2017 movies

Film Review: BEING SEEN, Documentary

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Played at the March 2017 DOCUMENTARY Festival

BEING SEEN, 15min, USA
Directed by Paul Zehrer

A combination of funny, acerbic, and heart-wrenching, these people’s candid and articulate self-awareness quickly shatter preconceptions of the disabled.

Review by Kierston Drier:

An American film from director Paul Zehrer, BEING SEEN follows the spirited occupants of an adult group home for the developmentally challenged.

At times gut wrenching painful, and other times embarrassingly honest and frequently disarmingly funny, this film does something magical: it opens your eyes.

Candid and articulate, our subjects recount their understanding and acceptance of who they are, while others describe the loneliness that plagues them since losing loved ones.

There are couples, like Jared and his girlfriend, who decide to get married although they know the difficulties that come with that decision, since they both wheelchair bound. And there are Randall and Katie, a steady couple whose banter will strike many as hilariously familiar.

Self aware, self accepting, beautifully shot and well composed, this is a film that is worth seeing. Above all else, Being Seen will show you that all people are more alike than they are different.

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Film Review: RIVER & OAK, Documentary

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Played at the March 2017 DOCUMENTARY Festival

MOVIE POSTERRIVER & OAK, 13min, Canada
Directed by James Malekzadeh

As Toronto’s Regent Park Housing project is demolished and rebuilt for the second time in its history, two women reflect on the complicated past of their neighbourhood. Through archival footage, the past is brought to the present and the audience is left to decide whether the current revitalization is the best solution for the residents of this often overlooked community.

Review by Kierston Drier:

This Canadian gem, directed by James Malekzadeh, speaks closely to anyone who has ever been affected by urban sprawl. River and Oak follows the lives of a handful of honest, hard working humans who lived and loved Regent Park before the area’s housing project was demolished to make way for upscale (and highly priced) replacement housing.

The interwoven stories of two women show their connection to the place and the people, now pushed out of their historical homes.

Gentrification is a hot topic anywhere that housing is at a premium. While it may boost economy and local real estate, the human displacement is another issue. A population linked to the city by employment, family or any other necessity must remain in the area but where do they go?

River and Oak can not give us an answer to that question. All it can give us is a human look at real people who remind us that your postal code does not reflect the content of your character.

Passionate, strong and hitting-close-to-home, River and Oak reminds us what it means to be neighbours and what forgetting that can cost.

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Film Review: THE GENTLEMAN NEXT DOOR, Documentary

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Played at the March 2017 DOCUMENTARY Festival

MOVIE POSTERTHE GENTLEMAN NEXT DOOR, 16min, USA
Directed by John Mollison

Sometimes the old man next door turns out to also be a young man of a different, violent age.

Review by Kierston Drier:

 “When a man dies a library is burned”. That may very well be the theme of John Mollison’s documentary The Gentleman Next Door, a heart wrenching and touching look at one man’s journey through World War Two. To many he is simply the sweet, always giggling elderly neighbour, slight of build and frequently smiling.

But behind his gentle British accent and kind eyes is a tale of service in the name of his country during one of the most horrific wars of the 20th century. John Wilkinson was just a boy when he entered the war to be a pilot, and was exceptionally good at his job. He kept meticulous records, and took great care his equipment, items that are now considered priceless antiques.

John Wilkinson is impossible to not love. You hear him speak and you feel as if you have always known him. His disposition is bright, cheerful, and he talks almost fondly of his time in the service. A keen eye though, will see him change topics when asked to discuss the darker bits of his work. The keen eye will see his smile flicker, and a shadow dim his eyes when he talks of watching concentration camp liberations at the end of the war.

John Wilkinson, no doubt, was part of a generation taught that war was noble, honest, just and filled with glory. That generation lived those words, and many paid a dear price to uphold them. Today, many of us see war in a less than glorified light. But the shifting public opinion does not change the sacrifices made by so many. Untold numbers lost their lives, and some, like John, lost their youth and innocence.

What makes John’s story beautiful, touching, and unforgettable is his bright and sunny disposition. It is hard to believe a person so gentle has seen and been part of so many horrors and when asked, he brushes those horrors aside. John Wilkinson’s story, is a story of courage and bravery. It is never more noticed, than how effectively he can mask those tragedies behind a genuine smile. No one will tell you war is a good thing, but good people fight in them. John Wilkinson is one.

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Film Review: GULMARG- PARADISE ON EARTH, Documentary

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Played at the March 2017 DOCUMENTARY Festival

MOVIE POSTERGULMARG – PARADISE ON EARTH, 14min, Australia
Directed by Cassie De Colling

A portrait of a small once wartorn mountain village that has been discovered as a new frontier for western ski tourism. The film explores the past and the future that Gulmarg is undergoing.

Review by Kierston Drier:

 A once war torn area in the now ungoverned mountain range between India and Pakistan, Gulmarg sits, nestled in snow. This film, coming to use from Australia via director Cassie De Colling, follows the inhabitants of the simple town and their largest tourist attraction- Winter Sports.

Gulmarg- Paradise On Earth boasts stunning footage, gorgeous cinematography and beautiful landscapes. But it also tells a story of cultural clash. The primary tourists- Globetrotters from all over flooding into the small village- bring stability and steady income into the area. Yet the also bring ways of life that are not shared by the locals.

Drinking, intoxicated partying and imbibing in certain foods do not mesh well with the religious inhabitants. While the tourists are welcomed, and even encouraged to do the things that make them happy, (and promote the local economy) of Gulmarg, it is not without tensions.

A film about cultural change in the wake of holiday fun, Gulmarg- Paradise On Earth reminds us to take a deeper look at the land we tread on and the neighbours we share. All while showing us the gorgeous topography of the staggeringly beautiful world we live in.

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Film Review: THE BODY I LIVE IN, Documentary

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Played at the March 2017 DOCUMENTARY Festival

MOVIE POSTERTHE BODY I LIVE IN, 7min, USA
Directed by Sam Davis-Boyd

A personal-narrative documentary that follows Sam Boyd on her journey of self-love and acceptance, in a world that tells fat women they don’t deserve it. There is a large cultural narrative about female attractiveness, especially fat woman’s attractiveness (or lack thereof) that pervades fat women from feeling like they deserve to be loved, respected and wanted by another human being in a romantic way.

Review by Kierston Drier:

 Exceptionally strong and unwaveringly brave The Body I Live In directed by Sam Davis-Boyd, follows the narrative story of an American woman on the journey of love. Not romantic love, she’s found that, by means of a caring and supportive fiance.

But the love for herself is another story entirely. Despite being a beautiful, funny, inspiring woman, Sam is plus size. She grapples with the emotional and social repercussions of this everyday.

In Sam’s journey, we see her family, her partner and herself talking openly and honestly about what it means to live in their bodies and how it is to see Sam in hers.

This director should be commended for the honesty she puts into her work, and the very real world she puts the audience in. More importantly, this film leaves no easy answers, but still manages to show us unbreakable positivity. Sam has a rich full life, lacking in nothing sweet, loving or wonderful, and she knows it. For those watching The Body I Live In, there is much to love.

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Film Review: THE SAD MONK, Documentary

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Played at the March 2017 DOCUMENTARY Festival

THE SAD MONK, 11min. Germany
Directed by Diana Frankovic

Following this path to Nepal, we meet the young Tibetan buddhist monk Tenzin, a representative of a new generation, who is grappling with the questions of life and his religion. But instead of enlightenment, we find doubtful young monks who are asking the same kind of questions about their lives as we do about ours.

Review by Kierston Drier:

 Coming to us from Germany, The Sad Monk directed by Diana Frankovic, follows Tibetan Monk Tenzin and his journey through the corporal world. Monks’ are considered followers of faith, aspiring to higher purposes and searching for greater goals than found in the material world. This is why The Sad Monk is a rare find- it showcases the struggles one must face when committing to a life of higher aspirations.

Tenzin joined the Monastery as a young boy, but as he grew, so did he yearnings for the outside world. We see him weaves his way through the emotional up and downs of a life of solitude, a lack of material possessions, sexual frustration, longing for close personal friendships outside of the monastery, and a desire to see the world. As Tenzin even states, Monks must do everything alone, even experience joy.

What is most captivating about this bright and brilliant piece, outside of the fascinating character of Tenzin and the unique approach to his life- is the music. We may often think of a mon living a life of quiet reflection, but Tenzin lives in a world of vibrant sound. The bustle of the towns and streets surrounding the monastery are ever present, perhaps a constant reminder of what lives just outside of Tenzin’s reach. A poetic and beautiful look at one human life and the sacrifices made in the pursuit of our faith.

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Film Review: PERFUME WAR (Canada 2017) ***1/2

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

perfume_warDirector: Michael Melski
Writers: Michael Melski, Barb Stegemann
Star: Pasha Ebrahimi

Review by Gilbert Seah

If there is ever an inspirational film that will move audiences to return their faith in the human race, PERFUME WAR is it.

Michael Melski’s fascinating documentary explores the extraordinary friendship between two best friends, Trevor and Barb whose shared mission of peace has made an enormous impact on countless lives.

The film begins with equal time devoted to each before concentrating on Barb. Captain Trevor Greene joins the military to fight the oppression of women in Afghanistan. Barb Stegemann is a single mom who is moved to take on her best friend’s mission after he is brutally axed in the head by the Taliban. Stegemann works with Afghan farmers to grow legal orange flower crops instead of the illegal heroin poppy–the Taliban’s chief income source–and creates an unlikely weapon in the fight for world peace – perfume. The topic is an interesting as it is strange. But director Melski inserts the inspirational factor into his film.

This he does firstly by dotting quotations by the Roman Emperor Marcus Aurelius throughout his film. Example: “Change is nature’s delight.” Next Melski inspires through the lives of both Barb and Trevor. Trevor and Barb are visionaries.

Trevor describes himself as the most driven person he knows – and one that is driven on principles, not by money. Trevor is described by Barb as the most inspirational person who changed her life completely. She is also described by her University professor as an engineer of civilization, who in his 34 years of teaching has only encountered a handful. Barb and Trevor are best friends (no sex). When Trevor met Debbie, Barb knew Debbie was the perfect one for Trevor and the three became good friends. Barb and Trevor each pushes the other towards the limit.

When the Taliban takes an axe to Trevor’s head, Trevor survives. A miracle! More inspiration! Barb decides to give her life to continue Trevor’s mission. She embarks on the business venture (even securing funds from DRAGON’S DEN) so that the business can continue and the Afghanistan farmers can continue to work.

Melski’s film is total convincing as he includes clips of the farming in Afghanistan The enactment of the meeting that resulted in the axe to Trevor’s skull is also re-enacted to full disturbing effect. Melski also debates the topic of social good vs. monetary gain. Barb had to get capital from TV’s DRAGON’s DEN.

Those who have watched DRAGON’s DEN will be pleased to see the film’s heroine pitting her wits with her social venture to the dragons who only look at the money prospects of a business venture. Dragon Kevin O’Leary obviously gives a no. But Melski shows that even dragon have consciences and a human desire to do good. Another fascinating segment of the film is devoted to how Barb beats the big companies in the perfume business.

The film is about challenge. The film is about doing what’s right and to make a difference to change the world – to make it a better one. PERFUME WARS inspires!

Trailer: https://www.youtube.com/watch?v=GS7KteaH55U

 

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

HOT DOCS 2017 Reviews: LET THERE BE LIGHT (Canada/France/Italy/Switzerland/USA 2017) ***

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

let_there_be_light.jpgLet There Be Light follows the story of dedicated scientists working to build a small sun on Earth, which would unleash perpetual, cheap, clean energy for mankind. After decades of failed attempts, a massive push is now underway to crack the holy grail of energy.

Directors: Mila Aung-Thwin, Van Royko
Writer: Mila Aung-Thwin

Review by Gilbert Seah

This documentary attempts to answer the question: Can mankind create a small sun on Earth? The purpose, to develop a clean, safe and unlimited power, has been an obsession for scientists and inventors for centuries, and an underlying preoccupation for society as a whole.

For decades, fusion has been delayed and thwarted by failure, miscalculation, fraud and politics. But today, fusion is being pursued with a renewed zeal.

The film explains the process of fusion, as simply as possible to the audience, assumed to know nothing about Physics. But as the film progresses, the doc gets bogged with the details of scientists explaining all the different processes involved in the collaboration, that according to the directors is taking place among 37 countries.

At times, the film plays like an educational piece slotted for schools. Still, the doc is educational, even if not always entertaining. The funniest segment involves a 40-year old native of Bowen island (Canada) working alone on his fusion reactor in his garage. Director Aung-Thwin and Royko do their best to get her audience to identity with the subject.

Attending Hot Docs will be director Mila Aung-Thwin and Physicist Michel Laberge.

Trailer: https://vimeo.com/205254516
 

 

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

HOT DOCS 2017 Reviews: 78/52 (USA 2017) ***1/2

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

7852An unprecedented look at the iconic shower scene in Alfred Hitchcock’s Psycho, the “man behind the curtain”, and the screen murder that profoundly changed the course of world cinema.

Director: Alexandre O. Philippe
Stars: Alan Barnette, Justin Benson, Peter Bogdanovich

Review by Gilbert Seah
 
78/52 offers an unprecedented look at the iconic shower scene in Alfred Hitchcock’s PSYCHO – the “man behind the curtain” and the screen murder that profoundly changed the course of world cinema. The famous shower scene – the opening and closing of the bathroom door; the water streaming from the shower; the curtain slowly pulling apart; the repeated stabbing; the blood flowing down the bath; the door bathroom door slamming shut.

The entire scene’s storyboard with the script is read aloud (and also the pages of the novel of the same name by Robert Block, illustrating the differences) to the audience as the scene, unfolds one step at a time, offering a fresh insight.

The contribution of both Edward Hermann to the music and George Tomasini to the sound effects are detailed in the film, providing more insight and pleasure to the cineaste.

The film includes clips of films that have been influenced by Hitchcock. Director Philippe (DOC OF THE DEAD) has done thorough and detailed research on Hitchcock and the shower scene and it shows.

The result is one of the best and most insightful documentaries on the techniques of the Master of Suspense.

Clip: http://www.dreadcentral.com/news/208152/sundance-2017-new-7852-clip-goes-psycho-shower-scene/
 

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Film Review: FRANTZ (France/Germany 2016) ****

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

frantz_posterDirector: François Ozon
Writers: François Ozon (scenario), Philippe Piazzo (in collaboration with)
Stars: Pierre Niney, Paula Beer, Ernst Stötzner |

Review by Gilbert Seah

What would be another year without another film from French director Francois Ozon? Ozon’s last two films were JEUNE & JOLIE and LA NOUVELLE AMIE and my favourites are SITCOM and LES AMANTS CRIMINELS. Ozon’s films have often been about twisted love. FRANTZ is no different.

At one point in the film, the protagonist is given the message to live and love life. The advice is more easily said than done. Ozon’s entire film is devoted to prove the fact.

FRANTZ is Ozon’s (which he co-write with Phillippe Piazzo) elegant tale of love and remembrance set in a small German town in the aftermath of World War I (1914-1918). A young woman, Anna (Paula Beer) mourning the death of her fiancé, Frantz forms a bond with a mysterious Frenchman who has arrived to lay flowers on her beloved’s grave. The mourning is representative of a larger national mourning where many Germans (and French) soldiers lost their lives. The question immediate to ones mind is who the Frenchman is and why he is laying the flowers. With Ozon, an open gay director, the best guess (and mine too) is that the Frenchman is Frantz’s gay lover and that the gay relationship was kept from the family. That would have been too obvious. This is not the case. The secret is revealed and only revealed about the half way mark of the film.

Anna’s German home town are just beginning to emerge from the shadow of horrendous war. Frantz’s parents are shattered over their son’s death. The stranger reveals himself to be Adrien (Pierre Niney) who knew Frantz in the pre-war period, when the two of them became fast friends over their shared love of art and, in particular, music. But there is much more to the story, which is revealed a bit at a time in Ozon’s carefully calculated though slow moving tale of redemption.

Anna is convincingly portrayed by 21-year old Paula Beer. Pierre Niney, famous for his lead role in YVES SAINT LAURENT shows off his magnificent (despite the artificially inserted made up war wounds) male body, basking in the son, reminding the audience that this is a film by Ozon. Ernst Stötzner and Marie Gruber are also excellent playing Frantz’s parents Doktor Hans Hoffmister and Magda Hoffmeister.

A bit of needed tension is provided by the village’s hatred for the French. Whenever Adrien walks about alone or at night, there is fear that he might be killed or badly beaten.

There are many issues on display in this post World War 1 drama. The most important is the individual’s search for happiness. This is seen not only from Anna’s point of view but also from her suitor, Frantz’s parents and also from the much oder Mr. Kreutz (Johann von Bülow) who wishes Anna’s hand in marriage after hearing of Frantz’s death.

This is Ozon’s most emotional and sombre film, again meticulously crafted and though might be tedious to some, succeeds in the very end. The film is shot in both German and French, black and white and in colour. Ozon reportedly drew his inspiration from the Ernst Lubitsch’s 1932 drama BROKEN LULLABY, with stunning visual references to painter Caspar David Friedrich.

His next film L’AMAMT DOUBLE with his regular Jeremie Renier and Jacqueline Bisset should be something to look forward to.

Trailer: https://www.youtube.com/watch?v=XO_z5BRsFnM

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com