Interview with Filmmaker Kevin Short (HAVE A BANANA with The Jive Aces)

HAVE A BANANA with The Jive Aces, 4min., UK
Directed by Kevin Short
Have a Banana is a song that features in the award-winning film Bonnie & Clive, this is a swing version cover from the UK’s top swing band The Jive Aces.

https://www.instagram.com/k4kfilms

Get to know the filmmaker:

1. What motivated you to make this film?

‘Have a Banana’ is a song that features in our feature film ‘Bonnie & Clive’, and we wanted to make a single of the song to promote the film. So, the perfect band to cover the song was the UK’s top swing band ‘The Jive Aces’ who just happen to wear trademark yellow suits – perfect attire for our fun banana song. It then seemed right to film the recording, and add some direct quotes from the film, about the benefits of the banana. We also extended the filming to outside shots, and a scenario which, again, reflected some of the spirit of the ‘Bonnie & Clive’ feature.

2. From the idea to the finished product, how long did it take for you to make this film?

With a comprehensive prep and a strict schedule, both the recording of the song and the filming of the video was accomplished in one day, with a small crew of three. Postproduction (Edit/colorizing/sound design/graphics) was completed over one week. From idea to execution and final product, was a period of approximately one month.

3. How would you describe your film in two words!?

Banana Karma!

4. What was the greatest obstacle you faced in completing this film?

As it was filmed in one day, with various interior and exterior shots, and the weather was ever-changing throughout the day, we had to take the opportunity to shoot outside whenever it wasn’t raining. This, of course, meant stopping anything we were trying to do inside, and quickly setting up outside. We had to do this a few times, and it was only the good spirits of all involved that allowed us to get it all done before sunset.

5. There are 5 stages of the filmmaking process: Development. Pre-Production. Production. Post-Production. Distribution.

What is your favorite stage of the filmmaking process?

Having a trio of roles as Writer/Director/Producer, I have to say all stages are exciting, bar the stress of distribution. I guess the three most enjoyable moments are: writing & finishing the screenplay/shooting & wrapping the film/finalizing the edit. Not forgetting, seeing it on the big screen for the first time.

6. When did you realize that you wanted to make films?

I went to see a double-bill of Hal Hartley’s ‘Trust’ and ‘Simple Men’ and came out wanting to make movies. I had been working in the industry as an actor/writer, and knew a wealth of talent within the profession, and wanted to put a repertory of both performers and crew together, a little like Hartley did. Fortunately, over the past 15years, I have managed to keep a lot of those same people on board. So, many thanks to them, for all we’ve achieved.

7. What film have you seen the most times in your life?

Arthur Penn’s ‘Bonnie & Clyde’.

8. In a perfect world: Who would you like to work with/collaborate with on a film?

Being mainly UK-based, having worked with him in the theatre, Sir Richard Eyre would be my first choice.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?

I have had many successful experiences via FilmFreeway. There have been occasional festivals that have not conducted themselves well, and on these occasions FilmFreeway have stepped in and done the right thing.

10. What is your favorite meal?

An authentically cooked Chinese pork/chicken rice dish, with dim sum dumplings on the side.

11. What is next for you? A new film?

We are currently looking to get worldwide distribution of our feature ‘Bonnie & Clive’, following a recent short UK cinema release. Plus, we have a few other features which we are intending to redistribute. Otherwise, a film version of a hit stage show we did, a Goth Cinderella musical, and a very alternative Christmas film musical, are both on the burner.

Interview with Filmmaker Sandrine Lambert (27 YEARS OLD)

27 YEARS OLD, 1min., Belgium
Directed by Sandrine Lambert
A vivid memory of 2001, when I was 27, captured in just one minute (everything turned out fine 🙂

Get to know the filmmaker:

27 years – Sandrine Lambert

1. What motivated you to make this film?

Every morning I write down a memory. To do so, I try to truly relive it, to bring the details back to mind. This super short film originated from one of my pieces.

2. From the idea to the finished product, how long did it take for you to make this film?

This film is only one minute long; I worked on it for about a month. I work entirely alone, which allows me to work very intuitively and directly.
At a certain point, I see something in what I wrote down. Then I start brainstorming about the visuals. Next, I create a script board and start looking for music (I also always play the piano for my own films). After that, the drawing begins; that is the biggest part of the work. This film contains about 130 hours of drawing. As I go along, new ideas come to me, which I add to my script board. After drawing, I animate, record or find foley sounds, and then edit.

3. How would you describe your film in two words!?

Very analog

4. What was the greatest obstacle you faced in completing this film?

I find making a film nothing but enjoyable. When the film is finished, I see everything that could have been better. That is always quite a lot 🙂 I take some time to evaluate and take my own feedback with me to my next film project.

5. There are 5 stages of the filmmaking process: Development. Pre-Production. Production. Post-Production. Distribution.
What is your favorite stage of the filmmaking process?

Production. Making the film, just being in my world and creating a world of my own, is incomparable to anything.

6. When did you realize that you wanted to make films?

For 25 years, I was busy writing and illustrating children’s books. But I have always had a passion for film as well. However, that seemed less feasible, as I have no formal training.

Nevertheless, I have also been creating very simple stop-motion animations for over ten years. I made these to promote my books.

When my son started studying animation, I felt that making a film can resemble making a book. I decided to really do it my way, with the (admittedly substantial) experience I have. I also had to learn new skills, which makes it even more interesting. But I feel that what I do is truly close to my heart.
Going to the movies and film festivals often motivates me enormously; I love this world.

7. What film have you seen the most times in your life?

The Cook, the Thief, his Wife, and her Lover (by Peter Greenaway)

8. In a perfect world: Who would you like to work with/collaborate with on a film?

If I could: Aki Kaurismäki 🙂 I love the atmosphere of his films, and his way of working.

9. You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?

Very good! It is a lot of work to find festivals that fit what you do, but everything is well organized.

10. What is your favorite meal?

Vegetarian ramen

11. What is next for you? A new film?
I am currently working on an erotic film about people my age (50+). In my paper-cut style, I hope to create something that is lighthearted, even a bit childlike, but that also touches and conveys a message.

https://www.instagram.com/avondroodboeken

Short Film Review: You’ll Be A Man, My Son. Directed by Yessin Chouaib

Zayn struggles under the weight of mounting professional and emotional expectations. Unexpectedly trapped on a rooftop before a decisive meeting, he finds himself face to face with Frank, an older man haunted by regret. What begins as a chance encounter forces Zayn to confront the cost of suppressing his vulnerability, leading him to question the definition of strength he has always lived by.

Review by Julie C. Sheppard:

Heartfelt exploration of humanity is on full display in the soulful short, You’ll Be A Man, My Son. It is able to fluidly recount several intertwined storylines. With each of these storylines, a character is struggling with a feeling of deep discontent with a current life situation due to regretful choices.

The performances of the cast members are superb, especially the three central male characters — a man fighting against the need for violent retribution, an engaged man plagued with being a workaholic, and a father who is estranged from his daughter due to his past mistakes. The performances show strong character arcs as they express their regrets intensely but then feel much more empowered after experiencing passionate release.

The various locations, such as residential homes, a city park, and even a rooftop view, all support the narrative showing modern day living, in this case infused with angst. A poignant soundtrack elevates the tender, emotionally charged scenes. Eventually and fortunately, the film grants the audience a satisfying resolution, where humanity’s equilibrium is restored.