Filmmaker Podcast EP. 1369 – Writer/Producer Graham John Lamb (TAINTED)

TAINTED, 11min,. Singapore

Directed by Ian Wee

In a world driven by corporate greed and unethical genetic experimentation, Darien, the pioneering human clone, finds himself obsolete against a superior 2nd Generation Clone, leading to his and his mentor’s targeting. Following his mentor’s death, Darien’s hidden hybrid nature—combining human and vampire DNA—surfaces during a critical confrontation, granting him unexpected survival. Marked as a “Tainted” failure yet possessing newfound powers, Darien faces an ambiguous future, embodying the narrative’s critique of ambition’s perils and the poignant fallout of manipulative sciences.

http://www.brightvoxelstudios.com/

https://www.instagram.com/film_tainted/

What motivated you to make this film?

I was Virtual Production Supervisor on a film in Singapore, when the IMDA (InfoComm Media Development Authority Singapore) announced that they were funding projects in this particular area. My producer, director and director of photography were at the time over in the UK at the National Film and Television School also attending a Virtual Production immersion program aimed at industry professionals to learn about this new way of film making. So excited with this new surge of enthusiasm I asked Jeffrey about joining this content creation initiative and we all got together and created Tainted.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Honestly I got a little teary, when I was looking at the reviews, I am greatly appreciative that the reviewers talk about the whole film in general from stunts, makeup, sound & music to performance and that really shows that the team was really the best – such a dynamic group all around and I have nothing but high praise for everyone involved.

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Today’s Podcast: EP. 1368 – Filmmaker Jason Montgomery (TURNCOAT)

TURNCOAT, 28min., South Korea
Directed by Jason Montgomery
A shrewd merciless crime boss must investigate the scene of his brother’s assassination for answers, revenge, and to avoid the same fate.

https://www.facebook.com/turncoattheshortfilm
https://www.instagram.com/turncoattheshortfilm/

Get to know the filmmaker:

What motivated you to make this film?

I had spent the last several years living in South Korea; teaching English and writing screenplays. I got the itch to actually shoot something and direct it, as it had been way too long. Even though I didn’t have much of a network, few resources, and little money, I decided to use what I had and make something. My ex-teaching colleague and neighbor Maurice (Rob in the film) had left our teaching academy to pursue acting, and over some drinks in the local bar the film was shot in, we got the idea for me to write and direct something with him as the lead.

What were your initial reactions when watching the audience talking about your film in the feedback video?

It was kind of surreal. I’ve seen, heard, and given reactions like that many times, but to see people I’ve never met giving such deep and intelligent consideration to my film was amazing.

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Today’s Podcast: Screenwriter Clifford Evan (DELIVERED)

LISTEN to the podcast: http://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/10/28/ep-1340-screenwriter-clifford-evan-delivered

Watch the screenplay reading: https://www.youtube.com/watch?v=Fi_5ae85L-M

An artistically-gifted pizza delivery boy, caught up in a criminal enterprise that funds his creative pursuits, confronts otherworldly and possibly dangerous forces when a mysterious girl sprung from his dreams appears at his next drop. Get to know the writer: The story centers around Jesse, a gifted artist, who delivers both pizzas and cash for the illicit gambling ring his boss Angelo runs. Shady turns spooky when a girl from Jesse’s drawings manifests in the flesh at one of his cash drops. Only the girl, mysterious and beautiful Taria, is very much real and powerfully psychic. Cryptically, she warns that working for Angelo, the father Jesse’s never had, will have dire consequences. That his true life path is to embrace his calling as an artist. If only Jesse believed Taria really can see the future. Soon after Taria disappears, broken-hearted Jesse is haunted by a series of strange, even supernatural, encounters, forcing him to make harrowing choices if he ever wants his girl back. If he even wants to live. Only after Angelo is beaten inches from death, and the ring’s big boss is murdered, does Jesse take a life-altering mindf*ck of a journey to the nearly unfathomable truth.

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Today’s Podcast: Filmmaker Irene Altagracia Perez Lopez (KILLING R)

LISTEN to the podcast: https://www.wildsoundpodcast.com/the-film-podcast-by-wildsound/2024/10/9/ep-1328-filmmaker-irene-altagracia-perez-lopez-killing-r

KILLING R, 15min., Sweden

Directed by Irene Altagracia Perez Lopez

In a not-so-distant future where AI technology is part of everyday life, Rebecka (41), a successful architect and mother to Nonno (5), works from home with her sick daughter while her partner Carl (39) is away.

http://irenelopez.se/killing-r/

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Film Podcast EP. 1367 – Filmmakers Marta Renzi, Daniel Wolff (CATHY & HARRY)

CATHY & HARRY, 40min., USA
Directed by Marta Renzi, Daniel Wolff
A revealing and humorous double-portrait of Catherine Murphy and Harry Roseman whose work is in collections from the Metropolitan Museum of Art to the Metropolitan Transit Authority. “Cathy & Harry” documents how their lives revolve in joyous, dizzying intensity around work, food, friends, and each other.

Get to know the filmmakers:

What motivated you to make this film?
We thought these two were special people, whose work and relationship should be documented.

What were your initial reactions when watching the audience talking about your film in the feedback video?
We were pleased that the message came across – and a little surprised that the message seemed to be so much about their relationship.

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Filmmaker Podcast EP. 1365 – Filmmaker Lyall F. Harris (AN UNDOING)

AN UNDOING, 10min., USA

Directed by Lyall F. Harris

In this 9-minute and 55-second experimental film, viewers are taken on a journey of “undoing” as the film’s author-protagonist unstitches her way to healing and catharsis, one stitch at a time, after the end of an abusive 20-year marriage. The subject: their wedding garments.

http://www.lyallharris.com/

https://www.instagram.com/lyall_harris

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Filmmaker Podcast EP. 1363 – Filmmaker Corey Davis (THE COREY DAVIS EVOLUTION STORY)

THE COREY DAVIS EVOLUTION STORY, 134min., USA
Directed by Corey Davis
The metamorphic journey of Corey Davis, a young filmmaker as he reflects on a decade of his career. Through personal anecdotes and behind-the-scenes footage, the documentary highlights his creative growth and challenges, showing essence of his passion.

https://www.facebook.com/CoreyDjokester?mibextid=LQQJ4d
https://x.com/coreydjokester?s=21
https://www.instagram.com/coreydjokesterdavis

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Filmmaker Podcast EP. 1362 – Christine Evette Giles (THERAPY TIES)

THERAPY TIES, 30min., USA

Directed by Christine Evette Giles

The effects of Wanda’s unresolved childhood trauma forces a tsunami of events to take place in the her family. This leaves her husband, Malcolm, as the primary caretaker of two children, one of which has a disability. Traditional and nontraditional therapy becomes the epicenter of their daily life.

https://doc.storydoc.com/DJgAFJ

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Filmmaker Podcast EP. 1361 – Filmmaker Mario Valdivieso (SING ME TO SLEEP)

SING ME TO SLEEP, 25min,. USA
Directed by Mario Valdivieso
“Sing Me To Sleep” follows the story of a young couple by the name of Marc and Julia. Julia has been diagnosed with cancer and she is at the point where her disease has become terminal. Marc decides to take his dying wife home so they can make the most of their last days together.

https://www.instagram.com/sing_me_to_sleep_film/

Get to know the filmmaker:

What motivated you to make this film?

I’ve been with my partner Kira (also a producer on the film) for five years now. We started dating three months before covid. When covid hit, we decided to move in together as she is immune compromised which made the prospect of her getting covid extra dangerous. Unfortunately she ended up getting covid and spent several weeks in the hospital with double pneumonia and even the doctors at the time were unsure if she would survive. She did recover thankfully, but it got me thinking a lot about telling a story about a relationship ending when it was just getting started. The nugget of that concept became “Sing Me To Sleep”. I also wanted to tell a realistic portrayal of what it is like to care for someone who is sick.

What were your initial reactions when watching the audience talking about your film in the feedback video?

My reaction to watching the feedback video was relief, relief that what we set out to do with the film was clear to the audience. I was moved by how moved the audience members that provided feedback were. And I was so impressed at how thoughtful all the comments were, the three members really took the time to give us some great feedback. When you make a movie, a filmmaker always wants to feel validated that what they put together will be enjoyed and felt by the audience so watching the reactions was extremely validating.

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Filmmaker Podcast EP. 1360 – Filmmaker Seth Mackie (PLAIN AS NIGHT)

PLAIN AS NIGHT, 4min,. Canada
Directed by Seth Mackie
A man witnesses a murder from his dorm room.

Get to know the filmmaker:

What motivated you to make this film?

The initial motivation was an assignment for a digital media program I enrolled in, where I had to make a short film. The idea for the project, however, came from the really late nights I would spend in my dorm room, listening quietly to music and looking out my window, where I would often see a few running cars parked next to each other for long periods of time. I always wondered what they were up to, so I imagined a scenario where someone found out.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I was very pleasantly surprised to hear all of the positive things they had to say about the film. Hearing someone say that it was ‘masterfully done’ or that it’s ‘a great work of passion’ was hugely inspiring to hear.

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