Short Film Review: OVERTIME. Directed by Steven James Kilper

Trapped in a fluorescent maze, an overworked employee realizes the office building may not want her to leave.

Review by Andie Kay:

Having a job that you don’t love is rough, having to stay beyond the usual 8 hour day is a nightmare. Steven Kilper taps into that nightmare with this bite sized horror film that he wrote, directed, edited, and created the visual effects for. What starts out as a typical leaving work scenario turns into an inescapable maze of fluorescent hell.


I loved the premise of this film and thought it was a wonderfully original idea. Steven executed so many things fantastically. The cinematography was great and I really appreciated the visual effects of the text messages and how he displayed them on screen. The soundscape was perfect and the way the staircase was shot was absolutely ingenious! Katrina Reese is our overworked, trapped employee and I liked her performance, although I wouldn’t have been as calm as she was if I was in her position.


That moment where all the lights start going out one by one is so frightening and I loved the build up but I wish the ending was her screaming NO in that text message and having everything go back to normal. The elevator doors ding as they open and she leaves having set some boundaries.

Short Film Review: INVISIBLE. Directed by Rozina Pátkai

In a quietly radical act of feminist performance art, Vienna-based artist Rozina Pátkai transforms an ordinary suburban zebra crossing into a stage for the unseen labor of domestic life. Carrying an impossible accumulation of household objects: a drying rack, shopping trolley, mattress, pushchair, child’s bicycle, she repeatedly attempts to cross the street, stumbling under the weight of these everyday burdens.

Review by Victoria Angelique :

The artistic short film, INVISIBLE, is a thought provoking piece that can raise many questions with its very title. The title suggests a woman that would be invisible, but she’s not in the physical sense because the cars are stopping at the crosswalk as she continues to walk back and forth with various objects. It’s what she is carrying that makes her invisible because at first it’s a usual scene only to become more elaborate as the seconds pass.

There’s not much unusual about a woman crossing the street with a pram, as this is quite an everyday scene in many countries. It becomes a social experiment when the woman begins adding to it, carrying quite large objects as she struggles to cross the street as she struggles to get the stroller across the crosswalk without dropping objects. Cars continuously stop, waiting patiently for her to cross without honking their horns, and it’s only at the halfway mark of the film that one person helps this woman with what she’s carrying. One person throughout the entire film chooses to help her. 

This raises several questions about these situations. The woman even abandons the scenario with the pram a couple of times to see if it would change things, still carrying items that would relate to childcare, and it doesn’t change anything. This poses questions such as have people become so uncaring that they no longer help a struggling mother like they used to, if it’s this particular city, or is there something about this particular woman? This film makes the viewer think that maybe that as humans we have become so self-absorbed that we care more about getting to our destination than taking a few seconds to help another person. 

INVISIBLE is certainly a thought provoking film, since it literally shows that the majority of people are no longer helping. They are simply moving about their business when someone is literally struggling while pretending not to notice. This film might motivate someone to help next time they see someone that needs assistance.

Short Film Review: DEAR ERNIE. Directed by M.D. Walton

Shortly after her husband passes, a new widow wrestles with her grief as she prepares to forge her path forward. Based on a true story.

Review by Victoria Angelique:

The tribute film, DEAR ERNIE, is a heartbreakingly beautiful film that will leave the viewer smiling. The first few frames plunge into the piercing silence of grief after Ernie has passed away, following his new widow as she attempts to process her world without her beloved husband. 

The devotion of husband and wife doesn’t end at “til death do us part,” as wedding vows so often imply, because this couple’s love appears to be eternal. The widow remembers the recent days, blurring the past and present as she grieves, proving that taking care of Ernie wasn’t a burden but a clock that was ticking down to the days when her heart would finish breaking. She loved everything about her husband. He was her world. 

This film will make everyone want a loving marriage like Ernie had, one a relationship that lasts nearly five decades. The widow writing her eulogy as a letter to Ernie in heaven is sweet. It turns the film from heartbreaking to beautiful as she reflects on their life together. It’s at this moment that the viewer can begin to mentally picture this couple’s entire life together with the widow needing to speak the words as their love was just that strong. Her eulogy doesn’t cause tears, but smiles as the widow speaks with a reassuring confidence that she will see her wonderful husband waiting for her in heaven.

The filmmaker, M.D. Walton, making this film a tribute to his father just makes it that much better. It shows the love for the filmmaker’s father and mother. 

Short Film Review: Pie In the Sky. Directed by Susan May Lee Lim

Pie in the Sky” is an enchanting music video that marries playful animation with the raw power of original recordings at Abbey Road Studio One, and a resplendent orchestral performance at the Barbican Concert Hall, London. The video opens with world-acclaimed pianist Jean-Yves Thibaudet leading the Royal Philharmonic Orchestra conducted by Robert Ziegler, in a captivating orchestral performance, his artistry setting the stage. From this vibrant live spectacle, we’re ushered into a whimsical animated adventure that playfully asks: “What is the ‘pie in the sky’?”

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Review by Andie Kay:

This behind the scenes look at recording the music for an animated short had a twist. There was a surprise engagement proposal from the composer, Ron J. Danziger to the Lyricist and creator, Christina Teenz Tan. Don’t worry, she said yes.


Filmed and recorded at the iconic Abbey Road Studios and the Barbican Concert Hall In London, the cinematography was stunning. Musically, the score for the film being played by a full orchestra was just spellbinding. The transition into the animated film was a bit jarring even though the art and animation by Samudiza Kajal Saikia was beautiful.


The actors and narrator of the animated portion did a really nice job although I would have preferred to see a gradual overlay of individual orchestral musicians than the windowed inserts. We go from a cinematic orchestra to a very pop-rock song that had a slightly different vibe. The vocal harmonies were gorgeous and the hook was catchy but it felt more like an end credits song rather than where it appeared in the animated
segment.


This has a lot of different elements that were put together and I really wanted a voice over or on camera host to act as a guide but the performances were absolutely amazing.

Short Film Review: TV MAN. Directed by Leonardo Valenti

While getting ready for a date with the girl of his dreams, Marco is visited by a man in the TV who starts talking to him. And he has a request to make… Hallucination or reality? That’s what Marco will have to figure out in this absurd and slapstick comedy.

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Review by Julie C. Sheppard:

The short TV Man is an entertaining romp. The satirical plotline has elements of farce, sci-fi and even social commentary. The lead actor has mastered broad comedy with hilarious facial expressions, showing a wide range of high intensity emotions, such as giddiness, infatuation and extreme surprise. His goofiness is infectious and endearing. He is a strong foil to the work of the actor playing the TV Man, who does a stellar job depicting a scheming con man. The screenplay that allows for elements of science fiction, is also quite amusing with its rapid-fire banter.

Cinematography in this short is thematically layered in that the footage of the TV screen switches from actual programming to the in-screen prison. The camera also makes use of extreme close ups and glitchy frames to advance the tale. 

Plucky orchestral refrains serve to enhance the funny moments, as ominous vocals underscore the darker, more sinister idea of TV imprisonment – – despite this edge of gloom and the social comments on the dangers of screen obsessions and betrayal, TV Man is more of a droll adventure.

Short Film Review: COSMIC HANDSHAKE. Directed by Steven Wright Clarkson

This video is about unity. As a christian, I know I can learn something from just about everyone. Opening your heart to other countries and their people and customs undoubtedly bridges the barriers that this world needs so very much. No matter what religion, color, creed, race, sexual orientation, etc., we are all children of God. He loves each and every one of us immensely. He wants to form a strong relationship with every creation including us. Peace and Christ’s love to each of you,

Review by Julie C. Sheppard:

Cosmic Handshake is a visually electrifying video. From the outset, the artistry takes the viewer along a rapid path of dynamic imagery. It is not just a striking twist of movement – – it is also an exploration of multi-faith symbolism. Familiar religious icons are displayed in vitally brilliant shimmers. A shiny peace sign and uniting handshakes are also central to this display. Human and alien hands reach out, we see acts of kindness and bonding, in addition to live action footage of a diverse group of children joyfully linked together.

The vibrant colours are rich, and the textures are sumptuous, a tapestry of outer space vistas and surreal nature scenes. The other striking element of this video is the use of gorgeous fractal-like kaleidoscope displays.

All this beauty is entwined with a cacophony of sounds – – piercing guitar, low bass notes and hearty percussion. The combination of meaningful icons, breathtaking palettes and soulful musical composition all make Cosmic Handshake an unforgettable immersive experience about love and acceptance.

Short Film Review: Once More, Like Rain Man. Directed by  Sue Ann Pien

‘It’s up to you to make a future that has you in it…’ We follow Zoe (Martinez) and her dad, Gerry (Jones) in a ‘day in the life’ of an autistic actress running the gambit of stereotypes she has to deal with – and her dad’s battle in supporting her forging that path for herself – in a funny, frustrating, painful and sometimes triumphantly sarcastic kind of way.

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Review by Julie C. Sheppard:

The short Once More, Like Rain Man is a real tribute to a feisty, determined young autistic actress. The film, consisting largely of a long series of her auditions over a day reveals how people (without autism) often do not fully recognize the truthfulness and charm of people with autism, seeing them only in a stereotypical light. This is in opposition to the on-screen relationship we see between the lead character and her loving, caring father who fully appreciates her habits, quirkiness and idiosyncrasies, as is very apparent with the sparkling banter between them in the screenplay – – such heartwarming chemistry and playfulness. 

The cinematography is remarkable with a series of zoomed-in, intimate moments, most notably during the lead’s dynamic monologue under a bright spotlight on a bare theatre stage. Effective use of circular panning, and extreme close ups capture the lead’s inspired melodic song and quick-witted, well-edited monologue. 

In terms of location choices, audition rooms of all shapes and set decorations serve to capture the lead’s long and rather frustrating attempts to fully win over the often bored, uninspired auditors. It will be fantastic to follow the career of this talented lead performer in real life. She will no doubt be successful, despite the limitations of many of those in casting, who have limited understanding of those with autism.

Short Film Review: A Film by Roland Wehap. Directed by Roland Wehap

The film “A Film by Roland Wehap” is a work by the filmmaker of the same name, Roland Wehap, who, as a “one-man show filmmaker,” challenges the concept itself by embarking on an extraordinary experiment: Is it possible to produce a short film with almost no budget entirely on your own?

Project Links

Review by Andie Kae:

Yep… that’s the title. A Film by Roland Wehap. This comedic 29 minute short is a very meta and tongue in cheek film about making a film starring ( you guessed it ) Roland Wehap. It breaks the fourth wall in a Ferris Bueller-esque kind of way while dazzling you with its gorgeous cinematography. The creativity behind this comes from Roland Wehap, as well as the cinematography. Roland portrays himself in the film along with an array of supporting characters using A.I. to slightly alter his appearance, which was very clever.


For me, one of the funniest and creative genius ideas was the voice over for the film, which was the only role not done by Roland or A.I. Howard Nightingall provided the voice for this film and his pacing, comedic timing and emotion was absolute perfection. It was ingenious letting Howard be Roland’s voice during the film and just having Roland lip sync. Very funny and wonderfully executed by them both.


So much of the film is a playful teasing about how hard it is to make a film, and Roland ( and Howard ) isn’t wrong. Any filmmaker would relate to the struggles within this film and chuckle at the way they
are portrayed. A Film by Roland Wehap ( and Howard ) is a fun comedy that anyone can enjoy

Short Film Review: Cosmic Rhapsody : A Symphony for our Planet

In 2020, the world seemed to be on the brink. A global pandemic raged, wildfires scorched the earth, and anxieties soared. Yet, amidst this turmoil, a spark of hope ignited: NASA astronauts returned to space aboard SpaceX’s CrewDragon, the first mission of its kind in nearly a decade. This inspiring event, against the backdrop of a world in crisis, gave birth to “Cosmic Rhapsody.”

Review by Julie C. Sheppard:

This stirring short, Cosmic Rhapsody: A Symphony for our Planet, gives the viewer a truncated yet eloquent look at the epic project of the same title, unveiled in May 2025. 

The poignant voice of the narrator explaining the project is particularly melodic, passionately recounting notable challenges of humanity such as natural disasters and a global pandemic, and our incredible resilience and adaptability.

A combination of video depictions of disasters on Earth and striking outer space shots reveal a balance between terrestrial and extra terrestrial. In turn, this ties in well with the sci-fi storyline of the project that strives to connect life on Earth with the positive use of AI and its potential to help various forms of human life to survive and thrive, even outside of our planet. 

The display of orchestral and choral performances of this project is simply breathtaking and shows that humans are indeed capable of incredible creativity — a capability that can take us to soaring heights. 

Short Film Review: Johnny Be Good. Directed by Chase Ramsey, Johnny Hebda

Gay relationships are messy. Let’s be real—between the swipe-left culture, hookup apps on every corner, and the glorification of open relationships, monogamy gets treated like some dusty relic from the past. But why should queer couples chain themselves to “traditional” rules that weren’t even made for us? Who actually wants to settle for a relationship that feels like a straight, invented by straights, cookie-cutter cage dressed up as commitment?

Project Links

Review by Julie C. Sheppard:

Short film Johnny Be Good is a thoughtful exploration of a gay couple within a culture of open relationships. Through stirring and often edgy narration, the story unfolds as a gay man finds himself desperately enamored with another. 

The film opens with a spirited gay bar scene. The sexy wardrobe, the upbeat synth music and the dim, smoky air with disco ball shards of light really capture the passion and excitement of happy, flirtatious gay men having a blast. As the film plays out, gorgeous slow-motion montages of the two main characters spending quality moments together seemingly reveal their genuine feelings for one another. 

The screenplay is brilliant in its rapid segway to misery and revenge. The dizzying camera work and biting on screen text show the inner workings of the lead’s feelings of hurt and betrayal, and the desire for vengeance. This film underscores the human need for connection, but it proves that this can mean different things to different people – – in this case, in gay relationships – – which makes the film all the more nuanced and sophisticated.