Today’s Podcast: EP. 1581: Filmmaker Kent Lloyd (WATERLOGGED)

WATERLOGGED, 4min., USA, Action/Crime

A cop gets under water with her CI’s and needs to find a way out.

Conversation with director Kent Lloyd on the making of the film.

http://uvselfdefense.com/stunts

https://www.instagram.com/spearheadstunts

Director Statement

Waterlogged is meant to be an auditory experience. I was inspired by all of my live dance music players from college and season 2 of Daredevil to help the audience experience what our hero goes through.

This piece was a giant collaboration from my stunts class. Monica, Rayla and Tennyson did most of the heavy lifting in terms of choreography and costume design. But they asked me to help stunt coordinate and direct and help write the script since the action was developed without any specific dialogue at all.

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Today’s Podcast: EP. 1580: Filmmaker Ben Harl (MARA)

MARA, 18min., USA, Horror/Thriller

After years spent recovering from a botched exorcism, Jake prepares to reintegrate into society. However, the mounting pressures of everyday existence trigger a harrowing regression back into madness.

Conversation with filmmaker Ben Harl

https://www.instagram.com/scompassstudios/

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Today’s Podcast: EP. 1579: Filmmaker/Musician Matt Cargill (Glistening Benevolence)

Glistening Benevolence, 6min., UK, Music Video

Directed by Matt Cargill

https://instagram.com/familydrone

Sly & The Family Drone Unleash ‘Glistening Benevolence’: Take the trip into slime-drenched folk horror and the cosmic unknown. . .

Neo-jazz wrecking-crew Sly & The Family Drone summon forth a new vision of terror and transcendence with the video premiere of ‘Glistening Benevolence’. Filmed at an undisclosed, shadowy music festival in the heart of Hampshire, the visual journey is a macabre ritual of psychedelic sludge, blending live performance footage with ominous vignettes of slime-coated landscapes, cosmic dread, and unholy rites under the moon.

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Today’s Podcast: EP. 1577: Singer/Songwriter Olivia Millin (TTYL music video)

Jpop Music Video shot in New York City’s Times Square.

Conversation with rising star Olivia Millin on the making of her music video with her team.

http://oliviamillin.com/

https://instagram.com/oliviaamillinn

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Today’s Podcast: EP. 1576: Interview with Filmmaker Raph Isadora Seymour (YELLOW DRESS)

Yellow Dress, 4min., UK
Directed by Raph Isadora Seymour
What is she doing? Trying to make a garden? Trying to make something…and who or what is trying to stop her? Crude stop-motion makes startling and poetic images and tells a story of resilience and the desire for happiness for both the hero and the villain of the piece.

Get to know the filmmaker:

What motivated you to make this film?

I wrote a poem and decided to animate it. My friend and I had gone to Peckham Common to feed the crows. I liked their movements and cunning and was also interested in their sinister connotations and their innocence.

From the idea to the finished product, how long did it take for you to make this film?

The idea came to me in 2022 and I was finished in early 2024.

How would you describe your film in two words!?

Puppet Poem.

What was the biggest obstacle you faced in completing this film?

The biggest obstacle in making the project was balancing my time. Working a job and having other creative projects, working in stops and starts and still maintaining a creative flow however I feel this alongside the stopwork animation and patchwork effects may have benefited the style of the piece.

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Today’s Podcast: EP. 1574: Gabriel Milessis Braga (THE FIRST NIGHT)

The First Night, 7min., Brazil

Directed by Gabriel Milessis Braga

After collapsing at the altar, Elise awakens inside an old church, and something inside her has changed. Guided by a mysterious man who seems to understand her condition, she begins to confront a new, terrifying hunger. The First Night is a gothic meditation on becoming, resistance, and the quiet seduction of darkness in our lifes.

https://www.instagram.com/thegabrielwars/

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Today’s Podcast: EP. 1573: Filmmakers Ísak Magnússon, Óliver Sólberg (BELONG TO YOU)

BELONG TO YOU, 6min., Iceland
Directed by Ísak Magnússon, Óliver Sólberg
Belong to you follows a swimming pool employee who thinks about his relationship with his coworker on a quiet night.

Get to know the filmmakers:

What motivated you to make this film?

We had just graduated from high school, where me and Ísak had worked quite closely together, and we wanted to continue our partnership and continue creating. I had this idea that was originally a poem and from that we started production. The poem was originally just meant for me to vent out my feelings.

From the idea to the finished product, how long did it take for you to make this film?

The idea first came about when I wrote the poem in early 2024. From that there was the early drafts of the script, but that came to a halt until me and Ísak picked it up in august 2024. We started production but that also came to a short stop, because we couldn’t find the right actors. Then, by miracle, we found the two perfect ones. We shot the film in one day at a closed swimming pool on november 23rd and finished shooting after only eight hours of filming. Then came post production which took about two months and the film was finished in late february of 2025. So in total the film took about a year to complete, from idea to the big screen.

www.instagram.com/isak2814

www.instagram.com/olivertumi

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Today’s Podcast: EP. 1572: Filmmaker Alice Ioana Nicolae (NOW IT’S BETTER)

Now it’s better, 12min., Romania

Directed by Alice Ioana Nicolae

In a world where it is easier to tear down than to build, to blame rather than to take responsibility, there are still resources for a better life. Although very painful and seemingly unique to each couple, the stories of our protagonists are almost universally valid, or perhaps very relevant in our current social and political context.Will the protagonist couples save their relationships? We will see in the short film ‘Now It’s Better.’

www.instagram.com/alicenicolaehl

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Today’s Podcast: EP. 1571: Writer/Producer Rani Sitaram (GREYTOWN GIRLS)

The true story of a small-town girl, born with physical limitations, abandoned as a baby, bravely builds her life and creates a love story that crosses continents through the romance of letter writing. An empowering and cinematic story of love and resilience.

https://www.greytowngirlthemovie.com/

Conversation with screenwriter and producer Rani Sitaram on the making of the film.

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Today’s Podcast: EP. 1570: Filmmaker Louis Rémillard (Folie Glacée)

Folie Glacée, 11min., Canada

Directed by Louis Rémillard

Eli et Vincent se commandent une collation à la crèmerie locale sans s’attendre aux horreurs qui ruineront leurs rendez-vous en amoureux

www.instagram.com/shotbypoui

What motivated you to make this film?

It all started with me and my friend, who’s the director of photography on the film, hanging out in Montreal. We both got ourselves ice cream cones and as we were eating them, walking around, the idea of the story kind of came to us as a joke at first. I thought about it for a moment, and I ended up telling myself it would make a fun screenplay. I came up with the idea of the ice cream vendor being ill intended and serving contaminated ice cream and he suggested the idea of the couple being on a date. So I owe it a lot to my friend’s encouragement and believing in my story once the screenplay was finally done. We were excited to make something that would be wacky, fun and horror since it is a genre we both liked very much.


From the idea to the finished product, how long did it take for you to make this film?
 As it is for most passion projects, everyone was either working their full time job or started working on other projects. The crew was mostly composed of my newly graduated classmates so it was a dance of work-fun balance.I think it took about six months of production but since it was all done in free and voluntary time, those six months were spreaded throughout a whole year. 


How would you describe your film in two words!?
Wacky and bloody!

What was the biggest obstacle you faced in completing this film?
It was definitely having to shoot the film almost entirely at night. Scheduling became complicated because I wanted everyone on deck, comfortable and up to work. Having to rest throughout the day and having to shoot everything before sunrise became particularly challenging for the biological clock. We did everything possible to make the experience as fun as it could be and playing with fake blood, making scary scenes definitely contributed to the good ambiance on set. Although it was challenging, we have good laughs to look back to.

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https://www.instagram.com/wildsoundpod/Folie Glacée, 11min., Canada Directed by Louis Rémillard Eli et Vincent se commandent une collation à la crèmerie locale sans s’attendre aux horreurs qui ruineront leurs rendez-vous en amoureux www.instagram.com/shotbypoui What motivated you to make this film? It all started with me and my friend, who’s the director of photography on the film, hanging out in Montreal. We both got ourselves ice cream cones and as we were eating them, walking around, the idea of the story kind of came to us as a joke at first. I thought about it for a moment, and I ended up telling myself it would make a fun screenplay. I came up with the idea of the ice cream vendor being ill intended and serving contaminated ice cream and he suggested the idea of the couple being on a date. So I owe it a lot to my friend’s encouragement and believing in my story once the screenplay was finally done. We were excited to make something that would be wacky, fun and horror since it is a genre we both liked very much. From the idea to the finished product, how long did it take for you to make this film? As it is for most passion projects, everyone was either working their full time job or started working on other projects. The crew was mostly composed of my newly graduated classmates so it was a dance of work-fun balance.I think it took about six months of production but since it was all done in free and voluntary time, those six months were spreaded throughout a whole year.  How would you describe your film in two words!?Wacky and bloody! What was the biggest obstacle you faced in completing this film?It was definitely having to shoot the film almost entirely at night. Scheduling became complicated because I wanted everyone on deck, comfortable and up to work. Having to rest throughout the day and having to shoot everything before sunrise became particularly challenging for the biological clock. We did everything possible to make the experience as fun as it could be and playing with fake blood, making scary scenes definitely contributed to the good ambiance on set. Although it was challenging, we have good laughs to look back to. Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod/ https://www.facebook.com/wildsoundpod