Synopsis:
The story unfolds as Angelica and Patricia navigate a night of wine, food, and conversation. Patricia’s detached and cold approach to the interaction becomes evident, but Angelica, desperate for connection, overlooks her flaws.
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Review by Parker Jesse Chase:
“BFFR,” a short film written and directed by Erika Apelgren, explores the dynamics of an unlikely friendship through a night of wine, food, and a banter of conversation. Angelica (portrayed by Sharon Gardner) and Patty (portrayed by Apelgren) are significantly dignified as foiled characters; their approaches to life create an intriguing and heartfelt dynamic and narrative.
The film starts by trying to define the connection between Angelica and Patty, two women with distinctly different energies. Angelica, desperate for connection, overlooks Patty’s detached and frivolous demeanor. This contrast keeps the audience guessing about their relationship, leading to a surprising revelation: Patty is a Best Friend For Rent.
Patty’s introduction is memorable: a bright, colorful personality hyping herself up with a swig of Jack Daniels before meeting Angelica. This starkly contrasts with Angelica’s nervous demeanor, sitting quietly in a conservative black 2-pc dress suit. The careful placement of food, the candle lights, and the delicate movements all contribute to the film’s aesthetic and emotional tone.
As they converse, the differences in their views on love and life philosophies become apparent. A moment of tension arises when Patty needs a break and runs to the bathroom, with a humorous moment with bright orange index cards, only to return with renewed determination to support Angelica. The film hints at Angelica’s grief and need for companionship, culminating in a tender moment where Patty asks if she can call her “Angie.” Angelica’s response, revealing her mother’s disdain for nicknames, adds depth to her character and hints at a troubled past.
The concept is both fun and relatable, reflecting a reality where loneliness drives people to seek out companionship in unconventional ways. The script is quick witted yet engaging, with great performances that make you question the nature of their relationship. Are they long-lost friends or mere acquaintances yearning for connection? The story is a commentary on the human need for companionship.
One standout scene features a simple knock-knock joke that highlights the personalities of the two women. The joke, “Knock knock. Orange you glad you didn’t cancel?” brings a light-hearted childlike moment amidst the dimly lit, intimate setting. The lighting and the combination between camera movements and the editing room enhance the dialogue, overall creating a sense of closeness and vulnerability.
“BFFR” is a quick-witted craft of a short film with a strong emotional core. Erika Apelgren’s direction, coupled with Sharon Gardner’s and her own compelling performances, creates a touching story about the human need for connection.
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