TIFF 2016 Movie Review: DIVINES (France/Qatar 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

divines_poster.jpgDIVINES (France/Qatar 2016) ****
Directed by Houda Benyamina

Starring: Oulaya Amamra, Déborah Lukumuena, Kevin Mishel

Review by Gilbert Seah

DIVINES is the much acclaimed surprise film at this year’s Cannes and the winner of the grand Camera d’Or Prize, the first to be won by an Arab director.

Houda Benyamina’s debut feature follows the hard lives of two young women who become embroiled in the criminal world of the Parisian neighbourhoods. Teenager Dounia (Oulaya Amamra) dreams of having it all: money, power, and a man. But she is saddled with a drunken and whorish mother.

At school, she freaks out and walks out of her well-intentioned teacher, swearing that she will make more money than her teacher will ever dream of. That she does with her friend, Maimouna (Déborah Lukumuena) by dealing drugs but not without dire consequences.

DIVINES is also a coming-of-age story and a very violent and hard look at the alternatives out there and there are not that many. Benyamina’s no-nonsense film is highly spirited and also full of music and dance with a little lost romance.

Trailer: https://www.youtube.com/watch?v=6_Zp_FM9Yug

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TIFF 2016 Movie Review: L’AVENIR (THINGS TO COME) (France/Germany 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

things_to_come_poster.jpgL’AVENIR (THINGS TO COME) (France/Germany 2016) ****
Directed by Mia Hansen-Løve

Starring: Isabelle Huppert, André Marcon, Roman Kolinka

Review by Gilbert Seah

Director Hansen-Løve’s (LA PERE DE MES ENFANTS, UN AMOUR DE JEUNESSE, EDEN) latest feature is again a film about life and living. Like in the other 3 films mentioned, her protagonist undergoes a major change in life in the midst of the movie.

Nathalie (another excellent performance by Isabelle Huppert) is a dedicated and demanding teacher, wife, and mother whose life is jolted when her husband of many years leaves her for another woman. As her life slowly crumbles (she loses her publications as well), Nathalie slowly adapts using her background in philosophy.

Nathalie is not as assured and confident as she is in the past. Her black, obsess cat, Pandora stands also as a metaphor for her life. But Nathalie, at least finds an unlikely friend in a former student, the radical young communist Fabien (Roman Kolinka).

The film is also beautifully shot in Normandy in a beautiful vacation house where the tides waters of the sea come into the backyard (my personal dream home). The musical score ranging from classical (Schubert) to folk (Woody Guthrie) is marvellous.

There are lots more to relate, reference and to enjoy in Hansen-Løve’s film such as a short clip seen of her husband Olivier Assaya’s film in one scene. As in all of Hansen-Løve’s films, L’AVENIR is an intelligent, handsomely mounted production that is an entertaining and insightful look on life and living.

Trailer: https://www.youtube.com/watch?v=UhErAqJ8HGE

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TIFF 2016 Movie Review: INTERCHANGE (Malaysia/Indonesia 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

interchange_poster.jpgINTERCHANGE (Malaysia/Indonesia 2016) ***
Directed by Dain Iskandar Said

Starring: Prisia Nasution, Iedil Putra, Shaheizy Sam

Review by Gilbert Seah

Writer/director Dain Iskandar Said’s ambitious supernatural crime thriller takes a bit too much than it can chew though it is beautifully shot with a good mix of old-fashioned special effects and magic for good measure.

Shot in both English and Malay with the characters often switching languages within a conversation as is in the case the way Malaysians speak, the film offers a close look at the local customs and folklore as well as the shops and housings in and around Kuala Lumpur, the capital of Malaysia. The supernatural is taken back to Borneo the huge Malaysian island where much is still uninhabited.

The film deals with a forensic photographer Adam (Iedil Putra) who has become a recluse. But another murder with eerie resemblances to that one has just taken place, and Detective Man (Shaheizy Sam) thinks that Adam may unwittingly have access to some answers. Photographs were found at the new crime scene, images in which Adam’s neighbour, Iva (Prisia Nasution), appears — but the pictures seem to have been taken many years before Iva was even born. There is a romance tied in with the rituals.

INTERCHANGE is a bit confusing in the way the story unfolds, and the tie in between bird and longevity is not that credible, but Said tries very hard in his movie and his effort shows.

Trailer: https://www.youtube.com/watch?v=oJ81AnCPqJM

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TIFF 2016 Movie Review: GAZA SURF CLUB (Germany 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

gaza_surf_club_poster.jpgGAZA SURF CLUB (Germany 2016) ***
Directed by Philip Gnadt and Mickey Yamine

Writers: Michael Dupke, Philip Gnadt

Review by Gilbert Seah

The film begins with the map showing the Gaza Strip between Israel and Egypt bordered by the Mediterranean Sea and then goes on to show a beach with waves that is surrounded by dilapidated buildings.

It is clear that the Jewish Arab conflict, a staple in Israeli and Palestinian films is an issue affecting the characters in this documentary as well. The main characters here are the youth who have a passion for the sport of surfing – something that is unimagined for the Arab people.

Two youngsters that the film concentrate on are 23-year old Ibrahim and 15-year old Sabah. Ibrahim dreams of owning his own surfboard shop while Sabah dreams of being able to swim and surf – something girls are not allowed to do, as it is deemed shameful in the culture.

The documentary sails along smoothly revealing the troubles facing the youth in materializing their goals for surfing. The cinematography of the surfing scenes is magnificent.

Trailer: https://www.youtube.com/watch?v=qonly9By1aQ

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THE WILD LIFE (ROBINSON CRUSOE) (Belgium 2015) ***

the_wild_lifeTHE WILD LIFE (ROBINSON CRUSOE) (Belgium 2015) ***

Directed by Vincent Kesteloot

Starring: Matthias Schweighöfer, Kaya Yanar, Ilka Bessin

Review by Gilbert Seah

ROBINSON CRUSOE is a 2015 Belgium animated feature shot originally in French and dubbed in English and released by Lionsgate in Canada under the different title of THE WILD LIFE. As the title implies, it is the story of Robinson Crusoe – the untold story as told by the animals of the island Crusoe gets shipwrecked on. Crusoe is depicted as a clumsy clot, aided by the animals of the island in gratitude for saving them from the mean cats.

The story is told in flashback by the parrot who gives the story his point of view. On a tiny isolated South Pacific Island, Mak, the parrot and his friends live the perfect life. Blue skies, beautiful turquoise water, and lots of delicious fruit and crunchy insects. But every day is the same and Mak is really bored. Convinced there is more than just water over the horizon, he dreams of leaving his little paradise and exploring the world. Then one day, after a violent tropical storm, they wake up to find a huge ship broken up on the beach.

Two strange creatures emerge from the bowels of the shipwreck: Robinson Crusoe and his dog Aynsley. Unbeknownst to everyone, two ferocious cats have also survived the storm. The rest of the film is Crusoe and animals surviving the invasion of the two cats who have now sprouted a litter of equally ferocious and ugly kittens.

THE WILD LIFE cannot compete with the superior animation of Pixar or Disney Studios. But given its limitations, the animation is still solid, with 3-dimensional figures (as compared to the 2-D old school) that are now a staple for animated films. The inventiveness like the maze of pipes in Crusoe’s house is a wonder and the chase around the plumbing is sheer delight.

The film suffers from not having a true villain. The scavenger cats make ugly villains, but having the pa and ma felines having a hungry litter only make them more sympathetic than evil. The disposal of Crusoe’s dog is sad and would scare kids. Apart form this, most of the action is harmless fun with no real terror, violence or hint of foul language.

The film’s humour is derived from animal slapstick, chases and dumb talk. Adults will find the humour childish but the kids should be having a field day. The film also contains a few catchy tunes, just enough not to bore the audience. The film also contains a message (seems to be a staple for all animated family films these days) which is that home is where you make it – as the parrot learns.

The European touch is evident throughout the film. For one, the animals on the island make up a strange bunch, not too well known animals as found in American animal films. Besides the common parrot, other lesser known animals that make the cast include a tapir, an echidna and a chameleon. The voices are provided by an European cast for the French version and Americans for the dubbed version.

Trailer: https://www.youtube.com/watch?v=3dyAWBMF6bE

Movie Review: KADDISH! (2016)

  MOVIE POSTERKADDISH!, 6min, France, Horror/Comedy
Directed by Emeline Castaneda

When, on his way back home, a man stops at a motorway service area, he did not imagine that by talking to his urinal’s neighbor, it will trigger some terrible events.

Seen at the August 2016 HORROR/THRILLER FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Kaddish! directed by Emeline Castaneda, is an absolute delight. Engaging, immediately suspenseful and unflatteringly hilarious, it is an example of the element of surprise doing everything a horror-comedy film should do.

It must be noted that horror-comedy as a genre is one of the hardest sub genres to execute without latching on the comfort of cinematic cliches, and yet Kaddish! does this flawlessly. With undeniably originality, Castaneda is able to weave tradition, religion, ethnicity, suspense, humour, music and zombies (yes, zombies.) into six minutes of your life well spent.

Kaddish! follows our devoutly Jewish and incredibly compassionate hero as he makes the unfortunate discovery that the man at the urinal beside him is a Neo-Nazi, and decides to put his fate in Gods’ hands. And God responds with a standing ovation. This knowledge alone was enough to make me grab my popcorn and watch this film- please, do the same.

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Movie Review: PREFERENTIAL OPERATION (2016)

  MOVIE POSTERPREFERENTIAL OPERATION, 20min, Spain, Thriller/Drama
Directed by Roger Comella & Carles Velat

Four masked men kidnap the director of a bank branch in an unremarkable town. They put him in a van and ask him 90,000 euro from his own pocket.

Seen at the August 2016 HORROR/THRILLER FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Directed by Roger Comella and Carles Velat, Preferential Operation is a complex cinematic piece on several levels. Part suspense thriller, part tragedy, part comedy, the film can be hard to place into a single genre- but it nevertheless entertains on all fronts.

Our story starts on a local bank operator, openly disliked in the community, who is kidnapped on his way to work and subsequently interrogated and tortured by four masked invaders. Audience sympathy at first aligns with our hero, who, may be arguably overacting, succeeds in conveying his terror at the situation. As the story unfolds however, it becomes clear these masked men are previous victims of our bankers purposeful financial wrong-doings.

This piece is powerfully shot and our four masked “villains” are exceptionally well casted.

The piece is undoubtedly compelling, its plot is alluring and, most heartbreakingly, it is inspired by true events. It can be argued perhaps, that the film’s middle act falls slightly flat and that the conjunction of slap-stick style comic elements mixed with the psychological thriller/horror genre creates a non cohesive dichotomy.

However, this reviewer would counter that Preferential Operation is painting a picture with an intentional contrasting palate in order to create a more vibrant final image. An intense film? Absolutely. And whether it speaks to your personal cinematic tastes or not, certainly worth a film-goers time.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: A FILM BY VERA VAUGHN (2016)

  MOVIE POSTERA FILM BY VERA VAUGHN, 10min, USA, Thriller/Sci-Fi
Directed by Sorrel Brae

In this supernatural digital-age thriller, a filmmaker falls through the looking glass when she must face her own terrifying creation.

Seen at the August 2016 HORROR/THRILLER FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Artfully shot, beautifully edited, high-intensity and highly compelling, Sorret Brae’s A Film By Vera Vaughn is a high-concept dual tale of a woman who winds up trapped in her own movie. (Or possibly trapped in someone else’s?) The story itself is hard to follow, but manages to be so utterly intense and compelling, it is difficult to care too deeply about the unanswered questions in the plot.

The plot’s structure may lack some basic skeletal features, but it does not mean the film lacks depth- on the contrary, the film has several layers of horror-thriller convention behind a supernatural element of unreality; the creepy light that keeps flickering in the hallway, the weird cameras’ that catch things they shouldn’t, the uncanny feeling you are always being watched- all expertly synchronized together to create an engaging tale of intensity.

Even though the film makes one walk away with some basic head scratching, it creates a sense of a movie well made- a feat of triumph for any short film.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: DO NOT DISTURB (2016)

  MOVIE POSTERDO NOT DISTURB, 13min, UK, Thriller
Directed by Jon James Smith

George takes a detour on his way home from the office, which sets off a dark tale of lies and confusion.

Seen at the August 2016 HORROR/THRILLER FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Do Not Disturb directed by Jon James Smith, is a compelling piece, composed of endless twists, turns and red herrings. Expertly shot, with keen focus and attention to detail, the piece follows a man’s untimely death and the intrigue that follows his mysterious end.

Smiths’ work is undoubtedly engaging- catching the viewer from the very first moments of screen time. The piece also employs interesting characters, compelling details, passion, and yes, even the occasional chuckle.

Where Do Not Disturb becomes troubled, perhaps, is that the plot is so rich, so detailed and so contingent on certain characters moving the story forward, there are moments where the plot gets confusing. Too meaty a story in too short a time, the film has the air or far too much matter condensed into too small a space. Smith’s work Do Not Disturb is definitely worth a watch, but it may take you two, or three to catch every nuance.

Watch the Audience FEEDBACK Video of the short film:

TIFF 2016 Movie Review: THE WEDDING RING (Niger/ Burkina Faso / France 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

THE WEDDING RING (Niger/ Burkina Faso / France 2016) **
Directed by Rahmatou Keïta

Starring: Aïchatou Lamine Fofana, Aïchatou Moussa, Magaajyia Silberfeld

Review by Gilbert Seah

The director’s second feature offers a female perspective on love, marriage and customs as seen by the Niger’s Zarma Songhay people. The people wear colourful robes and live in a fairly tale land (like the famous African film MOOLADE) of colours and customs where royalty and miracles can happen.

The story revolves around Tiyaa (Magaajyia Silberfeld), a princess of sorts of aristocratic birth, whoshould have the world at her feet when she returns home to the Sultinate of Zinder after completing her degree abroad.

But Tiyaa is aimless and burdened by the pain of a lost love. In the absence of any better idea, she reluctantly seeks counsel from a zimma, a Zarma Songhay wise man who seeks answers to life’s mysteries in the elements.

The film traces her path as she turns her forlorn love back to happiness. This is a simple film with a simple plot and the enjoyment of the film comes from sitting back and enjoying the colourful tale unfold.

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