Short Film Review: Lych: The Corpse Road. Directed by David McNulty

A Son rests in a barn alongside the corpse of his dead father. Tomorrow they will journey together over Dartmoor to the graveyard.

This deeply personal work sits at the intersection of experimental documentary and artists’ moving image in documenting the artist’s exploration of their Grief through the lens of a site specific response to the Lych Way (or Corpse Road) that historically connected rural settlements in the middle of Dartmoor with their parish burial ground over 16 miles away.

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Review by Julie C. Sheppard

This sombre documentary short, Lych: The Corpse Road, strikes a curious balance: it is both experimental and intensely intimate. It mourns the loss of a father in such a honest, frank way with a basic onscreen text announcement of his passing, and what will happen to the body the next day – – to be carried 12 miles over the moor to be buried. In the meantime, it is a night of sleep with the body of the corpse present. The brilliant use of moss and scrawny tree branches reclined on a chair is an eerie suggestion of the father’s corpse. This image is shown repeatedly using glitchy close ups: the branches as if they are the deceased’s thin, skeletal limbs, and the clumps of moss, as if the flesh of the corpse is already rotting away. 

We hear the distant funereal church bells that are to be rung as the mourners approach the parish graveyard. In addition to the church bells, there is a melancholy dirge of vocals and gloomy forest sounds, and the rush and trickles of water, suggesting dismal weather as the funeral procession moves along. There is even the brief sound of a fly, over the decomposing body.

The decision to film this in grey and black and white adds a “backward looking” essence – – a film of sadness and remembrance – – a memorable, inventive piece that anyone who has lost a beloved love one can relate to, on a deeply affecting level.

Short Film Review: Blue Death: The 1918 Influenza in Montana. Directed by Dee Garceau

At first Montanans were not alarmed; influenza came and went with the seasons. But this virus was lethal. The 1918 influenza killed more people than WWI & WWII combined. This film explores six individual stories of how Montanans met this public health crisis. People helped each other in unexpected ways. What was the balance of trauma and resilience?

https://1918mtinfluenza.com/

https://instagram.com/1918flumontana.docfilm

Review by Julie C. Sheppard

Blue Death: The 1918 Influenza in Montana is an epic film project elucidating moving details about this tragic event in history. The film does an exceptional job setting the stage of what must have been a terrifying experience for the people of the time, including for those who actually survived after losing many so loved ones around them to this flu.

The factual details of the event are clearly explained by articulate historians, who are sensitive to both the physical ailments of the illness and the surrounding societal problems, such as blatant racism towards health care providers. Archival photos are well-selected, often capturing educational and military institutions of the time. 

In addition to two dimensional photos, evocative dramatizations by talented performers make the film all the more moving and multi-dimensional. The diverse group of people who persevered and made notable contributions to society during this flu are properly remembered and honoured, each with compelling vignettes. Another memorable feature of the film is the breathtaking cinematography of the land in Montana, both rugged and lovely.

With obvious comparisons that we can understand given Covid 19, this evocative documentary of the 1918 Influenza brings human bravery to the forefront.

Short Film Review: SUNBURN. Directed by William Allum

We all face trauma, some worse than others. It’s what makes us and sometimes breaks us. We follow Jason’s life as he enjoys his time with friends at the beach until it suddenly hits him in the middle of the game. Can he hold it in and hide it, or will it show and affect his life?

https://www.instagram.com/akistudiolondon/

https://www.akistudiolondon.co.uk/sunburn

Review by Julie C. Sheppard:

Trauma survival is the primary theme of the short film, Sunburn. It is a dramatic portrayal of someone who is intensely suffering from frightening past events. The film uses quick editing to expose a terrifying flashback, the catalyst for the lead character’s strife, that in turn hinders his social interactions with his friends on a beach volleyball court. The performance of the lead is sensitively done, as he gradually descends into helplessness and anxiety, as the hand-held camera wavers close to his uneasy face. 

The lovely beach setting and the playful game of volleyball both serve as strong contrasts to the gloom that the central figure experiences. Sounds of ongoing waves eventually blend in with gentle music underscoring the lead’s interchange with his kind and similarly traumatized friend, who assures him that things will be okay, despite life’s challenges. 

The motif of how we all suffer as humans is cleverly indicated by the convincing make-up of bruises on the bodies of many other friends on the beach. Equally poignant are the soulful vocals about the universal nature of pain and trauma we share and yet, with perseverance, we survive.

Short Film Review: VAPOR TRAILS. Directed by Matt Jenkins

Mandy has just given Jethro an ultimatum, quick vaping or else. His friend Chuck thinks its going to be easy to quit.

Review by Andie Kay:

This short film is an over the top comedic look at addiction, support groups and helpfully unhelpful friends. Written, directed and produced by Matt Jenkins, Vapor Trails stars a cast of zany characters that Jethro ( portrayed by Dan Perrin ) navigates while he is trying to quit vaping.


The storyline was well put together and had some very funny moments, especially during the therapy group session. One of the things I thought was seamlessly well done is the vaping news brief on the television, the masking/insert/overlay the filmmakers used to make it look as if it was broadcasted on TV was great.

Randy Traxler handled the cinematography and it was beautifully done, everyone was lit really well and the clarity and coloring of the film was gorgeous. This was a light hearted and fun comedic film.

Short Film Review: OVERTIME. Directed by Steven James Kilper

Trapped in a fluorescent maze, an overworked employee realizes the office building may not want her to leave.

Review by Andie Kay:

Having a job that you don’t love is rough, having to stay beyond the usual 8 hour day is a nightmare. Steven Kilper taps into that nightmare with this bite sized horror film that he wrote, directed, edited, and created the visual effects for. What starts out as a typical leaving work scenario turns into an inescapable maze of fluorescent hell.


I loved the premise of this film and thought it was a wonderfully original idea. Steven executed so many things fantastically. The cinematography was great and I really appreciated the visual effects of the text messages and how he displayed them on screen. The soundscape was perfect and the way the staircase was shot was absolutely ingenious! Katrina Reese is our overworked, trapped employee and I liked her performance, although I wouldn’t have been as calm as she was if I was in her position.


That moment where all the lights start going out one by one is so frightening and I loved the build up but I wish the ending was her screaming NO in that text message and having everything go back to normal. The elevator doors ding as they open and she leaves having set some boundaries.

Short Film Review: INVISIBLE. Directed by Rozina Pátkai

In a quietly radical act of feminist performance art, Vienna-based artist Rozina Pátkai transforms an ordinary suburban zebra crossing into a stage for the unseen labor of domestic life. Carrying an impossible accumulation of household objects: a drying rack, shopping trolley, mattress, pushchair, child’s bicycle, she repeatedly attempts to cross the street, stumbling under the weight of these everyday burdens.

Review by Victoria Angelique :

The artistic short film, INVISIBLE, is a thought provoking piece that can raise many questions with its very title. The title suggests a woman that would be invisible, but she’s not in the physical sense because the cars are stopping at the crosswalk as she continues to walk back and forth with various objects. It’s what she is carrying that makes her invisible because at first it’s a usual scene only to become more elaborate as the seconds pass.

There’s not much unusual about a woman crossing the street with a pram, as this is quite an everyday scene in many countries. It becomes a social experiment when the woman begins adding to it, carrying quite large objects as she struggles to cross the street as she struggles to get the stroller across the crosswalk without dropping objects. Cars continuously stop, waiting patiently for her to cross without honking their horns, and it’s only at the halfway mark of the film that one person helps this woman with what she’s carrying. One person throughout the entire film chooses to help her. 

This raises several questions about these situations. The woman even abandons the scenario with the pram a couple of times to see if it would change things, still carrying items that would relate to childcare, and it doesn’t change anything. This poses questions such as have people become so uncaring that they no longer help a struggling mother like they used to, if it’s this particular city, or is there something about this particular woman? This film makes the viewer think that maybe that as humans we have become so self-absorbed that we care more about getting to our destination than taking a few seconds to help another person. 

INVISIBLE is certainly a thought provoking film, since it literally shows that the majority of people are no longer helping. They are simply moving about their business when someone is literally struggling while pretending not to notice. This film might motivate someone to help next time they see someone that needs assistance.

Short Film Review: DEAR ERNIE. Directed by M.D. Walton

Shortly after her husband passes, a new widow wrestles with her grief as she prepares to forge her path forward. Based on a true story.

Review by Victoria Angelique:

The tribute film, DEAR ERNIE, is a heartbreakingly beautiful film that will leave the viewer smiling. The first few frames plunge into the piercing silence of grief after Ernie has passed away, following his new widow as she attempts to process her world without her beloved husband. 

The devotion of husband and wife doesn’t end at “til death do us part,” as wedding vows so often imply, because this couple’s love appears to be eternal. The widow remembers the recent days, blurring the past and present as she grieves, proving that taking care of Ernie wasn’t a burden but a clock that was ticking down to the days when her heart would finish breaking. She loved everything about her husband. He was her world. 

This film will make everyone want a loving marriage like Ernie had, one a relationship that lasts nearly five decades. The widow writing her eulogy as a letter to Ernie in heaven is sweet. It turns the film from heartbreaking to beautiful as she reflects on their life together. It’s at this moment that the viewer can begin to mentally picture this couple’s entire life together with the widow needing to speak the words as their love was just that strong. Her eulogy doesn’t cause tears, but smiles as the widow speaks with a reassuring confidence that she will see her wonderful husband waiting for her in heaven.

The filmmaker, M.D. Walton, making this film a tribute to his father just makes it that much better. It shows the love for the filmmaker’s father and mother. 

Short Film Review: Pie In the Sky. Directed by Susan May Lee Lim

Pie in the Sky” is an enchanting music video that marries playful animation with the raw power of original recordings at Abbey Road Studio One, and a resplendent orchestral performance at the Barbican Concert Hall, London. The video opens with world-acclaimed pianist Jean-Yves Thibaudet leading the Royal Philharmonic Orchestra conducted by Robert Ziegler, in a captivating orchestral performance, his artistry setting the stage. From this vibrant live spectacle, we’re ushered into a whimsical animated adventure that playfully asks: “What is the ‘pie in the sky’?”

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Review by Andie Kay:

This behind the scenes look at recording the music for an animated short had a twist. There was a surprise engagement proposal from the composer, Ron J. Danziger to the Lyricist and creator, Christina Teenz Tan. Don’t worry, she said yes.


Filmed and recorded at the iconic Abbey Road Studios and the Barbican Concert Hall In London, the cinematography was stunning. Musically, the score for the film being played by a full orchestra was just spellbinding. The transition into the animated film was a bit jarring even though the art and animation by Samudiza Kajal Saikia was beautiful.


The actors and narrator of the animated portion did a really nice job although I would have preferred to see a gradual overlay of individual orchestral musicians than the windowed inserts. We go from a cinematic orchestra to a very pop-rock song that had a slightly different vibe. The vocal harmonies were gorgeous and the hook was catchy but it felt more like an end credits song rather than where it appeared in the animated
segment.


This has a lot of different elements that were put together and I really wanted a voice over or on camera host to act as a guide but the performances were absolutely amazing.

Short Film Review: TV MAN. Directed by Leonardo Valenti

While getting ready for a date with the girl of his dreams, Marco is visited by a man in the TV who starts talking to him. And he has a request to make… Hallucination or reality? That’s what Marco will have to figure out in this absurd and slapstick comedy.

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Review by Julie C. Sheppard:

The short TV Man is an entertaining romp. The satirical plotline has elements of farce, sci-fi and even social commentary. The lead actor has mastered broad comedy with hilarious facial expressions, showing a wide range of high intensity emotions, such as giddiness, infatuation and extreme surprise. His goofiness is infectious and endearing. He is a strong foil to the work of the actor playing the TV Man, who does a stellar job depicting a scheming con man. The screenplay that allows for elements of science fiction, is also quite amusing with its rapid-fire banter.

Cinematography in this short is thematically layered in that the footage of the TV screen switches from actual programming to the in-screen prison. The camera also makes use of extreme close ups and glitchy frames to advance the tale. 

Plucky orchestral refrains serve to enhance the funny moments, as ominous vocals underscore the darker, more sinister idea of TV imprisonment – – despite this edge of gloom and the social comments on the dangers of screen obsessions and betrayal, TV Man is more of a droll adventure.

Short Film Review: COSMIC HANDSHAKE. Directed by Steven Wright Clarkson

This video is about unity. As a christian, I know I can learn something from just about everyone. Opening your heart to other countries and their people and customs undoubtedly bridges the barriers that this world needs so very much. No matter what religion, color, creed, race, sexual orientation, etc., we are all children of God. He loves each and every one of us immensely. He wants to form a strong relationship with every creation including us. Peace and Christ’s love to each of you,

Review by Julie C. Sheppard:

Cosmic Handshake is a visually electrifying video. From the outset, the artistry takes the viewer along a rapid path of dynamic imagery. It is not just a striking twist of movement – – it is also an exploration of multi-faith symbolism. Familiar religious icons are displayed in vitally brilliant shimmers. A shiny peace sign and uniting handshakes are also central to this display. Human and alien hands reach out, we see acts of kindness and bonding, in addition to live action footage of a diverse group of children joyfully linked together.

The vibrant colours are rich, and the textures are sumptuous, a tapestry of outer space vistas and surreal nature scenes. The other striking element of this video is the use of gorgeous fractal-like kaleidoscope displays.

All this beauty is entwined with a cacophony of sounds – – piercing guitar, low bass notes and hearty percussion. The combination of meaningful icons, breathtaking palettes and soulful musical composition all make Cosmic Handshake an unforgettable immersive experience about love and acceptance.