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• I’ve never felt completely satisfied with what I’ve done. I tend to see things too critically. I’m trying to get over that. I’ve got the Jewish guilt and the Irish shame and it’s a hell of a job distinguishing which is which.
• [on improving his chess game for a role] I can now predict four or five moves ahead. I can see that I’m going to lose much sooner.
• [on Sophie’s Choice (1982)] There was a tremendous ensemble feeling. There was never any sense that anything but what was best for a scene was at stake. We were all treated equally, with a tremendous amount of caring.