Screenwriter Susannah Roberts (DEPRAVED)

Watch the Screenplay Reading:

Get to know the writer:

What is your screenplay about?

Depraved is a slasher that takes place at a college campus. A serial killer stalks the campus mutilating their victims while two detectives work tirelessly to try and identify the culprit. More and more bodies mount up until we end with a shocking twist that no one will see coming.

2. What genres does your screenplay fall under?

The screenplay is a horror falling under the slasher category.

3. Why should this screenplay be made into a movie?

Depraved should be produced because it is different to other slasher movies out there. The film moves away from the stereotypical ‘serial killer identity’ and takes us in a new direction that is rarely seen in the horror genre. It explores themes that while present in the real world are rarely shown on screen. It also breaks a number of the trends and clichés seen in most slashers. Depraved is a fresh new take on the genre and will appeal to lovers of horrors as well as being more inclusive of groups who seldom have pivotal roles within the slasher genre. The script has already garnered interest within the industry with people reaching out to me about it.

4. How would you describe this script in two words?

Slasher revitalized.

5. What movie have you seen the most times in your life?

Probably the first Scream movie. I’m a huge fan of the Scream franchise but the first one is definitely my comfort film.

6. How long have you been working on this screenplay?

I’ve been working on it for around six months and so far it has already gained a lot of positive feedback and results from putting out into the industry.

7. How many stories have you written?

I’ve been writing all my life in various forms, I have ideas for sequels to Depraved and have written some other screenplays including, comedy, horror-comedy, hard hitting drama and dramady.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s a hard question, I have a very broad taste in music with my top two artists being Taylor Swift and Eminem, If I had to choose I would say my favourite song would have to be ‘Look What You Made Me Do’ by Taylor Swift. It has a personal translation for me so it’s kind of become my power song when I need a boost.

9. What obstacles did you face to finish this screenplay?

With this script in particular as it has a mystery of who the killer is I had to almost write it backwards. I needed to know the story inside out and know which scenes would have a call back later in the script before I could sit down and write it so I ended up writing the end sequence first. It was also challenging as I was living in an unsafe home at the time of writing it which presented a number of obstacles to working.

10. Apart from writing, what else are you passionate about?

Being a good mother to my son and showing him that dreams can be achieved if you work at them is definitely a big passion of mine. I’m also passionate about raising awareness of issues that are still very taboo in today’s world. I’ve lived through domestic abuse and I’d love to one day be in the position to do something that would help people who have suffered from this particular issue as there just isn’t enough help and support out there for people.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I use FilmFreeway for most of my submissions, I find it to be very user friendly, the platform is quick to update you on any changes to your submissions and it’s accessible to the masses as there’s no fees outside of the competition entry fees. FilmFreeway is usually my first port of call when looking for competitions or festivals to submit my work to. I feel that if the competition is hosted on a reputable platform like FilmFreeway it gives you more confidence that your work and your entry are going to a legitimate competition or festival.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Depraved has been gaining traction since I started putting it out there, I’ve had people from the industry reach out to me and the script got me a job writing on another film however I can’t talk about that as I’ve signed an NDA. Given the successes the script has been having I decided to enter and see how it was received. The feedback I received was very encouraging and I was pleased that the readers picked up on the subtle elements within the script as well as the occasional nod to existing horror films.

Short Film Review: THE NEED. Directed by Michael Rognlie, EE Tallent

“Michael Rognlie and E.E. Tallent’s The Need is a horror short about a withdrawn young man who feels universally unwanted. Others pay the price for it. Written by Kennith Darling, the 15-minute film showcases his inner workings just when he is once again on the brink of behavior that he may not like but compulsively commits.”

Review by Victoria Angelique:

The short film, THE NEED, is a familiar tale of an obsessed man who cannot overcome the ghosts of his past as fear cripples him. David has the belief that the next relationship will be different, but evidence shown through the use of props proves he is unable to change his personality. The sins committed against former girlfriends continue to manifest in the form of being haunted to prove that David will always be different from other men. 

The sound design is phenomenal as David chooses to pursue a new conquest when his deceased girlfriend appears to him. Her voice is distorted, an echo apart from the rest of the world. It’s quickly made clear that she is not simply an inner demon, but a woman that David has murdered. The creepy tone of her voice combined with dramatic makeup shows that this man is a seasoned killer and not simply a misunderstood man that just happens to be eccentric. He is dangerous. 

The character of David is clichéd, but that’s what makes the film captivating. The audience knows these characters well from cinema and television. They need to be caught, but rarely are so that they can move on to their next kill. The use of finger bones of multiple girlfriends shows that David’s obsession always wins through his desire to be different. 

This short film is a combination of YOU meets SILENCE OF THE LAMBS. David kills through cannibalism like Hannibal Lecter, but stalks his prey like Joe. He appears to be a nice guy, though his dark secrets will always linger until he is inevitably caught for his crimes. He appears like a sympathetic character, which is why he will be able to continue to get away with murder.

Short Film Review: THE DESTRUCTION OF JANE. Directed by Drue Pennella

The Destruction of Jane is a campy, over the top, erotic, outrageous comedy which follows Miss Jane Parker to the African Jungle where it all began. Witness Tarzan and Jane’s first encounter, in what now has become a rather heralded expedition in the African Jungle, and one of our greatest love stories.

Project Links

Review by Andie Karvelis:

The story of Tarzan and Jane has been captivating audiences for decades. Usually it’s an adventurous, heartfelt, sometimes brooding and dark tale. How incredibly refreshing to see this over the top, campy, fun comedy from the mind of Paul Pecorino! Paul also portrays Jane and does ( in his words ) a bunch of other things.


The first thing you can’t help but notice is this gorgeous cinematography! Eric Paulsen went above and beyond as Director of Photography. He’s responsible for all the creative camera shots, the drone footage, ADR and handling sound. He’s like a one man filmmaking army! This team of filmmakers has everyone wearing multiple hats and they all did such an amazing job.


I have to commend David Mitsch and Vera Stromsted for their costuming and make up skills because they are superb! Drue Pennella directed and edited The Destruction of Jane and he must’ve had a blast doing it. Drue got such great performances from Rob Eco, who plays Tarzan and Paul Pecorino as Jane. It was so much fun to watch them interact with one another.

Something I thought was a bit of filmmaking genius was the addition of going black and white and using these old time text cards, kind of what they used in silent films. It really helped sell the comedy as did the music!


All in all this is a quick, fun, well thought out story that will get you laughing. Be sure to stay for
the end credits too

Today’s PODCAST: FILMMAKER KATYA MOKOTO (A MOVEMENT DEEPER THAN DANCING)

LISTEN to the full podcast: https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/6/12/ep-1248-filmmaker-katya-mokoto-a-movement-deeper-than-dancing

A MOVEMENT DEEPER THAN DANCING, 2min., France
Directed by Katya Mokoto
https://www.kitsuney.com/

Get to know the filmmaker:
It was a spur of the moment decision, we met through a mutual friend whom was convinced that we could do cool things together and voilà ! Production / filming wise 3 days, then post is always longer because when you work on a small budget you try to arrange your planning between paid job. But also the main thing was to find the right compositor for the music. And working with Axel was a first and great experience.

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Watch Today’s Film Festival: DOC Festival – Best of SOCIETY Films – June 21/22 event

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

Watch the Festival HERE: https://www.wildsound.ca/todays-film-festival/videos/june-21-society-docs

See the Full Lineup of Films:

IN THE GREY WILD, 16min,. USA
Directed by Nili Yosha
Youth experiencing homelessness write a song with Gabriel Kahane, Creative Chair of the Oregon Symphony and perform it with the entire 75 person Oregon Symphony Orchestra. The performance was at the Arlene Schnitzer Concert Hall on April 15, 2023.

http://outsidetheframe.org/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-grey

CANADA’S UNCHECKED RACISM, 6min., Canada
Directed by Zoe Davidson
Growing up as a non-white Canadian, you experience racism every day. What makes Toronto’s racism so unique, is that you almost don’t notice it.

https://www.zoeahdavidson.com/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-canadas-unchecked-racism

REMEMBERING CHINESE BACHELORS, 13min,. Canada
Directed by Daniel Chen
Canada’s 1923 Chinese Exclusion Act was a dark period in Canadian history. It lasted almost a quarter century and had a devastating impact on one community: the Chinese. Even after the law was repealed in 1947, the impact continued for years. This documentary explores the story of a group of Chinese for whom.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-remembering

SOMETHING CHANGED IN THE ROOM, 15min,. USA
Directed by David Stubbs
Something Changed in the Room is the story of how music therapy helps patients with Parkinson’s Disease and Dementia transcend their condition, improving their daily lives.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-something-changed-in-the-room

MAKE A MOVE, 20min., USA
Directed by Dalia Caudle
Make A Move is a docuseries about a national and international speed chess tournament with players from all walks of life and different levels of experience.

http://www.makeamovela.org/
https://www.instagram.com/make.a.move.la/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-make-a-move

Deadline Today: Toronto Documentary Feature & Short Film Festival

NEW OPTION: For limited time – Option to submit and garner an automatic acceptance of your film. Agenda is to create exposure for the filmmaker and their film!

Submit via FilmFreeway:

With that acceptance, you will receive an audience feedback video, plus 2 interviews (blog and podcast) to promote the filmmaker and film.

Since 2016, the FEEDBACK Film Festival has been showcasing the best of Documentary Short Films. We now will be showcasing a Documentary Film Festival every month in the heart of downtown Toronto at the Carlton Cinemas.

We have created a hybrid festival with 4 tiers to enhance your film and your festival experience. All accepted films receive all four tier options:

Tier #1 – Your film plays at a private festival event where the audience will record their comments/reactions to your film on their camera or phone, then we edit them and send you a promotional video. No matter what you will receive a promotional video of your film of people commenting on your film.

Tier #2 (optional) – We put up your film live on our FILM FESTIVAL APP for 24 hours and invite a select industry audience to watch it. With this system, some films have already received a distribution deal as many platforms are looking for solid feature and short documentaries. We can not guarantee anything of course but this has been very helpful to many in the past. (see testimonials below)

Then (Tier #3) we will send you a list of questions to answer for our blog interview that will promote you and your film. Then after that (Tier #4) we will set up a podcast interview on our popular ITunes show where will we chat with you about the process of how the film was made.

——

Deadline Today: SCREENPLAY Trailers

We are proud to announce SCREENPLAY TRAILERS.

Submit today; https://storypitches.com/screenplay-trailer-submissions/

We will make an engaging promotional video for your screenplay. A quick 30-150 second video that you can show to anyone right away, that tells what your screenplay is about and who you are.

For an example, here are recent SCREENPLAY TRAILERS to Watch:

https://vimeo.com/manage/videos/534718951

Submit today and we will have it completed in 2-3 weeks.

Email the festival at info@wildsound.ca

Or text the festival at 416-568-9046

If you have any questions. 

Short Film Review: Déjà Vu – Souls Never Die. Directed by Jean Frenette

Synopsis:

John is convinced he’s been on this planet for longer than his lifetime. This feeling of knowing more than what meets the eye troubles him deeply.

Review by Julie Sheppard:

“Déjà Vu –  Souls Never Die” is a riveting short film, taking the viewer down a far-reaching road of past lives. From the opening scene of the hustle and bustle of a big, modern city, to a quiet, meditative therapist’s office, to a majestic forest, the editing was top notch. These settings helped tell the narrative in such a profound way. It is the main character’s current existence in his mystifying present, his search for truth with his therapist, and his memories of a vivid past that drive this high-paced, exciting film. Each talented cast member plays a part in this puzzle, as the lead character finally understands his feelings of déjà vu. 

The dynamic cinematography was fearless in its scope, shooting from all angles, and the fight choreography was incredibly powerful and vicious – each clang of the metal blades took such energy and precision from the warriors – and the heightened sound effects were both startling and breathtaking. The fabulous soundtrack matched the intensity of this drama and would definitely hold its own to any major action blockbuster in the cinemas today.  

This was an immensely satisfying film all around, and it really challenges us to contemplate feelings of déjà vu in our own lives. Have we also been down our far-reaching roads before?

Short Film Review: BFFR. Directed by Erika Apelgren

Synopsis:

The story unfolds as Angelica and Patricia navigate a night of wine, food, and conversation. Patricia’s detached and cold approach to the interaction becomes evident, but Angelica, desperate for connection, overlooks her flaws.

Project Links

Review by Parker Jesse Chase:

“BFFR,” a short film written and directed by Erika Apelgren, explores the dynamics of an unlikely friendship through a night of wine, food, and a banter of conversation. Angelica (portrayed by Sharon Gardner) and Patty (portrayed by Apelgren) are significantly dignified as foiled characters; their approaches to life create an intriguing and heartfelt dynamic and narrative.


The film starts by trying to define the connection between Angelica and Patty, two women with distinctly different energies. Angelica, desperate for connection, overlooks Patty’s detached and frivolous demeanor. This contrast keeps the audience guessing about their relationship, leading to a surprising revelation: Patty is a Best Friend For Rent.

Patty’s introduction is memorable: a bright, colorful personality hyping herself up with a swig of Jack Daniels before meeting Angelica. This starkly contrasts with Angelica’s nervous demeanor, sitting quietly in a conservative black 2-pc dress suit. The careful placement of food, the candle lights, and the delicate movements all contribute to the film’s aesthetic and emotional tone.

As they converse, the differences in their views on love and life philosophies become apparent. A moment of tension arises when Patty needs a break and runs to the bathroom, with a humorous moment with bright orange index cards, only to return with renewed determination to support Angelica. The film hints at Angelica’s grief and need for companionship, culminating in a tender moment where Patty asks if she can call her “Angie.” Angelica’s response, revealing her mother’s disdain for nicknames, adds depth to her character and hints at a troubled past.

The concept is both fun and relatable, reflecting a reality where loneliness drives people to seek out companionship in unconventional ways. The script is quick witted yet engaging, with great performances that make you question the nature of their relationship. Are they long-lost friends or mere acquaintances yearning for connection? The story is a commentary on the human need for companionship.


One standout scene features a simple knock-knock joke that highlights the personalities of the two women. The joke, “Knock knock. Orange you glad you didn’t cancel?” brings a light-hearted childlike moment amidst the dimly lit, intimate setting. The lighting and the combination between camera movements and the editing room enhance the dialogue, overall creating a sense of closeness and vulnerability.

“BFFR” is a quick-witted craft of a short film with a strong emotional core. Erika Apelgren’s direction, coupled with Sharon Gardner’s and her own compelling performances, creates a touching story about the human need for connection.

Short Film Review: SHADOW FIST 3: THE FINAL CHAPTER. Action

Review by Andie Karvelis:

From the moment this opens it grabs your attention with its visually striking introduction. The set up of the story is creative and beautifully tailored and lets the viewer know they are going on a journey. I stand corrected, an epic journey!


Robert Jefferson wrote and co-directed this film with Robert Samuels and they knew how to tell a story. This wasn’t just visually stunning with the cinematography but it was also emotionally engaging. It’s always nice to see a strong female lead in an action film, and they couldn’t have cast it better with Roxalinda Vasquez! She is likable, interesting, and definitely has the stunt chops to pull this off beautifully.

There is such a fantastic relationship between Roxalinda and her on-screen brother. You feel the affection they have for one another, which is exactly what you want in a film like this.


Any action film needs a great stunt team and B Squad Accion, Robert Samuels and Angel Brophy did a sensational job. The hits were perfect and what helped sell the believability was the sound effect and camera angles. Speaking of effects, the special effect work really helped sell the supernatural aspect of this film too!

I loved the very epic journey this film took me on, and the filmmakers knew how to make a gorgeous and heartfelt action film.