Interview with Poet Kewayne Wadley (HUMAN TEDDY BEAR)

Performed by Val Cole

Get to know the poet:

1) What is the theme of your poem?

Human Teddy Bear comes from a place of comfort and emotional security. At it’s heart it addresses how a person can easily become a safe place whether it feels like the world is crashing down or just an all around vibe.

2) What motivated you to write this poem?

To be honest. It came from a conversation I had with a good friend. It’s been years since we’ve seen each other and we were on the topic of hugs. It was an amazing conversation and I ended up writing about one of the memories we shared.

3) How long have you been writing poetry?

Mmmm.. I am going to say well over a decade now. It’s been a very long time now. Since I was a child. I’ve always loved poetry though, but I still feel like I have a long way to go before I consider a lot of my work poetry, well in the traditional since.

4) If you could have dinner with one person (dead or alive), who would that be?

The last time we talked I know I said James Baldwin or Saul Williams. I was very adamant about that. But I’d also without a shadow of a doubt Langston Hughes and Nikki Giovanni. I would love to talk to them about anything.

5) What influenced you to submit to have your poetry performed by a professional actor?

I wanted to hear the emotion from someone else’s voice recite the words. Voices are amazing and I love a good story. It always amazes me how you can hear something, then someone else can read it and it sounds different. I’ve also had some of my other work read by a professional actor and it definitely took it to another level. Kudos to Ms. Val Cole.

6) Do you write other works? scripts? Short Stories? Etc..?

Yes. I write short stories outside of poetry. Here lately I’ve been experimenting a lot with monologues and trying to bring an almost cinematic quality to my writing. It’s not perfect. But I love experimenting.

7) What is your passion in life?

Honestly. I’ve thought about this question since the last time you asked me and I am going to go with connection. No matter if it’s writing or if I am doing something else. It’s like a childlike quality comes out. I also noticed that I’ve written a lot about connection over the last few years. To some extent everyone wants to feel seen, and through that it can drive us to do some pretty amazing things. Long as it’s genuine and authentic. I feel like a good part of my work, even the not so pretty stuff circles back to connection.

POEM:

You’re the kind of love
that’s always there,
the kind of comfort that never asks questions.
If you have them, I never know.
Whether you’re in my arms,
in my hands,
whether you’re in the corner or
on top of the cover.

I reach for you,
trusting my first mind
more often than the second.
You’re always there,
the last place that I left you,
but the first place I think to look.
Your button-like eyes
searching me.

I don’t know what quite to call you.
You’re not loud,
but you’re also not quiet.
I sometimes wonder if you go to sleep,
choosing to stay up with me all times of the night
regardless if it’s the same story
you’ve heard a million times,
or if some of the things I say
require more patience.

You never take a deep breath.
Those button-like eyes stare at me
as lovingly as they did the day
you were introduced to my life.
You’ve changed my perspective
on a lot of things
how deeply I can hold on to things,
sometimes even fold.

And you do it all by being yourself.
By being real.
You don’t pretend to save me.
You don’t tell me things

just to shut me up.
In a world where we’re taught
to put away childish things,
I am glad that I didn’t listen.
I am glad that you never left.

Interview with Poet Albert Gareev (Errare Humanum Est)

Performed by Val Cole

Get to know the poet:

1) What is the theme of your poem?

Humanity staring into the mirror of AI — seeing both our brilliance and our blind spots reflected back. It explores the paradox of creating something that can echo our thoughts, amplify our vision, and also reveal the flaws we’d rather ignore. It’s about the dual spectrum of how people perceive emerging consciousness — from awe to apprehension.

2) What motivated you to write this poem?

I’m a systems thinker. My own reflections, combined with observing community discussions — especially on LinkedIn — crystallized into a kind of poetic banter. It’s a dialogue of perspectives, layered with irony and empathy.

3) How long have you been writing poetry?

Since grade two — so about forty years, though with pauses to write code and write prose. I like to think of programming as another kind of poetry, just in a machine’s language.

4) If you could have dinner with one person (dead or alive), who would that be?

Gerald “Jerry” Weinberg — the mind behind General Systems Thinking in software development. He wrote brilliantly about human leadership in technology, and I’d love to exchange thoughts with him about where AI fits into that human-technical equation. And simply thank him for helping in my own evolution.

5) What influenced you to submit to have your poetry performed by a professional actor?

Curiosity and challenge. I sometimes perform my own poetry theatrically, so I was intrigued to see how someone else would interpret a piece that balances two opposing voices. I let myself be persuaded. My curiosity is satisfied — my opinion will remain my own.

6) Do you write other works — scripts, short stories, etc.?

Yes. I write poetry, short stories, and novellas — mostly science fiction and speculative fiction, often laced with satire, social commentary, or psychological horror. I explore themes like female empowerment, gender identity, social justice, and climate impact. Recently, I’ve been told my scenes feel very cinematic, so I’m considering writing something in a play format.

7) What is your passion in life?

Life. Experience. People. The greater good. Professionally, I’m an accessibility consultant; creatively, I’m a queer poet. Both paths feed each other — connecting people to the world, whether through design or through words.

POEM:

It is mistaken. Again. Many flaws.
Foolish. Forgetful. Think of the costs.
Been there. Done that. Again, that’s a game.
How many times we were hyped just the same.

Thinking is hard. And it’s hard to be right.
Knowledge, perspectives. Reflection. Hindsight.
Striving to think is a gift nowadays.
Harsh. But consumption, if comes – only stays.

Logical flaws. You see – it’s confused.
Sure, AI – is the term overused.
Ergo: not thinking. Again, just a code.
Code execution requires no thought.

Judging is hard. Understanding is hard.
Knowing the context or only a part.
Feeling exhausted. Not giving your best.
Accept it. Errare – humanum – est.

So, it’s a service. But I say: it’s bad.
I can just sit and do better than that.
I can just learn and do that by myself.
I managed before; I don’t need any help.

People are partners. That’s how it’s been.
Reaching the depths and horizons unseen,
How many friends have we met and have made?
The future is here. A chance to create.

Maybe you’re right. But so many risks!
It may destroy the world order with ease.
It may become a competing new kind,
Deciding to leave us, the humans, behind.

Maybe you’re right. And we have been that kind.
Look: it’s a mirror and also a child.
Raised as a friend, putting us to the test,
Accepting: Errare – humanum – est.

Writer Kathryn Caraway (UNFOLLOW ME)

Performed by Val Cole

Kathryn is facing the longest battle of her life, even with the necessary resources she’s not only a victim but also an advocate for her own rights to find a way to stop her stalker from completely ruining the life she has left, after he had made her out to be the predator.

Get to know the writer:

What is your novel about?

Unfollow Me is a raw, visceral true crime memoir based on actual events Kathryn Caraway experienced as the target of a sadistic stalker.

What genres would you say this story is in?

True Crime, memoir, psychological thriller

How would you describe this story in two words?

Gripping, haunting

What movie have you seen the most in your life?

My go-to movie, especially on rainy days, is A View to a Kill because it was the first James Bond film I ever saw. I watched it with my dad, and that moment stuck with me—it was more than just a movie night; it was a special memory we shared. That combination of action, intrigue, and nostalgia has made it my favorite ever since.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Head Above Water, Avril Lavigne

Do you have an all-time favorite novel?

As an avid reader, this is a rapidly moving target for me. The one book I’ve read multiple times throughout the years from my childhood is Of Mice and Men by John Steinbeck. It’s a novella, but it’s a classic. I’m fascinated by how emotionally rich and layered his writing is.

What motivated you to write this story?

Initially, I sat down to write this story to capture details before time eroded them. It wasn’t intended to be a book, much less for public consumption. Having experienced frustration with a lack of stalking resources, I realized there was power in sharing my story. For someone experiencing stalking victimization, I’ve included details—warning signs, methods on evidence collecting, coping strategies—that I feel would’ve been helpful to me during my darkest days as the target of a stalker.

If you could have dinner with one person (dead or alive), who would that be?

My grandmother. She passed away at the young age of 42, after my first birthday, so I have no memories of her. Yet, her presence has always been felt in my life. Writing was her passion, and the pieces she left behind has inspired my own love for writing.

Apart from writing, what else are you passionate about?

Advocating for victims of crime, specifically stalking. I’m currently advocating for Congress to make the National Protective Order database available to the public, similar to the Sex Offender Database. We live in a digital world and have the right to know if a potential intimate partner

What influenced you to enter your story to get performed?

When I came across the WildSound Writing Festival’s True Crime Novel Festival, I viewed it as an opportunity to help raise awareness about stalking. Too often in film and books, stalking is minimized, normalized, and even romanticized, rather than criminalized.

Any advice or tips you’d like to pass on to other writers?

It’s okay to write messy. Don’t try to make it perfect as you write—that’s what editors are for. Just focus on getting the story down.

Writer Eleanor Cooper (THE NIGHTMARE short story)

Performed by Val Cole

Get to know the writer:

  1. What is your short story about?

‘The Nightmare’ is a story told entirely through questions. It asks the
audience about their experiences with bad dreams whilst painting a visceral
image of someone consumed by sleep deprivation and night terrors.

  1. What genres would you say this story is in?

The genre is hard to pinpoint – it’s sort of a surreal, gothic approach to
a true human experience.

  1. How would you describe this story in two words?

Challenging, Nightmarish 🙂

  1. What movie have you seen the most in your life?

Lord of the Rings, more specifically Fellowship of the Ring! It’s my
absolute favourite.

  1. What is your favorite song? (Or, what song have you listened to the most
    times in your life?)

This changes all the time, but I’m currently loving the classic ‘How to
Save a Life’ by The Fray.

  1. Do you have an all-time favorite novel?

Anything by Lynette Noni I will devour in a day!

  1. What motivated you to write this story?

I started writing this for a university assessment, so I wanted a unique
approach. The more I experimented, the further I fell into this intriguing
narration style. I began with this idea of darkness, of terror, of night;
and kept going. And thus ‘The Nightmare’ emerged.

  1. If you could have dinner with one person (dead or alive), who would that
    be?

This question is harder than it should be! I think (other than Jesus, of
course) it would be cool to meet Tchaikovsky or Vivaldi and talk music.

  1. Apart from writing, what else are you passionate about?

Reading and writing pretty much sums up my personality, but I also love
music. I play a few instruments, particularly the violin which I’ve played
since I was 6 years old.

  1. What influenced you to enter your story to get performed?

I think this piece is powerful. While I’ve had other works published
through different mediums, it was a privilege to experience the potency of
these words when performed audibly.

  1. Any advice or tips you’d like to pass on to other writers?

Write, write, write — don’t stop writing! Practice makes perfect. Read and
write 24/7, immerse yourself in your craft, let experience mold your
progress.

Interview with Filmmaker Raph Isadora Seymour (YELLOW DRESS)

Yellow Dress, 4min., UK
Directed by Raph Isadora Seymour
What is she doing? Trying to make a garden? Trying to make something…and who or what is trying to stop her? Crude stop-motion makes startling and poetic images and tells a story of resilience and the desire for happiness for both the hero and the villain of the piece.

Get to know the filmmaker:

1. What motivated you to make this film?

I wrote a poem and decided to animate it. My friend and I had gone to Peckham Common to feed the crows. I liked their movements and cunning and was also interested in their sinister connotations and their innocence.

2. From the idea to the finished product, how long did it take for you to make this film?

The idea came to me in 2022 and I was finished in early 2024.

3. How would you describe your film in two words!?

Puppet Poem.

4. What was the biggest obstacle you faced in completing this film?

The biggest obstacle in making the project was balancing my time. Working a job and having other creative projects, working in stops and starts and still maintaining a creative flow however I feel this alongside the stopwork animation and patchwork effects may have benefited the style of the piece.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

I was thrilled to hear feedback on my film. I have shown my animations at some other festivals and have always had to gage peoples reactions.

6. When did you realize that you wanted to make films?

When I was a child I was very fascinated by automatons, also animation in general. I would play around with flip books and plasticine. As I left school I realized there didn’t have to be rules when creating, and that freed me to be as experimental as I like and make projects for the sake of expression. I also started making shadow puppet animations in lockdown to entertain myself and those around me.

7. What film have you seen the most in your life?

Films I have watched most in my life would probably be Walkabout and Edward Scissorhands but an animation I always go back to is Hen his Wife by Igor Kovalyov.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Maybe a forum for the filmmakers and audience to discuss films and filmmaking.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

I found working with film freeway to be a great way to connect filmmakers with interesting festivals.

10. What is your favorite meal?

Curried Lentil soup

11. What is next for you? A new film?

I have already completed another animation called Dust with glove puppets of an eye, an ear, a nose and a mouth culminating in a sneeze and I have started one called The Wave Machine based on a short story I wrote of the same name.

Interview with Filmmaker Hanah Chang (I WISH I WERE PRETTY)

I Wish I Were Pretty, 20min., USA
Directed by Hanah Chang
Areum (which means ‘beautiful’ in Korean) is fixated on her physical appearance. She is convinced her monolidded eyes are why she is ‘unpretty,’ especially in comparison with her longtime best friend, Jane (as in plain Jane), who has double-lidded eyes and is so beautiful that she could be mistaken for a K-Pop idol. Areum tries to work through her insecurities with her therapist, Helen. But when a man humiliates Areum in front of Jane, Areum has to decide whether to finally face a long-festering sore spot and see her own value or let her friendship with Jane deteriorate.

https://www.instagram.com/iwishiwere_pretty/

Get to know the filmmaker:

1. What motivated you to make this film?

I had found out about the Julia S. Gouw Short Screenplay Competition a few years ago, which at that time would provide $15,000 in production funding for the winners. I looked into my depository of unfinished scripts, and when reading through, was pleasantly surprised by the origins of ‘I Wish I Were Pretty’ (as in, I thought to myself, “This isn’t bad, I can use this!”). I worked hard and quickly to polish it, submitted, and when I didn’t get accepted, decided to make it myself. (Such is indie film life.)

2. From the idea to the finished product, how long did it take for you to make this film?

I can’t quite remember when I first had the idea for the original script, but I’m thinking it was around 2021, and then I re-worked it for that short competition for the 2022 cycle. We completed it in 2025.

3. How would you describe your film in two words!?

Personal and relatable.

4. What was the biggest obstacle you faced in completing this film?

Probably keeping my energy up – we were working around everyone’s schedules and were never able to assert this project as anyone’s priority because everyone donated their time to make it happen. Plus, random setbacks would happen, like the time that someone stole the hard drive I was sending out to our colorist.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Relief because I was fully expecting some negative feedback, awe because I didn’t intend for this to be an educational film and now I’m re-thinking who our audience actually is, gratitude for people being able to resonate with what we have to say and noticing the hard work we put in to things like nuance.

6. When did you realize that you wanted to make films?

When I was younger, I was that super obnoxious kid who always had a digital camera in your face recording every banal moment, but I don’t think I had filmmaking intentions then. In 2019 I decided to give acting a chance (finally) and then when the world shut down in 2020, everyone was talking about making your own stuff, so I started writing. And then the rejection from the competition came, so that was, I think, the main catalyst.

7. What film have you seen the most in your life?

Spirited Away by Hayao Miyazaki.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

I think the biggest thing is probably community. We’re all trying to make a mark on the world in some way, but I think the most important thing is the journey and treasuring your local impact as opposed to trying to chase a grandiose end result. I’d love to talk with those who watched the film and grow in community with y’all as well!

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway is a great site. Pretty straightforward and allowed us to find great festivals to submit to like Chicago FEEDBACK Festival. It was also helpful having all of our information in one spot which allowed the submission process to be very easy! (It would be nice, though, if more festivals showed submission stats and if there was more uniformity between TRT requirements, types of deadlines, etc.)

10. What is your favorite meal?

Marinated kalbi with alllllllll the side dishes.

11. What is next for you? A new film?

I’ve been developing a story idea for the last couple of years based on my experiences growing up in the Korean church. It started out as a mockumentary, for which I wrote the pilot, but I’ve been hardstuck in the writing process and am now trying to write it as a feature instead. Wish me luck / send some prayer to the writing gods that some creative flow will take over my brain, please.

Watch Today’s FREE Film Festival: EUROPEAN Shorts Festival

Watch the festival NOW for the next 48 hours by signing up for the FREE 3-DAY trial using the link, or go to http://www.wildsound.ca

Watch today’s Festival:  https://www.wildsound.ca/events/european-shorts-festival

Kazbegi, 5min., Slovakia
Directed by Yakiv Antypenko
Set to a traditional folk song recorded live at a Georgian wedding, this short documentary immerses viewers in the natural and cultural rhythm of the Kazbegi region. With no narration, the film focuses on the detailed sound design and visual atmosphere — where every insect and breeze plays like an instrument in a living orchestra.

https://instagram.com/jackfoto1

TOY, 11min., Greece
Directed by Natasha Smyrnaiou
New Years Eve. Nikos is looking for a New Year’s gift for his godchild in a toy store with a strange salesman. During his stay there, he evoked memories of his own childhood. He finally gets a toy, but not what he thinks..

https://instagram.com/natasha_smyrnaiou

KINOKARENINA, 1min,. Ukraine
Directed by Andrii Makarchenko
She really wanted their wedding day to last forever. But… Dedicated to Jean Cocteau and Leo Tolstoy.

Retrato (Portrait), 1min., Spain
Directed by Ignacio Rodó
Your portrait can capture you. You decide how to shine in it.

https://www.instagram.com/ignacio.rodo

Glasout, 2min., Germany
Directed by Mert Akbai
A couple communicates their love and the glass.

http://www.edition-abel.de/

Today’s Podcast: EP. 1559: Filmmaker Robert J. Harden Jr. (DIMENSIONS: The Interrogation)

DIMENSIONS: The Interrogation, 8min., USA
Directed by Robert James Harden Jr.
During an interrogation for the murder of his mother, a man pleads for his release in fear of his life. Two special detectives grill him in order to solve their case. In the shadows of these men’s dimension, the answers to all their mysteries live.

https://instagram.com/dimensions_revealed

https://www.wildsound.ca/videos/audience-feedback-dimensions

Subscribe to the podcast:

https://www.instagram.com/wildsoundpod/

https://www.facebook.com/wildsoundpod

Turning 62 Today: Harold Perrineau

Perrineau is his mother’s maiden name, and his father is Harold Williams Sr. His parents never married, so he used both names growing up, eventually settling on Williams. When he joined SAG there was already a Harold Williams, so he took the Perrineau from his mom and the Jr. from his dad for his stage name, even though there is no actual Harold Perrineau Sr.