Interview with the Festival team of FILMSAAZ

Filmsaaz is an annual celebrated international Film Festival organised by the University Film Club of Aligarh Muslim University (AMU). The festival is one of the largest multi-disciplinary art and cultural festivals in India dedicated to the exhibition of short film, documentaries, music, art and cultural advocacy programs. This 4 days festival hosts the screening of upto 50 differently categorised movies and on the eve of 4th day holds an award fiesta. Thus asserting a down shift in the isolophiliac nature of today’s mind, by uniting them to crave for such hearty gathering.

A legacy of 11 long years, and enormous heart warming memories to cherish with, Filmsaaz has witnessed the presence eminent Indian Cenematic intelligentsia. The 12th edition is all set to deliver, an awe inspiring selection of movies from across the globe. For the past 11 years, Filmsaaz has been one of the ideal events in Aligarh achieving new milestone with every passing year.


Matthew Toffolo: How did you get involved with the festival?

FILMSAAZ: For the aspiring filmmakers, who submit their work at our festival. We specially screen their work at our Kennedy Auditorium, built in our University. With a seating of over 12,000, the work of these Filmmakers is spread all over the city. Moreover, at the last day of our event. We hold a special felicitation ceremony for the films that has been adjudged as the winner in different categories. In the felicitation, the filmmakers are awarded an exclusive FILMSAAZ trophy along with a certificate specially given by our chief guest which is usually a renowned personality from Bollywood.

2) What are the qualifications for the selected films?

FILMSAAZ has always been a festival of movie and drama. Filmy vibes can be felt throughout the 4-day event. From film screenings to photo booths. From musical evenings to eye-catchy decorations. These is nothing that won’t make you stay for a while longer.

3) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

No, we never think that. All the deserving movies gets a fair chance in competing in the competition. That’s the only reason we’re now getting some good and meaningful movies at international level

4) Where do you see the festival by 2023?

In the next 5 years, we definitely see our event as one the prominent Film Festivals around the world. Like the number of International stuff we’re getting. We’ll soon might have more number of International movies competing at our festival than the national ones.

5) What film have you seen the most times in your life?

6) In one sentence, what makes a great film?

A great script and team makes a great movie.

7) How is the film scene in your city?

We didn’t had much support for filmmaking in our city. But for the past 4-5 years, alot number of great and enthusiastic filmmakers are coming up with some great content.

8) What are the qualities a programmer needs to select the best films for a festival?

Well, since we all know. Nothing in this world comes easily. We’ve been on a rollercoaster ride everytime. Sometimes, we do get a lot of movie and sometimes, we don’t. But thanks to filmfreeway for making us a lot easier to reach some great filmmakers around the globe. Now, we just need to register our festival and all the other work is done by them.

9) How has your FilmFreeway experience been so far?

A great service. Have done wonders for us.

filmsaaz 2

Interview with Festival Director Anastasia Cazabon (GRRL HAUS CINEMA)

 GRRL HAUS CINEMA is an ongoing program of short films and video art made by women. A mix of local, national, and international artists present work from a variety of disciplines: narrative, documentary, experimental, and conceptual. With an emphasis on low budget and DIY, GRRL HAUS is a space for underrepresented voices in the arts today.

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Anastasia Cazabon: GRRL HAUS CINEMA began as a way to showcase short films and video art by women directors. We show films by emerging filmmakers, many who have just started their journey into filmmaking.

2) What would you expect to experience if you attend your upcoming festival?

We put on multiple events throughout the year. We have screenings every other month at IL KINO Berlin. End of the year screenings at The Brattle theatre in Cambridge MA, USA. And then many other screenings dispersed through the year. Some past venues include, The Institute of Contemporary Art Boston, Alamo Drafthouse Yonkers, WORM Rotterdam, Oblomov Kreuzkolln, Loophole Berlin and Dorchester Art Project.

Some events are more traditional movie-going events in cinemas, and others are in DIY spaces. We have had events that have included art exhibitions, bands, vendors, performance art, dancers and DJ’s.

So every event is different, but they all have a common theme in celebrating women filmmakers and artists.

3) What are the qualifications for the selected films?

The qualifications is that the film must have been directed by a women (female identifying) . And the film must be less than 30 min.

We try to select films without distribution and lower budget.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I think it’s pretty hard for many low budget films to compete with higher budget and distributed films. Which is unfortunate because lower budget doesn’t mean lower quality – this is one of the reasons that GRRL HAUS exists, to give an audience to these amazing films.

5) What motivates you and your team to do this festival?

GRRL HAUS events are really fun to put on, and seeing the filmmakers at the events is a great experience. Many of the filmmakers we feature are just starting out and have never shown their films to a public audience, so giving them this opportunity really motivates us.

6) How has your FilmFreeway submission process been?

The FilmFreeway process as been great. It’s a really great platform to view films and super user friendly.

7) Where do you see the festival by 2023?

I see the festival expanding to different locations and growing as a community of filmmakers.

In Berlin, we have recently began short-term residencies for filmmakers. Where we will be showcasing 2-3 international filmmakers at a time, with three opportunities for public screenings.

So I hope to continue with different events and ways of giving female filmmakers a platform.

8) What film have you seen the most times in your life?

That’s really hard to say- I’ve watched a lot of movies, and I re-watch a lot of movies. Let’s say Mulholland Drive, Daisies, Vertigo and Dazed and Confused.

9) In one sentence, what makes a great film?

When every element involved – cinematography, screenplay, sound, acting, editing, etc- comes together seamlessly, for the same artistic purpose.

10) How is the film scene in your city?

GRRL HAUS is currently located in Berlin. The film and art scene is incredible here and thriving.




 girr haus 1

Interview with Festival Director Bill Hass (FORT WORTH INDIE FILM SHOWCASE)

The Fort Worth Indie Film Showcase (FWIFS) is going into it’s sixth year. It started as a small “boutique” showcase, designed to service local and regional filmmakers. The festival quickly grew in popularity and is now an international festival servicing filmmakers around the globe. The first year, it screened about 40 films, and they struggled to find those. In 2018, they screened around 120 films over the course of three days. They are a multi-genre fest. They screen features and shorts on a variety of topics. In their fourth year, they relocated to Sundance Square, in the heart of downtown Fort Worth. They typically present the festival in the third week of July. The dates for 2019 are July 18-20, and we are currently open for submissions.


Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Bill Hass: What we do successfully is provide a platform to grow. We are going into our sixth year and we have some filmmakers that have participated with us from the beginning. It is encouraging to see the quality of films improve over time. We take a family approach to our event. Once you participate, you’re one of us. With that we do all we can to help filmmakers grow their networks. We make them aware of other festivals, we make introductions to other filmmakers in attendance, and we set up panels and discussions to speak on specific areas of the craft.

2) What will attendees experience when they attend your upcoming festival?

We do everything we can to put a spotlight on the filmmaker. FWIFS is about each individual artist. Of course, we will show the films. Beyond that we are looking to expand the experience by offering a full day of panels on various topics. For the screenwriters, we are also looking at an opportunity to have local actors read portions of their scripts before an audience.

3) What are the qualifications for the selected films?

We look for films that tell an interesting story, films that leave you thinking and spark discussions. As a multi-genre fest, we look for and accept a wide variety of projects. We like to present a strong cross-section of films, everything from horror to comedy, and romance to faith based. The element that all of our projects have in common is a tight story, told with interesting characters.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

The really nice thing about the independent film festival, is that all films are equal. A film that was produced with a zero budget will be considered alongside a film with a six figure budget. Each film is judged on its own merits. At FWIFS, we take every submission seriously. Every other festival I’ve dealt with does the same. That being said, as filmmakers we need to make sure we’re submitting according to the festival rules. In other words, don’t submit a feature drama to a festival that specializes in short comedies. As long as films are submitted within the guidelines of the festival I believe they are fairly considered. I think that is true for all festivals. I know that is true for us.

5) What motivates you and your team to do this festival?

The filmmaker and the audience. Festivals like this are important to new and independent filmmakers because we provide an outlet for them to show their films. For those who attend, they also have an opportunity to engage the audience and receive valuable feedback. It’s great to see filmmakers interacting with the audience and their peers. It’s also very nice to watch and audience enjoy a film that they may not have seen or known about, except for our festival. It’s a really good feeling to know what we had something to do with making that happen. That motivates us to do it the next time.

6) How has your FilmFreeway submission process been?

FilmFreeway has made our submission process really easy. The receipt, review, and acceptance process is really simple. It’s easy for the judges. Of all the platforms we’ve tried so far, FilmFreeway has brought us the most success. Anytime I’ve had a question or a problem, I’ve been able to get help right away. They also consistently improve the platform and add features that increase the value. I am very glad we discovered FilmFreeway.

7) Where do you see the festival by 2023?

In addition to what we’re already doing, by 2023 I’d like to see us offering more workshops and panels. I’d also like to see more blocks that cater to writers and story development. Over the next five years I also want to continue fostering our relationships with schools and student filmmakers. Ideally, we’ll see a level of growth that will enable us to add another day or possibly another venue in addition to our current location.

8) What film have you seen the most times in your life?

The Matrix. I really enjoy the way that story unfolds.

9) In one sentence, what makes a great film?

Well developed characters in a well written story.

10) How is the film scene in your city?

It’s getting better. We have a new film commission that is working to bring filmmaking to Ft. Worth. There are a lot of great locations to shoot, and the Commission is really focused on building a reputation as a Film-Friendly city. Aside from ourselves, there are several other festivals that go up throughout the year, so there is a decent opportunity to catch indie films. I’m looking forward to seeing what develops here over the next few years.

About the Festival Director:

Bill Hass is the programming director and one of the founders of FWIFS. Bill is himself an award winning filmmaker, so he and the team present the festival from a filmmakers perspective. Bill’s journey to programming this festival was about thirty years in the making. He started as a stage actor. From there he learned to write, which led to making films. Filmmaking evolved to programming a festival. He’s been programming the festival since it’s inception, and he works to present a strong cross-section of films each year. The focus is on presenting strong character driven stories in all genres. He also looks for opportunities to mentor young filmmakers whenever possible.

fort worth 2

ARFF International Celebrates it’s 5th Year with Serious Series of Events

Around International Film Festival will be celebrating its 5th year in 2019 with the event series in order of ARFF Barcelona, ARFF Paris, ARFF Amsterdam and ARFF Berlin as a last destination, to gather all Around filmmakers and enthusiast altogether with the Award Events. Also with an exclusive film project which all the filmmakers who submitted during 5 years, can take an active part. 


This year’s promo films are conceptualized with the telepathic connection to emphasize that filmmakers all Around the world are able to feel beyond 7th emotions.


ARFF International believes that any ”new born” visual creation which has been established on planet earth, generates a new dimension to enhance the human perception.

This 8th emotion will be unveiled in the videos  also refers to the cinema as the 8th and the last art form in the world.



By following the Holly-mood concept, Around Films Network completed the promo series with 8 main characters in 8 hours with 8 one shot sequences by featuring with Timo Jacobs, Drifa Hansen, Katja Sallay, Natascha Vincenza, Mark Windsor, Lavinia Bal, Scott Grabell and Lolita Va Voom. Conceptualized scenes are captured by cinematographer Frank Schwaiger, art director Reelika Ramot and the ARFF International director Onno Mara.

Promo Series will be online in 4 countries during the ARFF 2019 season as mixed media  works to mention the all genre discipline of Around International Film Festival. 


ARFF International Multiple City Editions are always open for submissions to serve the filmmakers 7/24 for screening all genre films, music video & animations from all Around the World.

ARFF_Filmfreeway_Logo_AMS_Yeni ARFF_Filmfreeway_Logo_PARISARFF_Filmfreeway_Logo_BARCA_YENI ARFF_Filmfreeway_Logo_BERLIN

withoutabox button.png

Interview with Festival Director Katie Bruce (UTAH DANCE FILM FESTIVAL)

The Utah Dance Film Festival is an international dance film festival, an arts education organization and a catalyst for movers and filmmakers to connect, collaborate and create.


Matthew Toffolo: How is the film scene in your city?

Katie Bruce: Utah has several amazing film scenes occurring simultaneously. We are fortunate to have professional productions filming here, like Paramount Network’s “Yellowstone,” Disney’s “Andi Mack,” and HBO’s “Westworld.” BYU also has a network, and their productions include “Dwight in Shining Armor,” “Random Acts of Kindness” and “Studio C.” Plus, we also have quite a few Hallmark features that film here annually. There are a lot of opportunities for film students to make the jump from classes to sets in all departments. Sundance Film Festival is a big part of the film scene, but that also includes their Director’s Lab and Feature Film Program which develop and foster the production of new works. Damien Chazelle is a director who participated in those programs, and they are a big part of the reason that “Whiplash” was made.

Film producers love Utah because the labor force is skilled, dedicated, reliable and hardworking, and the costs of production are low. Utah has 5 National Parks, 4 universities, and the Utah Film Commission which offers tax rebates on projects filmed in the state. There are always rad locations accessible year round, and plenty of places to rent professional gear.

The Utah Dance Film Festival is based in Utah County, where Adobe and The Void have homes, and the CW series “Outpost” built a rad set for their first season of filming. We receive a lot of films from the dance department at BYU, as well as from the film department at Utah Valley University. Dance is HUGE in Utah – Utahns have made quite the impact on dance television, and the coolest crossovers between those cultures are happening at local colleges. UDFF is right in the center of that mix!

What is your Film Festival succeeding at doing for filmmakers?

Dance on camera is SO consumable on social media, but for filmmakers who are putting in the time in pre and post production, recognition can get lost. We see the widest variety of production value in our submissions – some pieces are filmed from a fixed, frontal point, almost the way you would watch a dance performed in a theater, and with one lighting setup. Other pieces are built in such a way that they are ONLY possible as a film, using perspectives and setups that would never be possible in a live performance. Our film festival highlights filmmakers from many cultures, with different skills from across the globe so that audiences can start to see a more complete view of all the ways in which human movement is unique, that the expression of that movement is an important visual communication, and that the makers of these films are worth celebrating. We are getting filmmaker’s names out there so that they can be appreciated.

What motivates you and your team to do this festival?

Global connectivity of artists, for sure. Dance is this ancient art form which disappears the moment after it is created. A dance has almost no artifacts or proof of existence on its own. That is why it is so exciting to observe the ways in which film and digital technologies are changing dance, as well as perfectly preserving an archive. Past generations of choreographers had to create detailed visual languages to write their dances down, and there really wasn’t an ideal way within those writings to capture or communicate the visceral experiences of dancers as they performed. Dance films are the only way in which a dancer can sit with his or her audience and feel what they are feeling at the moment the dance occurs. My mind never ceases to be blown at that power. It’s especially cool to see how kids and teenagers respond to that opportunity.

What will attendees experience when they attend your upcoming festival?

Our fest is so rad. We offer dance classes where anyone can participate, meaning that sometimes we have filmmakers trying dance for the first time, or a dancer holding a camera for the first time. We offer film workshops on topics like location scouting, pre and post production, and editing taught by professionals. Last year we screened 32 films from 12 countries, and then the festival culminates with a live awards show that features the winning films as well as live dance performances from notable Utah dance companies. It’s a totally unique event for the dance film scene in Utah, and our venue, the SCERA Center for the Arts in Orem, is an amazing location for the weekend.

What are the qualifications for the selected films?

Films need to feature movement. The movement doesn’t have to be refined or technical to be considered. It’s that simple. We receive narratives, documentaries, experimental animation films, the whole spectrum of works. Films can be from any time frame, of any length. We accept works by students and professionals.

We have a 24 hour film competition called MOVE which is our specialized lab for all kinds of human motion – for that, we have accepted films featuring speed walking, rock climbing, sports, alien abductions – a wide variety! This year MOVE is February 15th and 16th, 2019. Teams pre-register and can arrange, costume and plan a short film ahead of time. Then on the 15th we release a theme, and teams have 24 hours to film, edit and submit their works in conjunction with that theme. Winners will be screened at the film festival the following week. It’s a really cool way for people to get involved with our festival right when our hype is at a peak!

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I do think that is true, yes. In our case, we sometimes have films that just seem a little lost. A filmmaker might have spent tons of valuable time fundraising, planning, shooting and editing only to have submitted to a festival that isn’t quite the right fit. FilmFreeway is the coolest platform because it enables filmmakers to easily shop around and find festivals with a scope that is relevant to their work. I also feel that it’s really important that festivals have fair systems, criteria and categories for judging. In our instance, we have a panel of two filmmakers and two dancers who judge our works. The judges decide on finalists, and scores determine winners. We also don’t allow for ties, which keeps our process competitive and specific at the same time.

How has your FilmFreeway submission process been?

UDFF adores FilmFreeway, and for our 2019 festival we have added a photography category for the first time! There is no way we would have considered adding photography, nor would we have known how to go about doing that, without FilmFreeway. Our directors are also on the platform as filmmakers, and it has been so stunning to see the number of dance film festivals on the rise. We handle all of our tracking, notifying, judging and ticket sales on FilmFreeway, and wouldn’t have it any other way.

Where do you see the festival by 2023?

Definitely giving out grants and scholarships to support more artists at multiple stages of production or studies.

What film have you seen the most times in your life?

Either The Royal Tenenbaums or The Darjeeling Limited, possibly The Princess Bride, (specifically on VHS, recorded from a television broadcast), and perhaps Willy Wonka and the Chocolate Factory.

In one sentence, what makes a great film?

Thoughtful lighting, composed shots, good audio, clean edit and a bravery to explore.


utah dance 1.jpg

Interview with Festival Director Otessa Ghadar (DC Web Fest)

The DC Web and Digital Media Festival highlights the best of the web. The festival goes beyond web series to include various forms of digital media, such as Short Films, Screenwriting, and Game/App development. The MISSION of this festival is to Entertain, Educate, and Promote these new and innovative art forms.


Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Otessa Ghadar: The DC Web Fest is a great platform for independent digital media creators to showcase and promote their work. We have a total of six categories: web series, digital shorts/trailers, games, apps, AR/VR, and blogs/scripts. At the festival, shows have been picked up for distribution. Some of our web series have moved on to television and many of our games have moved on to major consoles like Xbox, PlayStation 4, and Nintendo Switch. The DC Web Fest is also a place where industry players come in search of exceptional content.

2) What would you expect to experience if you attend your upcoming festival?

I would expect to experience a wide range of digital content in addition to educational panels where I can learn from industry professionals, from writers, directors, and producers to digital marketing experts, podcasters, and IP law professionals. I would expect to meet many like minded creatives and form meaningful, productive relationships. Mostly, I would expect be uplifted, entertained, and educated with the best of indie digital content.

3) What are the qualifications for the selected films?

The main elements we look for are strong original story with conflict and character arc, production quality, and strong editing. There are specific criteria that can be found on our FilmFreeway page through

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

As a woman and minority owned organization, the DC Web Fest is devoted to inclusion and diversity. There is definitely division and underrepresentation, which need to be addressed. That’s why we are currently working on a side project (Analyzing Diversity in Media) that collects data to highlight the various issues with diversity in media. Please help us make a difference by taking just a few moments to complete our questionnaire! Here is the link:

5) What motivates you and your team to do this festival?

Indie creators need to know that there are platforms that freely welcome their ideas that are rejected by Hollywood. The indie community is like a family, and we need to all ban together to keep the indie spirit strong. DC is a vibrant city full of creatives. We want them to know that there is a place to call home. They don’t have to travel to the major markets (i.e. LA and NY) to tell their stories. They can tell their stories right here- in DC where many are hungry for authentic, creative digital content. Each year, our creatives have shown their gratitude and many continue to excel.

6) How has your FilmFreeway submission process been?

Our experience with FilmFreeway has been quite positive. It would be great if we could make the process more personalized. But since our inception (year 1), we’ve seen submissions increase by a multiple of 20.

7) Where do you see the festival by 2023?

By 2023 we will be showing work that our minds haven’t yet conceived of…and that’s just how we like it. The future is in our blood over here.

8) What film have you seen the most times in your life?

We were film majors! Where shall we begin?! The Graduate (just to name one). We can send a spreadsheet of our favorite films if you would like.

9) In one sentence, what makes a great film?

A strong storyline with a clear, concise goal, conflict, and characters who progress throughout make a good film. sometimes the conflict or goal need not be so clearly defined. Sometimes, a strong story, with meaningful characters can hit a nerve and unite a viewership. It’s not so cut and dry. There is a structure, but there is also more than that. It’s all about knowing “the rules”, then knowing how and when to break them.

10) How is the film scene in your city?

DC is full of energetic, passionate filmmakers and storytellers. There are other festivals that also serve as platforms for local filmmakers to showcase and promote their work, such as the DC Black Film Festival. DC Web Fest founder, Otessa Ghadar, serves on the advisory board of the DC Black Film Festival. DC Shorts is another popular local film festival.

dc web fest 1

Interview with Festival Director Rob Lobosco (MELBOURNE INTERNATIONAL CINEMA EXTRAVAGANZA)

The Melbourne International Cinema Extravaganza M.I.C.E. aims to be one of Melbourne’s leading cinema extravaganza, raising awareness and celebrating these wonderful totem animals- Mice.


Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Rob Lobosco: As a new film festival it is a great opportunity for filmmakers to submit and be part of something evolving, bringing together a collection of great films and celebrate their efforts.

2) What would you expect to experience if you attend the festival 2019?

A collection of great work in honour of the millions of mice that are used in research to save lives.

3) What are the qualifications for the selected films?

Films will be judged and the best will be selected. Of course All film creations are the best in which case all films will get a mention.
We are most excited about looking for an amazing script.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I think all festivals do their best In judging and sharing their viewpoint about the films. It is a collective decision amongst the judges and sometimes it may be disappointing to filmmakers not to be selected. But there is a huge celebration for filmmakers to complete a title and that’s the main focus for filmmakers to embrace. We all see the amazing creation in your film and are honoured to watch it and ‘not selected’ should not dishearten you, it should propel you to keep going.

5) What motivates you and your team to do this festival?

Creation, stories, characters, situations and how they all blend together to become a film. Film fascinates me in that there are limitless ways to tell a story and the filmmaker chose this particular way. It’s amazing to judge film with this in mind.
The motivation also is for the life saving totem animal of our festival – mice.

6) How has your FilmFreeway submission process been?

Film freeway is a great platform and fantastic place to submit films all around the globe.

7) Where do you see the festival by 2023?

We see it as a hub for emerging new talent and with its creators actively writing, producing and judges for other film festivals, it will become something quite special for filmmakers. A festival to bring together film makers with their new creations, network, collaborate and ultimately create!

8) What film have you seen the most times in your life?

A few- Beaches, Titanic and Muriel’s Wedding!

9) In one sentence, what makes a great film?

Investigating a situation/story and truthfully following the character’s physical, emotional, esoteric and spiritual journey, makes an Oscar winning film.

10) How is the film scene in your city?

Melbourne is a multicultural hub for amazing artistic talent and wonderful films. It’s a great place to be to create.

Even though we are so far away ‘downunder,’ we are very well connected to filmmakers all over the globe because of the need to collaborate and connect and create!