TIFF 2017 Movie Review: BLACK KITE (Canada/Afghanistan 2017)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

BLACK KITE.jpgAgainst oppression, change, and seismic political shifts, a father and his daughter find solace in the seemingly clandestine act of kite flying, in the latest by Afghan filmmaker Tarique Qayumi.

Director: Tarique Qayumi
Writer: Tarique Qayumi

Review by Gilbert Seah

When Taique Oayunmi’s film, BLACK KITE opens, the audience witnesses a a political judgment/verdict of the violent chopping off of his hands of Arian (Haji Gul) which is then expanded to an execution the next morning.

In the prison that night, Arian almost dies of thirst but offers to tell his story in exchange for a drink of water from his fellow inmate. But the story that unfolds is a different one. The next scene is one with a little boy fascinating with kite flying.

The boy is Arian who learns both how to make and fly kites from his uneducated father. It is never clear exactly the reason Arian is to be executed in the morning. The only hint is that the enemy suspects him of sending messages to the resistance by his kites, but then why offer him pardon at the end of the film instead of execution.

The film incorporates some animation that appear at various points throughout the film for no apparent reason. As a result the animation appears out of place and totally unnecessary. It also tends to become a distraction of the events that are taking place.

Instead of a political tale, Qayumi’s film ends up trivializing the events to the story of a man in love of the flying of kites.

Clip: https://www.youtube.com/watch?v=A8odaf9TqC8

BLACK KITE1.jpg

TIFF 2017 Movie Review: HAPPY END (France/Germany/Austria 2017) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

HAPPY END.jpgA drama about a family set in Calais with the European refugee crisis as the backdrop.

Director: Michael Haneke
Writer: Michael Haneke
Stars: Isabelle Huppert, Jean-Louis Trintignant, Mathieu Kassovitz

Review by Gilbert Seah

HAPPY END can be seen as a film that infuses many of the traits of Haneke’s previous films. When the film opens, the audience sees what is happening though the recording on a cell phone, the routine of a 12-year old (Fantine Harduin) similar to the video surveillance in Haneke’s film CACHE (HIDDEN).

This 12-year old is not one to be tampered with. She has a mean streak, spying on her father’s (Matthieu Kassovitz) computer and discovering his affair. This is reminiscent of the power of children in Haneke’s THE WHITE RIBBON. The family is held together by Anne Laurent (Isabelle Huppert), the father’s sister. But suicide is in the mind of Anne’s father, Georges (Jean-Louis Trintignant).

In Hanake’s first film, THE SEVENTH CONTINENT, the whole family committed mass suicide after a banquet meal. The dysfunctional family is all reminiscent of FUNNY GAMES in which a family is disrupted by a home invasion. All the events are seen from the point of view of the 12-year old, which brings the film to a good focus.

The ending is just as funny and shows that life goes on, happy or not. What constitutes a HAPPY END, is the question Haneke poses.

Trailer (en Francais): https://www.youtube.com/watch?v=W0hv8I9YbDk

TIFF 2017 Movie Review: SAMMY DAVIS, JR.: I’VE GOT TO BE ME (USA 2017) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.
sammy davis jrA star-studded roster of interviewees (including Jerry Lewis, Whoopi Goldberg and Billy Crystal) pay tribute to the legendary, multi-talented song-and-dance man.

Star:

Sammy Davis Jr.

As in the words of Sammy Davis, Jr. himself, “I am coloured, Jewish and Puerto Rican. When I move into a neighbourhood, I wipe it out.”

The same might be said for this exhaustive documentary, courtesy of director Sam Pollard, notable for having worked with Spike Lee. Davis’ talent and gift are so immense, that his presence takes over the entire movie. The doc does not contain a whole list of interviewees but just the most important ones – all being comedians including the recently deceased Jerry Lewis, Whoopi Goldberg and Billy Crystal.

All pay tribute to the legendary, multi-talented song-and-dance man, in this exhilarating documentary which is part of the American Masters series. Davis is shown here as dancer, singer (including a full rendering of the songs ‘I’ve Got to be Me’ and ‘Mr. Bojangles’), impressionist, and actor of unparalleled charisma.

He broke racial barriers (including marrying a white wife) but paid a heavy price for it. Pollard’s documentary of the legend ends up both an insightful and entertaining piece. I am sure many like me, could watch Sammy Davis, Jr. for hours.

Trailer: https://www.youtube.com/watch?v=qu8AV81ANTw

sammy davis jr1

TIFF 2017 Movie Review: THE SQUARE (Norway 2017) ***** Top 10

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

THE SQUARE.jpgThe Square is a poignant satirical drama reflecting our times – about the sense of community, moral courage and the affluent person’s need for egocentricity in an increasingly uncertain world.

Director:

Ruben Östlund

Stars:

Claes BangElisabeth MossDominic West

In director Östlund’s (FORCE MAJEURE) film, the square is a place of trust and caring where everyone shares equality and obligations. It is also the name of the newest project of curator Christian (Claes Bang) which he hopes will bring in money for the cutting edge art museum in Sweden he represents.

Christian hires two young TV publicists to spread the word on social media. The film is made of a number of cinematic set-pieces. Though these set-pieces appear unconnected on the surface, they upon close examination all tie into the great scheme of Östlund’s universe.

The film is also not without arresting images, courtesy of cinematographer Fredrik Wenzel. The two most striking ones include the shot of Christian building with escalators and star is rising above him like a maze (see trailer in link below) and the other with Christian in a heap of garbage as he searches for the piece of paper containing an important address.

The film deservedly won this year’s Palme d’or Prize. The film is as wicked a wicked satire can be as well as sexy, brilliant, complex and bitingly hilarious. It is a cruel, absurd and unforgiving world we live in and Östlund has captured it masterfully in his minor-masterpiece. Clearly the best film I have seen this year – hands down.

Trailer: https://www.youtube.com/watch?v=u77vsmBya2w

TIFF 2017 Movie Review: PYEWACKET (Canada 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

A frustrated, angst-ridden teenage girl awakens something in the woods when she naively performs an occult ritual to evoke a witch to kill her mother.

Director:

Adam MacDonald

Stars:

Missy PeregrymLaurie HoldenNicole Muñoz
 
Leah (Nicole Monoz) is the typical teenager in high school, as the film reveals at the start. She is happy, nuanced and has issues with her parents, in this case her mother after her father’s death.

The mother (Laurie Holden) is falling apart, in depression and boozing. She conjures the demon PYEWACKET to do away with her mother.

This is a case of paranoia versus actual demonic horror. Are there really footsteps in the night and monsters or are they all part of Leah’s imagination?

This is where MacDonald’s film works best. There is nothing supernatural that occurs in the first half of the film. When a monster is shown in the second half, the audience is still unsure whether the creature is real or Leah’s imagination.

The film makes good use of sound (example the crescendo of traffic noise) for scare effects. The cinematography (the woods with no leaves) by Christian Bielz also adds an eerie creepiness.

PYEWACKET ends up a solid scare flick but it could do with more gore and violence.

Trailer: http://www.tiff.net/tiff/pyewacket/?v=pyewacket

TIFF 2017 Movie Review: PORCUPINE LAKE (Canada 2017) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

PORCUPINE LAKE-1.jpgPorcupine Lake is a story of bravery and the secret life of girls set in Northern Ontario during a hot and hazy summertime when adulthood has not yet arrived, but childhood is quickly vanishing.

Director: Ingrid Veninger
Writer: Ingrid Veninger
Stars: Delphine Roussel, Christopher Bolton, Lucinda Armstrong Hall

Review by Gilbert Seah

Canada’s darling Ingrid Veninger has always been a director of films with strong female content. Who then best to write and direct PORCUPINE LAKE, a story of bravery and the secret life of girls set in Georgian Bay, Northern Ontario during a hot and hazy summertime when adulthood has not yet arrived, but childhood is quickly vanishing?

Ally (Delphine Roussel) arrives with 13-year old daughter, Bea (Charlotte Salisbury) in tow from Toronto to meet up with her husband, Scotty (Christopher Bolton). Bea learns through a local, Kate (Australian Lucinda Armstrong Hall) independence, as well as the facts of life about boys and growing up. Kate is the companionship Bea’s mother is unable to offer, and the two bond a strong friendship.

PORCUPINE LAKE is the most ambitious and strongest of Veninger’s films (also beautifully shot by Benjamin Lichty), her popular film ONLY being screened at a local cinema that Bea and Kate attend at one point in the film. Veninger proves once again, she is always in control of her material and meticulously drives her film to its emotional climax and coming-of-age mesage.

Trailer: https://www.youtube.com/watch?v=S0Lm-EC3e5s

THE 2017 TORONTO INTERNATIONAL FILM FESTIVAL SEPT 7 -17, 2017

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

by Gilbert Seah
 
The 2017 version of TIFF will be held from the 7th to the 17th of September from Thursday to Sunday that will mark another 11 days of marathon film watching. The first press conference was held this morning (July 25th) with announcements of the first batch of films to be screened.

This site will provide you updates to the festival (so keep checking) as well as capsuled reviews of selected from the festival starting as early as three weeks before the festival actually begins. Capsule reviews will be provided as this reviewer watches the films up to the very last Sunday. This reviewer usually reviews around 80 films each year at TIFF.

Announced are 14 Galas and 33 Special Presentations, of which are 25 World Premieres, eight International Premieres, six North American Premieres and eight Canadian Premieres.
Festival-goers from around the world can anticipate a remarkable lineup of extraordinary stories, voices and cinematic visions from emerging talent and some of our favourite masters.

The announcements were made by TIFF CEO Piers Handling and TIFF Artistic Director Cameron Bailey. One of the key questions asked by the press concerned the travel ban from the U.S. They responded with the information that TIFF has special staff to deal with filmmakers and their travel arrangements with embassies and government bodies.

THE MOVIES:

GALAS 2017
Breathe Andy Serkis, United Kingdom
World Premiere

The Catcher Was A Spy Ben Lewin, USA
World Premiere

*Closing Night Film*
C’est la vie! Olivier Nakache, Eric Toledano, France
World Premiere

Darkest Hour Joe Wright, United Kingdom
Canadian Premiere
Film Stars Don’t Die in Liverpool Paul McGuigan, United Kingdom
Canadian Premiere

Kings Deniz Gamze Ergüven, France/Belgium
World Premiere

Long Time Running Jennifer Baichwal, Nicholas de Pencier, Canada
World Premiere

Mary Shelley Haifaa Al Mansour, Ireland/United Kingdom/Luxembourg/USA
World Premiere

The Mountain Between Us Hany Abu-Assad, USA
World Premiere

Mudbound Dee Rees, USA
International Premiere

Stronger David Gordon Green, USA
World Premiere

Untitled Bryan Cranston/Kevin Hart Film Neil Burger, USA
World Premiere

The Wife Björn Runge, United Kingdom/Sweden
World Premiere

Woman Walks Ahead Susanna White, USA
World Premiere

SPECIAL PRESENTATIONS 2017

Battle of the Sexes Valerie Faris, Jonathan Dayton, USA
International Premiere

BPM (Beats Per Minute) Robin Campillo, France
North American Premiere

The Brawler Anurag Kashyap, India
World Premiere

The Breadwinner Nora Twomey, Canada/Ireland/Luxembourg
World Premiere

Call Me By Your Name Luca Guadagnino, Italy/France
Canadian Premiere

Catch the Wind Gaël Morel, France
International Premiere

The Children Act Richard Eyre, United Kingdom
World Premiere

The Current War Alfonso Gomez-Rejon, USA
World Premiere

Disobedience Sebastián Lelio, United Kingdom
World Premiere

Downsizing Alexander Payne, USA
Canadian Premiere

A Fantastic Woman Sebastián Lelio, Chile
Canadian Premiere

First They Killed My Father Angelina Jolie, Cambodia
Canadian Premiere

The Guardians Xavier Beauvois, France
World Premiere

Hostiles Scott Cooper, USA
International Premiere

The Hungry Bornila Chatterjee, India
World Premiere

I, Tonya Craig Gillespie, USA
World Premiere

*Special Presentations Opening Film*
Lady Bird Greta Gerwig, USA
International Premiere

mother! Darren Aronofsky, USA
North American Premiere

Novitiate Maggie Betts, USA
International Premiere

Omerta Hansal Mehta, India
World Premiere

Plonger Mélanie Laurent, France
World Premiere

The Price of Success Teddy Lussi-Modeste, France
International Premiere

Professor Marston & the Wonder Women Angela Robinson, USA
World Premiere

The Rider Chloé Zhao, USA
Canadian Premiere

A Season in France Mahamat-Saleh Haroun, France
World Premiere

The Shape of Water Guillermo del Toro, USA
Canadian Premiere

*Special Presentations Closing Film*
Sheikh Jackson Amr Salama, Egypt
World Premiere

The Square Ruben Östlund, Sweden
North American Premiere

Submergence Wim Wenders, France/Germany/Spain
World Premiere

Suburbicon George Clooney, USA
North American Premiere

Thelma Joachim Trier, Norway/Sweden/France/Denmark
International Premiere

Three Billboards Outside Ebbing, Missouri Martin McDonagh, USA
North American Premiere

Victoria and Abdul Stephen Frears, United Kingdom
North American Premiere

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

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