Today’s BOOK Deadline: YOUNG ADULT Novel Festival

Submit your YOUNG ADULT Book by the deadline. 

A young adult (YA) novel is a fictional work written for readers aged 12 to 18 that usually explores the experiences and challenges of adolescence.

Submit here: https://festivalforfamily.com/young-adult-novel-festival/

3 Ways to Submit:

  • Full Novel submission for guaranteed feedback, plus chance to have novel transcript performed and made into a video
  • 1st Chapter of your novel submission for guaranteed feedback, plus chance to have novel transcript performed and made into a video
  • Novel Video Performance Reading – submit and we’ll set up a video performance reading of your novel right away (2000 works or less – around 8-10 minute video)

Watch Previous Novel Performance Readings:

Today’s Writing Deadline: TRUE CRIME Short Story Festival (guaranteed acceptance)

Submit your TRUE CRIME Short Story to the Festival here and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.

Accept only stories that fit into the TRUE CRIME genres.

Submit here: https://crimemysteryfestival.com/2024/12/01/true-crime-short-story-festival/

There is no festival like this!

Mainly what this contest does is give exposure to the writer. They will be able to obtain a solid agent, plus get notice by producers looking for writers like yourself. NOTE: The writer will always own 100% rights to their story. The only thing we do is help the writer. Either with notes on their next draft, or gain exposure by having their story showcased at our festival.

Today’s Screenplay Deadline: RELIGION & SPIRITUALLY Screenplay Festival

Submit your screenplay that’s a reglious or spirtual genre and/or plot line to the festival.

Submit here: https://storypitches.com/religion-spiritually-screenplay-festival-deadline-december-1st/

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.

This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)

1st Tier: FULL FEEDBACK on your screenplay (all submissions)

2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.

3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.

4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.

(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)

Happy Birthday Richard Pryor(1940-2005)

Watch the best of Films now by signing up for the FREE 7 Day trial. New Festival Daily: https://www.wildsound.ca/todays-film-festival/

Born December 1, 1940 · Peoria, Illinois, USA Died December 10, 2005 · Encino, Los Angeles, California, USA (heart attack) Birth name Richard Franklin Lennox Thomas Pryor III Foul language that has been compared to raw sewage mixed with social insight that has been compared to Mark Twain. QUOTES: I live in racist America and I’m uneducated, yet a lot of people love me and like what I do, and I can make a living from it. You can’t do much better than that. I had some great things and I had some bad things. The best and the worst. In other words, I had a life. It’s been a struggle for me because I had a chance to be white and refused. Everyone carries around his own monsters. [on the free-basing incident which set him on fire] When you are running down the street…. and you are on fire, people will get out of your way. I met the President. We in trouble. [At the 1977 Academy Awards] I’m here to explain why black people will never be nominated for anything. This show is going out to seventy-five million people – none of them black. We don’t even know how to vote. There’s 3,349 people in the voting thing and only two black people – Sidney Poitier and Harry Belafonte. We’re quitting. You’ll have to listen to Lawrence Welk.

Happy Birthday: Janelle Monáe

Watch the best of Films now by signing up for the FREE 7 Day trial. New Festival Daily: https://www.wildsound.ca/todays-film-festival/

Born December 1, 1985 · Kansas City, Kansas, USA Birth name Janelle Monáe Robinson QUOTES: I feel myself becoming the fearless person I have dreamt of being. Have I arrived? No. But I’m constantly evolving and challenging myself to be unafraid to make mistakes. [observation, 2014] I’d be honored to experiment more with holograms and maybe make a whole band – but I love my band. I wouldn’t want them to be holograms. I’ve never viewed myself as “just” a musician or singer. I’m a storyteller who wants to tell untold, meaningful, universal stories in unforgettable ways. I want to do it all, study it all and find my place in it. I had a strong visceral reaction to the Moonlight (2016) script, partly because I felt I knew all of these characters. I grew up with a drug dealer like Juan in my neighborhood who was a mentor to local young people. I had a family member who was addicted to crack, like Paula. Chiron himself reminded me of my little cousin – they were all characters I could relate to from my upbringing. And I’ve played the role of Teresa in real life: my family and friends always have a shoulder to lean on with me.

Watch Today’s Festival: Best of WILDsound Shorts Festival

Watch Film Festival HERE: https://www.wildsound.ca/videos/best-of-wildsound-shorts-november

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

SEE THE FULL LINEUP OF FILMS:

SELF-CARE IN SECONDS, 15 seconds
Directed by Curtis Johnson
The film tells the story of a character’s surprise visit from their future self, bringing a message of hope and redemption.

https://createsourcemedia.com/
https://www.instagram.com/createsourcemedia/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/self-care-in-seconds-review



QUITTING DRUGS, 20min., USA
Directed by Ali Imran Ch, Fatima Mughal
Bumb Shah is a Pakistani rapper whose traumatic life experiences heavily influence his music. Like many artists, he began using drugs early in his career, hoping that they would fuel his creativity. Before long, he fell into a rabbit hole of addiction-centered depravity, something that was reflected in his music.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/quitting-drugs-review



BRAISING, 19min., USA
Directed by Bryan Ribeiro
Conroy –a crestfallen, fast food cook who dreams of becoming a chef– finds community with a peculiar “charity” organization, all while he strives to deepen his connection with his widower father.

https://www.instagram.com/braisingfilm

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/braising-review



FINALE, 10min,. USA
Directed by Ryan Park
“Finale” tells the story of Antonio, an aspiring actor from Mexico facing the immense challenges of breaking into the industry. On the day of a crucial audition, Antonio receives a devastating call from his sister in Mexico, informing him that their mother has been in a severe accident. Torn between his familial duty and his dreams, Antonio realizes he cannot do anything from afar and decides to proceed with the audition. This pivotal moment forces him to confront an opportunity that could either transform his life or add to his struggles.

https://www.instagram.com/finale.cinema/?hl=en

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/finale-review



THIS IS THIS, 12min., UK
Directed Keith Sargent
10 scenes from the micro-fiction world of the absurdist anti-soviet writer Daniil Kharms.

http://www.3x3x3.tv/https://instagram.com/keithsargent3x3x3.tv

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/this-is-this-review

THE BRIDES OF DRACULA, 5min,. UK
Directed by Alexander Miguel
Introducing a new breed of vampires – More alternative, more sensual, more dangerous. Loosely based on the legends of Draculas wives, the good, bad and the evil bride inhabit an old misty graveyard set in the high mountains, waiting for their beloved master to be resurrected once more. Inspired by original costumes and props by Derby-based designer Liam Brandon Murray, this is a unique film showcasing the finest in Wearable Art for the designer’s cinematic debut.

https://www.instagram.com/alezmigz/

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/the-brides-of-dracula-review



NO WAR, 11min., USA
Directed by Steven Wright Clarkson
This video is a reaction to my original song “No War” off my “Speak the Truth” EP — it is a post punk psychedelic track — the video carefully uses AI animation — there are many dozens of ai renderings edited together with additional effects

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/no-war-review



STAGE, 5min,. USA
Directed by Angelika Poletaeva, Mark Limansky
“The Stage” – follows a young girl’s visit to a theater, where she is enchanted by everything, from the grand entrance to the velvet seats. Her innocent perspective is challenged when she accidentally enters the performers’ dressing rooms and witnesses their raw emotions. This thought-provoking art-house film explores how this experience alters her view of the world.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/stage-review



SOBER the struggle no one else can see, 12min,.
Directed by Pauli Janhunen
A once-promising boxer is haunted by his past mistakes and battling with alcoholism. His daughter watches from the sidelines – and fears losing him to his demons once again.

Watch the Audience Feedback Video:
https://www.wildsound.ca/videos/sober-review

Writer Richard Stimac (A GOOD-LOOKING WOMAN)

Performed by Val Cole

genre: literary

1. What is your short story about?

A woman might or might not have staged a minor car accident as a pretense to leave her husband.

2. What genres would you say this story is in?

literary fiction

3. How would you describe this story in two words?

straight forward

4. What movie have you seen the most in your life?

“Blade Runner: Director’s Cut” Who isn’t touched by Rutger Houer’s “tears in rain” monologue, which he wrote himself?

5. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Literally, the first note of Glenn Gould’s J.S. Bach: “Two and Three Part Invesions” lifts my spriit each time I hear it.

6. Do you have an all-time favorite novel?

I’ve read George Elito’s “Middlemarch” and Stendhal’s “The Red and the Black” both three times each.

7. What motivated you to write this story?

The WILDSound opportunity to have a one-page story read by a professional actor.

8. If you could have dinner with one person (dead or alive), who would that be?

Since I’m a practising Buddhist, I feel obligated to say Shakyamuni Buddha.

9. Apart from writing, what else are you passionate about?

I dance Argentine tango. Give the time and money that I’ve spent over the years, maybe “obsessive” is a better word than “passionate.”

10. What influenced you to enter your story to get performed?

The novelty of it.

11. Any advice or tips you’d like to pass on to other writers?

Just write, and when you do write, write for yourself. And if you want to publish, just submit. We can control the effort, but not the outcome.

Screenwriter Bernard Amador (CHOWER)

CAST LIST:

Narrator: Elizabeth Rose Morriss
Chief/Pedro: Steve Rizzo
Arlo: Sean Ballantyne
Thiago: Geoff Mays

Get to know the writer:

1. What is your screenplay about?

The story is about an exhibitionist addicted to chowers who grapples with a converging world of voyeuristic non-acceptance and risks losing it all including a potential love interest.

2. What genres does your screenplay fall under?

It’s a pure Dramedy!

3. Why should this screenplay be made into a movie?

CHOWER is currently in production with the hopes of bringing a fun entertaining experience to audiences.

4. How would you describe this script in two words?

Tik-Tok Effect

5. What movie have you seen the most times in your life?

I think the Wizzard of OZ.

6. How long have you been working on this screenplay?

A few months.

7. How many stories have you written?

Over seventeen including shorts and features.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Probably Mariah Cary’s Emotions! We are using it as the Theme song to pump up the Cast and Crew to get an emotional performance!

9. What obstacles did you face to finish this screenplay?

Getting the feedback from the WILDsound Team. It was an obstacle of love that drove me back to the re-writing and revision process.

10. Apart from writing, what else are you passionate about?

Relationships. Cultivating relationships with others is key.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

FilmFreeway is a friendly site to navigate. I submitted to other festivals that resulted is some success.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I really loved that the festival was LGBTIA+ focused and friendly. The initial feedback was real tough love but I am greatful the festival exists to better improve the craft in writers and the industry as a whole.

Filmmaker Jason Montgomery (TURNCOAT)

TURNCOAT, 28min., South Korea
Directed by Jason Montgomery
A shrewd merciless crime boss must investigate the scene of his brother’s assassination for answers, revenge, and to avoid the same fate.

https://www.facebook.com/turncoattheshortfilm
https://www.instagram.com/turncoattheshortfilm/

Get to know the filmmaker:

1. What motivated you to make this film?

I had spent the last several years living in South Korea; teaching English and writing screenplays. I got the itch to actually shoot something and direct it, as it had been way too long. Even though I didn’t have much of a network, few resources, and little money, I decided to use what I had and make something. My ex-teaching colleague and neighbor Maurice (Rob in the film) had left our teaching academy to pursue acting, and over some drinks in the local bar the film was shot in, we got the idea for me to write and direct something with him as the lead.

2. From the idea to the finished product, how long did it take for you to make this film?

About two and a half years. I started two other scripts that didn’t work out; one became too big to be a short and the other became so twisty and complex that even I didn’t know where it was going. On the third attempt, I came to the concept of Turncoat, then Maurice and I had to assemble the people and resources to do it, raise some money, and plan it out. Once we got it shot (at the tail end of COVID), one of our key postproduction people (Will, also the cinematographer) got stuck outside the country for about two years, so we had to handle a lot of post at a distance.

3. How would you describe your film in two words!?

Darkly introspective

4. What was the biggest obstacle you faced in completing this film?

Coordinating such a big cast and crew for production. Most of them had other professional commitments that were higher-paying, and just life issues, that we had to work around. Luckily they all liked the material and were extremely dedicated getting it made.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It was kind of surreal. I’ve seen, heard, and given reactions like that many times, but to see people I’ve never met giving such deep and intelligent consideration to my film was amazing.

6. When did you realize that you wanted to make films?

Around age 6 I started idolizing movie characters, which made me want to be an actor, then a few years later, maybe around 11 or 12, I developed a desire to take the helm and tell teh stories myself. That’s when I started writing scripts that I had no means to make, then finally pulled all my friends, family, money, and resources together and make a feature-length action thriller in my 20s.

7. What film have you seen the most in your life?

It’s between The Godfather and Back to the Future.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

It’s aleady a fantastic festival experience, but maybe I would add

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It’s been great. The platform makes it easy to view, compare, categorize, and apply to the most suitable festivals.

10. What is your favorite meal?

A medium-rare ribeye, mashed potatoes, broccoli with cheese, and an IPA.

11. What is next for you? A new film?

I’m writing a feature screenplay, also featuring Turncoat’s main character Rob. It was actually the first concept I tried for this project, but was too big for a short.