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Film Review: HAVE A LITTLE FAITH, 12min, USA, Comedy

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Played at the April 2017 LA FEEDBACK Film Festival.

MOVIE POSTERHAVE A LITTLE FAITH, 12min, USA, Comedy
Directed by Ashton Avila

A rebellious teenager is determined to get kicked out of her new Christian High School and teach the new boy she meets there what it really means to “have a little Faith”.

Review by Kierston Drier:

We all remember that one person in high school. They walked in a shook up your world- they oozed coolness or bravado. For Thomas, that girl is new student Faith, who wanders into his Christian prep school with her skirt hiked high, blowing bubble gum in his face. A manic-pixie-dream-girl with attitude. Enter offbeat comic gem that is Have A Little Faith directed by Ashton Avila.

Fresh, bright and funny, this is a charmingly little coming-of-age story. When Faith offers to have sex with Thomas he doesn’t actually seem to believe it- but then it happens! What keeps this story fresh and unique, is that it shows the honest, awkward and, yet- sweet moments that these two share while the try to get it on in the school auditorium.

Another great thing in this piece, is the performances. Faith is a rebellious, irresponsible troublemaker who is impossible not to like, and Thomas is a good boy bitten by the craziness that is adolescence. This piece also has some of the best closing music for it’s ending sequence. It is sometimes refreshing to take a step back into youth, when experiences were new and aching to be seized. Have A Little Faith will refresh you, for sure.

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Film Review: JEREMIAH TOWER: THE LAST MAGNIFICENT (USA 2015) ***

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

jeremiah_tower.jpgBoth a biopic of a complicated man and an exploration of the gathering forces that converged to shape a new American cuisine and create the cult of “celebrity chef”.

Director: Lydia Tenaglia
Stars: Mario Batali, Anthony Bourdain, Francesca De Luca

Review by Gilbert Seah

 What’s so special and who is this Jeremiah Tower that the man deserves a full length documentary dedicated to his honour?

Tower is a Master Chef and restaurateur who change the look of restauranting. As chef, he would mingle among the customers, something never done before and he created the importance of a chef’s name in a city. Tower was also a very intriguing person, a visionary and someone, everyone admires.

“I have known Jeremiah for 14 years and yet I can say that I do not know him.” So says one of Jeremiah’s friends. The documentary takes considerable amount of time to introduce this Master Chef and restaurateur to the audience. It is only after 15 minutes that the doc links food to the man, in a cruise ship where Jeremiah, as a boy tastes his first cream cake dessert.

JEREMIAH TOWER: THE LAST MAGNIFICENT is the new food documentary tat explores the remarkable life of Jeremiah Tower, one of the most controversial and influential figures in the history of American gastronomy. Tower began his career at the renowned Chez Panisse in Berkeley in 1972, becoming a pioneering figure in the emerging California cuisine movement. After leaving Chez Panisse, due in part to a famously contentious relationship with founder Alice Waters, Tower went on to launch his own legendary Stars Restaurant in San Francisco. Stars was an overnight sensation and soon became one of America’s top-grossing U.S. restaurants.

After several years, Tower mysteriously walked away from Stars and then disappeared from the scene for nearly two decades, only to resurface (as when the film opens) in the most unlikely of places: New York City’s fabled but troubled Tavern on the Green. There, he launched a journey of self-discovery (offering loss of voiceover for the film on this matter) familiar to anyone who has ever imagined themselves to be an artist. Featuring interviews by Mario Batali, Anthony Bourdain, Ruth Reichl and Martha Stewart, this delicious documentary tells the story of the rise and fall of America’s first celebrity chef.

The film traces using a combination or home movie footage and re-enactments how Jeremiah grew into cooking. He was always living in posh hotels whee he discovered the kitchen, dazzled by the cooking aromas. The hotel kitchen staff adopted him as their own. The audience is told Jeremiah read menus more than story books and concocted meals form the menus as well as collected menus. All this explains Jeremiah’s chef roots in a fascinating manner.

Besides haute cuisine, director Tenaglai also reveals the personal and difficult life of the man. Tower was a homosexual, coming out during taboo times. His restaurant, Stars was singled out by the AIDs activists, despite him paying the hospital ills for two of his employees who came down with the disease. Everyone wanted to sleep with him – and he did with both sexes. His relationship with Alice Waters, an important part of his life is also given due screen time.

JEREMIAH TOWER: THE LAST MAGNIFICENT is an interesting account of an interesting man. The doc will not disappoint.

Trailer: https://www.youtube.com/watch?v=8lSwXSPigOk

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Film Review: HOUNDS OF LOVE (Australia 2016) ****

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

houndsoflove.jpgVicki Maloney is randomly abducted from a suburban street by a disturbed couple.

Director: Ben Young
Writer: Ben Young
Stars: Emma Booth, Ashleigh Cummings, Stephen Curry

Review by Gilbert Seah 

 Not wholly original, but still absorbing, HOUNDS OF LOVE, writer/director Ben Young’s story of an abducted teenager by a disturbed couple pays homage to David Lynch’s BLUE VELVET. The slow motion beginning of HOUNDS OF LOVE and the common theme of kidnapping reminds cineastes immediately of BLUE VELVET.

HOUNDS OF LOVE is supposed to be based on true events – macabre as they may be. The setting is 1987, Perth, Australia whee a seemingly typical Australian suburban couple have a secret hobby – kidnapping schoolgirls and murdering them. But their latest desperate victim finds ways inside their heads.

The slow motioned tracking shot of schoolgirls playing netball after school is stunning as it is eerie. One can tell something is going to happen – the abduction of the first victim of the kidnapping couple. For those unfamiliar with the game (played in places like Britain, Australia and Singapore where this reviewer was born), the scene is even more fascinating with the girls in netball outfits tossing a ball into a net.

The film then settles on the next victim. Vicki (Ashley Cummings), a rebellious teen, is first seen in the film after having ‘it’ with her boyfriend Jason (Harrison Gilbertson). Vicki is staying with her mother, Maggie (Susie Porter) who she cannot get along with. After being grounded, Vicki sneaks off to a party at night when she is abducted by Evelyn and John White (Emma Booth and Stephen Curry). The audience would likely think that this is what Vicki deserves, after misbehaving and disobedience. But then, no human being should go through what she does in the next few days.
The one thing that stands out in this film (and differentiates from Lynch’s BLUE VELVET) is director Young’s ability to connect his audience with his characters.

Director Young devotes a lot of time towards his female characters. Evelyn is shown to be the most sympathetic of the film’s characters. She loves her dog, her partner-in-crime, John (a real nasty piece of work) and is just caught with all the bad luck. The audience ends up sympathizing with both her as well as Vicki. Vicki’s mother, Maggie is also portrayed as a strong mother, who despite having to take s*** from her daughter, loves her to no end and will not give up in the search for her. The father, Trevor (Damian de Montemas) and Jason are hilariously given token roles.

What is impressive too are the top notch performances all around. Emma Booth carries the lead role confidently as well as the two other women Cummings and Porter. Stephen Curry who plays the nastiest villain seen in a while, looks completely different (most remembered from the Aussie film THE CASTLE) with his tacky moustache. Young spends some time with him grooming his moustache in the mirror before strutting out of the bathroom like a stud.

The film is expectedly violent and the ending matches the violence of BLUE VELVET without resorting to tricks like the cutting off of an ear. The climax of the film is a real nail-biter.

HOUNDS OF LOVE unsettled festival audiences in Venice and at SXSW and will definitely do the same with audiences everywhere. Young is clearly a talent to watch. Universal Pictures has already signed him on to direct the new 2018 sci-fi thriller EXTINCTION.

Trailer: https://www.youtube.com/watch?v=UNEurXzvHqE

_________

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FILM REVIEW: THE DINNER (USA 2016) ***1/2

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

the_dinner.jpgA look at how far parents will go to protect their children. Feature film based on a novel by Herman Koch.

Director: Oren Moverman
Writers: Oren Moverman (screenplay), Herman Koch (novel)
Stars: Richard Gere, Laura Linney, Steve Coogan

Review by Gilbert Seah

 THE DINNER is basically a four handler psychological drama which shows how far parents will (or will not go) to protect their children. In THE DINNER, two family of parents sit down to a dinner at a posh restaurant to discuss the implications of their children who have killed a homeless woman by setting her on fire.

As appropriate for a film entitled THE DINNER, the film is told in four parts – aperitif, main course, dessert and digestif. The film also contains acute and often hilarious observations, lightening the film’s serious theme, of the posh restaurant. It is clear that director Oren is not fond of these hip establishments. Paul Lohman (Steve Coogan) constantly hurls insults at the waiters and servers to the point of vulgarity. It is of great relief that at one point the maitre’d finally tells him off.

Director Moverman (THE MESSENGER, LOVE AND MERCY) is expert at getting the audience’s attention and creating drama at the dinner table. This is evident at the one hour mark of the film when all the hidden facts of the incident are slowly revealed. The key confrontation scene takes place in the Library section of the restaurant. It is really odd that the music is played quite obtrusively during the conversation. I am not sure whether this is done on purpose to up the ante during the segment because the music is really loud and annoying. It is certain that this kind of music is never played at any restaurant’s waiting area.

Steve Coogan ditches his British accent to play a sarcastic American teacher. The reason he was chosen for this film THE DINNER has likely something to do, though it does out really matter, being in the food/restaurant critic films THE TRIP and THE TRIP TO ITALY. Coogan, known to be sarcastic in real life, steals the show, managing to elicit a few laughs from his sarcastic remarks at the awkward dinner situation. It is surprising that he gets second billing to Richard Gere, likely because this is an American film and Americans might not know who Coogan is. Gere is quiet in the first half of the film, showing his true acting colours only after the second half. Laura Linney is as usual, very good as the mentally disturbed wife.

The film accurately touches the right chord on when human beings cannot come to an agreement and cannot no longer live with each other. This comes about, as the film demonstrates, when ones basic principles go against another’s. Stan wants his son to pay for his crime, his wife does not and neither does Paul’s wife Claire. It is clear that mothers will normally go all out to protect their children, particularly sons, while fathers are more inclined to teach their sons to do what is right.

Moverman manœuvres his film towards an exciting climax where no one can foresee who will do what at the end. The ending turns up quite a brilliant touch too (not to be revealed in the review).

Trailer: https://www.youtube.com/watch?v=zP26KWVw5jE

_________

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Hot Docs Review: A CAMBODIAN SPRING (UK 2017) ***1/2

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

A CAMBODIAN SPRING.jpgIn Cambodia, “they used to kill with weapons, now they kill with corruption.” In the aftermath of the Khmer Rouge, decades of civil war, and the installation of Hun Sen as prime minister, the oppression continues.

Director(s): Chris Kelly
Producer(s): Chris Kelly

Executive Producer(s):
Bob Moore
Christo Hird
Edwina Forkin

Review by Gilbert Seah

There are serious docs and and there are hilarious docs at HOT DOCS 2017.

A CAMBODIAN SPRING is one of the more serious docs of the festival dealing with one of the most serious issues facing people today – human rights and human rights in a country that is corrupted, inhuman and cruel.

The country is Cambodia and writer/producer/director/editor Chris Kelly gives his audience an intimate and unique portrait of three people (among them a monk and a resident of a home around a lake stolen by the Government) caught up in the chaotic and often violent development that is shaping modern-day Cambodia.

The film, shot over six years, charts the growing wave of land-rights protests that led to the ‘Cambodian spring’ and the tragic events that followed. This film is about the complexities – both political and personal, of fighting for what one believes in.

The film educates the world to the real Cambodia. There are unforgettable images on display here – like children taking to the streets and a bloodied injured old woman.

_________

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Film Review: I AM HEATH LEDGER (Canada 2017)

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

i_am_heath_ledger.jpgFriends and family of the late actor Heath Ledger remember his life and career.

Directors: Adrian Buitenhuis, Derik Murray
Writer: Hart Snider
Stars: Heath Ledger, Naomi Watts, Ben Mendelsohn

Review by Gilbert Seah

Thunderbird Entertainment is releasing I AM HEATH LEDGER in select Cineplex theatres across Canada for a special event screening on May 4th, Thursday. The film had its world premiere at the Tribeca Film Festival on April 23rd, and takes an intimate look at the remarkable life and career of Heath Ledger, featuring interviews with Naomi Watts, Ben Mendelsohn, Ang Lee as well as his family and closest friends.
The big question is why would anyone but a true Heath Ledger fan want to spend 90 minutes of their lifetime in a theatre watching a documentary of his life.

Before dismissing the film, it should be noted that there are many things that can be learnt from the film, and from the life of Heath Ledger. Heath Ledger died from cardiac arrest after taking prescription drugs. He won an Oscar (posthumously) for his role of The Joker in THE DARK KNIGHT and did a great job as a gay cowboy in BROKEBACK MOUNTAIN, his two biggest roles (clips shown). But there is a lot of the man that many do not know.

The doc on Heath Ledger begins with a musician who talks candidly about the late Australian actor. Ledger has no time for anything that has no risk. He lived on the edge.” And more important, these words, “He is one person that is too big for this world.”

These are other quotations describing Heath Ledger:
Heath lived life to its fullest.
He knew everything about the camera.
He was documenting everything. He never stopped.
Music was always in him.
He was big in sharing in success.
He truly was an artist.

He was a one-man force of nature (referring to his video direction).
The most engaging effect of Ledger is his energy. He would show up at the early morning at friend’s place for breakfast and never run out of ideas as a filmmaker. His constant proximity to a camera allows his doc to show many candid footage of the artist. A few of these show his limitless energy, which is indeed catching and admirable.

Offering insight are the interviews with the famous actors who have worked with Ledger in his other films. Among them are Mel Gibson in THE PATRIOT, Emile Hirsch and Naomi Watts in LORDS OF DOGTOWN and Djimon Hounsou in THE FOUR FEATHERS.

The film spends time on BROKEBACK MOUNTAIN and with reason. Director of the film Ang Lee speaks of his performance how he would nail the acting target. This was the film which he, a top star of the time, plays a gay cowboy. It was a film that changed Ledger’s life for two reasons. It marked his maturity as an actor and he met future wife, Michelle Williams, who had a supporting role in the film.

The film is biased in that it sidesteps any bad characteristics of Ledger. His drug use is totally dismissed with nothing mentioned also of his partying and drinking. Unlike the doc on Amy Winehouse, AMY which shows both sides of that singer/songwriter, I AM HEATH LEDGER only shows one side, the good side of Heath Ledger.

Trailer: https://www.youtube.com/watch?v=5PPTDsTnaPk
  

_________

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Film Review: GUARDIANS OF THE GALAXY VOLUME 2 (USA 2017)

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

guardians2.jpgSet to the backdrop of Awesome Mixtape #2, ‘Guardians of the Galaxy Vol. 2’ continues the team’s adventures as they unravel the mystery of Peter Quill’s true parentage.

Director: James Gunn
Writers: James Gunn, Dan Abnett (based on the Marvel comics by) |
Stars: Chris Pratt, Zoe Saldana, Dave Bautista, Bradley Cooper, Vin Diesel, Michael Rooker, Sylvester Stallone, Kurt Russell

Review by Gilbert Seah 

 
GUARDIANS OF GALAXY Volume 2 follows exactly the path of sequels – louder and more of what were found in the original.

If the first film is your cup of tea, is is doubtless that you will enjoy the volume 2 – because it is nothing more than a replica of the same, only with Disney/Marvel going haywire and completely berserk. The best example is the climatic fight scene where during the battle between the hero and villain, the hero suddenly turns into a pixeled chomping Pacman. (Silly but funny!)

The films does boast an awesome soundtrack. Those who love the oldies, might go out and buy the soundtrack, maybe even skip the movie. There are are familiar songs, some seldom heard for a long time and some choice ones I have never heard before. The film is scored, as in the first film by Tyler Bates.

So, who are these Guardians of the Galaxy? The leader is an unchallenged Peter Quill (Chris Pratt) who has a romantic fling with Gamora (Zoe Saldana), an alien orphan fighting to redeem her past crimes. There is also Drax the Destroyer (Dave Bautista), a highly skilled warrior, Baby Groot (voiced by Vin Diesel) and Rocket (voiced by Bradley Cooper). There is absolutely no explanation why Baby Groot is in this film after a larger Groot died in the original film.

Subplots are thrown in with additional characters like Nebula (Karen Gillan), Gamora’s sister. The only other character of importance is Quill’s dad, Ego (Kurt, Russell) who turns out to be the film’s villain.
The plot of the film involves the Guardians of the Galaxy saving the Galaxy from destruction, once at the start of the film and then again. But the guardians are a comical troupe led by no less than a character of the same mould. They obviously get not trouble while saving the galaxy – all these antics supposedly providing fun and reason for millions of cinemagoers around the world to cough up money for an admission ticket or even more to see the film in imax 3-D.

The film contains lots of irrelevant and meaningless quotes that should amuse those easily amused. When Quill’s father turns bad, Quill’s adopted father Yondu (Michael Rooker) tells him: “He might be your father, but he is not your daddy!” Or goes the another saying: “I know who you are, because you are me!”

There is a lot of ego on display here. Not only is the villain named Ego but he is also omnipresent as the entire planet which is also called Ego. There is the egoistic rivalry between the two sisters and more important, the rivalry between the father and son. The father is the personification of ego. He says:’What I have planted is an extension of myself so that eventually, everything is me.”

It is evident that director Gunn has put in a lot of effort to make Volume 2 worth the price of the admission ticket. But take away the special effects and production design, dazzling and expensive though they may be, and what is left is a narrative mess of a tedious convoluted plot littered with irrelevant humour.

Trailer: https://www.youtube.com/watch?v=2cv2ueYnKjg

_________

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Film Review: CERTAIN WOMEN (USA 2016) ***

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

certain_womenThe lives of three women intersect in small-town America, where each is imperfectly blazing a trail.

Director: Kelly Reichardt
Writers: Kelly Reichardt (screenplay), Maile Meloy (based on stories by)
Stars: Michelle Williams, Kristen Stewart, Laura Dern

Review by Gilbert Seah

 
CERTAIN WOMEN tells three different stories about women, the common thread that the stories, among another things are set in Montana. Unlike films with many stories, writer/director Kelly Reichardt (WENDY AND LUCY, OLDJOY, MEEK’S CUTOFF) does not intercut the stories into one narrative but rather tells each story on its own, one after another. The advantage of this strategy (and the one I prefer) is that the continuity of each story is un-compromised.

The first story involves a female lawyer, Laura (Laura Dern) defusing a hostage situation and calming her disgruntled client (Jared Harris). The second has a married couple (Michelle Williams and James Le Gros) breaking ground on a new home but exposing marital fissures when they try to persuade an elderly man to sell his stockpile of sandstone. The third and final story is of a ranch hand (Lily Gladstone) forming an attachment to a young lawyer (Kristen Stewart), who inadvertently finds herself teaching a twice-weekly adult education class, four hours from her home. These are independent women whose lives finally intersect in a powerful way. These stories are based on short stories from Maile Meloy’s collection Both Ways is the Only Way I Want It.

Reichardt ’s films have a strong feminine content. This is not a bad thing if done right. Reichardt demonstrates the feminine content in a clever subtle as evident in the first story. The first story begins with the female lawyer, Laura after a lunch time love-making in a rented room. The two are never shown together. She is seen in the bedroom while he is the bathroom. When he enters the bedroom, his figure is shown in the mirror. Never once do the male and female appear on he same side of the screen. The male and female are distinct, they have different roles in each story and Reichardt emphasizes the female roles.

Often in films with a strong female content by a female director, the male characters are depicted as silly or spineless. Thankfully, this is not the case in CERTAIN WOMEN. If the males have to answer to the female, there is a least a legitimate reason. In the first story, the lawyer’s client (Jared Harris) has made an error and has suffered severe mental, physical and financial loss. When he breaks down crying (a crying male is too often used in a female director’s film to show that they too have sensitivity), it illustrates at least, a credible state of affairs.

The female characters are all involved with the typical male roles in society. Laura Dern is a lawyer, who ends up as a hostage negotiator. Michelle Williams makes the family decisions especially on the construction of their new house to buy sandstones from an elderly gentleman. The husband admits too, to the old gent in on scene that she is the boss.

Women films are strong this month with the release of both CERTAIN WOMEN at TIFF Bell Lightbox and the Hollywood comedy SNATCHED on Mother’s Day

Trailer: https://www.youtube.com/watch?v=1_Lznehy2-s

_________

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Film Review: FIRST ROUND DOWN (Canadian Feature)

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first_round_down.jpgA former hockey star turned hitman returns home after ten years to take care of his younger brother, but his checkered past catches up to him faster than he can deliver pizza.

Directors: Brett M. Butler, Jason G. Butler
Writers: Brett M. Butler, Jason G. Butler
Stars: Dylan Bruce, Rachel Wilson, Rob Ramsay

Review by Gilbert Seah

 FIRST ROUND DOWN begins with a very impressive start. Hockey stud looks at himself in a tight polo shirt in the mirror. He drives a vintage plymouth with the voiceover saying something about hockey as he speeds his car to deliver, yes, deliver pizzas. He is given flack including insults like “Loser!” But this never gets him down. The recycle trash cans by the street indicate it is not a period piece but a contemporary story. This culminates with a catchy “The Good old hockey game (is the best game you can name)” played to the opening credits and voiceover where the audience learns more of the film’s protagonist.

Set in small town Hamilton, the Butlers capture the spirit of the Canadian small town mentality. The guys, especially the hockey fans are loud, obnoxious and male chauvinist pigs. The women are slutty, talking dirty among themselves while the older folk talk of the town’s past glory – i.e. Timothy Tucker’s glory days.

The film is split into three parts, titled as periods as in a hockey game. The story revolves around Tucker (Dylan Bruce from ORPHAN BLACK), a former hockey prodigy, who returns home to take care of his younger brother after their parents pass on. Having spent the last ten years as a hit man for the mob in Montreal, Tucker now lives on the straight and narrow as a pizza delivery driver, laying low and paying the bills. However, a chance encounter with his former girlfriend, Kelly Quinn (Rachel Wilson, THE REPUBLIC OF DOYLE) coupled with the Sterling Cup reunion and the untimely arrival of his old mob boss in town has Tim’s checkered past catching up to him faster than he can plan one final heist to move on once and for all.
The film falls into the trap of having the same identical plot of many small town movies. We have the hero who has returned to the small town to prove himself. He finds his former girl engaged and tries to win her back. There is some celebration organized to remember his glory and the man obviously proves himself. All these elements are present in FIRST ROUND DOWN.

Stage, television and film actor Rob Ramsay must be ‘complemented’ for playing the most obnoxious and annoying character in a movie so far this year, probably beating Jack Black an actor I just cannot bear to watch. Bobby, who Ramsay plays not only annoys the audience with his shouting and weird noises, but also annoys every character in the film – his best friend, his mates and the girls. Dylan Bruce is ok as the lead hunk who has the good looks for a star hockey leading man.

For hockey as the inspiration for the Butler’s film, there is surprisingly few hockey games on display.

FIRST ROUND DOWN started well – funny, stylish and offbeat. But the film unfortunately gets mired down in its silly predictable story

Trailer: https://drive.google.com/file/d/0B6G5XNDhIpWiSmd0eW1kWUhZYlU/view

_________

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Best of Jonathan Demme (1944–2017)

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Jonathan DemmeJonathan Demme (1944–2017)

Born: February 22, 1944 in Baldwin, Long Island, New York, USA
Died: April 26, 2017 (age 73) in New York, USA

I was really hooked on movies at a very young age. The Manchurian Candidate (1962), along with Seven Days in May (1964), Fail-Safe (1964) and Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) were this quartet of anarchistic black-and-white American movies, each of which did things that you just didn’t do in American movies, especially in the realm of irreverence toward politics and government institutions and the Army. I was what, 16, it was shocking, it was thrilling and, interestingly, it predated my exposure to the French New Wave so, in a way, this was the American, a certain kind of new wave in American movies.

READ the best of his MOVIES:

The Silence of the Lambs<
1991
dir. by Demme
starring
Jodie Foster
Anthony Hopkins		 MOVIE POSTERPHILADELPHIA
1993
dir. Jonathan Demme
Stars:
Tom Hanks
Denzel Washington
Rachel Getting MarriedRachel Getting Married
2008
dir. Demme
Starring
Anne Hathaway

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