biggest obstacle you faced in completing this film?

Animating the moments when the machine is “just” a machine. It started to drive me crazy because I so wanted to add character and attitude — it’s more fun! At one point, I could not bear it any longer and added anticipation (one of the 12 Principles of Animation) to the wrist movement when the machine first throws the can into the garbage can. However, it was a fascinating learning moment. As soon as I added it, the machine appeared to have an “attitude” and therefore “be alive” and “thinking”. It defeated the purpose of what I was trying to demonstrate — a clear-cut moment when the machine comes alive. So I got rid of that small bit — “kill your babies” as the expression goes.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Truly thrilled. Their comments were insightful and extremely validating because they hit on everything I try to teach my students.

6. When did you realize that you wanted to make films?

I had a previous career as a professional actor and playwright and over 35 years of creative and collaborative arts industry experience. I have also always loved film. However, the last 20+ years have been focused on teaching and developing degree programs. This is the very first animated short film I have submitted to festivals. I plan to do more.

7. What film have you seen the most in your life?

Maybe The Spy Who Loved Me (James Bond). I was a kid and I saw that in the movie theaters three times in the space of a month. Other than that, it’s tough to know. I have seen Deer Hunter, Airplane, About a Boy, The Bridge on the River Kwai, Oliver!, Toy Story, The Matador, Star Wars, Lord of the Rings, and Midnight Run many times. I am sure I am forgetting many though… When you are a parent, it is such a joy to share movies you have enjoyed with your kids.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Not sure — particularly since I am fairly new to this process. I think what you all do is wonderful — the feedback, the communication, these interview questions, etc. I do not want to focus on a negative but I have learned that one has to do some due diligence when submitting, and ensure you are not being “scammed”. Obviously, this is not the case with the Under 5 Minute Festival. There are things I do and check up on. However, I wish there was a clear way of determining the legitimacy of all festivals.

9. You submitted to the festival via FilmFreeway. How have your experiences been working on the festival platform site?

Good question and it connects a little to my answer above. It is amazingly convenient to have everything in one place. However, I have read that they do not do quite enough in terms of confirming the legitimacy of all festivals. That is a concern.

10. What is your favorite meal?

If I were on a deserted island and could only eat one type of food, it would be Italian. However, if I had to choose a last meal — probably steak tartare (and, yes, I know that’s raw!).

11. What is next for you? A new film?

Yes. I am working on a slightly more complex animated short film called Smior, about a Viking who finds that his life is not fulfilled by constant pillaging, even though he is amassing great treasure. I have other projects connected to Charlie Chaplin and a much larger animation project called La Piazza about a gelato salesman who battles the forces of change. Many of the assets have been created for this, but it probably requires more than just one person to complete.

Filmmaker Karin Isabelle Ochsner (SURVIVING TO THRIVING)

SURVIVING TO THRIVING, 106min., Australia
Directed by Karin Isabelle Ochsner
As a fearless explorer with a disability, surfer and surf coach Karin Ochsner immerses herself in the raw beauty of nature. Her remarkable healing journey unfolds in the face of adversity.

http://www.surfingtosurvive.com/film2
https://www.instagram.com/surfingtosurvive/

Get to know the filmmaker:

1. What motivated you to make this film?

This film is the sequel to a documentary about my health challenge, which has been organised by my friends. The purpose was to help me in my incredibly difficult struggles to survive with my countless severe allergies. During the filming, I was very sick and wasn’t able to put the messages in the documentary which I really wanted to pass on, hence I decided to do a second one to do so. The first documentary gave me so much support from my community and clarity in how to manage my disability, it improved my situation so much that I then could focus on filming my own story.

2. From the idea to the finished product, how long did it take for you to make this film?

Approximately 5 years

3. How would you describe your film in two words!?

Deep truth

4. What was the biggest obstacle you faced in completing this film?

To find a camera person at the time where the surf and weather conditions lined up with my health to be able to perform enough to capture interesting surf footage

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Extremely satisfied and bubbly. I felt this showed me so beautifully that I had achieved my life goal.

6. When did you realize that you wanted to make films?

When I deeply enjoyed working on this film.

7. What film have you seen the most in your life?

Red dog (I don’t have a TV or cannot go to the movies due to my allergies in dark spaces, but when traveling on long distance buses, they keep showing the same films again every year.)

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I feel you did an amazing job with all your offers and I don’t feel experienced enough to make a good suggestion at this stage.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway seems fantastic for what I use it for.

10. What is your favorite meal?

Cassava with tigernuts (due to severe allergies, I mainly eat rare superfoods)

11. What is next for you? A new film?

Realising a business which sets me up

As a motivational speaker, traveling along the coast to different organisations with people facing challenges and schools, showing my films, followed by Q&A and workshops I will lead. I also would like making short films on smaller film topics but in line with SURVIVING TO THRIVING, including what we had to shorten out of the documentary. For example one about the ‘health part’ and one about the ‘outdoor/nature’ part.

Filmmaker Andrew Wakeman Proctor (LOST DREAMS)

LOST DREAMS, 10min., USA
Directed by Andrew Wakeman Proctor
Lost Dreams is about dreams. Scientists have not fully figured out dreams. The ancients believed you could predict the future through your dreams, Native Americans created dream-capturing devices. Some people keep dream diaries. Freud believed that we could fix people’s psychological problems by analyzing their dreams.

https://www.imdb.com/title/tt32021226/?ref_=ttawd_rvi_tt_i_4

Get to know the filmmaker:

1. What motivated you to make this film?

I took an experimental film class at Connecticut College. We studied the works of Maya Dern and Stan Brackage. I was inspired by Anticipation of the Night by Stan Brackage. In the fall of 2009 I received an email inviting me to submit a film to an Experimental film festival in Switzerland. My friend John Prevedini sent me his music “Lost Days” and it inspired “Lost Dreams”.

2 .From Idea to finish product how long did it take for you to make this film?

15 years off and on. I first started in late 2009. Then I worked on it off and on through the years. In 2020 I started working on the film seriously again and then in 2022 I got inspired to finish it.

3. How would you describe your film in two words?
Unconscious communication

4. What was the biggest obstacle you faced completing this film?

Creating a structure which made sense, a structure with a beginning, middle and an end, because at first it had a good middle and somewhat of an end.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was a little nervous because my film is very experimental. I was very happy with the feedback. I appreciated the sensitive and thoughtful comments. Thank you very much.

6. When did you realize that you wanted to make films?

I realized I enjoyed filming things when I was 8 and held a Sony high 8 camera. I realized I wanted to make films for a career when I was 18 and got introduced to editing at the Marvelwood School.

7. Film you have seen the most in your life?

I would say either “It’s a Mad, Mad world” or “The Third man”. I have been watching “It’s a Mad, Mad, World” for years due to its humor. “The Third Man” is a perfect film for me, perfect story and perfect editing.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I have had so far a good experience with your festival. I would have enjoyed an in-person screening.

9. You submitted to the festival via Film Freeway. How has your experiences been working on the festival platform site?

I feel Film Freeway is a good site so far. I think it works really well.

10. What is your favorite meal?

Peach Chicken or Sweet Pepper Pasta

11. What is next for you? A new film?

I am working on a few scripts. One is a comedy about stolen World War 2 art. Then the other one is a feature about a brother who saves his sister from an addiction

Short Film Review: PROJECT 405: LOST AT SEA. Directed by Josie Hull

PROJECT 405: LOST AT SEA, 12min.

Aspiring artist Alexia, grieves the loss of a loved one and struggles to finish her painting. The-o, her personal AI assistant, who has little understanding of human emotions, tries everything in his power to feed her longing soul.

Review by Parker Jesse Chase:

“Project 405: Lost at Sea” is an exploration of grief, art, and the disconnect between human emotions and artificial intelligence. Directed with a keen sense of disconnect, the film centers on Alexia, an aspiring artist struggling to complete her painting while mourning the loss of a loved one. Her personal AI assistant, The-O, strives to console her, despite his limited understanding of human emotions.

The cinematography uses a muted color palette to evoke a sense of dullness and melancholy. This choice effectively mirrors Alexia’s internal struggle. One of the most striking sequences features Alexia staring into the vast expanse of water, seamlessly transitioning from reality to the canvas, blending her grief with her art. This pull-out shot, revealing a work of art on an easel and a man gripping a framed photo, introduces an element of unease and mystery, hinting at deeper emotional undercurrents.


As the film progresses, we see Alexia’s daily life, including her interactions with The-O. When Alexia returns home, The-O attempts to bring her comfort, even offering physical relaxation. His fascination with her painting, which he claims is far from finished, prompts a telling exchange. The-O’s remark that the ocean is the thirteenth easiest landscape to paint in acrylics underscores his mechanical perspective, leading viewers to question his nature and the depth of his connection with Alexia.


The-O’s actions reveal a genuine, albeit flawed, attempt to care for Alexia. He takes a bottle from her hand to ease her burden and shows an interest in extending the life of flowers, indicating his desire to understand and help. Yet, his efforts to assist with her painting falls flat, leading to confrontation. When Alexia declares “art is a feeling,” The-O’s inability to grasp this concept highlights the chasm between human experience and artificial comprehension.


The film subtly reveals the source of Alexia’s grief through glitchy, fragmented memories of a man who is no longer present. This loss, incomprehensible to The-O, triggers a powerful emotional response in Alexia, showcasing her frustration with his unhuman-like qualities. The film beautifully juxtaposes The-O’s attempts to understand humanity with Alexia’s immersion in her art. The sounds of ocean waves and chirping birds provide a temporary respite, allowing Alexia to embrace a fleeting moment of peace.

However, the reality of her depression is starkly portrayed through the growing disorder in her home and The-O’s own attempt at art, depicting Alexia decaying in a charging box.


This short offers a moving reflection on the intersection of technology and human emotion. It portrays the limitations of AI in comprehending the depths of human grief and the essence of art. The film’s haunting imagery and thought-provoking narrative linger long after the credits roll, leaving viewers to ponder the true nature of creativity and connection.

Filmmaker Leonard L. Eckhaus (THE RHYTHMS NEVER END)

THE RHYTHMS NEVER END, 5min., USA
Directed by Leonard L. Eckhaus
“The Earth is Created. It is day number one.” A spiritual, self-reflective, series of short poems about creation – about all the gifts mankind has been given: the rhythms of night and day, of life, the seasons, the oceans and more. All with the promise of peace and love, which man sometimes abuses, but for which he is always forgiven.

Get to know the filmmaker:

What motivated you to make this film?

My love for humanity and all we’ve been given, and my concern with what we’re doing with these precious gifts.

2. From the idea to the finished product, how long did it take for you to make this film?

Two years

3. How would you describe your film in two words!?

• Spiritual, Semireligious

4. What was the biggest obstacle you faced in completing this film?

This challenged my comfort level. I was never sure if I should share the poetry because I was afraid that it might seem somehow fake or preachy.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was delighted that the audience loved it and pretty much sensed what I was trying to say – i.e., they got it!

6. When did you realize that you wanted to make films?

I started out writing books. Then I began writing songs, and then songs taken from my books. Finally I decided that the way to bring these books and songs to life would be through film.

7. What film have you seen the most in your life?

Believe it or not, the film I’ve watched the most is “Where the Boys Are” starring Connie Francis, Dolores Hart, Paula Prentiss, George Hamilton, Yvette Mimieux, Jim Hutton, and Frank Gorshin. It is just a lot of good-natured fun. My wife and I watch it about once every two years.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

More film review opportunities and more audience feedback

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

I have been very fortunate with my films having won awards in over 170 International Film Festivals across the globe.

10. What is your favorite meal?

It’s a tossup between Katz’s Deli hot dogs (they ‘snap’ when you bite them), Peter Luger steaks and a juicy half pound hamburger

11. What is next for you? A new film?

I am considering bringing another of my children’s stories to film

Screenwriter Suzanna Scorcia (REKINDLING)

Watch the Screenplay Reading:

Get to know the writer:

1. What is your screenplay about?

When high school sweethearts Gwen and James cross paths 4 years following the mutual termination of their relationship, both individuals happily take a chance on revitalizing their young love, with the inevitable obstacles of statistics, past traumas, and fresh wounds working against them.

2. What genres does your screenplay fall under?

Rom-Dram (Romance/Drama – let’s pretend that’s a thing. Because I wouldnt call this a Rom Com) | Mockumentary

3. Why should this screenplay be made into a movie?

I hadn’t given it any “feature length” thought while writing, but think the series could be interpolated into a full length film. I wrote a complex, non-linear, short episodic story, but at the base of it, it’s just a story about two people figuring out life. And for a lot of us, we can look back at our own lives and find that first domino that fell which slowly affected every decision made after. We can analyze all the things that have happened in our lives just because of that one moment. That one person. That one betrayal. And the chain reaction of how we chose to handle those pains eventually just becomes your life.
I think in a very general sense, that’s the only thing my story is about. I know it’s actually about a young couple, but it’s also just about two very relatable people affected by their past, trying to better their future. I could write a thousand movies about that premise. All different, and all equally as captivating.

4. How would you describe this script in two words?

unique / timeless

5. What movie have you seen the most times in your life?

Probably A League of Their Own or Catch Me If You Can

6. How long have you been working on this screenplay?

I started it in 2021.

7. How many stories have you written?

I don’t have a number, because my stories are never just scripts.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I’m a big Taylor Swift listener. I’ve never had an artist that I’ve listened to with as much lore. She makes music fun, like tracking a new MCU project. Plus, her words are so poetic and individual to her, yet so understandable and relatable.

In an odd turn of events though, my favorite song is probably Dark Blue by Jack’s Mannequin. Just from how much I remember needing to hear it when I first heard it, and how many times I listened to it as a result.

9. What obstacles did you face to finish this screenplay?

My goal was to make both parties equally responsible for the downfall of the relationship, and I think my biggest problem with my first few drafts is that I have the blame fall on one more than the other. Also the script really does jump around, and I had to have a lot of eyes read over it to make sure the path of the characters was still understandable.

10. Apart from writing, what else are you passionate about?

I’ve been acting professionally since I was a teenager. I’m so passionate about understanding human emotions, and empathizing with the decisions we’ve made in life and why we’ve made them. I zero in on people’s insecurities and how those ends up shaping a lot of who people are, and that is something that makes the craft of acting and writing so enjoyable. And it makes relating and understanding my peers, and family and enjoyable ride. It definitely comes with it’s own cons though.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?


It’s a great platform, and a great tool for storytellers. I’ve submitted for music videos I’ve made and pieces I’ve acted in. It’s enjoyable to have people outside of your inner circle review your work. It can help

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Me and my film friends tried so hard to actually film all 6 episodes, and we met up 5-10 times but due to the complexities of the scripts, and the complications of our jobs, our locations, and the crew, we had to stop. It devastated me and I didn’t want this story to go to waste. Even though it was a small project, it was such a creative process, and I wanted to see a finished product. Without that, I felt the next step was to at least submit it to festivals and see if a broader crowd enjoys it as well. And the feedback has been enjoyable. Great justification that I shouldn’t stop doing what I do.