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Giorgia Whigham is the daughter of actor Shea Whigham. She had her first break in the acting world starring alongside Ellery Sprayberry in the 2016 short film Pinky.
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When I did ‘Studio 60 on the Sunset Strip’ I would look over and see Aaron Sorkin pacing around in the corner of the stage, mumbling to himself. I thought, Well, he’s crazy. And then I realized what he was actually doing was playing out the next week’s scenes as he was writing them. And that was intriguing to me. So now I’ve become one of the people that mumbles in the corner of the room.
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Also everyone’s hearts are in the right place when you do a small movie. You’re not doing it for the money; you’re not doing it for the possibility of an Oscar nomination. You are doing it because you love the material.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn’t do them. And I don’t want to screw them by not portraying them honestly.
We [her and her husband, Kevin Bacon] don’t do what we do for awards, we do it for the pleasure of acting. However, I’d love to win an Oscar. I went to Susan Sarandon‘s. Her office has a small bathroom. All over the wall, all the way up, are her awards.
I enjoy fans coming over. I don’t do this job and then look to run away from people and hide behind security. I love what I do. If a good play came along I’d grab it, but what I really want is more films. I’m a workhorse actor.
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I’m more proud of my upper body. Let’s just say I’m a typical female in that way.
For me, what is important is to bring the inner life of these characters – their strengths, contradictions, anguish and triumph – alive. I was very shy about acting. I thought you had to be confident. I was confident with my friends, but I would never think of acting in front of anyone else.
I wish I had some dirt on Danny DeVito, but he is honestly the nicest, sweetest man I’ve ever met in my life. I love him, I love being around him. He’s become like a part of our family. His wife and kids are amazing. Like, he’s the happiest man I’ve ever known. He doesn’t really have much to be sad about.
I’m just a giant fan of Will Ferrell and Sacha Baron Cohen. They make me laugh so hard, I make hideous noises and that’s a good sign. I also love Michael Cera, I think that kid is hilarious. And Annette Bening. She’s one of my heroes. I think she’s amazing because she’s hysterically funny without trying too hard.
I feel happy to be the only girl on the show. We get along really well, we’re all really good friends now, I don’t feel left out. I think that they were surprised that a girl could hang out and have fun with them, and I was like, “Really? You guys don’t know any funny women? That’s too bad.
I wasn’t in a hurry to take everything that came along. It’s pretty important to me to be proud of the work I do. I didn’t want to just be cute and on TV. I wanted to be funny.
I’m an actor and, each time out, I’m trying to convince the audience that I’m this character. Every little thing that people know about you as a person impedes your ability to achieve that kind of terrific suspension of disbelief that happens when an audience goes with an actor and character [he’s] playing.
The more you can create that magic bubble, that suspension of disbelief, for a while, the better.
It’s a nice position to be in; I’m lucky. At the same time, all the excitement of that has been put into stark perspective … In some ways, the highs of it have been blunted, which in a way, is a gift.
First of all, you never make all things for all people and can’t always pander to the broadest denominator. I keep an eye toward doing the themes that interest me. Do they move me? Interest me? Make me think? When I run across something that is provocative in an unsettling way, it appeals to me.
People wrestle sometimes making movies, and I think that conflict is a very essential thing. I think a lot of very happy productions have produced a lot of very banal movies.
I’m not interested in making movies for everybody. I like making movies for myself and my friends and people with my sensibility.
I always felt that acting was an escape, like having the secret key to every door and permission to go into any realm and soak it up. I enjoy that free pass.
I learned early that you’d better know what you’re talking about. You’d better realize that certain issues are going to be so hot – no matter what reason, what logic you apply to it – you’re going to be met with an opposition just because their viewpoint is different, and there’s no way they’re going to accept your reasoning. Furthermore, they’re going to attack you because you will be portrayed as not being credible: “You’re an actor. What do you know?”
You should prepare when you go to a public event to be public. That’s when I will sign autographs. But not when you’re going about your normal business.
I have to be human, of course, to be flattered by attention from the public. How could you not be? But it gets pretty intense when people are going after your clothes, and mobbing you in the streets, and you have to hide. That’s kind of amusing, and kind of mind-boggling when it happens – you kind of go with it and have fun with it. Then it gets tiring, and then it gets worse when you realize you’re being robbed of a vital part of your life, which is your privacy. And you also know what’s coming your way is artificial, because those people are reacting to something they saw on the screen, not you as a person.
[on his relationship with Paul Newman] When we made the movies nobody used the word “chemistry”. Nobody used the word “bonding”. It was just: “Get up there and do your job!”
It still amazes me when I look at some of the films I’ve been a part of, and some of the people I’ve gotten to meet and work with. I also look back sometimes and realize that I was lucky to have lived through them and even to have survived them, at times.
[Interview, August 2007] We (Winona Ryder) don’t speak on a regular basis, but I love her. I’ve never gotten over the crush I had on her then. She is still the woman of my dreams.
(1994 quote on fame) There’s no question that I love it. There’re so many perks to it, it’s unreal. I thought I’d get over being insecure if I became famous, but it hasn’t happened. It just gets worse, really. You get more and more on edge, more nervous. These are all the things I’m dealing with. You think if you get famous, fear will go away and problems will go away. But they don’t.
I’m not a religious person by any means. But I certainly believe in some kind of a higher power and something looking out for me. I’ve definitely had angels that have either guided me or helped me through moments in my life, without a doubt.
If you can help guide somebody through a challenging moment because you’ve been there, that ends up becoming a great gift. I’ve been taking my time now between projects looking for stuff that has a little bit more substance, that isn’t surface. Some of the films that I’ve done in the past really were surface.
It’s important not to indicate. People don’t try to show their feelings, they try to hide them.
I don’t like to watch my own movies–I fall asleep in my own movies.
Don’t talk it [shooting a scene] away, do it!
Some people say that drama is easy, and comedy is hard. Not true. I’ve been making comedies the last couple of years, and it’s nice. When you make a drama, you spend all day beating a guy to death with a hammer, or what have you. Or you have to take a bite out of somebody’s face. On the other hand, with a comedy, you yell at Billy Crystal for an hour, and you go home.
[interview in Chicago Sun Times, 1/8/98] I think Hollywood has a class system. The actors are like the inmates, but the truth is they’re running the asylum. You’ve got to look at the whole studio structure. There’s these guys. We call them suits. They have the power to okay a film. They’re like your parents, going, “We have the money”. But at the same time they say to us actors, “We love you. We can’t do without you”. You know, I’ve been around a long time. I’ve seen the suits run the asylum. I think I can do it as good or even better. Let me try it. That’s why I have TriBeCa.