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INFLUENCER, 94min,. Poland
Directed by Josué Mastroianni
The version of events depicted in “Influencer” is not a reality for most women but is a means to an end for others. Sex sells. Influencers sell. Often, aspiring models are caught in the middle. What is the price that some are willing to pay? “Influencer” film explores the psychology behind those hard choices. Based on actual events.
l.krzymowska@gmail.com

https://josuemastroianni.com/influencer/
https://www.facebook.com/JosueMastroianni
https://www.instagram.com/JosueMastroianni

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/audience-feedback-influencer

A priest performing Last Rites is challenged by a hospice nurse who believes her patient should not be absolved of a deadly sin.

https://www.derekfreyfilms.com/

https://www.facebook.com/DerekFreyFilms

https://x.com/DerekFreyFilms

https://www.instagram.com/derek_frey_filmmaker/

Review by Victoria Angelique:

Religious values are complicated, especially when it comes to the confession of sins as is shown in the short film VIATICUM. When a Son, Priest, and Nurse come together to hear the last rites of a man on his deathbed, they must decide between doing what’s morally right or allowing God to be his final judge. It’s a predicament that causes tension to rise throughout the plot, only for it to be broken up by a select few moments of competitive humor between the Priest and Nurse over school sports. 

The artistic motive between shooting this film in black and white is nuanced. It shows that the world isn’t as simple as people typically think. The Old Man’s sins start out as things that are wrong, but not very serious, until he confesses to murder. The other 3 in the room see things in a very black and white viewpoint, not willing to see any other perspective. The Son only sees his dying father, wanting the older man to go to heaven and be absolved of all sin. The Nurse wants to call the police, horrified at theconfession as she argues with the Priest that is bound by the confidentiality rules that clergy must adhere to for their patrons. The Priest insists that it is only up for God to judge and not those on Earth. They are all holding to their narrow perspective, unwilling to budge. 

The biggest factor of this short film isn’t the moral conundrum, but the question that just because someone confesses of past sins on their deathbed, it doesn’t necessarily mean they’ve changed. They’re just afraid of eternal damnation. The Priest’s job is one where he is not allowed to judge, he just has to guide people to repentance and hope it’s genuine. The Nurse struggles with the notion of this elderly man being absolved of his sins & she learns the hard way that she should have left it up to God to be his judge. 

THE MULTIDIMENSIONALS, 90min., USA
Directed by Ewa Pirog-Rojas
“The Multidimensionals” tells the beginnings of STAR ENVOY, an unacknowledged Defense Intelligence Agency Operations Group assigned to protect US interests among the galactic community via specialized “ambassadors” whom are alien hybrids. It follows Ulrin, a lifetime government grey man, and alien hybrid, as he recruits the specialized ambassadors from different walks of life (Anuba, Karson, and Phoebe). It also goes into their encounters with different galactic species (Annunaki, Arcturian, Grey, Reptilians, and others). In a parallel timeline, he is his Native American self seeing the recruits and sometimes providing commentary from his POV to Ulrin, the government employee. The work stands alone as a feature film or can be the pilot episode. Work is 90 minutes along with an additional 10 minutes of bloopers and credits. Shot on 35 mm Department of Defense camera – digitized and a BlackMagic 6K Pro.

https://www.instagram.com/fallen11series

Get to know the filmmaker:

1. What motivated you to make this film?

Grew up watching science fiction and loved the genre. If it had a star in its name I’ve watched it! Today’s science fiction genre could benefit from a female’s perspective.

2. From the idea to the finished product, how long did it take for you to make this film?

About a year for all phases of the pilot, and picture lock for a first season of the series.

3. How would you describe your film in two words!?

F-cking Fabulous!

4. What was the biggest obstacle you faced in completing this film?

We made this film between Alex and myself filling in all of the roles with no budget. Passion, endurance, and tenacity were our budget. Our love for making something that is different and ours was our currency.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Very informative, positive, helpful, and appreciative for the opportunity.

6. When did you realize that you wanted to make films?

My background is in arts but was always limited to smaller scales and focusing on print design rather than media. When the opportunity presented itself to work on something not requiring a crazy number of investors and budgets I jumped in with both feet.

7. What film have you seen the most in your life?

It’s a toss up between “Star Wars: The Empire Strikes Back” and Bruce Lee’s “Enter the Dragon”

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I really like sharing with likeminded people and getting the feedback along with promotion of the project so that more people can see it.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Positive.

10. What is your favorite meal?

Pierogi.

11. What is next for you? A new film?

Completing season 1 of the series and getting it out there. It’s a fascinating and wild ride.

NIGHT OF THE DIMENSION TROLL, 8min., South Africa
Directed by Tyrone Donovan Patrick
One dark night… a little boy gets ripped from a wonderful dream when a terrible little troll appears through a portal at the end of his bed… and steals his blanket!

Get to know the filmmaker:

1. What motivated you to make this film?

‘Night of the Dimension Troll’ (or ‘Nag van die Dimensie Trol’, original Afrikaans title) is a culmination of wanting to do a scary, silly, fun, fantasy children’s story in book format, with simple and clear illustrations that told the story visually well enough that a young child could follow along by looking at the pictures alone, not even needing to hear or understand the narration. I wanted to take an everyday setting, ie: a house/home, and transform it into, a type of, epic fantastical setting, by taking the characters and shrinking them down to a diminutive scale and thus magnifying the world around them to epic proportions. I also wanted a supernatural villain that was a bit of a menace, that would create a sense of urgency- the longer they didn’t get to him, the more trouble he’d create for our heroes.

2. From the idea to the finished product, how long did it take for you to make this film?

The story had been brewing in my mind for a few years. I finally got around to completing the story & script and then started with the illustrations. There were nearly sixty in total (not all of which made it into the final film) which took me about three months to complete. The final editing took me just over a week or so to complete, so you could say ultimately around four months.

3. How would you describe your film in two words!?

Spellbinding & exciting (hopefully)

4. What was the biggest obstacle you faced in completing this film?

Completing the illustrations was a major challenge. I always wanted to do the story as a children’s illustrated book, but the idea changed to making it into a short film. I had the opportunity to work on the illustrations full time and so I did. The illustrations were all hand drawn in graphite colouring pencils, which took me around 12 – 16 hours of drawing full time, everyday.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was pleasantly surprised that it had mostly been received well, it seemed that even though the audience were adults (obviously), they said they’d been quite captivated by the story which was awesome to hear.

6. When did you realize that you wanted to make films?

In my early 20’s I did a degree in visual communication and took ‘Video’ as a subject in my second year and discovered- “Hey! This is awesome”. I’ve been in love with the medium ever since.

7. What film have you seen the most in your life?

Full Metal Jacket

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Anything that would create the opportunity to screen the film to as wide an audience as possible.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Great. The website is very simple & straightforward to use. Maybe too easy even.

10. What is your favorite meal?

Seafood.

11. What is next for you? A new film?

I’m currently working on a documentary on ancient stone circle ruins in Southern Africa.

REGULAR DAY, 2min., China
Directed by Kiam Yang
Humans have undertaken experiments on numerous species in pursuit of extracting natural fusion substances.

Get to know the filmmaker:

1. What motivated you to make this film?

When we talk about the future, many people envision hardcore science fiction. This made me realize that there is a lack of imagination beyond hardcore science fiction. Therefore, I intend to do my best to fill this gap.

2. From the idea to the finished product, how long did it take for you to make this film?

Around 5 months or so, using my spare time.

3. How would you describe your film in two words!?

Fantasy Nature

4. What was the biggest obstacle you faced in completing this film?

Setting up a future world is perhaps the biggest challenge, figuring out how to make these designs exist plausibly is very difficult.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

One viewer mentioned AI generation, which surprised me as my film did not use AI generation technology to create visuals. I hope that everyone won’t let the current AI trend influence their judgment of the film.And I am very happy that other viewers enjoyed the film.

6. When did you realize that you wanted to make films?

When I graduated, I started making CG films, which made me feel that my creativity was being realized.

7. What film have you seen the most in your life?

I don’t know, haha, I haven’t counted. Generally speaking, for a movie, I usually watch it at most twice.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I think you guys have done a great job.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

The experience is smooth, the guidance is clear, and information retrieval is convenient.

10. What is your favorite meal?

I am Chinese, so my favorite cuisine is Cantonese food.

11. What is next for you? A new film?

The next step is to create some small creative short videos to share on my social media. When I have a major inspiration, I will turn it into a full-length film.

FIRST & LAST, 4min., Canada
Directed by Alexander Nonaka Galant
At a showing of a rental apartment, a young woman stumbles upon a gruesome mystery while taking pictures with her phone.

https://www.alexandergalant.com/
https://www.instagram.com/alexander.galant/

Get to know the filmmaker:

1. What motivated you to make this film?

Many years ago I made a thriller called The Jigsaw Puzzle which did well in the festivals and, I learned recently, it’s shown in some film schools as an example of a narrative without dialogue (which is why it has so many views on YouTube). I’m proud of that, but I’ve grown a lot since then. It runs a bit long, and was shot in a modest apartment that had white walls which I worked against, trying to make it creepy. So upon re-watching it about a year ago, I decided to create a new film that would be under 5 minutes and used the white-walled, friendly atmosphere as a misdirect.

2. From the idea to the finished product, how long did it take for you to make this film?

From scripting it in mid-December 2023 to filming and editing it in February 2024: Two months and a bit.

3. How would you describe your film in two words!?

Timeloop murder

4. What was the biggest obstacle you faced in completing this film?

This was a very small apartment with not a lot of room, so I couldn’t have as many crew members as we needed. One side was a complete wall of windows, so we were chasing the light. Convincing the homeowner that the blood would not stain was also a challenge. It’s a washable/edible recipe that I have from when I used to be a make-up FX artist.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Yes! They got it! I plague myself with self-doubt through the entire process, questioning everything. Does this make sense? Am I too cryptic? Will cutting out a couple of beats in post-production ruin it all? Hearing the feedback confirming they caught the nuances solidifies the saying to “show don’t tell and trust the audience to figure it out.”

6. When did you realize that you wanted to make films?

I’ve always been a storyteller, and wanted to be part of the magic of TV or film since I was a kid. I’ve directed many stage productions (musicals and straight), but when a show closes, all that’s left is memories. Film lasts longer and there’s no limit to telling a story with filmmaking. Over the years I’ve worked in various areas of the film industry and lately as a script supervisor I’ve had the opportunity to sit next to some amazing directors and have learned a lot from their perspective. It’s taken a long time, but my next step is to transition to a larger-budget director’s chair.

7. What film have you seen the most in your life?

Hmmm. Tough question. I’d say a 3-way tie: The Wizard of Oz, Star Wars (1977) and Rear Window.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I can only speak for myself but I’m very much an introvert and find it difficult to approach people I don’t know. I think any opportunity to help with networking is great. Since so much of the hiring is based on who the production team knows, it is so important to create contacts in our industry.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Well when I first started submitting to festivals (like the above mentioned The Jigsaw Puzzle), it was a costly challenge to submit, between getting videotape screener copies made, transfering to PAL if sending to Europe, getting money orders in other currencies, customs forms… (I quickly learned to write “contains no pornographic material” on all the custom forms so that it wouldn’t get held up before a festival deadline!) Now with FilmFreeway, the screener and stills are already uploaded and payments done on-line, it’s all done with a few clicks. In my opinion, it’s an easy and efficient platform.

10. What is your favorite meal?

This is as tough as question #7. I’d say the all-time favourite is a properly cooked (med-rare) steak dinner.

11. What is next for you? A new film?

I have just shot another 5-minute short entitled “SOB”, which features a young man talking to his therapist about whether or not he should go to his estranged mother’s funeral. The aim was to tell a story that was interesting with a twist, but that had no blood. It will be edited in the new year.