PODCASTS

Today’s Podcast: EP. 1393: Filmmaker Pat Mitchell (REMEDY)

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REMEDY, 30min., USA
Directed by Pat Mitchell
An intelligence agent must relive his past to remedy a mistake he once made.

https://www.imdb.com/title/tt2147487/

Get to know the filmmaker:

I love Sci-fi Films. Not just any sci-fi films but the surreal ones. The films that blur the lines of reality and fiction.

Films with heavy degrees of realism are my kind of films. Science fiction by definition is the belief that using science can explain what we can’t explain.


I have always been intrigued by how far reality can be pushed before becoming fantasy. Once you can’t explain your story grounded in science, your film is fantasy.

Don’t get me wrong. Fantasy can be intriguing but it comes at face value at times. Basically any existing nature leaves unexplained like fully industridalized extraterrestrial planets, Middle Earth, magical beings.
But nothing tops an imaginative story with its limits bound to what is right outside your window. Star Wars vs Star Trek debates always come to mind.


There is a major disconnect between the real world and Star Wars. As much as I love those movies, I prefer the rooted reality of Star Trek.

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Today’s Podcast: Filmmaker Nick Leahy (LIVE FROM THE GENEVA!)

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LIVE FROM THE GENEVA!, 13min,. USA
Directed by Nick Leahy
Amidst the hysteria of the Red Scare in 1953 Chicago, a nightclub staff becomes entangled in a political scandal when their star performer’s iconic red-and-gold pocket square becomes the focal point of media chaos.

https://www.themoviedb.org/movie/1295719-live-from-the-geneva


https://www.instagram.com/livefromthegeneva/

Get to know the filmmaker:

What motivated you to make this film?

I wanted to write a story that tackled themes of misinformation on the Internet, and especially how they influence our beliefs socially, politically, and economically. And I wanted to sort of find a good way to wake people up to sort of what’s been going on around them by comparing that period in which we live in today to that of the Red Scare, and sort of show a compare and contrast between what we know as a terrible period of American history and the Red Scare, and sort of seeing if there is anything we can really learn from it and apply to towards misinformation online today in order to not repeat the same mistakes that we may have already learned in the past.

What were your initial reactions when watching the audience talking about your film in the feedback video?

It was kind of crazy, because I hadn’t heard direct feedback before from people outside my friends and family, so I was a little nervous to see what people would say. But generally, the comments were very nice, and people said that they liked a lot of the stylistic choices and themes. They liked the creativity behind the project, which I am really grateful for. I think I got my message across in a good way. So that’s always good news. And yeah, I just appreciated all the kind words.

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Today’s Podcast: Actor/Creators Marco Labate & Gica Pucca (PROJECT 405: LOST AT SEA)

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LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/7/27/ep-1282-actorcreators-marco-labate-amp-gica-pucca-project-405-lost-at-sea

PROJECT 405: LOST AT SEA, 12min,. USA

Directed by Josie Hull

Aspiring artist Alexia, grieves the loss of a loved one and struggles to finish her painting. The-o, her personal AI assistant, who has little understanding of human emotions, tries everything in his power to feed her longing soul.

https://www.fenderbenderfilms.com/

https://www.instagram.com/fenderbenderfilms/

Get to know actors & creators Marco Labate and Gica Pucca M:

Coming from pretty intense personal journeys, we wanted to work with the idea of fantasy vs. reality, and we chose to use grief as a vehicle. At the end of the day, you can always make the choice to either acknowledge or ignore what you feel, but the latter can lead to confusion, and reality always catches up to you. G: We liked exploring the concept of artificial intelligence and the modern world, conflicting with art and human emotion.

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Today’s Podcast: Novelist Annilee Newton (Thessalonika)

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LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/8/16/ep-1297-novelist-annilee-newton-thessalonika

A college student masquerades as her male classmate to join an archaeological dig in 1954 Crete. While excavating Minoan ruins, she unwittingly enters a labyrinth of post-war sociopolitical conflict.

Watch the Novel Transcript Reading: https://www.wildsound.ca/videos/thessalonika

Get to know the writer:

The title of my novel is about a girl willing to sacrifice her name and her identity. The middle name of Cleo Hart, a scholarship student at a prestigious New England university in the 1950’s. A feminized form of “Thessaloniki,” a city in Greece possibly named after Alexander the Great’s half-sister

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Today’s Podcast: Screenwriter Raed Hojiej (HAUNTED LAMENT)

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LISTEN to the podcast: https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/8/27/ep-1317-screenwriter-raed-hojiej-haunted-lament

Watch the Screenplay Reading: https://www.youtube.com/watch?v=19tLE4O0mEk

https://www.shadowhorsetheatre.com/dark-pony-radio

Get to know the screenwriter:

A couple who are dealing with a loss, and purchase their first home. Only to experience an unforgettable first night where memories, dreams, and nightmares mix and come to life.

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Today’s Podcast: Filmmaker Susanda Wolf (WEEKEND RELEASE)

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LISTEN to the podcast: https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/9/4/ep-1320-filmmaker-susanda-wolf-weekend-release

WEEKEND RELEASE, 1min., UK

Directed by Susanda Wolf

A woman waits for her son to pick her up from the police station, but he isn’t coming.

http://palmanda.com/

Get to know the filmmaker:

Motivation was a really good actress, Barbara. I worked with her previously and wrote it for her. Start to finish it took around an hour to film, a couple of hours to edit and less than hour to write so probably about half day.

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Today’s Podcast: EP. 1390 – Writer/Producer/Actor Mia Bible (HONORABLE)

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HONORABLE, 16min., USA
Directed by Zachary Scott Clark, Mariah L. Richardson
Two months after he denounces the Nation of Islam and nine months before his assassination, MALCOLM X SHABAZZ has a chance encounter with his estranged brother and mentee MUHAMMAD ALI.

https://linktr.ee/Honorablefilm
https://www.facebook.com/Honorablefilm
https://www.instagram.com/honorablefilm/

Get to know writer/producer/actor Mia Bible:

What motivated you to make this film?

My need to create for creation’s sake and grief. The idea of “Honorable” began as a 3-minute scene where Ali & Malcolm X would simply have a conversation. The plan was for me to write it and Jason Little who plays Malcolm X in the film and Zach Clark who portrays Muhammad Ali to star in it. All three of us just worked together on a play called “The Meeting,” and it was super successful so I was condent in what they could do. However, in the same year I was dreaming this up, I was also processing the death of my friend, who was also an actor, my first producing partner, and 27 when he passed. I knew nothing about Ali and Malcolm’s brotherhood, but once I began researching it, I came across Ali’s quote in his autobiography and it triggered deep sorrow and and a desire for Asa to have a second chance at life. I wrote to get it out.

What were your initial reactions when watching the audience talking about your lm in the feedback video?

I stopped breathing. I cried then I thanked God.

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Today’s Podcast: EP. 1389 – Screenwriters Drew Henriksen, Ken Hewski (BOZ: Bikers of Oz)

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Watch the 1st scene script reading: https://www.youtube.com/watch?v=urypTjeGVRY

After a twister rips a biker bar from its foundation, two rival biker gangs crash land in the mythical land of L. Frank Baum’s tales. Thinking they know the story, the two foes quickly unite, but encounter forces that they don’t know as well as they thought. In this Adult Swim style animated show, think of Sons of Anarchy surviving the twisted land of Oz. May also be live action.


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Today’s Podcast: EP. 1388 – Filmmaker Rafael Puga Valega (WIN/WIN)

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WIN/WIN, 5min., USA
Directed by Rafael Puga Valega
A group of friends gathers to drink beer and play cards after their national football team suffers a tough defeat in a tournament. While playing one of them mentions an interesting idea on how to confront the team situation

https://www.imdb.com/title/tt32642576/?ref_=hm_rvi_tt_t_1

Get to know the filmmaker:

What motivated you to make this film?

I basically wanted to start my first steps as a filmmaker with a short film that wasn’t difficult (or too difficult) to produce and that also had a short runtime. This story fitted well with that.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was afraid of hearing them at first, but I had already seen the film had won an award for best story so I felt they were going to be mostly positive. And I was glad after hearing them most of the time! Still I have to admit I heard them in low volume for the first time just in case hahaha. But I think that’s my way when dealing with reactions or reviews.

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Today’s Podcast: Filmmaker Graham Birch (AN ADVERT FOR ONE NIGHT)

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AN ADVERT FOR ONE NIGHT, 15min,. UK
Directed by Graham Birch
Lisa responds to a newspaper advert to meet Sarah in a hotel room for a night. They meet and have a wonderful night that sadly uncovers that one was badly abused and the other is currently suffering serious mental and physical bullying from a partner. Will this allow them to bond? What will they do?

https://www.instagram.com/birch_graham/

What motivated you to make this film?

My friend was going through an abusive relationship at the time and it was terrifying. He was psychologically destroyed. So I flipped it to the more common female perspective as it is simply not acceptable. Domestic abuse isn’t just physical. It’s wider than that and destroys people.

I also wanted to highlight the dangers of getting drunk and thinking you are in control of a situation. I want people to watch the film and maybe question if they should go home with that person. Particularly when you are young and at a night club. I always tried not to let my friends go off alone (male or female) as there are people who are simply not good.

I also wanted to create a film of exquisite beauty and use the lighting to enhance everything. You’ll notice that the colours change in the film, sometimes suddenly, sometimes from scene to scene. Showing differing emotions and settings.

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